Obw’omugabe Gasyonga II yagwara ekirunga
- Rusania and Nkole, Hugh Tracey
- Authors: Rusania and Nkole , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169979 , vital:41844 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-03
- Description: Song sung at the installation of the present (1950) Mugabe as head of all the Ankole. Mugabe Gasyonga II. The manner in which this song is sung gives impression that both the style and the words belong to an era of Hima conquest, when the Nkole first came from the north. Installation of a Chief.
- Full Text: false
- Date Issued: 1950
- Authors: Rusania and Nkole , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169979 , vital:41844 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-03
- Description: Song sung at the installation of the present (1950) Mugabe as head of all the Ankole. Mugabe Gasyonga II. The manner in which this song is sung gives impression that both the style and the words belong to an era of Hima conquest, when the Nkole first came from the north. Installation of a Chief.
- Full Text: false
- Date Issued: 1950
Kalagala ebwembe
- Ntamivu za Kabaka, Hugh Tracey
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170646 , vital:41945 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-06
- Description: The tune is based upon a song which says that Kalagala was a chief in Busoga who caught and killed the Kabaka's messengers. The Kabaka sent an army in return to destroy him and his people. Feeling has always run high between the Ganda and Soga peoples, the former living on the west and the latter on the east side of the river Nile where it emerges from Lake Victoria Nyanza. The approximate sizes of the drums were:- Ntamivu, big drum, 25 inches across, 37 inches tall. Naku, medium drum, c. 14 inch head, 19 inches tall. Njongo, small drum, c. 12 inch head, 17 inches tall. Tall laced drum. c. 10 inch head, 39 inches tall. The Naku (-14.22301-) was played with the hands, the others (-14.22303-) were played with beaters. The tall drum stood beside the very large Ntamivu and both were played by one man. The tuning of the xylophone was:- 776, 688, 608, 520, 456, 388, 344, 304, 260, 228, 194, 172 v.s. This gives intervals within the octave (from 344 to 172) of 214, 271, 227, 280 and 208 cents. Two instrumental tunes with loose note xylophone and 5 drums (-14.99-), laced, conical.
- Full Text: false
- Date Issued: 1950
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170646 , vital:41945 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-06
- Description: The tune is based upon a song which says that Kalagala was a chief in Busoga who caught and killed the Kabaka's messengers. The Kabaka sent an army in return to destroy him and his people. Feeling has always run high between the Ganda and Soga peoples, the former living on the west and the latter on the east side of the river Nile where it emerges from Lake Victoria Nyanza. The approximate sizes of the drums were:- Ntamivu, big drum, 25 inches across, 37 inches tall. Naku, medium drum, c. 14 inch head, 19 inches tall. Njongo, small drum, c. 12 inch head, 17 inches tall. Tall laced drum. c. 10 inch head, 39 inches tall. The Naku (-14.22301-) was played with the hands, the others (-14.22303-) were played with beaters. The tall drum stood beside the very large Ntamivu and both were played by one man. The tuning of the xylophone was:- 776, 688, 608, 520, 456, 388, 344, 304, 260, 228, 194, 172 v.s. This gives intervals within the octave (from 344 to 172) of 214, 271, 227, 280 and 208 cents. Two instrumental tunes with loose note xylophone and 5 drums (-14.99-), laced, conical.
- Full Text: false
- Date Issued: 1950
Nandikulamude
- Madinda ga Kababa, xylophone players of the Lubili palace, Hugh Tracey
- Authors: Madinda ga Kababa, xylophone players of the Lubili palace , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170682 , vital:41949 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-10
- Description: Tune based upon a traditional song. "I warn you that I have no power over the grave, now you are dead." Both this instrument and the other xylophone at the Lubili (palace) had been brought in from different parts of the country. They were both slightly out of the tune, it was said. The shape of the individual notes was interesting having two lugs protruding from the lower side to prevent the note from jumping out of place over the two banana stalk supports. The notes are kept in place laterally by their wands about 3 feet long which are sharpened and stuck into the soft stalks between each slat. 1248, 1120, 928, 832, 728, 624, 560, 464, 416, 364, 312, 280, 232, 208, 182, 156, 140. Instrumental tunes, with Madinda 17 note xylophone, loose notes on banana stalks, 3 players.
