I won’t be long
- Mhlambi, Ntombi Kayise Millicent
- Authors: Mhlambi, Ntombi Kayise Millicent
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , South African poetry (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63603 , vital:28446
- Description: My thesis is a weave of short stories, flash fiction and vignettes of prose-poetry. It uses lyrical, scenic and explorative modes to explore the stories of women, past, present and future, from all walks of life. These women, young and old, struggle to find their way within a ‘world’ characterised as Salithambo (the pink castle) whose structures and survival preys on their bodies. The stories explore the themes of girlhood and maturation, violence (specifically against women), animality, scatology, time, gender roles and expectations, and their rejection. I draw inspiration, stylistically, from Irenosen Okojie’s depiction of beauty and terror in the same sentence; Selah Saterstrom’s fragmented plot and directorial stroke; Taban Lo Liyong & Amos Tutuola’s avant-gardism and amplification of language; Adania Shibli’s sensorial and spare prose, Lyudmila Petrushevskaya, Lily Hoang & Carol Oates’ normalized magic spell, Athena Villaverde & Espido Freire’s imaginative overload of childhood; Shelley Jackson & Chevisa Woods’ construction of body parts as bearing texts or as texts themselves.
- Full Text:
- Date Issued: 2018
- Authors: Mhlambi, Ntombi Kayise Millicent
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , South African poetry (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63603 , vital:28446
- Description: My thesis is a weave of short stories, flash fiction and vignettes of prose-poetry. It uses lyrical, scenic and explorative modes to explore the stories of women, past, present and future, from all walks of life. These women, young and old, struggle to find their way within a ‘world’ characterised as Salithambo (the pink castle) whose structures and survival preys on their bodies. The stories explore the themes of girlhood and maturation, violence (specifically against women), animality, scatology, time, gender roles and expectations, and their rejection. I draw inspiration, stylistically, from Irenosen Okojie’s depiction of beauty and terror in the same sentence; Selah Saterstrom’s fragmented plot and directorial stroke; Taban Lo Liyong & Amos Tutuola’s avant-gardism and amplification of language; Adania Shibli’s sensorial and spare prose, Lyudmila Petrushevskaya, Lily Hoang & Carol Oates’ normalized magic spell, Athena Villaverde & Espido Freire’s imaginative overload of childhood; Shelley Jackson & Chevisa Woods’ construction of body parts as bearing texts or as texts themselves.
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- Date Issued: 2018
There’s another story here
- Authors: Nkosi, Lindokuhle
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63065 , vital:28360
- Description: Written in fragments and combining fiction and narrative non-fiction, this novella explores how South Africa's history of violence and current violence against women affects and influences how women relate to each other. Based in the knowledge that our memories and behaviours are linked to the experiences of our ancestors via our bodies, I engage what our violent history and the disappearing myths that are still embedded in our bloodstream mean for life today. Drawing on the experiences of several generations of women in my family, current affairs and the lives of women close to me, my novella picks at the fragile things that hold us together. I take influence from the prose poetry in Claudia Rankine’s Citizen, and the use of fragmentation, myth and biography in Lydia Yuknavitch’s A Chronology of Water and Lily Hoang’s A Bestiary, and use an amalgam of genres to ask how we hold each other; how we breath, create, love and dream.
- Full Text:
- Date Issued: 2018
- Authors: Nkosi, Lindokuhle
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63065 , vital:28360
- Description: Written in fragments and combining fiction and narrative non-fiction, this novella explores how South Africa's history of violence and current violence against women affects and influences how women relate to each other. Based in the knowledge that our memories and behaviours are linked to the experiences of our ancestors via our bodies, I engage what our violent history and the disappearing myths that are still embedded in our bloodstream mean for life today. Drawing on the experiences of several generations of women in my family, current affairs and the lives of women close to me, my novella picks at the fragile things that hold us together. I take influence from the prose poetry in Claudia Rankine’s Citizen, and the use of fragmentation, myth and biography in Lydia Yuknavitch’s A Chronology of Water and Lily Hoang’s A Bestiary, and use an amalgam of genres to ask how we hold each other; how we breath, create, love and dream.
