Analysis of strategies for an effective Supply Chain Management Policy Framework in the Department of Economic Development, Environmental Affairs and Tourism in the Eastern Cape, South Africa.
- Authors: Balman, Vuyani Brian
- Date: 2019
- Subjects: Industrial procurement -- Management Business logistics
- Language: English
- Type: Thesis , Masters , MBA
- Identifier: http://hdl.handle.net/10948/36299 , vital:33918
- Description: After the 1994 general elections, the government realised the importance of efficient and effective financial management and public sector procurement for the rebuilding of South Africa. This was done by embarking on a major review of its financial and supply chain management systems. The financial and supply chain management systems operate in an ever-changing environment, and that requires that these systems are fit for purpose. Supply Chain Management is one of the cornerstones for the performance of any organisation or company. Section 217 (3) of the Constitution of the Republic of South Africa requires organs of state irrespective of whether they are at National, Provincial or Local government level to apply a procurement system which is fair, equitable, transparent, competitive and cost-effective when contracting for goods and services. The Constitution also attempts to protect and advance persons disadvantaged by unfair discrimination. Supply Chain Management has met an ever-increasing interest over the past decade. This interest comes from within the industry due to the huge amounts involved in procurement and the supply chain value creation. Every society strives to be in a state where every need is available and every citizen has what he/she requires to be able to leave a fulfilled life. In order to meet the needs of societies, member of the society carry out economic activities. The public procurement practice and systems have been acclaimed, based on empirical evidence, as the best means of guaranteeing the provision of public goods to the Citizens and public expenditure management.
- Full Text: false
- Date Issued: 2019
- Authors: Balman, Vuyani Brian
- Date: 2019
- Subjects: Industrial procurement -- Management Business logistics
- Language: English
- Type: Thesis , Masters , MBA
- Identifier: http://hdl.handle.net/10948/36299 , vital:33918
- Description: After the 1994 general elections, the government realised the importance of efficient and effective financial management and public sector procurement for the rebuilding of South Africa. This was done by embarking on a major review of its financial and supply chain management systems. The financial and supply chain management systems operate in an ever-changing environment, and that requires that these systems are fit for purpose. Supply Chain Management is one of the cornerstones for the performance of any organisation or company. Section 217 (3) of the Constitution of the Republic of South Africa requires organs of state irrespective of whether they are at National, Provincial or Local government level to apply a procurement system which is fair, equitable, transparent, competitive and cost-effective when contracting for goods and services. The Constitution also attempts to protect and advance persons disadvantaged by unfair discrimination. Supply Chain Management has met an ever-increasing interest over the past decade. This interest comes from within the industry due to the huge amounts involved in procurement and the supply chain value creation. Every society strives to be in a state where every need is available and every citizen has what he/she requires to be able to leave a fulfilled life. In order to meet the needs of societies, member of the society carry out economic activities. The public procurement practice and systems have been acclaimed, based on empirical evidence, as the best means of guaranteeing the provision of public goods to the Citizens and public expenditure management.