- Full Text: false
- Date Issued: 1950
- Authors: Madinda ga Kababa, xylophone players of the Lubili palace , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170682 , vital:41949 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-10
- Description: Tune based upon a traditional song. "I warn you that I have no power over the grave, now you are dead." Both this instrument and the other xylophone at the Lubili (palace) had been brought in from different parts of the country. They were both slightly out of the tune, it was said. The shape of the individual notes was interesting having two lugs protruding from the lower side to prevent the note from jumping out of place over the two banana stalk supports. The notes are kept in place laterally by their wands about 3 feet long which are sharpened and stuck into the soft stalks between each slat. 1248, 1120, 928, 832, 728, 624, 560, 464, 416, 364, 312, 280, 232, 208, 182, 156, 140. Instrumental tunes, with Madinda 17 note xylophone, loose notes on banana stalks, 3 players.
- Full Text: false
- Date Issued: 1950
Ngodyongodyo
- Boys of Busoga College, Hugh Tracey
- Authors: Boys of Busoga College , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171176 , vital:42027 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-03
- Description: "Oh, Ngodyongodyo, where is Kibate? what is this? Those are hornets. The hornets are stinging me. Let them sting you, please ask them to leave me; Hornets don't leave him." School song.
- Full Text: false
- Date Issued: 1952
- Authors: Boys of Busoga College , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171176 , vital:42027 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-03
- Description: "Oh, Ngodyongodyo, where is Kibate? what is this? Those are hornets. The hornets are stinging me. Let them sting you, please ask them to leave me; Hornets don't leave him." School song.
- Full Text: false
- Date Issued: 1952
Kuhiga
- Haya men and Jason the Chief's hunting dog, Hugh Tracey
- Authors: Haya men and Jason the Chief's hunting dog , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171963 , vital:42143 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-08
- Description: This was a very cheerful demonstration of a hunting party with the sound of the bells which are attached to the dogs' collars of plaited leather. The dog, Jason, which belonged to the Chief Gabriel Lugabandana, joined in the recording with a right good will, and enjoyed the hunting cries by the men as they pretended to go otter hunting in the wooded marshes in the valleys near the lake. Hunting cry and song with bells and hunting horn.
- Full Text: false
- Date Issued: 1950
- Authors: Haya men and Jason the Chief's hunting dog , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171963 , vital:42143 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-08
- Description: This was a very cheerful demonstration of a hunting party with the sound of the bells which are attached to the dogs' collars of plaited leather. The dog, Jason, which belonged to the Chief Gabriel Lugabandana, joined in the recording with a right good will, and enjoyed the hunting cries by the men as they pretended to go otter hunting in the wooded marshes in the valleys near the lake. Hunting cry and song with bells and hunting horn.
- Full Text: false
- Date Issued: 1950
Rwabazira
- Mahibo and Toro men, Hugh Tracey
- Authors: Mahibo and Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170254 , vital:41874 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-05
- Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Mahibo and Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170254 , vital:41874 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-05
- Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
- Full Text: false
- Date Issued: 1950
Topima
- Kagaruki Nkokolo with Haya men, Hugh Tracey
- Authors: Kagaruki Nkokolo with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171981 , vital:42145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-10
- Description: "Why do you dislike me? I would like you to be a good friend of mine." A man had a friend an they fell out, so he sang to his friend to weigh up their differences, to measure them up and forget about them, or agree to differ. Topical song with laced conical drum and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Kagaruki Nkokolo with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171981 , vital:42145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-10
- Description: "Why do you dislike me? I would like you to be a good friend of mine." A man had a friend an they fell out, so he sang to his friend to weigh up their differences, to measure them up and forget about them, or agree to differ. Topical song with laced conical drum and clapping.