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- Date Issued: 2018
Stories in watercolour
- Authors: Molefhe, Wame Miriam
- Date: 2018
- Subjects: Uncatalogued
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63552 , vital:28436
- Description: Expected release date-April 2020
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- Date Issued: 2018
- Authors: Molefhe, Wame Miriam
- Date: 2018
- Subjects: Uncatalogued
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63552 , vital:28436
- Description: Expected release date-April 2020
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- Date Issued: 2018
Chasing shadow and make believe
- Authors: Mofokeng, Reikanne
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Science fiction, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63626 , vital:28449
- Description: My thesis is a science fiction novella. It follows the story of an adolescent boy, Shadow, and a little girl, Makebelieve, in an ahistorical future. The world that they traverse is earth, after being nursed back to health, by technologically advanced Southern African societies. A series of inexplicable astronomical events leads to their being hunted down. Through the travels of Shadow and Makebelieve I show how the world and the societies around them operate. I am inspired by Samuel R Delaney’s Aye, Gomorrah and Derrick Bell’s The Space Traders, because of their prowess in world building and exploration of complex and innovative ideas.
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- Date Issued: 2018
- Authors: Mofokeng, Reikanne
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Science fiction, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63626 , vital:28449
- Description: My thesis is a science fiction novella. It follows the story of an adolescent boy, Shadow, and a little girl, Makebelieve, in an ahistorical future. The world that they traverse is earth, after being nursed back to health, by technologically advanced Southern African societies. A series of inexplicable astronomical events leads to their being hunted down. Through the travels of Shadow and Makebelieve I show how the world and the societies around them operate. I am inspired by Samuel R Delaney’s Aye, Gomorrah and Derrick Bell’s The Space Traders, because of their prowess in world building and exploration of complex and innovative ideas.
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- Date Issued: 2018
Bringing us back
- Authors: Dhliwayo, Mercy
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63077 , vital:28361
- Description: My thesis takes the form of a collection of short stories set mostly in Zimbabwe and South Africa under the current political, social and economic climate. The themes I explore include forced migrations, identity, family disintegration and destitution. I use non-linear narration inspired by my reading of Dambudzo Marechera and Lidia Yuknavitch’s use of photographic imagery, in Black Sunlight and The Small Backs of Children respectively, to heighten my thematic concerns. The poetry in their language also serves as a source of inspiration, as does the graphic imagery used by Ayi Kwei Armah. In addition, I draw on the fragmented form used by Deepak Unnikrishnan to explore migration in his collection, Temporary People and Miljenko Jergovic’s investigation of violence and displacement in Sarajevo Marlboro.
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- Date Issued: 2018
- Authors: Dhliwayo, Mercy
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63077 , vital:28361
- Description: My thesis takes the form of a collection of short stories set mostly in Zimbabwe and South Africa under the current political, social and economic climate. The themes I explore include forced migrations, identity, family disintegration and destitution. I use non-linear narration inspired by my reading of Dambudzo Marechera and Lidia Yuknavitch’s use of photographic imagery, in Black Sunlight and The Small Backs of Children respectively, to heighten my thematic concerns. The poetry in their language also serves as a source of inspiration, as does the graphic imagery used by Ayi Kwei Armah. In addition, I draw on the fragmented form used by Deepak Unnikrishnan to explore migration in his collection, Temporary People and Miljenko Jergovic’s investigation of violence and displacement in Sarajevo Marlboro.
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- Date Issued: 2018
Human capital and other stories
- Authors: Dludlu, John
- Date: 2018
- Subjects: Short stories, South African (English) -- 21st century , South African fiction (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63121 , vital:28365
- Description: My collection of short stories is set mostly in Gauteng and revolves around mainly the lives of the urban, black elite almost three decades after the first non‐racial elections in South Africa. It captures emerging trends and fault lines and enquires into whether South Africa can continue on a different path from that of the rest of the continent. Themes covered in the collection, which still espouses idealism, include the acquisition of power, status and money, the use and abuse of these, as well as the psychosocial effects of money on this group. My writing is inspired by the courageous, inventive and introspective writings of the Drum generation of writers William Bloke Modisane, Nat Nakasa and Can Themba, as well as the use of language and the experimental form of writing as embodied in the work of Lidia Yuknavitch to deal with similarly pressing social issues of the day.
