Bollywood Nights: Indian youth and the creation of diasporic identity in South Africa
- Authors: Boshoff, Priscilla A
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/143494 , vital:38251 , DOI: 10.3138/topia.26.29
- Description: Bollywood’s popularity as a global cultural form has occurred at the same time as the valorization of difference in the South African political landscape. As the youngest members of the 19th-century labour diaspora, South African Indian youths are the inheritors of a conservative—yet adaptable—home culture amidst the marginalized identities of (post-)apartheid South Africa. Their desire to create an identity for themselves that encompasses their self-perception both as modern South African subjects and as guardians of their traditional home cultures is achieved through Bollywood, which speaks to its diasporic audiences through images of an idealized traditional yet modern India. While India is not a place of return for these youth, their reactivation of a diasporic identity through Bollywood’s representations of a successful Indian diasporic culture and their participation in South African Bollywood concerts and award ceremonies has provided an opportunity for young South African Indians to reimagine their diasporic Indian identity in ways that (re-)connect them to India and to an imagined global diaspora.
- Full Text:
- Date Issued: 2018
- Authors: Boshoff, Priscilla A
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/143494 , vital:38251 , DOI: 10.3138/topia.26.29
- Description: Bollywood’s popularity as a global cultural form has occurred at the same time as the valorization of difference in the South African political landscape. As the youngest members of the 19th-century labour diaspora, South African Indian youths are the inheritors of a conservative—yet adaptable—home culture amidst the marginalized identities of (post-)apartheid South Africa. Their desire to create an identity for themselves that encompasses their self-perception both as modern South African subjects and as guardians of their traditional home cultures is achieved through Bollywood, which speaks to its diasporic audiences through images of an idealized traditional yet modern India. While India is not a place of return for these youth, their reactivation of a diasporic identity through Bollywood’s representations of a successful Indian diasporic culture and their participation in South African Bollywood concerts and award ceremonies has provided an opportunity for young South African Indians to reimagine their diasporic Indian identity in ways that (re-)connect them to India and to an imagined global diaspora.
- Full Text:
- Date Issued: 2018
Above ground woody community attributes, biomass and carbon stocks along a rainfall gradient in the savannas of the central lowveld, South Africa
- Shackleton, Charlie M, Scholes, Robert J
- Authors: Shackleton, Charlie M , Scholes, Robert J
- Date: 2011
- Language: English
- Type: Article
- Identifier: vital:6658 , http://hdl.handle.net/10962/d1007079
- Description: Enumeration of carbon stocks at benchmark sites is a necessary activity in assessing the potential carbon sequestration and possible generation of credits through restoration of intensively impacted sites. However, there is a lack of empirical studies throughout much of the savannas of sub-Saharan Africa, including South Africa. We report an estimation of species specific and site biomass and carbon stocks, and general vegetation structural attributes from three protected areas along a rainfall gradient in the central lowveld, South Africa. Estimates of biomass and carbon stocks were effected through destructive sampling to establish locally derived allometric equations. There was a gradient of increasing woody density, height of the canopy, number of species, density of regenerative stems and a greater proportion of stems in small size classes from the arid locality to the mesic locality, with the semi-arid locality being intermediate. The proportion of spinescent species decreased with increasing rainfall. The mesic locality was significantly more woody than either the arid or semi-arid sites, having double the biomass, four times the density and 40% higher basal area. Above ground carbon pools were also higher; carbon stocks were approximately 9 t/ha for the arid and semi-arid sites and 18 t/ha for the mesic site.
- Full Text:
- Date Issued: 2011
- Authors: Shackleton, Charlie M , Scholes, Robert J
- Date: 2011
- Language: English
- Type: Article
- Identifier: vital:6658 , http://hdl.handle.net/10962/d1007079
- Description: Enumeration of carbon stocks at benchmark sites is a necessary activity in assessing the potential carbon sequestration and possible generation of credits through restoration of intensively impacted sites. However, there is a lack of empirical studies throughout much of the savannas of sub-Saharan Africa, including South Africa. We report an estimation of species specific and site biomass and carbon stocks, and general vegetation structural attributes from three protected areas along a rainfall gradient in the central lowveld, South Africa. Estimates of biomass and carbon stocks were effected through destructive sampling to establish locally derived allometric equations. There was a gradient of increasing woody density, height of the canopy, number of species, density of regenerative stems and a greater proportion of stems in small size classes from the arid locality to the mesic locality, with the semi-arid locality being intermediate. The proportion of spinescent species decreased with increasing rainfall. The mesic locality was significantly more woody than either the arid or semi-arid sites, having double the biomass, four times the density and 40% higher basal area. Above ground carbon pools were also higher; carbon stocks were approximately 9 t/ha for the arid and semi-arid sites and 18 t/ha for the mesic site.
- Full Text:
- Date Issued: 2011
Elephants, compassion, and the largesse of literature
- Authors: Wylie, Dan
- Date: 2011
- Language: English
- Type: Text
- Identifier: vital:582 , http://hdl.handle.net/10962/d1018924
- Description: [From the text] Why is it that we do not raise a monument, a mausoleum, nor even a humble gravestone, to mark the death of every elephant? We habitually, even compulsively, do this for other humans, occasionally for treasured pets. Yet we do not do it for the most charismatic, gigantic, culturally resonant land animal we will ever encounter. Why not? Some possible answers. One: too much work. Another: we regard other animals as less conscious than ourselves; we are the only creatures who deserve to have our deaths so commemorated. A third: wild animals are part of wild ecosystems; it is ‘natural’ for them to die and to be reabsorbed namelessly back into those ecosystems. We humans, on the other hand, consider ourselves somehow separate from those ecosystems: we shield ourselves from ‘Nature’ with bricks and literatures while we live, with marble and epitaphs after we die.
- Full Text:
- Date Issued: 2011
- Authors: Wylie, Dan
- Date: 2011
- Language: English
- Type: Text
- Identifier: vital:582 , http://hdl.handle.net/10962/d1018924
- Description: [From the text] Why is it that we do not raise a monument, a mausoleum, nor even a humble gravestone, to mark the death of every elephant? We habitually, even compulsively, do this for other humans, occasionally for treasured pets. Yet we do not do it for the most charismatic, gigantic, culturally resonant land animal we will ever encounter. Why not? Some possible answers. One: too much work. Another: we regard other animals as less conscious than ourselves; we are the only creatures who deserve to have our deaths so commemorated. A third: wild animals are part of wild ecosystems; it is ‘natural’ for them to die and to be reabsorbed namelessly back into those ecosystems. We humans, on the other hand, consider ourselves somehow separate from those ecosystems: we shield ourselves from ‘Nature’ with bricks and literatures while we live, with marble and epitaphs after we die.
- Full Text:
- Date Issued: 2011
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