- Full Text: false
- Date Issued: 1950
Enjangu
- Eliasi Karuandila with Haya men, Hugh Tracey
- Authors: Eliasi Karuandila with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172074 , vital:42157 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-16
- Description: How the cat became a domestic animal. The chattering of villagers can be heard in the background. Story with song.
- Full Text: false
- Date Issued: 1950
- Authors: Eliasi Karuandila with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172074 , vital:42157 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-16
- Description: How the cat became a domestic animal. The chattering of villagers can be heard in the background. Story with song.
- Full Text: false
- Date Issued: 1950
Mathereza
- Luhanga Magezi with Haya men, Hugh Tracey
- Authors: Luhanga Magezi with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Rurongo f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171815 , vital:42128 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR143-12
- Description: The lute is made of a 4 and a half inch section of the lower part of an Ankole ox horn. These cattle have very large horns. The oval shaped membrane is python skin pegged into the horn and the bridge is reed. The string is of raffia palm. "My love, Thereza you come from a good family. I love you so much." Love song, with Ndingidi one string lute.
- Full Text: false
- Date Issued: 1950
- Authors: Luhanga Magezi with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Rurongo f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171815 , vital:42128 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR143-12
- Description: The lute is made of a 4 and a half inch section of the lower part of an Ankole ox horn. These cattle have very large horns. The oval shaped membrane is python skin pegged into the horn and the bridge is reed. The string is of raffia palm. "My love, Thereza you come from a good family. I love you so much." Love song, with Ndingidi one string lute.
- Full Text: false
- Date Issued: 1950
Mayi muro sali mayi
- Bulasiyo Namawa, Hugh Tracey
- Authors: Bulasiyo Namawa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169457 , vital:41752 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-06
- Description: "Stepmothers do not treat step-children well." This indifference to other people's children is a major theme in all folklore. Topical song with Lidungu seven string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Bulasiyo Namawa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169457 , vital:41752 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-06
- Description: "Stepmothers do not treat step-children well." This indifference to other people's children is a major theme in all folklore. Topical song with Lidungu seven string lyre.
- Full Text: false
- Date Issued: 1950
Naniyamwenda
- Nekemiya Nanywamu and Kasani Byansi, Hugh Tracey
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171217 , vital:42032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-07
- Description: A song about the dreadful results of not obeying your parents. A badly brought up disobedient girl is bound to be unhappily married and when her husband beats her for not putting salt in the vegetables, for example, she would get no sympathy from her parents. Morality song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10-54-).
- Full Text: false
- Date Issued: 1952
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171217 , vital:42032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-07
- Description: A song about the dreadful results of not obeying your parents. A badly brought up disobedient girl is bound to be unhappily married and when her husband beats her for not putting salt in the vegetables, for example, she would get no sympathy from her parents. Morality song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10-54-).
- Full Text: false
- Date Issued: 1952
Obuwala bwe Nawandende (Girls of Nawanende)
- Kyotalye Wakabi, Hugh Tracey
- Authors: Kyotalye Wakabi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171315 , vital:42046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-17
- Description: This xylophone was played by 4 players. Kyolalye on one side as 'mixer' and three on the other. Xylophone instrumental tune, 16 note Mbaire xylophone.
- Full Text: false
- Date Issued: 1952
- Authors: Kyotalye Wakabi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171315 , vital:42046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-17
- Description: This xylophone was played by 4 players. Kyolalye on one side as 'mixer' and three on the other. Xylophone instrumental tune, 16 note Mbaire xylophone.
- Full Text: false
- Date Issued: 1952
Basibira malaika
- Madinda ga Kababa, xylophone players of the Lubili palace, Hugh Tracey
- Authors: Madinda ga Kababa, xylophone players of the Lubili palace , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170687 , vital:41950 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-11
- Description: Tune based upon a traditional song. "Moslems are fasting - Moslems fast." The fast of Ramadan was just over when this item was recorded. Both this instrument and the other xylophone at the Lubili (palace) had been brought in from different parts of the country. They were both slightly out of the tune, it was said. The shape of the individual notes was interesting having two lugs protruding from the lower side to prevent the note from jumping out of place over the two banana stalk supports. The notes are kept in place laterally by their wands about 3 feet long which are sharpened and stuck into the soft stalks between each slat. 1248, 1120, 928, 832, 728, 624, 560, 464, 416, 364, 312, 280, 232, 208, 182, 156, 140. Instrumental tunes, with Madinda 17 note xylophone, loose notes on banana stalks, 3 players.