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- Date Issued: 2018
- Authors: Dludlu, John
- Date: 2018
- Subjects: Short stories, South African (English) -- 21st century , South African fiction (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63121 , vital:28365
- Description: My collection of short stories is set mostly in Gauteng and revolves around mainly the lives of the urban, black elite almost three decades after the first non‐racial elections in South Africa. It captures emerging trends and fault lines and enquires into whether South Africa can continue on a different path from that of the rest of the continent. Themes covered in the collection, which still espouses idealism, include the acquisition of power, status and money, the use and abuse of these, as well as the psychosocial effects of money on this group. My writing is inspired by the courageous, inventive and introspective writings of the Drum generation of writers William Bloke Modisane, Nat Nakasa and Can Themba, as well as the use of language and the experimental form of writing as embodied in the work of Lidia Yuknavitch to deal with similarly pressing social issues of the day.
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- Date Issued: 2018
Beasts we love
- Authors: Masolane, Tseliso Chrisjan
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Detective and mystery stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63098 , vital:28363
- Description: My thesis is a novella in flash, written as political crime fiction. It is set in contemporary South Africa and tells the story of Rafau Lekopo, a teacher from a little township called Dikgohlong, whose life is changed forever after he finds his wife and the mayor in bed and shoots them both dead. The information contained within the dead mayor's notebook proves to be explosive, showing that the mayor is far more than he seems, and that he is in fact in the employ of a foreign intelligence service. After his release from prison, the embittered Lekopo sets about his revenge against powerful men who abuse their political power. He takes refuge in Lesotho, masterminds a series of heists, car-hijackings and human trafficking, and expands his syndication back in South Africa. Using the contacts and information from the mayor's notebook, he manipulates the Lesotho government into a diplomatic feud with South Africa which treatens to escalate into a military conflict.
- Full Text:
- Date Issued: 2018
- Authors: Masolane, Tseliso Chrisjan
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Detective and mystery stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63098 , vital:28363
- Description: My thesis is a novella in flash, written as political crime fiction. It is set in contemporary South Africa and tells the story of Rafau Lekopo, a teacher from a little township called Dikgohlong, whose life is changed forever after he finds his wife and the mayor in bed and shoots them both dead. The information contained within the dead mayor's notebook proves to be explosive, showing that the mayor is far more than he seems, and that he is in fact in the employ of a foreign intelligence service. After his release from prison, the embittered Lekopo sets about his revenge against powerful men who abuse their political power. He takes refuge in Lesotho, masterminds a series of heists, car-hijackings and human trafficking, and expands his syndication back in South Africa. Using the contacts and information from the mayor's notebook, he manipulates the Lesotho government into a diplomatic feud with South Africa which treatens to escalate into a military conflict.
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- Date Issued: 2018
Poem to be sung
- Authors: Ndyoko, Nomtha
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63592 , vital:28444
- Description: My collection of poems expresses the complexities that exist beneath the surface of my life – my tongue, our bleak country, the politics of having a dark skin, my ancestors who speak to me in unexplainable ways, and the speech of nature – the wind, the sea, death, birds. It is in writing poems and songs that I make a space to be alive, a space to meet my ancestors and to say the unsayable. The poems move between the ordinary, the magical, the abject, and the spiritual, often expressing the contradictions that exist within life. The main influence on my poetry has come from music, from African jazz musicians such as Zim Ngqawana, Thandiswa Mazwai and Msaki Mvana. Literary influences have come from Spanish poets such as Juan Ramón Jiménez, whose strong imagery and short lines capture profound emotion, and from ancient Chinese poetry that moves in a fluid and minimal way. I have also been inspired by the African spirituality expressed in Mazisi Kunene’s poetry and the down-to-earth associative poetry of Mangaliso Buzani and Mxolisi Nyezwa.
