The development of a co-ordinated communication campaign to enhance participation in netball: applicable to schools in Port Elizabeth
- Authors: Opperman, Ansu
- Date: 2017
- Subjects: Sports -- Public relations -- South Africa -- Port Elizabeth Communication in sports -- South Africa -- Port Elizabeth , Mass media and sports -- South Africa -- Port Elizabeth School sports -- South Africa -- Port Elizabeth -- Communication
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/19828 , vital:28977
- Description: Public relations play an intricate role in communication development strategies within sport, especially netball. The objective of the research is to create a communication campaign incorporated in a public relations programme in aid of the development of netball in Port Elizabeth schools. The significance of the research is to create an understanding of the challenges faced by the learners to participate in netball and to develop the sport. The development of players at a young age is not up to standard when compared to countries where netball is already a professional sport. There is a lack of communication between the different stakeholders, namely the players, coaches and external publics. Qualitative research methods were implemented where primary and secondary data was used to conduct the research. Focus groups were utilised to gather primary data from netball players and coaches. These interviews proved that communication gaps do exist between the different stakeholders of school and netball. An introduction about netball will be discussed. Literature about public relations and communication will be presented. The research methodology will be presenting the research design and research methods used to conduct the research. Characteristics of the schools used in the interviews will be discussed. The research analysis, findings and discussions will present a guideline to be implemented by schools to enhance communication and therefore help develop netball. The research will then be concluded and summarised. Limitations to the study will be discussed as well as recommendations for further study on the topic. Communication plays an important role when trying to build mutual beneficial relationships between the various stakeholders. The results in this research bring to the conclusion that effective communication is needed to enhance and develop netball to ultimately become a professional sport.
- Full Text:
- Date Issued: 2017
- Authors: Opperman, Ansu
- Date: 2017
- Subjects: Sports -- Public relations -- South Africa -- Port Elizabeth Communication in sports -- South Africa -- Port Elizabeth , Mass media and sports -- South Africa -- Port Elizabeth School sports -- South Africa -- Port Elizabeth -- Communication
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/19828 , vital:28977
- Description: Public relations play an intricate role in communication development strategies within sport, especially netball. The objective of the research is to create a communication campaign incorporated in a public relations programme in aid of the development of netball in Port Elizabeth schools. The significance of the research is to create an understanding of the challenges faced by the learners to participate in netball and to develop the sport. The development of players at a young age is not up to standard when compared to countries where netball is already a professional sport. There is a lack of communication between the different stakeholders, namely the players, coaches and external publics. Qualitative research methods were implemented where primary and secondary data was used to conduct the research. Focus groups were utilised to gather primary data from netball players and coaches. These interviews proved that communication gaps do exist between the different stakeholders of school and netball. An introduction about netball will be discussed. Literature about public relations and communication will be presented. The research methodology will be presenting the research design and research methods used to conduct the research. Characteristics of the schools used in the interviews will be discussed. The research analysis, findings and discussions will present a guideline to be implemented by schools to enhance communication and therefore help develop netball. The research will then be concluded and summarised. Limitations to the study will be discussed as well as recommendations for further study on the topic. Communication plays an important role when trying to build mutual beneficial relationships between the various stakeholders. The results in this research bring to the conclusion that effective communication is needed to enhance and develop netball to ultimately become a professional sport.
- Full Text:
- Date Issued: 2017
Designing devotion: the visual mechanisms used to build a personality cult
- Authors: Muller, Ruehl
- Date: 2018
- Subjects: Design -- Social aspects , Design -- Human factors Communication in design Graphic arts
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/22968 , vital:30158
- Description: This study develops a model that aims to prove that, regardless of sociopolitical system, where a cult of personality exists, the mechanisms that are used to construct it and to maintain it, from a visual communication perspective, exhibit a methodological sameness. Drawing on Collins’ (2004) theory of emotional energy and interaction rituals, and Márquez’s (2013; 2017) application of said theory as an explanation of the personality cult phenomenon, the model seeks to identify, with regard to affectiveemotional constructions, what is required from leader-based foci to initiate this process. To achieve this, artefacts (visual representations) of Kim Jongil, Ayatollah Khomeini, King Mswati III, and Saparmurat Niyazov and Gurbanguly Berdimuhamedow were collated from within North Korea, Iran, Swaziland and Turkmenistan respectively. Analyses of both the design and semiotic components of the artefacts were conducted and the findings used to develop the model. The model was tested through four unique case studies of personality cults not affiliated with its construction.
- Full Text:
- Date Issued: 2018
- Authors: Muller, Ruehl
- Date: 2018
- Subjects: Design -- Social aspects , Design -- Human factors Communication in design Graphic arts
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/22968 , vital:30158
- Description: This study develops a model that aims to prove that, regardless of sociopolitical system, where a cult of personality exists, the mechanisms that are used to construct it and to maintain it, from a visual communication perspective, exhibit a methodological sameness. Drawing on Collins’ (2004) theory of emotional energy and interaction rituals, and Márquez’s (2013; 2017) application of said theory as an explanation of the personality cult phenomenon, the model seeks to identify, with regard to affectiveemotional constructions, what is required from leader-based foci to initiate this process. To achieve this, artefacts (visual representations) of Kim Jongil, Ayatollah Khomeini, King Mswati III, and Saparmurat Niyazov and Gurbanguly Berdimuhamedow were collated from within North Korea, Iran, Swaziland and Turkmenistan respectively. Analyses of both the design and semiotic components of the artefacts were conducted and the findings used to develop the model. The model was tested through four unique case studies of personality cults not affiliated with its construction.
- Full Text:
- Date Issued: 2018
An analysis of selected cartoons published during Zimbabwe's 2008 elections
- Authors: Mushohwe, Knowledge
- Date: 2011
- Subjects: Zimbabwe. Parliament -- Elections, 2008 , World politics Caricatures and cartoons , Editorial cartoons -- Zimbabwe , Zimbabwe -- Politics and government -- 20th century , Mass media -- Law and legislation -- Zimbabwe , Freedom of speech -- Zimbabwe
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8493 , http://hdl.handle.net/10948/1609 , Zimbabwe. Parliament -- Elections, 2008 , World politics Caricatures and cartoons , Editorial cartoons -- Zimbabwe , Zimbabwe -- Politics and government -- 20th century , Mass media -- Law and legislation -- Zimbabwe , Freedom of speech -- Zimbabwe
- Description: During Zimbabwe’s 2008 harmonised elections the country’s media laws had a direct impact on the way editorial cartoonists expressed themselves. Although the online newspapers were unregulated and the print media published under Zimbabwe’s media laws, Public Order and Security Act and Access to Information and Protection of Privacy act - the editorial cartoons from both sources show deliberate bias towards one candidate and contempt towards the main rival. The study contextualises the understanding of the editorial cartoon, as practised in an environment of freedom of speech and defined by the four categories identified by Press (1981) and Manning and Phiddian (2004), and delineates the effect of media laws on the newspaper industry in Zimbabwe. The four categories of editorial cartoons identified are descriptive editorial cartoons, laughing satirical editorial cartoons, destructive satirical editorial cartoons, and savage indignation editorial cartoons. The study reviews eight editorial cartoons, read using a semiotic framework investigating non-verbal communication, as defined and suggested by Du Plooy (1996), and a text and language grid, as suggested by Leech (1974), according to the criteria of symbols/metaphors, exaggeration/distortion, stereotypes, caricature, irony, captions, and background knowledge, as developed by Fetsko (2001). A comparative analysis of the cartoons reveals that objectives and functions of the unregulated zimonline.co.za and the regulated the Herald newspapers are the same. They constitute propagandistic representations of Zimbabwean politics that are more an extension of political ideology than they are a reflection of the country’s sociopolitical landscape.
