"Ba Machi Bwanga." (Girl's name)
- Composer not specified, Hugh Tracey
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134331 , vital:37123
- Description: The singer calls his girl Machi Bwanga and the other women, including the mother of Changwe, to come and help him to sing.
- Full Text: false
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134331 , vital:37123
- Description: The singer calls his girl Machi Bwanga and the other women, including the mother of Changwe, to come and help him to sing.
- Full Text: false
"Baberita babakana babasangule apumbu." (Babarita has been rejected and they have made a fool of her)
- Composer not specified, Hugh Tracey
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134340 , vital:37124
- Description: Self-delectative song with Kankowele x 8, fan shaped mbira, with external resonator and mirliton.
- Full Text: false
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134340 , vital:37124
- Description: Self-delectative song with Kankowele x 8, fan shaped mbira, with external resonator and mirliton.
- Full Text: false
"Bwalwa bwa chiwowo." (Beer not drunk in peace.)
- Composer not specified, Hugh Tracey
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134313 , vital:37120
- Description: "This beer is for the people, the Kaonde, the Lamba and the Nsenga." The people who use magic are worrying me at my house. I must go to the diviner to find out who it is. Why are you standing there at the door? Come in and do not stay outside."
- Full Text: false
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134313 , vital:37120
- Description: "This beer is for the people, the Kaonde, the Lamba and the Nsenga." The people who use magic are worrying me at my house. I must go to the diviner to find out who it is. Why are you standing there at the door? Come in and do not stay outside."
- Full Text: false
"Cilelensuma." (The sun set)
- Composer not specified, Hugh Tracey
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134322 , vital:37121
- Description: Self-delectative song with Kankowele x 8, fan shaped mbira, with external resonator and piece of glass tapped with metal.
- Full Text: false
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134322 , vital:37121
- Description: Self-delectative song with Kankowele x 8, fan shaped mbira, with external resonator and piece of glass tapped with metal.
- Full Text: false
"Ilanga lacona." (The sun set)
- Composer not specified, Hugh Tracey
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134349 , vital:37125
- Description: The song is taken from the old well-known tune from S. Rhodesia ("Ilanga lashona."), which first become popular as a guitar song in Bulawayo. The cowboy, he sings, puts on a large hat as a sign of strenght.
- Full Text: false
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134349 , vital:37125
- Description: The song is taken from the old well-known tune from S. Rhodesia ("Ilanga lashona."), which first become popular as a guitar song in Bulawayo. The cowboy, he sings, puts on a large hat as a sign of strenght.
- Full Text: false
"Kulilandile." (Crying)
- M. Kunda (Composer), Hugh Tracey
- Authors: M. Kunda (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134286 , vital:37115
- Description: "Wana Mtale, I am crying for my wife whom I have lost. She has gone away and not returned."
- Full Text: false
- Authors: M. Kunda (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134286 , vital:37115
- Description: "Wana Mtale, I am crying for my wife whom I have lost. She has gone away and not returned."
- Full Text: false
"Lefatse le tletse meea e mebe." (Take this letter home.)
- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey
- Authors: Two diviners (Izangoma) and a group of pupils (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Divination
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134259 , vital:37108
- Description: This song is sung when the initiates are coming back from their three months' initiation period in the mountains.
- Full Text: false
- Authors: Two diviners (Izangoma) and a group of pupils (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Divination
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134259 , vital:37108
- Description: This song is sung when the initiates are coming back from their three months' initiation period in the mountains.
- Full Text: false
"Lefatse le tletse meea e mebe." (The country is full of evil spirits)
- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey
- Authors: Two diviners (Izangoma) and a group of pupils (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Divination
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134268 , vital:37109
- Description: The Izangoma were supposed to be finding and throwing a "spirit" out of someone who had been bewitched. At the end of the recording, one member of the audience remarked:- "There is no tokolosh (imp) here." Much laughter. The words were partly in Zulu, although the perfomers were actually Sotho.
- Full Text: false
- Authors: Two diviners (Izangoma) and a group of pupils (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Divination
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134268 , vital:37109
- Description: The Izangoma were supposed to be finding and throwing a "spirit" out of someone who had been bewitched. At the end of the recording, one member of the audience remarked:- "There is no tokolosh (imp) here." Much laughter. The words were partly in Zulu, although the perfomers were actually Sotho.
- Full Text: false
"Litsebe nka lengolo y ec hae." (Take this letter home)
- Group of Sotho men (Performers), Composer not specified, Hugh Tracey
- Authors: Group of Sotho men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Circumcision
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134277 , vital:37111
- Description: This song is sung when the initiates are coming back from their three month's initiation period in the mountains.
- Full Text: false
- Authors: Group of Sotho men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Circumcision
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134277 , vital:37111
- Description: This song is sung when the initiates are coming back from their three month's initiation period in the mountains.
- Full Text: false
"Luwalo-o-iuwale." (Start, o start the song)
- Composer not specified, Hugh Tracey
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134304 , vital:37118
- Description: "What are we doing? The White men have come. Their tents are over there beyond the Chiwombo river." This was first sung long ago, they say, when the Whites first came to their country about 1900, or a little earlier.