- Full Text:
- Date Issued: 2018
- Authors: Ndyoko, Nomtha
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63592 , vital:28444
- Description: My collection of poems expresses the complexities that exist beneath the surface of my life – my tongue, our bleak country, the politics of having a dark skin, my ancestors who speak to me in unexplainable ways, and the speech of nature – the wind, the sea, death, birds. It is in writing poems and songs that I make a space to be alive, a space to meet my ancestors and to say the unsayable. The poems move between the ordinary, the magical, the abject, and the spiritual, often expressing the contradictions that exist within life. The main influence on my poetry has come from music, from African jazz musicians such as Zim Ngqawana, Thandiswa Mazwai and Msaki Mvana. Literary influences have come from Spanish poets such as Juan Ramón Jiménez, whose strong imagery and short lines capture profound emotion, and from ancient Chinese poetry that moves in a fluid and minimal way. I have also been inspired by the African spirituality expressed in Mazisi Kunene’s poetry and the down-to-earth associative poetry of Mangaliso Buzani and Mxolisi Nyezwa.
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- Date Issued: 2018
Witches & villains: the nasty tales
- Authors: Dalldorf, Tamaryn
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century , Fairy tales -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63087 , vital:28362
- Description: My thesis compromises a variety of short stories which are modern re-writes of dark fairy tales. Fairy Tales often explore the dark side of human nature and in these stories I focus on the voices of female villains and the strange psychology which drives them. I find Fairy Tales absorbing because they reveal the vulnerabilities, dreams and fears of the human consciousness. My stories contain some satirical expositions of human nature and society. My influences are the anthology of short stories, “My mother She Killed Me and My Father He Ate Me”, The Grimm Fairy Tales (original) and The Fairy Tales of Charles Perrault as well as the writing of Horacio Moya, Angela Carter and Alissa Nutting for their dark satire and mockery of social eccentricities. Kate Bernheimer’s “Form is Fairy Tale and Fairy Tale is Form” is very influential in terms of the style it recommends in writing such as: “every day magic”, “flatness” (a form of narration), abstraction and intuitive logic.
- Full Text:
- Date Issued: 2018
- Authors: Dalldorf, Tamaryn
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century , Fairy tales -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63087 , vital:28362
- Description: My thesis compromises a variety of short stories which are modern re-writes of dark fairy tales. Fairy Tales often explore the dark side of human nature and in these stories I focus on the voices of female villains and the strange psychology which drives them. I find Fairy Tales absorbing because they reveal the vulnerabilities, dreams and fears of the human consciousness. My stories contain some satirical expositions of human nature and society. My influences are the anthology of short stories, “My mother She Killed Me and My Father He Ate Me”, The Grimm Fairy Tales (original) and The Fairy Tales of Charles Perrault as well as the writing of Horacio Moya, Angela Carter and Alissa Nutting for their dark satire and mockery of social eccentricities. Kate Bernheimer’s “Form is Fairy Tale and Fairy Tale is Form” is very influential in terms of the style it recommends in writing such as: “every day magic”, “flatness” (a form of narration), abstraction and intuitive logic.
- Full Text:
- Date Issued: 2018
Black woman you’re on your own
- Authors: Ngada, Unathi Ndlelantle
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63110 , vital:28364
- Full Text:
- Date Issued: 2018
- Authors: Ngada, Unathi Ndlelantle
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63110 , vital:28364
- Full Text:
- Date Issued: 2018
Slanting the light
- Authors: Marais, Shirley
- Date: 2018
- Subjects: South African poetry (English) -- 21st century , Creative writing (Higher education) -- South Africa
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63558 , vital:28440
- Description: Through my poetry I attempt to make sense of my encounters with myself by bringing to creative expression my experiences of and felt responses to people, places and situations. Among the poets who have had a significant influence on my work are Robert Berold, for his quiet assertion of intense, dramatic images; Frank O’Hara for his disciplined sense of mischief; Joan Metelerkamp for her meticulous attention to form and the way she makes a poem breathe; Robert Creeley for his ability to create free-floating meaning; and Mangaliso Buzani, for his fierce, honest poetics.