- Full Text:
- Date Issued: 2011
- Authors: Mushohwe, Knowledge
- Date: 2011
- Subjects: Zimbabwe. Parliament -- Elections, 2008 , World politics Caricatures and cartoons , Editorial cartoons -- Zimbabwe , Zimbabwe -- Politics and government -- 20th century , Mass media -- Law and legislation -- Zimbabwe , Freedom of speech -- Zimbabwe
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8493 , http://hdl.handle.net/10948/1609 , Zimbabwe. Parliament -- Elections, 2008 , World politics Caricatures and cartoons , Editorial cartoons -- Zimbabwe , Zimbabwe -- Politics and government -- 20th century , Mass media -- Law and legislation -- Zimbabwe , Freedom of speech -- Zimbabwe
- Description: During Zimbabwe’s 2008 harmonised elections the country’s media laws had a direct impact on the way editorial cartoonists expressed themselves. Although the online newspapers were unregulated and the print media published under Zimbabwe’s media laws, Public Order and Security Act and Access to Information and Protection of Privacy act - the editorial cartoons from both sources show deliberate bias towards one candidate and contempt towards the main rival. The study contextualises the understanding of the editorial cartoon, as practised in an environment of freedom of speech and defined by the four categories identified by Press (1981) and Manning and Phiddian (2004), and delineates the effect of media laws on the newspaper industry in Zimbabwe. The four categories of editorial cartoons identified are descriptive editorial cartoons, laughing satirical editorial cartoons, destructive satirical editorial cartoons, and savage indignation editorial cartoons. The study reviews eight editorial cartoons, read using a semiotic framework investigating non-verbal communication, as defined and suggested by Du Plooy (1996), and a text and language grid, as suggested by Leech (1974), according to the criteria of symbols/metaphors, exaggeration/distortion, stereotypes, caricature, irony, captions, and background knowledge, as developed by Fetsko (2001). A comparative analysis of the cartoons reveals that objectives and functions of the unregulated zimonline.co.za and the regulated the Herald newspapers are the same. They constitute propagandistic representations of Zimbabwean politics that are more an extension of political ideology than they are a reflection of the country’s sociopolitical landscape.
- Full Text:
- Date Issued: 2011
The use of photography as a vehicle for socio-cultural commentary on the stigmatisation of albinism in sub-Saharan Africa
- Authors: Pragnell, Robyn Monica
- Date: 2018
- Subjects: Photography -- Social aspects , Photography -- Digital techniques Photography -- Research Photography -- Africa Three-dimensional display systems
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/22541 , vital:29998
- Description: This study provides an investigation into the current transition socio-culturally concerned photographers are making from traditional two-dimensional flat imagery, towards three-dimensional materiality based photographic installation artworks. According to Dr. Gillian Rose (2016), larger society is found to be in a state of oculacentrism, where vision and visuals are central to contemporary every day experience, resulting in the medium of photographic expression not being used and experienced by the average person as an art medium at all. So much so that these traditional photographic forms of visual communications have found a decline in visual engagement and subsequently visual impact. In an attempt to combat this change in the relationship between photographic imagery and audiences, select socio-cultural photographers are adopting practices incorporating three-dimensional, immersive installation techniques (Shore, 2014: 7-11), (Lister, 2007: 272). The aim is to provide a three-dimensional installation space, where the audience is encouraged to engage with socio-cultural issues. The study focuses specifically on two sociocultural photographers, Damien Schumann and Angelica Dass, who have communicated socio-cultural stories in this three-dimensional photographic installation space. In order to analyse and derive valuable techniques and approaches from their selected works The Shack (2010) and Humanae (2017) the study combines sections of Dr. Gillian Rose’s Visual Methodologies Framework (2016) as well as installation analysis tools designed by author Mark Rosenthal (2003). The same analytical criteria are then applied to the practical components socio-cultural topic communicating the Stigmatism Towards Persons With Albinism in Sub-Saharan Africa. The study concludes having created a three-dimensional photographic installation exhibition using similar techniques identified within the selected artists, moving beyond twodimensional forms to present a combination of three-dimensional techniques for enhanced socio-cultural visual communications.
- Full Text:
- Date Issued: 2018
- Authors: Pragnell, Robyn Monica
- Date: 2018
- Subjects: Photography -- Social aspects , Photography -- Digital techniques Photography -- Research Photography -- Africa Three-dimensional display systems
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/22541 , vital:29998
- Description: This study provides an investigation into the current transition socio-culturally concerned photographers are making from traditional two-dimensional flat imagery, towards three-dimensional materiality based photographic installation artworks. According to Dr. Gillian Rose (2016), larger society is found to be in a state of oculacentrism, where vision and visuals are central to contemporary every day experience, resulting in the medium of photographic expression not being used and experienced by the average person as an art medium at all. So much so that these traditional photographic forms of visual communications have found a decline in visual engagement and subsequently visual impact. In an attempt to combat this change in the relationship between photographic imagery and audiences, select socio-cultural photographers are adopting practices incorporating three-dimensional, immersive installation techniques (Shore, 2014: 7-11), (Lister, 2007: 272). The aim is to provide a three-dimensional installation space, where the audience is encouraged to engage with socio-cultural issues. The study focuses specifically on two sociocultural photographers, Damien Schumann and Angelica Dass, who have communicated socio-cultural stories in this three-dimensional photographic installation space. In order to analyse and derive valuable techniques and approaches from their selected works The Shack (2010) and Humanae (2017) the study combines sections of Dr. Gillian Rose’s Visual Methodologies Framework (2016) as well as installation analysis tools designed by author Mark Rosenthal (2003). The same analytical criteria are then applied to the practical components socio-cultural topic communicating the Stigmatism Towards Persons With Albinism in Sub-Saharan Africa. The study concludes having created a three-dimensional photographic installation exhibition using similar techniques identified within the selected artists, moving beyond twodimensional forms to present a combination of three-dimensional techniques for enhanced socio-cultural visual communications.
- Full Text:
- Date Issued: 2018
Critical design within the practice of graphic design
- Authors: Kuhn, Simon
- Date: 2012
- Subjects: Graphic arts , Product design
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8494 , http://hdl.handle.net/10948/d1007843 , Graphic arts , Product design
- Description: Critical Design is a specific type of design activity that has emerged from within the field of product design. Based on the supposition that design is an ideological activity, it can either be critical or affirmative of the status quo and categorised as Critical Design or Affirmative Design. The intention of this study is to create Critical Design within the practice of graphic design. Critical Design was defined by identifying its key characteristics and then visualised into a diagram that maps the pathways, processes and consequences which distinguish Critical Design from Affirmative Design. The characteristics were used to generate criteria of Critical Design, which were then used to analyse case studies. The findings from this analysis suggested that both case study projects could be defined as Critical Design and served as a way of testing the appropriateness of the criteria. The practical component of this study used the characteristics of Critical Design to create a range of graphic design artefacts and then analysed them in relation to the criteria of Critical Design. The findings from this analysis determined the practical component as Critical [Graphic] Design and suggested that graphic design can be an appropriate medium for critique of its own role within society.