- Full Text: false
- Date Issued: 2019
Nostalgia in reimagining the past: the subjectivity of memory in the representation of history. a textual analysis of Rehad Desai's documentary films
- Authors: Dlamini, Philani Vincent
- Date: 2019
- Subjects: Documentary films
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/44591 , vital:38159
- Description: South Africa occupies a unique space in terms of the decolonization of the continent of Africa. While massive projects of decolonization where happening across the continent, South Africa was subjected to a conservative and racialised project of segregation. This arrested development makes for an interesting anachronism in South Africa as disconcerting “ThirdWorld” and “First-World” economies emerged creating an anomalous temporality. I was born just a month before the inimitable Ruth First was unceremoniously assassinated in Mozambique in 1982. While further South, one of the most underreported conflicts of apartheid South Africa was in its nascent stages no further than a kilometer away from my house. I am referring of course to the violent clashes between factions of both the Inkatha Freedom Party (IFP) and the African National Congress (ANC), played in the men’s hostel of the third largest township in the country, Umlazi, South of Durban. These would only come to have meaning to me later, when I was at university. I mention these cultural and perhaps socio-political artefacts in so far as they relate to the kind of environment that lead to this research enquiry. Which is to say that as social beings, we are in fact products of the things that affect the social environment that we exist in. This is not a new idea. What is particularly interesting for this enquiry is the eclecticism of the emblems that survive to shapes one’s own identity and perception of the world around them. Within the above stated mini-biography lies a complex matrix of emotions and extrapolated meanings mediated through a conflicted and negotiated understanding of what the social history of South Africa meant for my own personal history. This paper is an attempt to think through articulations of time as they are constituted by future-orientated subjectivities extending back to varied pasts. It does so by exploring a recent work of black South African self-writing, Jacob Dlamini’s Native Nostalgia (2009). Considering the text’s treatment of time, I argue that porous conceptions of temporality open up possibilities for self-enunciation. What Paul Gilroy has described as “the signs of sameness” (2000, 101). Meaning that these could be quantified and as such researchable and in fact applied across various cultural texts (including but not limited to film). The body of work from South African documentary filmmaker Rehad Desai provides an interesting case study to examine Jacob Dlamini’s thematic pre-occupations with nostalgia. Nostalgia here is used to see if such pre-occupations can be applied to a filmic body of work. Desai’s body of work is interesting to this enquiry because it almost exclusively deals with the temporalities of South Africa as “refracted through the prism of the past”. By this I mean Desai through his work appears to reflect on South Africa’s storied past as it affects current happenings. It is the intention of this paper to argue that Desai deals with his subject (the evolution of the South African political landscape) in similar terms to the way Jacob Dlamini explores the notion of reflective nostalgia.
- Full Text:
- Date Issued: 2019
- Authors: Dlamini, Philani Vincent
- Date: 2019
- Subjects: Documentary films
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/44591 , vital:38159
- Description: South Africa occupies a unique space in terms of the decolonization of the continent of Africa. While massive projects of decolonization where happening across the continent, South Africa was subjected to a conservative and racialised project of segregation. This arrested development makes for an interesting anachronism in South Africa as disconcerting “ThirdWorld” and “First-World” economies emerged creating an anomalous temporality. I was born just a month before the inimitable Ruth First was unceremoniously assassinated in Mozambique in 1982. While further South, one of the most underreported conflicts of apartheid South Africa was in its nascent stages no further than a kilometer away from my house. I am referring of course to the violent clashes between factions of both the Inkatha Freedom Party (IFP) and the African National Congress (ANC), played in the men’s hostel of the third largest township in the country, Umlazi, South of Durban. These would only come to have meaning to me later, when I was at university. I mention these cultural and perhaps socio-political artefacts in so far as they relate to the kind of environment that lead to this research enquiry. Which is to say that as social beings, we are in fact products of the things that affect the social environment that we exist in. This is not a new idea. What is particularly interesting for this enquiry is the eclecticism of the emblems that survive to shapes one’s own identity and perception of the world around them. Within the above stated mini-biography lies a complex matrix of emotions and extrapolated meanings mediated through a conflicted and negotiated understanding of what the social history of South Africa meant for my own personal history. This paper is an attempt to think through articulations of time as they are constituted by future-orientated subjectivities extending back to varied pasts. It does so by exploring a recent work of black South African self-writing, Jacob Dlamini’s Native Nostalgia (2009). Considering the text’s treatment of time, I argue that porous conceptions of temporality open up possibilities for self-enunciation. What Paul Gilroy has described as “the signs of sameness” (2000, 101). Meaning that these could be quantified and as such researchable and in fact applied across various cultural texts (including but not limited to film). The body of work from South African documentary filmmaker Rehad Desai provides an interesting case study to examine Jacob Dlamini’s thematic pre-occupations with nostalgia. Nostalgia here is used to see if such pre-occupations can be applied to a filmic body of work. Desai’s body of work is interesting to this enquiry because it almost exclusively deals with the temporalities of South Africa as “refracted through the prism of the past”. By this I mean Desai through his work appears to reflect on South Africa’s storied past as it affects current happenings. It is the intention of this paper to argue that Desai deals with his subject (the evolution of the South African political landscape) in similar terms to the way Jacob Dlamini explores the notion of reflective nostalgia.
- Full Text:
- Date Issued: 2019
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