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- Date Issued: 2018
- Authors: Marais, Shirley
- Date: 2018
- Subjects: South African poetry (English) -- 21st century , Creative writing (Higher education) -- South Africa
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63558 , vital:28440
- Description: Through my poetry I attempt to make sense of my encounters with myself by bringing to creative expression my experiences of and felt responses to people, places and situations. Among the poets who have had a significant influence on my work are Robert Berold, for his quiet assertion of intense, dramatic images; Frank O’Hara for his disciplined sense of mischief; Joan Metelerkamp for her meticulous attention to form and the way she makes a poem breathe; Robert Creeley for his ability to create free-floating meaning; and Mangaliso Buzani, for his fierce, honest poetics.
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- Date Issued: 2018
Between blue and light
- Authors: Campbell, Jennifer
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63570 , vital:28441
- Description: My novella follows a narrator observing her life, as she struggles with what it is to live in a world that she finds simultaneously frightening and beautiful. The story touches on the limitations of human connection and with loss in various forms. Set in both Cape Town and small town South Africa, the story explores the inner life of a woman detached and adrift.
- Full Text:
- Date Issued: 2018
- Authors: Campbell, Jennifer
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63570 , vital:28441
- Description: My novella follows a narrator observing her life, as she struggles with what it is to live in a world that she finds simultaneously frightening and beautiful. The story touches on the limitations of human connection and with loss in various forms. Set in both Cape Town and small town South Africa, the story explores the inner life of a woman detached and adrift.
- Full Text:
- Date Issued: 2018
Blue ring of fire
- Authors: O’Flaherty, Craig
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63615 , vital:28448
- Description: My poems are reflections of shape, colour and emotions expressed through imagery. Their unsentimental landscape-realism echo my own feelings as well as broader human dimensions of contradiction and uncertainty, without trying to resolve them. In the same way that photography is the art of 'painting with light', my poems seek a language that evokes light and darkness. They aspire to what Keats said when writing about ‘negative capability’: “Poetical character has no self, it is anything and nothing, it has no character and enjoys light and shade”. My poems explore what I have learned about form – how line-length, syntax and musicality can add grace and energy to language. Poets that have influenced me include the classical Chinese poets such as Du Fu and Li Po, and the Generation of 27 Spanish poets, such as Antonio Machado and Leon Felipe.
- Full Text:
- Date Issued: 2018
- Authors: O’Flaherty, Craig
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63615 , vital:28448
- Description: My poems are reflections of shape, colour and emotions expressed through imagery. Their unsentimental landscape-realism echo my own feelings as well as broader human dimensions of contradiction and uncertainty, without trying to resolve them. In the same way that photography is the art of 'painting with light', my poems seek a language that evokes light and darkness. They aspire to what Keats said when writing about ‘negative capability’: “Poetical character has no self, it is anything and nothing, it has no character and enjoys light and shade”. My poems explore what I have learned about form – how line-length, syntax and musicality can add grace and energy to language. Poets that have influenced me include the classical Chinese poets such as Du Fu and Li Po, and the Generation of 27 Spanish poets, such as Antonio Machado and Leon Felipe.
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- Date Issued: 2018
Mna, Nosigidi
- Authors: Matyobeni, Simthembile
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , Xhosa poetry -- 21st century , South African poetry (English) -- 21st century
- Language: Xhosa , English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/64412 , vital:28541
- Description: This thesis is a collection of poems. These are lyric poems. Animystic poets like Christopher Okigbo and Wole Soyinka are the principal models in terms of style. Animystic poetry projects ideas and emotions in a hallucinatory and profoundly visionary manner. The collection has a variety of themes such as marginality, identity, history, and domestic abuse. Diverse language registers are used in the poems in order that the setting of each poem, whether historical or contemporary, is realised. , Le thesisi ngumbongo omde osekelezelwe kumlinganiswa oyintloko, uNosigidi. Esi simbo sokuyila isihobe siva ngomlimandlela owenziwa ziimbongi ezifana noJ. R. R. Jolobe no‐Aime Cesaire. Indumasiso ethi “UThuthula” kaJolobe inefuthe kwimo yokwakhiwa kweminye imibongo edibanisa le mbali. Asiyiyo yonke imibhalo yezi mbongi ethe ncakasana ukungqamana nale mbali‐sihobe kaNosigidi. Imibongo ekuthiwa yi‐‘Animystic poetry’ isetyenzisiwe kakhulu kule mibongo. Sigqaliwe kunye nesihobe nesikaSappho, kuba yimbongi ebhale kakhulu ngamandla elizwi lamanina. USappho ngakumbi ubhala kakhulu kwisihobe sakhe ngamanina athandana namanye. Owona mxo walo mbongo kukugqala ibali koNosigidi okhule esazi kamhlophe ukuba yena uthandana namanye amanina. Isizathu soku kukuba nabo obu bomi kuyafuneka kubhaliwe ngabo ngendlela enenkathalo kuncwadi lwesiXhosa. Nasekusabeleni ubizo lwakhe kwintwaso uNosigidi uya enamathidala, de obo bomi bentumekelelo abamkele ngazo zozibini.