- Full Text:
- Date Issued: 2012
- Authors: Kuhn, Simon
- Date: 2012
- Subjects: Graphic arts , Product design
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8494 , http://hdl.handle.net/10948/d1007843 , Graphic arts , Product design
- Description: Critical Design is a specific type of design activity that has emerged from within the field of product design. Based on the supposition that design is an ideological activity, it can either be critical or affirmative of the status quo and categorised as Critical Design or Affirmative Design. The intention of this study is to create Critical Design within the practice of graphic design. Critical Design was defined by identifying its key characteristics and then visualised into a diagram that maps the pathways, processes and consequences which distinguish Critical Design from Affirmative Design. The characteristics were used to generate criteria of Critical Design, which were then used to analyse case studies. The findings from this analysis suggested that both case study projects could be defined as Critical Design and served as a way of testing the appropriateness of the criteria. The practical component of this study used the characteristics of Critical Design to create a range of graphic design artefacts and then analysed them in relation to the criteria of Critical Design. The findings from this analysis determined the practical component as Critical [Graphic] Design and suggested that graphic design can be an appropriate medium for critique of its own role within society.
- Full Text:
- Date Issued: 2012
Craftsmanship in contemporary art: an exposition of selected artists’ practical non-involvement
- Van der Walt, Jonathan Petra
- Authors: Van der Walt, Jonathan Petra
- Date: 2017
- Subjects: Art, Modern -- 21st century Sculpture -- South Africa -- Technique , Art and technology -- 21st century
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/21285 , vital:29471
- Description: Craftsmanship in contemporary art production is the main area of focus for this visual arts based research. An exploration into the artistic production processes of selected contemporary artists’ work, reveals a tendency of physical non-involvement on the part of the artist, who takes up the role of art director. The research enquiry attempts to provide an answer as to whether credit should be given to the craftsman as well as to the artist in this artist/craftsman relationship. The use of a practice-led research strategy allows the researcher’s art-making practice to become an integral part of the cycles of research, as the development of the researcher’s practical understanding, techniques and execution are crucial in the practical component, but also conceptually as a stance in opposition to the selected artists’ lack of practical involvement. The researcher has identified and analysed the following five factors that have contributed to this current state of art production in contemporary art: Kitsch as an influence on the subject matter and content of art, Marcel Duchamp and his idea of the ‘readymade’ and issues of authorship, Andy Warhol and his ideas on art and business, the Conceptual Art movement and, the act and product of craft being perceived as being inferior to the fine arts In addition, an exploration of the production processes involved in the creation of the artworks of Jeff Koons, Damien Hirst, Maurizio Cattelan and Takashi Murakami highlights the craftspeople, fabricators and foundries that are responsible for these artists’ highly crafted aesthetics. As practice is crucial in developing a new understanding and meaning in visual-arts based research, the practical component describes the researcher’s core practical themes as being the following:the creation of naturalistic figurative small-scale sculptures in resin and bronze, placing the characters explored in the theoretical component as the subject matter.The advantages and disadvantages of the collaborative experience with Sculpture Casting Services (fine art foundry) and eNtsa (a Technology Innovation agency), especially the implementation of 3D technologies in both experiences; and the technical development and understanding in order to improve the researcher’s artistic practice Collaboration is an important underlying theme throughout this research undertaking. It is crucial in the production of most contemporary art, and assists in identifying the artist’s role within the production of his/her work. Finally, it relates to the researcher’s collaborative experience expanded upon in the practical component and its benefits as a production method. In concluding, the researcher finds that craftspeople do receive credit for the work they do in the form of money, business and marketing. They provide a service that a great number of artists generously support. Foundries and fabricators also place a mark on the work they do, much like the artist’s signature, as a symbol of pride and recognition. It is ultimately the artist’s technical abilities, workload and artist identity or brand that will determine the extent to which he or she will contribute to the collaboration, whether that be a simple idea, a sketch, a maquette or a large-scale sculpture ready for installation. However, in a rapidly advancing technological society, it is the idea of the artist as craftsman, both thinker and maker, that demands more respect.
- Full Text:
- Date Issued: 2017
- Authors: Van der Walt, Jonathan Petra
- Date: 2017
- Subjects: Art, Modern -- 21st century Sculpture -- South Africa -- Technique , Art and technology -- 21st century
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/21285 , vital:29471
- Description: Craftsmanship in contemporary art production is the main area of focus for this visual arts based research. An exploration into the artistic production processes of selected contemporary artists’ work, reveals a tendency of physical non-involvement on the part of the artist, who takes up the role of art director. The research enquiry attempts to provide an answer as to whether credit should be given to the craftsman as well as to the artist in this artist/craftsman relationship. The use of a practice-led research strategy allows the researcher’s art-making practice to become an integral part of the cycles of research, as the development of the researcher’s practical understanding, techniques and execution are crucial in the practical component, but also conceptually as a stance in opposition to the selected artists’ lack of practical involvement. The researcher has identified and analysed the following five factors that have contributed to this current state of art production in contemporary art: Kitsch as an influence on the subject matter and content of art, Marcel Duchamp and his idea of the ‘readymade’ and issues of authorship, Andy Warhol and his ideas on art and business, the Conceptual Art movement and, the act and product of craft being perceived as being inferior to the fine arts In addition, an exploration of the production processes involved in the creation of the artworks of Jeff Koons, Damien Hirst, Maurizio Cattelan and Takashi Murakami highlights the craftspeople, fabricators and foundries that are responsible for these artists’ highly crafted aesthetics. As practice is crucial in developing a new understanding and meaning in visual-arts based research, the practical component describes the researcher’s core practical themes as being the following:the creation of naturalistic figurative small-scale sculptures in resin and bronze, placing the characters explored in the theoretical component as the subject matter.The advantages and disadvantages of the collaborative experience with Sculpture Casting Services (fine art foundry) and eNtsa (a Technology Innovation agency), especially the implementation of 3D technologies in both experiences; and the technical development and understanding in order to improve the researcher’s artistic practice Collaboration is an important underlying theme throughout this research undertaking. It is crucial in the production of most contemporary art, and assists in identifying the artist’s role within the production of his/her work. Finally, it relates to the researcher’s collaborative experience expanded upon in the practical component and its benefits as a production method. In concluding, the researcher finds that craftspeople do receive credit for the work they do in the form of money, business and marketing. They provide a service that a great number of artists generously support. Foundries and fabricators also place a mark on the work they do, much like the artist’s signature, as a symbol of pride and recognition. It is ultimately the artist’s technical abilities, workload and artist identity or brand that will determine the extent to which he or she will contribute to the collaboration, whether that be a simple idea, a sketch, a maquette or a large-scale sculpture ready for installation. However, in a rapidly advancing technological society, it is the idea of the artist as craftsman, both thinker and maker, that demands more respect.