- Full Text: false
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134304 , vital:37118
- Description: "What are we doing? The White men have come. Their tents are over there beyond the Chiwombo river." This was first sung long ago, they say, when the Whites first came to their country about 1900, or a little earlier.
- Full Text: false
"Nandi ubeya Kumikoti." (I too am a recruit for the copper belt"
- Group of 6 Aushi men and Edward Shoni., Hugh Tracey
- Authors: Group of 6 Aushi men and Edward Shoni. , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134367 , vital:37134
- Description: The song says: "I lived for a long time in the country and then decided to come and work on the copper belt. And I was terribly frightened and afraid of everything to bein with." Song to celebrate the depature of a boy to the copper belt.
- Full Text: false
- Authors: Group of 6 Aushi men and Edward Shoni. , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia)
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134367 , vital:37134
- Description: The song says: "I lived for a long time in the country and then decided to come and work on the copper belt. And I was terribly frightened and afraid of everything to bein with." Song to celebrate the depature of a boy to the copper belt.
- Full Text: false
"Nina Namusonda Sanguweji." (The girl Namusonda Sanguweji)
- M. Kunda (Composer), Hugh Tracey
- Authors: M. Kunda (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Love songs
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134295 , vital:37116
- Description: "There is no one in the world who is lovlier than my girl Namusonda Sanguweji."
- Full Text: false
- Authors: M. Kunda (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Love songs
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134295 , vital:37116
- Description: "There is no one in the world who is lovlier than my girl Namusonda Sanguweji."
- Full Text: false
(A)Kankukhu (The Chicken) (B) Kaposi Kapila (One, two) (C) Thu njeketu (I have walked with my sister)
- Young Chewa girls and boys, Hugh Tracey
- Authors: Young Chewa girls and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153311 , vital:39434
- Description: These are traditional children's verses whose meaning is obsecure as, it is believed, they are composite collections of odd lines. But the words sound well and so have survied. a) "The small chicken is angry. You have refused me everything. You have made me cross. It is enough to make me leave you" says the small chicken. b) A counting jingle. c) "I have walked with my sister. I have forgotten my bow and arrows. Go fetch them for me. Why have I given them to someone else (The sister replies) "Shall I brew you some beer? (Reply) "I don't drink beer." Children's verses.
- Full Text: false
- Authors: Young Chewa girls and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153311 , vital:39434
- Description: These are traditional children's verses whose meaning is obsecure as, it is believed, they are composite collections of odd lines. But the words sound well and so have survied. a) "The small chicken is angry. You have refused me everything. You have made me cross. It is enough to make me leave you" says the small chicken. b) A counting jingle. c) "I have walked with my sister. I have forgotten my bow and arrows. Go fetch them for me. Why have I given them to someone else (The sister replies) "Shall I brew you some beer? (Reply) "I don't drink beer." Children's verses.
- Full Text: false
A Baiwelu (The story of the foolish young man 'Baiwelu')
- Four Chewa lads, Hugh Tracey
- Authors: Four Chewa lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153864 , vital:39531
- Description: There was once a man who wanted to get married and he found two sisters. He asked the elder on to marry him and she agreed. But when he came back the next day the elder sister was not at home and he asked the younger sister to marry him instead. She said, "What about my elder sister, and what would we do with her?" The elder sister heard about the proposal to the younger sister, she cooked food, put poison in it and gave it to the young man so he died. When they were taking his body to the grave they sang this song: "Baiwelu, you were killed by Berita (the name of the elder sister). But when they sang this song the dead Bauwelu heard it and became alive again." Story with song "Ntano" with clapping.
- Full Text: false
- Authors: Four Chewa lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153864 , vital:39531
- Description: There was once a man who wanted to get married and he found two sisters. He asked the elder on to marry him and she agreed. But when he came back the next day the elder sister was not at home and he asked the younger sister to marry him instead. She said, "What about my elder sister, and what would we do with her?" The elder sister heard about the proposal to the younger sister, she cooked food, put poison in it and gave it to the young man so he died. When they were taking his body to the grave they sang this song: "Baiwelu, you were killed by Berita (the name of the elder sister). But when they sang this song the dead Bauwelu heard it and became alive again." Story with song "Ntano" with clapping.
- Full Text: false
A Lomwe tasiyane (Lomwe go away)
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153518 , vital:39461
- Description: "You Lomwe man, go away from me! Let another come and marry me especially a man who wears an elastic belt." The significance of the elsatic belt was not explained, except to say that only 'rich' men could afford elastic. The song is about a certain Lomwe man, her husband, who, she sings is very poor and dressed only in rags which fall to pieces if you try to sew them up on the sewing machine. "Let me go and marry another man who does not have so many patches on his trousers which break the sewing machine." During the item the sound of the winnowing of bran from the corn in a sieve can be heard. Pounding song with pestle and mortar.