- Full Text:
- Date Issued: 2018
- Authors: Matyobeni, Simthembile
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , Xhosa poetry -- 21st century , South African poetry (English) -- 21st century
- Language: Xhosa , English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/64412 , vital:28541
- Description: This thesis is a collection of poems. These are lyric poems. Animystic poets like Christopher Okigbo and Wole Soyinka are the principal models in terms of style. Animystic poetry projects ideas and emotions in a hallucinatory and profoundly visionary manner. The collection has a variety of themes such as marginality, identity, history, and domestic abuse. Diverse language registers are used in the poems in order that the setting of each poem, whether historical or contemporary, is realised. , Le thesisi ngumbongo omde osekelezelwe kumlinganiswa oyintloko, uNosigidi. Esi simbo sokuyila isihobe siva ngomlimandlela owenziwa ziimbongi ezifana noJ. R. R. Jolobe no‐Aime Cesaire. Indumasiso ethi “UThuthula” kaJolobe inefuthe kwimo yokwakhiwa kweminye imibongo edibanisa le mbali. Asiyiyo yonke imibhalo yezi mbongi ethe ncakasana ukungqamana nale mbali‐sihobe kaNosigidi. Imibongo ekuthiwa yi‐‘Animystic poetry’ isetyenzisiwe kakhulu kule mibongo. Sigqaliwe kunye nesihobe nesikaSappho, kuba yimbongi ebhale kakhulu ngamandla elizwi lamanina. USappho ngakumbi ubhala kakhulu kwisihobe sakhe ngamanina athandana namanye. Owona mxo walo mbongo kukugqala ibali koNosigidi okhule esazi kamhlophe ukuba yena uthandana namanye amanina. Isizathu soku kukuba nabo obu bomi kuyafuneka kubhaliwe ngabo ngendlela enenkathalo kuncwadi lwesiXhosa. Nasekusabeleni ubizo lwakhe kwintwaso uNosigidi uya enamathidala, de obo bomi bentumekelelo abamkele ngazo zozibini.
- Full Text:
- Date Issued: 2018
Yancothulwa ingqambu
- Authors: Komanisi, Nomnikelo
- Date: 2018
- Subjects: Xhosa poetry -- 21st century , Women in literature , Stereotypes (Social psychology) in literature , Xhosa poetry -- 21st century fiction -- History and criticism
- Language: Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63448 , vital:28412
- Description: I have written a collection of isiXhosa poems for my thesis. I was influenced by the conditions in life women often find themselves, as well as the cultural stereotypes that perpetuate these conditions. Writers who have had an impact on my writing are W. B. Rubusana, S. E. K. Mqhayi and J. J. R. Jolobe because of their language, rhythm and the richness of their writing more generally. It is as if they are voices of a past generation who reach out on us, today. More recent American poets such as Amiri Baraka, on the other hand, have shown me how poems can meet you, can come as bullets that pierce your heart, soul and brain. Combining these old and new poetic styles, I intend for my poems to be of value and benefit to women who seek mental, spiritual and physical healing.