- Full Text:
- Date Issued: 2017
Comparitive study of automation strategies at VW Germany and South Africa
- Authors: Wessel, Oliver
- Date: 2006
- Subjects: Volkswagen (Firm) , Motor vehicle industry -- Automation Comparative studies
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:9607 , http://hdl.handle.net/10948/823 , Volkswagen (Firm) , Motor vehicle industry -- Automation Comparative studies
- Description: This master thesis analyses the Volkswagen assembly lines of the Golf A5 manufacture in the mother plant in Wolfsburg, the Touran manufacture in the Auto 5000 GmbH in Wolfsburg as well as the Golf A5 manufacture in Uitenhage in South Africa - all with regard to the level of automation. The target of the analysis is the determination of the optimal level of automation in the three production sites and therefore, the investigation of the potential to automate, or rather to deautomate in particular sections of the assembly in the prevailing production locations. The three production sites are to be investigated with regard to costs, quality and quantity.
- Full Text:
- Date Issued: 2006
- Authors: Wessel, Oliver
- Date: 2006
- Subjects: Volkswagen (Firm) , Motor vehicle industry -- Automation Comparative studies
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:9607 , http://hdl.handle.net/10948/823 , Volkswagen (Firm) , Motor vehicle industry -- Automation Comparative studies
- Description: This master thesis analyses the Volkswagen assembly lines of the Golf A5 manufacture in the mother plant in Wolfsburg, the Touran manufacture in the Auto 5000 GmbH in Wolfsburg as well as the Golf A5 manufacture in Uitenhage in South Africa - all with regard to the level of automation. The target of the analysis is the determination of the optimal level of automation in the three production sites and therefore, the investigation of the potential to automate, or rather to deautomate in particular sections of the assembly in the prevailing production locations. The three production sites are to be investigated with regard to costs, quality and quantity.
- Full Text:
- Date Issued: 2006
Challenging the aesthetics and functionality of metals in contemporary blacksmithing
- Authors: Lucas, Justin
- Date: 2019
- Subjects: Art metal-work , Blacksmithing Ironwork
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/40533 , vital:36180
- Description: A forge allows the creation of both utilitarian craftwork and artworks. It is difficult to find blacksmiths who are willing to pass on their knowledge, particularly in South Africa where the art of blacksmithing is practised by a small number of individuals who rely on their labour for an income. This dissertation documents the building of a forge and what is needed to practise the art of blacksmithing, sourcing of the materials, and the application of blacksmithing to make pleasing artefacts. The document includes the processes of forge tool-making, providing an avenue for future students to fabricate tools and use the processes for art-making as well as list of suppliers and list of blacksmiths in South Africa.
- Full Text:
- Date Issued: 2019
- Authors: Lucas, Justin
- Date: 2019
- Subjects: Art metal-work , Blacksmithing Ironwork
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/40533 , vital:36180
- Description: A forge allows the creation of both utilitarian craftwork and artworks. It is difficult to find blacksmiths who are willing to pass on their knowledge, particularly in South Africa where the art of blacksmithing is practised by a small number of individuals who rely on their labour for an income. This dissertation documents the building of a forge and what is needed to practise the art of blacksmithing, sourcing of the materials, and the application of blacksmithing to make pleasing artefacts. The document includes the processes of forge tool-making, providing an avenue for future students to fabricate tools and use the processes for art-making as well as list of suppliers and list of blacksmiths in South Africa.
- Full Text:
- Date Issued: 2019
The visual communication of environmental awareness issues in Jeff Orlowski's,Chasing Ice (2012) and Yann Arthurs -Bertrand's home (2009)
- Authors: Van der Walt, Nadia Elize
- Date: 2018
- Subjects: Visual communication , Environmentalism in motion pictures Documentary films -- History and critism
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/45547 , vital:38665
- Description: This study presents an investigation into the visual communication complexities within the genre of documentary film, specifically aimed at the development of a set of criteria of cinematic techniques for the visual communication of environmental awareness issues. This process utilises a theoretical approach to understanding the development and communicative possibilities of documentary film, as well as an analytical interpretation structured on semiotic film theory. The theoretical investigation reveals Bill Nichols’ (2010) documentary modes as an established analytical model. This study engages with four of Nichols’ six modes – namely, the poetic, the expository, the observational and the participatory modes, as the criteria for the extraction of scenes and/or images from Chasing Ice (2012) by Jeff Orlowski and Home (2009) by Yann Arthurs-Bertrand. Once Nichols’ modes have been identified, a semiotic reading is conducted. Gillian Rose’s (2016) visual analysis framework underpinned by Pieter J. Fourie’s (1988) sociological approach to film analysis, is utilised to read the selected film texts. A comparative analysis of Chasing Ice (2012) and Home (2009) reveals that the inclusion of different and multiple modes constructs the visualisation of environmental awareness issues in the documentary film genre. The cinematic techniques specific to the documentary modes represented in Chasing Ice (2012) and Home (2009) are appropriated in the construction of three film shorts within the researcher’s documentary film study, Karoo (2017). This combination of theory and practice yields the researcher a considered and informed approach to constructing documentary imagery aimed at visualising the current environment of the Karoo Basin prior to the possibility of shale gas exploration and/or exploitation.
- Full Text:
- Date Issued: 2018
- Authors: Van der Walt, Nadia Elize
- Date: 2018
- Subjects: Visual communication , Environmentalism in motion pictures Documentary films -- History and critism
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/45547 , vital:38665
- Description: This study presents an investigation into the visual communication complexities within the genre of documentary film, specifically aimed at the development of a set of criteria of cinematic techniques for the visual communication of environmental awareness issues. This process utilises a theoretical approach to understanding the development and communicative possibilities of documentary film, as well as an analytical interpretation structured on semiotic film theory. The theoretical investigation reveals Bill Nichols’ (2010) documentary modes as an established analytical model. This study engages with four of Nichols’ six modes – namely, the poetic, the expository, the observational and the participatory modes, as the criteria for the extraction of scenes and/or images from Chasing Ice (2012) by Jeff Orlowski and Home (2009) by Yann Arthurs-Bertrand. Once Nichols’ modes have been identified, a semiotic reading is conducted. Gillian Rose’s (2016) visual analysis framework underpinned by Pieter J. Fourie’s (1988) sociological approach to film analysis, is utilised to read the selected film texts. A comparative analysis of Chasing Ice (2012) and Home (2009) reveals that the inclusion of different and multiple modes constructs the visualisation of environmental awareness issues in the documentary film genre. The cinematic techniques specific to the documentary modes represented in Chasing Ice (2012) and Home (2009) are appropriated in the construction of three film shorts within the researcher’s documentary film study, Karoo (2017). This combination of theory and practice yields the researcher a considered and informed approach to constructing documentary imagery aimed at visualising the current environment of the Karoo Basin prior to the possibility of shale gas exploration and/or exploitation.