- Full Text: false
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153518 , vital:39461
- Description: "You Lomwe man, go away from me! Let another come and marry me especially a man who wears an elastic belt." The significance of the elsatic belt was not explained, except to say that only 'rich' men could afford elastic. The song is about a certain Lomwe man, her husband, who, she sings is very poor and dressed only in rags which fall to pieces if you try to sew them up on the sewing machine. "Let me go and marry another man who does not have so many patches on his trousers which break the sewing machine." During the item the sound of the winnowing of bran from the corn in a sieve can be heard. Pounding song with pestle and mortar.
- Full Text: false
A lona le utse le ithuta dithuto tseo tsa lona (Are you going on with your lessons)
- Mapidio Elisabeth Mothulwe and Kgatla women, Hugh Tracey
- Authors: Mapidio Elisabeth Mothulwe and Kgatla women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165960 , vital:41301
- Description: Chief: "Are you going on with those lessons of yours, Kgabo 9monkey)? show them to me." Children: "Here they are, here they are." Chief: "Show them to me." Children: "Here they are, here they are." This is believed to be a very old song taught in the early days of the church when the Chief would come round asking the children if they were learning their lessons properly. The Dutch Reformed Church was first established in this village in 1864. Morality song.
- Full Text: false
- Authors: Mapidio Elisabeth Mothulwe and Kgatla women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165960 , vital:41301
- Description: Chief: "Are you going on with those lessons of yours, Kgabo 9monkey)? show them to me." Children: "Here they are, here they are." Chief: "Show them to me." Children: "Here they are, here they are." This is believed to be a very old song taught in the early days of the church when the Chief would come round asking the children if they were learning their lessons properly. The Dutch Reformed Church was first established in this village in 1864. Morality song.
- Full Text: false
A m'bwalo (Unmarried boys)
- Authors: Small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160061 , vital:40377
- Description: The boys go around at night in a group to tease the girls by standing outside their huts, pulling out their sleeping mats and generally making nuisances of themselves, so it was explained. "Unmarried boys "teka-teka" they break the mats. They mock and they do not get fat. Shaking the mats. We will report them to the elders, for breaking our mats." Girls song with clapping.
- Full Text: false
- Authors: Small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160061 , vital:40377
- Description: The boys go around at night in a group to tease the girls by standing outside their huts, pulling out their sleeping mats and generally making nuisances of themselves, so it was explained. "Unmarried boys "teka-teka" they break the mats. They mock and they do not get fat. Shaking the mats. We will report them to the elders, for breaking our mats." Girls song with clapping.
- Full Text: false
A Mama dyelawe (Mother what greed)
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153464 , vital:39455
- Description: "Oh, Mother, what greed! The husband with many wives, what greed! He says, close the door, Go to your elder sister. I have resented it, Mama, aye. That is him. The husband likes to eat by himself without his wives or family whom he sends off to eat with others while he feeds alone greedily. Pounding song with pestle and mortar.
- Full Text: false
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153464 , vital:39455
- Description: "Oh, Mother, what greed! The husband with many wives, what greed! He says, close the door, Go to your elder sister. I have resented it, Mama, aye. That is him. The husband likes to eat by himself without his wives or family whom he sends off to eat with others while he feeds alone greedily. Pounding song with pestle and mortar.
- Full Text: false
A Mdoka (Mdoka and the bee sting)
- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156225 , vital:39964
- Description: Some young men came to see the chief who asked each in turn how their homes were. They said they were all alright except for Mdoka who had been stung by a bee on his lips. This gave rise to a song about his misfortune. The others also told the chief their stories including one about the fish they were catching and he sang a canoe song "Kanye Kanye madoda, Kanye kanye haiye." 'A' before a name is the local honorific equivalent of Mister. Story song with clapping.
- Full Text: false
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156225 , vital:39964
- Description: Some young men came to see the chief who asked each in turn how their homes were. They said they were all alright except for Mdoka who had been stung by a bee on his lips. This gave rise to a song about his misfortune. The others also told the chief their stories including one about the fish they were catching and he sang a canoe song "Kanye Kanye madoda, Kanye kanye haiye." 'A' before a name is the local honorific equivalent of Mister. Story song with clapping.
- Full Text: false
A Namageli
- Faresi Gama and Nadiesi Namulinde, Hugh Tracey
- Authors: Faresi Gama and Nadiesi Namulinde , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153482 , vital:39457
- Description: A Namageli, the woman, waas called to Chief Masura's court and while in the court she gave to her child. She had been asked to expalin how she had obtained her child in the absence of her husband in Salisbury, Southern Rhodesia. The dramatic appearance of the child at the moment of investigations was a cause of merriment to all concerned. Pounding song with pestle and mortar.
- Full Text: false
- Authors: Faresi Gama and Nadiesi Namulinde , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153482 , vital:39457
- Description: A Namageli, the woman, waas called to Chief Masura's court and while in the court she gave to her child. She had been asked to expalin how she had obtained her child in the absence of her husband in Salisbury, Southern Rhodesia. The dramatic appearance of the child at the moment of investigations was a cause of merriment to all concerned. Pounding song with pestle and mortar.
- Full Text: false