- Full Text:
- Date Issued: 2018
- Authors: Komanisi, Nomnikelo
- Date: 2018
- Subjects: Xhosa poetry -- 21st century , Women in literature , Stereotypes (Social psychology) in literature , Xhosa poetry -- 21st century fiction -- History and criticism
- Language: Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63448 , vital:28412
- Description: I have written a collection of isiXhosa poems for my thesis. I was influenced by the conditions in life women often find themselves, as well as the cultural stereotypes that perpetuate these conditions. Writers who have had an impact on my writing are W. B. Rubusana, S. E. K. Mqhayi and J. J. R. Jolobe because of their language, rhythm and the richness of their writing more generally. It is as if they are voices of a past generation who reach out on us, today. More recent American poets such as Amiri Baraka, on the other hand, have shown me how poems can meet you, can come as bullets that pierce your heart, soul and brain. Combining these old and new poetic styles, I intend for my poems to be of value and benefit to women who seek mental, spiritual and physical healing.
- Full Text:
- Date Issued: 2018
Still
- Authors: Hall, Leila
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63638 , vital:28450
- Description: This thesis is a novella in fragments set in contemporary Lesotho. It tells the story of a Mosotho woman in her 30s who has spent a long time living out of the country. She returns to search for a former lover who she hasn’t seen for 15 years. The nonlinear narrative follows her journey, exploring a range of themes, including sexuality, gender and class relations, memory and time, relationship to place, non-conformity and defiance in the face of societal pressure and conformism. The style of writing is inspired by a diverse range of writers, including Sonallah Ibrahim for his understated, sparse and minimalist prose, Tina May Hall for her ability to tell a story in fragmented vignettes, Noy Holland for her understanding of time as synchronous and non-linear, and Ayi Kwei Armah for his skill in evoking the feelings, textures and specificities of a place.
- Full Text:
- Date Issued: 2018
- Authors: Hall, Leila
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63638 , vital:28450
- Description: This thesis is a novella in fragments set in contemporary Lesotho. It tells the story of a Mosotho woman in her 30s who has spent a long time living out of the country. She returns to search for a former lover who she hasn’t seen for 15 years. The nonlinear narrative follows her journey, exploring a range of themes, including sexuality, gender and class relations, memory and time, relationship to place, non-conformity and defiance in the face of societal pressure and conformism. The style of writing is inspired by a diverse range of writers, including Sonallah Ibrahim for his understated, sparse and minimalist prose, Tina May Hall for her ability to tell a story in fragmented vignettes, Noy Holland for her understanding of time as synchronous and non-linear, and Ayi Kwei Armah for his skill in evoking the feelings, textures and specificities of a place.
- Full Text:
- Date Issued: 2018
Malume’s bones
- Authors: Mokhele, Sizakele
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63132 , vital:28366
- Description: My poetry is about real stories: poverty, love, politics, past pains and healing. I try to follow the example of Amiri Baraka who says his poetry is whatever he thinks he is, that he makes poetry with “what can be saved out the garbage of our lives”. My collection also preserves and embraces demotic language, which is also a part of who I am. I am influenced by Baraka’s and Ike Muila’s use of demotics, and the way that poets such as Antonio Jacinto, Costa Andrade and Mafika Gwala tackle political matters in a colourful and powerful way. I have also been inspired by ancient Chinese poets to explore love and eroticism, particularly how it plays out in the eyes of my people.
- Full Text:
- Date Issued: 2018
- Authors: Mokhele, Sizakele
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63132 , vital:28366
- Description: My poetry is about real stories: poverty, love, politics, past pains and healing. I try to follow the example of Amiri Baraka who says his poetry is whatever he thinks he is, that he makes poetry with “what can be saved out the garbage of our lives”. My collection also preserves and embraces demotic language, which is also a part of who I am. I am influenced by Baraka’s and Ike Muila’s use of demotics, and the way that poets such as Antonio Jacinto, Costa Andrade and Mafika Gwala tackle political matters in a colourful and powerful way. I have also been inspired by ancient Chinese poets to explore love and eroticism, particularly how it plays out in the eyes of my people.
- Full Text:
- Date Issued: 2018
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