- Full Text:
- Date Issued: 2018
The use of conceptual costume design to express the emotional trajectory of the play sounds of South End
- Authors: Chingosho, Vimbai
- Date: 2016
- Subjects: Fashion -- South Africa -- Port Elizabeth Costume design -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/11449 , vital:26926
- Description: The aim of this study is to illustrate how, in the design of costumes, adopting design elements used to produce conceptual fashion can create conceptual costumes that have the ability to express emotions. The play Sounds of South End (2013) contains such qualities; therefore it has been selected to illustrate how the mood and emotional trajectory of a play can be interpreted through symbolism. The play illustrates the life before and after the forced removals during the apartheid (1960s and 1970s), of a fictional family, the Dietrichs, who live in South End, a suburb in Port Elizabeth, South Africa. A focus on the nature of emotional changes experienced by the family has been used to determine the overall mood of the play, leading to a translation of the shifting mood through a collection of conceptual costumes. The final collection was exhibited as an installation artwork that is an interpretation of the altering moods and emotions that occur in the life of the Dietrich family as the play unfolds. The conceptual costumes have been constructed to imbue the narrative of the play with deep meaning by using symbolic elements, such as colour, texture and weight, to suggest the emotional trajectory within the play. The eight costumes portray the interrelated gradual decline and resultant deterioration of human relations experienced by the Dietrichs, from a contented state of harmonious living to a wounded state of despair.
- Full Text:
- Date Issued: 2016
- Authors: Chingosho, Vimbai
- Date: 2016
- Subjects: Fashion -- South Africa -- Port Elizabeth Costume design -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/11449 , vital:26926
- Description: The aim of this study is to illustrate how, in the design of costumes, adopting design elements used to produce conceptual fashion can create conceptual costumes that have the ability to express emotions. The play Sounds of South End (2013) contains such qualities; therefore it has been selected to illustrate how the mood and emotional trajectory of a play can be interpreted through symbolism. The play illustrates the life before and after the forced removals during the apartheid (1960s and 1970s), of a fictional family, the Dietrichs, who live in South End, a suburb in Port Elizabeth, South Africa. A focus on the nature of emotional changes experienced by the family has been used to determine the overall mood of the play, leading to a translation of the shifting mood through a collection of conceptual costumes. The final collection was exhibited as an installation artwork that is an interpretation of the altering moods and emotions that occur in the life of the Dietrich family as the play unfolds. The conceptual costumes have been constructed to imbue the narrative of the play with deep meaning by using symbolic elements, such as colour, texture and weight, to suggest the emotional trajectory within the play. The eight costumes portray the interrelated gradual decline and resultant deterioration of human relations experienced by the Dietrichs, from a contented state of harmonious living to a wounded state of despair.
- Full Text:
- Date Issued: 2016
An exploration of the role of a strategic internal communication system in the merging Walter Sisulu University
- Authors: Soha, Sandi
- Date: 2010
- Subjects: Universities and colleges -- Communication systems -- Evaluation , Universities and colleges -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8485 , http://hdl.handle.net/10948/1458 , Universities and colleges -- Communication systems -- Evaluation , Universities and colleges -- South Africa -- Eastern Cape
- Description: The merger of institutions of higher learning in South Africa has demonstrated to the study an exploration of the role of strategic internal communication system – in the merging of the Walter Sisulu University. The purpose of the study is to determine to what extent employees of the Walter Sisulu University have perceived that the internal communication system of this university has contributed towards an effectively merged organisation. The study was conducted after three historically disadvantaged institutions of higher learning merged to form one comprehensive university. The three merged institutions are: the Border Technikon, the Eastern Cape Technikon and the University of Transkei. It was foreseeable during the process of the merger, that combining three institutions could possibly result in lower staff morale and uncertainty. The study has explored the theoretical framework for understanding the role of strategic internal communication systems in an organisation. The study was approached from a systems' perspective and that of a transformational model. A survey research design was utilised for the purpose of this study – in order to assess the validity and reliability of the data. A qualitative research design was used for the purpose of this study – in order to acquire the desired outcomes of the research. Questionnaires were used and the sample was drawn from a large population of the Walter Sisulu University – from, four campuses – with the aim of allowing one to make inferences about the population as a whole. The questionnaire was structured in four main sections namely: Biographical information, internal-communication systems, tools of internal communication, and line-management communication. The findings of the study aids the understanding behind the view of internal communication systems as having contributed – or not contributed – to a successfully merged university.
- Full Text:
- Date Issued: 2010
- Authors: Soha, Sandi
- Date: 2010
- Subjects: Universities and colleges -- Communication systems -- Evaluation , Universities and colleges -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8485 , http://hdl.handle.net/10948/1458 , Universities and colleges -- Communication systems -- Evaluation , Universities and colleges -- South Africa -- Eastern Cape
- Description: The merger of institutions of higher learning in South Africa has demonstrated to the study an exploration of the role of strategic internal communication system – in the merging of the Walter Sisulu University. The purpose of the study is to determine to what extent employees of the Walter Sisulu University have perceived that the internal communication system of this university has contributed towards an effectively merged organisation. The study was conducted after three historically disadvantaged institutions of higher learning merged to form one comprehensive university. The three merged institutions are: the Border Technikon, the Eastern Cape Technikon and the University of Transkei. It was foreseeable during the process of the merger, that combining three institutions could possibly result in lower staff morale and uncertainty. The study has explored the theoretical framework for understanding the role of strategic internal communication systems in an organisation. The study was approached from a systems' perspective and that of a transformational model. A survey research design was utilised for the purpose of this study – in order to assess the validity and reliability of the data. A qualitative research design was used for the purpose of this study – in order to acquire the desired outcomes of the research. Questionnaires were used and the sample was drawn from a large population of the Walter Sisulu University – from, four campuses – with the aim of allowing one to make inferences about the population as a whole. The questionnaire was structured in four main sections namely: Biographical information, internal-communication systems, tools of internal communication, and line-management communication. The findings of the study aids the understanding behind the view of internal communication systems as having contributed – or not contributed – to a successfully merged university.
- Full Text:
- Date Issued: 2010
A study of the competencies and skills required by senior municipal managers in the O.R. Tambo District Municipality
- Authors: Kwinana, Jimmy Thozamile
- Date: 2010
- Subjects: Local government officials -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8181 , http://hdl.handle.net/10948/1470 , Local government officials -- South Africa -- Eastern Cape
- Description: This research document addresses the study of the competencies and skills required by executive municipal managers in the O.R. Tambo District Municipality. Dissertation focuses on questions such as “What is it that executive municipal managers, manage?” What generic management processes do these executive municipal managers, apply?” “What management technique and strategies do these managers employ to deliver services?”; “Under what circumstances do executive municipal managers manage?” In order for executive municipal managers to claim proficiency (competitiveness and skills), a clear discussion of the meaning and competency and skills is provided in this. Identifying and providing a meaningful narration of the characteristics of a competent and skilful executive municipal manager as being a person who has self-respect, high level of emotional intelligence, qualitative in nature, with reasonable adaptive ability by continuously learning and developing with high ethical and professional integrity. In all his/her attempts these executive municipal managers need to be innovative in nature, undertake constant networking and always be informative by character. Such a person is productive problem solver and continuously communicates vertically and horizontally within the hierarchy of the organization. All these discussions are denoted in the diagram indicate below. This research document has undertaken an empirical research to analyze the perception of executive municipal managers in terms of the diagram below and ultimately provide a narrative analysis of the developmental government such as the O.R. Tambo District Municipality.
