Developing principles for research about young women and abortion: a feminist analysis of difficulties in current South African studies
- Authors: Macleod, Catriona I
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:6292 , http://hdl.handle.net/10962/d1014716
- Description: Soon after the first democratic elections in South Africa in 1994, the Choice on Termination of Pregnancy (CTOP) Act of 1996, which legalised abortion for the first time, was passed. Since the introduction of the CTOP, a number of studies have been conducted on abortion in South Africa. Many have taken a health-related focus, but some research on young women and abortion has also been conducted, and it is to this (published) research that this article speaks. Two facts highlight the importance of this kind of research in the context of the abortion debate. Firstly, data from the Department of Health indicate that from 1997 to mid-2006, 12% of women undergoing terminations in the provinces in which age-related data are available were under the age of 18 (Department of Health: 2006). Secondly, the subsection of the Act allowing minors to request abortions without parental consent has caused some controversy. For example, the Christian Lawyers Association filed a suit in the Pretoria High Court in 2003, arguing that the above-mentioned subsection was unconstitutional. Their application was not successful. The research conducted on young women and abortion is etched against a background of change and contradiction in young people’s lives in South Africa. In addition to enabling legislation on termination of pregnancy, which is premised on the rights-based approach of the first democratically elected government of South Africa, various opportunities and challenges define the lives of young women. Specifically in relation to sexual and reproductive health, the Department of Health’s National Adolescent Friendly Clinic Initiative aims to make family planning and other services more accessible and acceptable to young women (Dickson-Tetteh et al., 2001). However,HIV/AIDS and “safe sex” programmes define sex as dangerous and individual young women as responsible for close monitoring of heterosexual spaces. The Child Support Grant, shown to enable functional mothering (Case et al., 2005), has sparked controversy in terms of providing perverse incentives for poor young women to conceive (a claim refuted by the research – Makiwane & Udjo, 2005). Young, black and poor women who conceive are, in particular, stigmatised and teenage pregnancy is in many respects racialised (Macleod & Durrheim, 2002). In this paper I highlight some of the problems in the research conducted on young women and abortion in South Africa since the legalisation of abortion. The specific aim of the paper is, through this analysis, to draw out feminist principles that should be considered in this kind of research. My argument draws on postcolonial feminisms that theorise the multiplicity of oppression along gender and, inter alia, race, class, age and location lines (Macleod, 2006). The paper is premised on the assumption that, in a field as fraught with gendered, race and class politics as abortion, regardless of the method used, researchers need to inspect the ideological implications of their work, and to be vigilant about their scholastic practices, and any claims legitimately made.
- Full Text:
- Date Issued: 2008
- Authors: Macleod, Catriona I
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:6292 , http://hdl.handle.net/10962/d1014716
- Description: Soon after the first democratic elections in South Africa in 1994, the Choice on Termination of Pregnancy (CTOP) Act of 1996, which legalised abortion for the first time, was passed. Since the introduction of the CTOP, a number of studies have been conducted on abortion in South Africa. Many have taken a health-related focus, but some research on young women and abortion has also been conducted, and it is to this (published) research that this article speaks. Two facts highlight the importance of this kind of research in the context of the abortion debate. Firstly, data from the Department of Health indicate that from 1997 to mid-2006, 12% of women undergoing terminations in the provinces in which age-related data are available were under the age of 18 (Department of Health: 2006). Secondly, the subsection of the Act allowing minors to request abortions without parental consent has caused some controversy. For example, the Christian Lawyers Association filed a suit in the Pretoria High Court in 2003, arguing that the above-mentioned subsection was unconstitutional. Their application was not successful. The research conducted on young women and abortion is etched against a background of change and contradiction in young people’s lives in South Africa. In addition to enabling legislation on termination of pregnancy, which is premised on the rights-based approach of the first democratically elected government of South Africa, various opportunities and challenges define the lives of young women. Specifically in relation to sexual and reproductive health, the Department of Health’s National Adolescent Friendly Clinic Initiative aims to make family planning and other services more accessible and acceptable to young women (Dickson-Tetteh et al., 2001). However,HIV/AIDS and “safe sex” programmes define sex as dangerous and individual young women as responsible for close monitoring of heterosexual spaces. The Child Support Grant, shown to enable functional mothering (Case et al., 2005), has sparked controversy in terms of providing perverse incentives for poor young women to conceive (a claim refuted by the research – Makiwane & Udjo, 2005). Young, black and poor women who conceive are, in particular, stigmatised and teenage pregnancy is in many respects racialised (Macleod & Durrheim, 2002). In this paper I highlight some of the problems in the research conducted on young women and abortion in South Africa since the legalisation of abortion. The specific aim of the paper is, through this analysis, to draw out feminist principles that should be considered in this kind of research. My argument draws on postcolonial feminisms that theorise the multiplicity of oppression along gender and, inter alia, race, class, age and location lines (Macleod, 2006). The paper is premised on the assumption that, in a field as fraught with gendered, race and class politics as abortion, regardless of the method used, researchers need to inspect the ideological implications of their work, and to be vigilant about their scholastic practices, and any claims legitimately made.