- Full Text:
- Date Issued: 2010
- Authors: Kwinana, Jimmy Thozamile
- Date: 2010
- Subjects: Local government officials -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8181 , http://hdl.handle.net/10948/1470 , Local government officials -- South Africa -- Eastern Cape
- Description: This research document addresses the study of the competencies and skills required by executive municipal managers in the O.R. Tambo District Municipality. Dissertation focuses on questions such as “What is it that executive municipal managers, manage?” What generic management processes do these executive municipal managers, apply?” “What management technique and strategies do these managers employ to deliver services?”; “Under what circumstances do executive municipal managers manage?” In order for executive municipal managers to claim proficiency (competitiveness and skills), a clear discussion of the meaning and competency and skills is provided in this. Identifying and providing a meaningful narration of the characteristics of a competent and skilful executive municipal manager as being a person who has self-respect, high level of emotional intelligence, qualitative in nature, with reasonable adaptive ability by continuously learning and developing with high ethical and professional integrity. In all his/her attempts these executive municipal managers need to be innovative in nature, undertake constant networking and always be informative by character. Such a person is productive problem solver and continuously communicates vertically and horizontally within the hierarchy of the organization. All these discussions are denoted in the diagram indicate below. This research document has undertaken an empirical research to analyze the perception of executive municipal managers in terms of the diagram below and ultimately provide a narrative analysis of the developmental government such as the O.R. Tambo District Municipality.
- Full Text:
- Date Issued: 2010
Decoding the notion of a constructed identity within an autobiographical picture narrative
- Authors: Joubert, Nina
- Date: 2012
- Subjects: Narrative art , Autobiography , Semiotics
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8497 , http://hdl.handle.net/10948/d1015685
- Description: This study presents an investigation into the process of constructing an autobiographical self within the genre of the autobiographical picture narrative, and explores this process both in terms of a theoretical study of this concept as well as an interpretation of a number of photographs. The interpretation entails a reading of selected autobiographical picture narratives by the artist-photographers Maggie Taylor and Lori Nix by means of a method derived from visual social semiotics. Specifically, the semiotic reading focuses on Taylor and Nix’s photographs Twilight swim (2004) and Ice Storm (1999), respectively, after which the researcher’s own autobiographical photograph entitled Fennel and coriander is read by means of the same methodological approach. The semiotic reading is guided by five salient characteristics of the autobiographical picture narrative, namely fabrication and reality, autobiographical memory, socio-cultural relevance, commonalities in female narration and narrative function. Harrison’s (2003) visual social semiotic framework (which reflects the work of social semioticians Kress and Van Leeuwen, 2002) was augmented in light of the five salient characteristics in order to construct an appropriate methodological framework. A comparative reading of the works by Taylor, Nix and the researcher reveals that although each of the artistphotographers followed a peculiar and unique approach in constructing the autobiographical picture narrative, parallels can be established in terms of various central concepts, as is evident from the semiotic reading. In particular, the role of memory and the interpretation of autobiographical elements emerged as common denominators. The process of constructing an autobiographical memory therefore provides the narrator-photographer with the options of escaping into and not from memory, thus allowing for unique possibilities in terms of interpretation, fantasy and construction.
- Full Text:
- Date Issued: 2012
- Authors: Joubert, Nina
- Date: 2012
- Subjects: Narrative art , Autobiography , Semiotics
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8497 , http://hdl.handle.net/10948/d1015685
- Description: This study presents an investigation into the process of constructing an autobiographical self within the genre of the autobiographical picture narrative, and explores this process both in terms of a theoretical study of this concept as well as an interpretation of a number of photographs. The interpretation entails a reading of selected autobiographical picture narratives by the artist-photographers Maggie Taylor and Lori Nix by means of a method derived from visual social semiotics. Specifically, the semiotic reading focuses on Taylor and Nix’s photographs Twilight swim (2004) and Ice Storm (1999), respectively, after which the researcher’s own autobiographical photograph entitled Fennel and coriander is read by means of the same methodological approach. The semiotic reading is guided by five salient characteristics of the autobiographical picture narrative, namely fabrication and reality, autobiographical memory, socio-cultural relevance, commonalities in female narration and narrative function. Harrison’s (2003) visual social semiotic framework (which reflects the work of social semioticians Kress and Van Leeuwen, 2002) was augmented in light of the five salient characteristics in order to construct an appropriate methodological framework. A comparative reading of the works by Taylor, Nix and the researcher reveals that although each of the artistphotographers followed a peculiar and unique approach in constructing the autobiographical picture narrative, parallels can be established in terms of various central concepts, as is evident from the semiotic reading. In particular, the role of memory and the interpretation of autobiographical elements emerged as common denominators. The process of constructing an autobiographical memory therefore provides the narrator-photographer with the options of escaping into and not from memory, thus allowing for unique possibilities in terms of interpretation, fantasy and construction.
- Full Text:
- Date Issued: 2012
"Soliloquy: the untold story of Sleeping Beauty's dreams"; a re-vision of Charles Perrault's "The sleeping beauty in the woods."
- Authors: Ledwick, Lisa-Mari
- Date: 2015
- Subjects: Perrault, Charles, 1628-1703 , Symbolism in fairy tales , Sleeping Beauty (Tale) in literature
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/3155 , vital:20405
- Description: Taken as a whole, the purpose of the practical and theoretical components of this research aims to contextualise and present a contemporary fairy tale heroine who recuperates and re-values traditional aspects of femininity within a feminist context.
- Full Text:
- Date Issued: 2015
- Authors: Ledwick, Lisa-Mari
- Date: 2015
- Subjects: Perrault, Charles, 1628-1703 , Symbolism in fairy tales , Sleeping Beauty (Tale) in literature
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/3155 , vital:20405
- Description: Taken as a whole, the purpose of the practical and theoretical components of this research aims to contextualise and present a contemporary fairy tale heroine who recuperates and re-values traditional aspects of femininity within a feminist context.
- Full Text:
- Date Issued: 2015
The evolution of fashion discourse: examining vogue magazine’s role as fashion authority
- Authors: Wissink, Emma Seline
- Date: 2018
- Subjects: Fashion -- Research , Fashion -- Forecasting Clothing trade -- Forecasting Advertising -- Fashion Fashion writing
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/36026 , vital:33883
- Description: The aim of this study was to investigate the evolution of Vogue magazine’s role as a fashion authority. The methodology of Foucauldian discourse analysis motivated the enquiry into the establishment of Vogue’s fashion authority over time. The corpus of Vogue’s September Point of View editorials between the period of 1960 and 2015 was divided into four epochs using the period of editorship held by the four editors (Jessica Daves, Diana Vreeland, Grace Mirabella and Anna Wintour). Features of Vogue’s discourse were identified in literature and applied to the corpus using a concurrent embedded mixed methods approach, employing the quantitative and qualitative methods of content and discourse analysis respectively. The analysis suggested that Vogue maintained fashion authority through changing its discourse to suit changes occurring in the field of fashion and the evolving needs and perspectives of the reader. Changes in the way Vogue presents itself; addresses the reader; attributes material, commercial, or intellectual features to fashion; addresses concepts of time and novelty; and negotiates the relationship between American fashion and European or global fashion were the focus of the analysis. The findings conceptualise Vogue’s voice as evolving through the four roles of reporting, fictionalizing, translating and connecting fashion. The shift in Vogue’s voice suggests that the conceptualization of fashion in the publication shifts towards a more abstract and general conception of fashion and reader. The results suggest that Vogue’s fashion discourse shifts from a focus on the specific material features of fashion and craft and the conception of fashion as news and Vogue as a reporter towards a focus on the more abstract, general intellectual and commercial properties of fashion and the conception of fashion as commerce promoting Vogue’s role as a facilitating platform.
- Full Text:
- Date Issued: 2018
- Authors: Wissink, Emma Seline
- Date: 2018
- Subjects: Fashion -- Research , Fashion -- Forecasting Clothing trade -- Forecasting Advertising -- Fashion Fashion writing
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/36026 , vital:33883
- Description: The aim of this study was to investigate the evolution of Vogue magazine’s role as a fashion authority. The methodology of Foucauldian discourse analysis motivated the enquiry into the establishment of Vogue’s fashion authority over time. The corpus of Vogue’s September Point of View editorials between the period of 1960 and 2015 was divided into four epochs using the period of editorship held by the four editors (Jessica Daves, Diana Vreeland, Grace Mirabella and Anna Wintour). Features of Vogue’s discourse were identified in literature and applied to the corpus using a concurrent embedded mixed methods approach, employing the quantitative and qualitative methods of content and discourse analysis respectively. The analysis suggested that Vogue maintained fashion authority through changing its discourse to suit changes occurring in the field of fashion and the evolving needs and perspectives of the reader. Changes in the way Vogue presents itself; addresses the reader; attributes material, commercial, or intellectual features to fashion; addresses concepts of time and novelty; and negotiates the relationship between American fashion and European or global fashion were the focus of the analysis. The findings conceptualise Vogue’s voice as evolving through the four roles of reporting, fictionalizing, translating and connecting fashion. The shift in Vogue’s voice suggests that the conceptualization of fashion in the publication shifts towards a more abstract and general conception of fashion and reader. The results suggest that Vogue’s fashion discourse shifts from a focus on the specific material features of fashion and craft and the conception of fashion as news and Vogue as a reporter towards a focus on the more abstract, general intellectual and commercial properties of fashion and the conception of fashion as commerce promoting Vogue’s role as a facilitating platform.
- Full Text:
- Date Issued: 2018
Moderat's Rusty nails and Loie Fuller's Serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film
- Authors: Coates, Maran
- Date: 2012
- Subjects: Fashion in motion pictures
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8498 , http://hdl.handle.net/10948/d1015733
- Description: The main objective of the study is to explore how cloth, the body and movement are able to communicate possible symbolic meaning in Loïe Fuller’s Serpentine Dance film and Moderat’s Rusty Nails music video. The study further attempts to establish the characteristics of fashion film to include cloth, the body and movement and provide a methodology that locates fashion film as a sign system using a visual semiotic analysis framework. The films were then compared and contrasted to determine similarities and differences in their use of cloth, the body and movement. The findings from the film analysis suggest that cloth, the body and movement communicate symbolic meaning in the films based on their associated meanings that are generated both inside and outside the film context. By focussing on cloth, the body and movement as primary communicators (rather than secondary or supporting communicators) in film, new meanings can be interpreted from their interrelationship. The results inform new ways for fashion designers and fashion filmmakers to engage with cloth, the body and movement in fashion film.
- Full Text:
- Date Issued: 2012
- Authors: Coates, Maran
- Date: 2012
- Subjects: Fashion in motion pictures
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8498 , http://hdl.handle.net/10948/d1015733
- Description: The main objective of the study is to explore how cloth, the body and movement are able to communicate possible symbolic meaning in Loïe Fuller’s Serpentine Dance film and Moderat’s Rusty Nails music video. The study further attempts to establish the characteristics of fashion film to include cloth, the body and movement and provide a methodology that locates fashion film as a sign system using a visual semiotic analysis framework. The films were then compared and contrasted to determine similarities and differences in their use of cloth, the body and movement. The findings from the film analysis suggest that cloth, the body and movement communicate symbolic meaning in the films based on their associated meanings that are generated both inside and outside the film context. By focussing on cloth, the body and movement as primary communicators (rather than secondary or supporting communicators) in film, new meanings can be interpreted from their interrelationship. The results inform new ways for fashion designers and fashion filmmakers to engage with cloth, the body and movement in fashion film.
- Full Text:
- Date Issued: 2012
The four cycles of Herakles : towards the visual articulation of myth as psychological process
- Authors: Wentzel, Andrieta
- Date: 2006
- Subjects: Art -- Philosophy , Psychoanalysis and the arts , Mythology -- Psychological aspects
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8500 , http://hdl.handle.net/10948/642 , Art -- Philosophy , Psychoanalysis and the arts , Mythology -- Psychological aspects
- Description: My research involves the reassertion of mythic experience in a manner considered contemporaneously relevant. The relevancy resides in the Jungian assumption that myth structures psychic experience to the benefit of the individual and ultimately, society. To this end, I have taken the hero myth of Heracles, and, by filtering it through Jung’s system promoting psychological maturation, that is what he called the individuation process, I have reconfigured it in fine art form
- Full Text:
- Date Issued: 2006
- Authors: Wentzel, Andrieta
- Date: 2006
- Subjects: Art -- Philosophy , Psychoanalysis and the arts , Mythology -- Psychological aspects
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8500 , http://hdl.handle.net/10948/642 , Art -- Philosophy , Psychoanalysis and the arts , Mythology -- Psychological aspects
- Description: My research involves the reassertion of mythic experience in a manner considered contemporaneously relevant. The relevancy resides in the Jungian assumption that myth structures psychic experience to the benefit of the individual and ultimately, society. To this end, I have taken the hero myth of Heracles, and, by filtering it through Jung’s system promoting psychological maturation, that is what he called the individuation process, I have reconfigured it in fine art form
- Full Text:
- Date Issued: 2006
An exploration of absence and presence through the mediums of bronze, glass and resin figurative sculpture, within a narrative of memory
- Authors: Walmsley, Sarah-Anne
- Date: 2018
- Subjects: Dualism in art
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/42439 , vital:36656
- Description: This research study was based upon three critical components. These include absence and presence, memory and the female nude. The problem statement aimed to determine how compositionally sound pairings and groupings of bronze, glass and resin figurative sculptures may be manipulated to create visual equilibrium in a work and communicate an inherent conceptual element. This necessitated the following research question which explored what the role of memory and the imago is within dualistic representations of the absent and present, as represented in the mediums of bronze, glass and resin. The creative and research processes culminate in the body of artwork, entitled Absence and Presence: in Search of Memory and the Imago, which is presented as a narrative installation and exhibition of sculptural work. This body of work was driven by the creation of a signifier and allegory for an absent presence or present absence which will always evoke the contemplation of this interplay between these two terms and the ways in which they define and become one another within the narrative of personal memory. Personal memories will always collide with the present and bring with them the memories of absence, but encourage the subject to make tangible this absence in order to confront it and in doing so, realise that it cannot be addressed separately from the presence which defines it
- Full Text:
- Date Issued: 2018
- Authors: Walmsley, Sarah-Anne
- Date: 2018
- Subjects: Dualism in art
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/42439 , vital:36656