- Full Text:
- Date Issued: 2008
Written out, writing in : orature in the South African literary canon
- Authors: Seddon, Deborah Ann
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:2263 , http://hdl.handle.net/10962/d1004695
- Description: As described by Duncan Brown, South African orature represents "our truly original contribution to world literature" (Brown, Voicing the Text 1). This paper explores how orature might be successfully 'written into' the South African literary canon whilst promoting recognition of its existence as an oral form. My recent experiences of the difficulties, challenges, and benefits of teaching South African orature within the Rhodes University English department, have alerted me to the urgent need for the creation of a student- and teacher-friendly anthology which would collect, re-voice, and adequately contextualise a selection of the seminal works of South African oral poets from the colonial to the post-apartheid periods. Much of this poetry already exists in print-form but, despite an increasing recognition of oral poetry through a number of endeavours such the Poetry Africa Festival, the Lentswe Poetry Project on SABC 2, the Timbila Poetry Project and others, South African orature remains marginal in the country's literary canon. It is largely absent from the curriculum in the literature departments of its universities. The need to redress this situation is crucial, but the process of setting up and teaching an undergraduate course in South African oral poetry, while possible, is complicated. The works of our most important oral poets are scattered in a variety of books, libraries, and collections. The usual process of drawing up a booklist of set texts is undermined by the stark reality that many of the books are out of print. Fully giving voice to these texts is even harder to achieve - CD and video recordings of performances (if they exist at all) are not easily accessed or disseminated.
- Full Text:
- Date Issued: 2008
- Authors: Seddon, Deborah Ann
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:2263 , http://hdl.handle.net/10962/d1004695
- Description: As described by Duncan Brown, South African orature represents "our truly original contribution to world literature" (Brown, Voicing the Text 1). This paper explores how orature might be successfully 'written into' the South African literary canon whilst promoting recognition of its existence as an oral form. My recent experiences of the difficulties, challenges, and benefits of teaching South African orature within the Rhodes University English department, have alerted me to the urgent need for the creation of a student- and teacher-friendly anthology which would collect, re-voice, and adequately contextualise a selection of the seminal works of South African oral poets from the colonial to the post-apartheid periods. Much of this poetry already exists in print-form but, despite an increasing recognition of oral poetry through a number of endeavours such the Poetry Africa Festival, the Lentswe Poetry Project on SABC 2, the Timbila Poetry Project and others, South African orature remains marginal in the country's literary canon. It is largely absent from the curriculum in the literature departments of its universities. The need to redress this situation is crucial, but the process of setting up and teaching an undergraduate course in South African oral poetry, while possible, is complicated. The works of our most important oral poets are scattered in a variety of books, libraries, and collections. The usual process of drawing up a booklist of set texts is undermined by the stark reality that many of the books are out of print. Fully giving voice to these texts is even harder to achieve - CD and video recordings of performances (if they exist at all) are not easily accessed or disseminated.
- Full Text:
- Date Issued: 2008
- «
- ‹
- 1
- ›
- »