- Description: This research study was based upon three critical components. These include absence and presence, memory and the female nude. The problem statement aimed to determine how compositionally sound pairings and groupings of bronze, glass and resin figurative sculptures may be manipulated to create visual equilibrium in a work and communicate an inherent conceptual element. This necessitated the following research question which explored what the role of memory and the imago is within dualistic representations of the absent and present, as represented in the mediums of bronze, glass and resin. The creative and research processes culminate in the body of artwork, entitled Absence and Presence: in Search of Memory and the Imago, which is presented as a narrative installation and exhibition of sculptural work. This body of work was driven by the creation of a signifier and allegory for an absent presence or present absence which will always evoke the contemplation of this interplay between these two terms and the ways in which they define and become one another within the narrative of personal memory. Personal memories will always collide with the present and bring with them the memories of absence, but encourage the subject to make tangible this absence in order to confront it and in doing so, realise that it cannot be addressed separately from the presence which defines it
- Full Text:
- Date Issued: 2018
The influence of 1950s fashion photographers, Richard Avedon and Irving Penn, on photographers Matthew Rolston and Steven Meisel
- Authors: Cordier, Astrid
- Date: 2011
- Subjects: Fashion photpgraphy , Photographers -- United States
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8496 , http://hdl.handle.net/10948/d1008112 , Fashion photpgraphy , Photographers -- United States
- Description: Photography has been used to record and document periods in time, which Wells (2001:19) acknowledges by stating that, “…photographs are records and documents which pin down the changing world of appearance”. Richard Avedon and Irving Penn made a significant contribution to fashion photography during the 1950s but this has seldom been explored in a scholarly way. By defining the characteristics of Avedon and Penn’s work, a possible understanding of their influence on contemporary fashion photographers, Matthew Rolston and Steven Meisel may be determined and so expand on the understanding of the contribution of Avedon and Penn to contemporary fashion photography. Avedon, Penn, Rolston and Meisel’s fashion photographs will be visually analysed to show the similarities and the relevance of 1950s fashion photography to contemporary fashion photography. Paul Martin Lester’s (2003) method of visual analysis will be used as the basis for this analysis. The reason for choosing Lester’s methods of visual analysis is that it can be applied to all fields of visual art and design. Contemporary fashion photography draws on many different stylistic devices and periods in history for its re-invention, so it is important to understand what constitutes the defining characteristics of a stylistic period in history to be able to revisit it in contemporary photography.
- Full Text:
- Date Issued: 2011
- Authors: Cordier, Astrid
- Date: 2011
- Subjects: Fashion photpgraphy , Photographers -- United States
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:8496 , http://hdl.handle.net/10948/d1008112 , Fashion photpgraphy , Photographers -- United States
- Description: Photography has been used to record and document periods in time, which Wells (2001:19) acknowledges by stating that, “…photographs are records and documents which pin down the changing world of appearance”. Richard Avedon and Irving Penn made a significant contribution to fashion photography during the 1950s but this has seldom been explored in a scholarly way. By defining the characteristics of Avedon and Penn’s work, a possible understanding of their influence on contemporary fashion photographers, Matthew Rolston and Steven Meisel may be determined and so expand on the understanding of the contribution of Avedon and Penn to contemporary fashion photography. Avedon, Penn, Rolston and Meisel’s fashion photographs will be visually analysed to show the similarities and the relevance of 1950s fashion photography to contemporary fashion photography. Paul Martin Lester’s (2003) method of visual analysis will be used as the basis for this analysis. The reason for choosing Lester’s methods of visual analysis is that it can be applied to all fields of visual art and design. Contemporary fashion photography draws on many different stylistic devices and periods in history for its re-invention, so it is important to understand what constitutes the defining characteristics of a stylistic period in history to be able to revisit it in contemporary photography.
- Full Text:
- Date Issued: 2011
Earth stewardship in prepress:a model for Nelson Mandela Metropolitan University graphic design lectures
- Authors: Lottering,John Barry
- Date: 2017
- Subjects: Curriculum planning--South Africa-- Port Elizabeth Graphic arts--Study and teaching--South africa-- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/44471 , vital:37842
- Description: A lack of prepress understanding is responsible for a great deal of wasted resources in the graphic design and printing industries in Nelson Mandela Bay. As the term “prepress” extends to such a vast range of design activities, it is quite difficult to ascertain where prepress begins or ends. Asking the question “What is prepress?” is like asking “How long is a piece of string?” Defining the scope of prepress can present a formidable challenge for any graphic design lecturer hoping to equip students with the necessary prepress understanding and skills required by the graphic design industry. Also, even if the academic has a sound knowledge of prepress theory and practice, how does one guarantee that all of the required knowledge is covered during the course of the student’s graphic design education, and that it is done so in a manner that meets the needs of the graphic design industry? Added to this, educators have a responsibility to consider the environmental consequences of sending graduating designers, without industry required prepress knowledge, into the design industry, an industry that has grown accustomed to training junior designers in prepress practice through trial and error. Such trial and error equates to mistakes and wasted resources, as a result this learning curve comes at the expense of the environment. The intention of this research is to provide an accessible resource for graphic design lecturers, by way of a list of prepress best practice topics, required for inclusion in the graphic design syllabus at NMMU, such that earth stewardship and sustainable design-for-print are an implicit component. This list of topics is a product of research which drew on local industry experts in Nelson Mandela Bay.
- Full Text:
- Date Issued: 2017
- Authors: Lottering,John Barry
- Date: 2017
- Subjects: Curriculum planning--South Africa-- Port Elizabeth Graphic arts--Study and teaching--South africa-- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/44471 , vital:37842
- Description: A lack of prepress understanding is responsible for a great deal of wasted resources in the graphic design and printing industries in Nelson Mandela Bay. As the term “prepress” extends to such a vast range of design activities, it is quite difficult to ascertain where prepress begins or ends. Asking the question “What is prepress?” is like asking “How long is a piece of string?” Defining the scope of prepress can present a formidable challenge for any graphic design lecturer hoping to equip students with the necessary prepress understanding and skills required by the graphic design industry. Also, even if the academic has a sound knowledge of prepress theory and practice, how does one guarantee that all of the required knowledge is covered during the course of the student’s graphic design education, and that it is done so in a manner that meets the needs of the graphic design industry? Added to this, educators have a responsibility to consider the environmental consequences of sending graduating designers, without industry required prepress knowledge, into the design industry, an industry that has grown accustomed to training junior designers in prepress practice through trial and error. Such trial and error equates to mistakes and wasted resources, as a result this learning curve comes at the expense of the environment. The intention of this research is to provide an accessible resource for graphic design lecturers, by way of a list of prepress best practice topics, required for inclusion in the graphic design syllabus at NMMU, such that earth stewardship and sustainable design-for-print are an implicit component. This list of topics is a product of research which drew on local industry experts in Nelson Mandela Bay.
- Full Text:
- Date Issued: 2017