- Full Text: false
- Date Issued: 1950
- Authors: Madinda ga Kababa, xylophone players of the Lubili palace , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170687 , vital:41950 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-11
- Description: Tune based upon a traditional song. "Moslems are fasting - Moslems fast." The fast of Ramadan was just over when this item was recorded. Both this instrument and the other xylophone at the Lubili (palace) had been brought in from different parts of the country. They were both slightly out of the tune, it was said. The shape of the individual notes was interesting having two lugs protruding from the lower side to prevent the note from jumping out of place over the two banana stalk supports. The notes are kept in place laterally by their wands about 3 feet long which are sharpened and stuck into the soft stalks between each slat. 1248, 1120, 928, 832, 728, 624, 560, 464, 416, 364, 312, 280, 232, 208, 182, 156, 140. Instrumental tunes, with Madinda 17 note xylophone, loose notes on banana stalks, 3 players.
- Full Text: false
- Date Issued: 1950
Luwanzo rhythm
- Authors: Gishu men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169502 , vital:41757 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-11
- Description: It has been noticed that while the flying ants are leaving a nest the soilder ants beat their heads on the ground; a sharp noise will also make them do this. Perhaps the explanation may be found in this direction. Two split holes, called Luwanzo, are taken to an ant hill in the late afternoon during rainy weather and balanced carefully on small bunches of banana fibre. The players then beat out rhythms such as this "To the Queen Ant" so that she will send out her flying ants for the men to catch and eat. They say it works wonderfully. Percussion rhythm, using two Luwanzo poles.
- Full Text: false
- Date Issued: 1950
- Authors: Gishu men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169502 , vital:41757 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-11
- Description: It has been noticed that while the flying ants are leaving a nest the soilder ants beat their heads on the ground; a sharp noise will also make them do this. Perhaps the explanation may be found in this direction. Two split holes, called Luwanzo, are taken to an ant hill in the late afternoon during rainy weather and balanced carefully on small bunches of banana fibre. The players then beat out rhythms such as this "To the Queen Ant" so that she will send out her flying ants for the men to catch and eat. They say it works wonderfully. Percussion rhythm, using two Luwanzo poles.
- Full Text: false
- Date Issued: 1950
Nkende yamuyayu
- Authors: Mulobo Maswa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171588 , vital:42096 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-11
- Description: "The waist of the wild cat." During this tune the ols men sitting around began to sing the melody and clap. Flute tune, Ndele flute and 2 drums.
- Full Text: false
- Date Issued: 1952
- Authors: Mulobo Maswa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171588 , vital:42096 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-11
- Description: "The waist of the wild cat." During this tune the ols men sitting around began to sing the melody and clap. Flute tune, Ndele flute and 2 drums.
- Full Text: false
- Date Issued: 1952
Katego
- Ntamivu za Kabaka, Hugh Tracey
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170664 , vital:41947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-08
- Description: The song upon which this tune is based referred to Katego, an important man who wore a curious head-dress. So all the people said "Katego is a wixzard." This recording was intended to show the drumming process and the melody on which the piece is based, individual players being heard on their own. Instrumental tunes, with Madinda xylophone and 5 laced drums (-14.99-).
- Full Text: false
- Date Issued: 1950
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170664 , vital:41947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-08
- Description: The song upon which this tune is based referred to Katego, an important man who wore a curious head-dress. So all the people said "Katego is a wixzard." This recording was intended to show the drumming process and the melody on which the piece is based, individual players being heard on their own. Instrumental tunes, with Madinda xylophone and 5 laced drums (-14.99-).
- Full Text: false
- Date Issued: 1950
Rukidi
- Yohana Nyakayonga, and Ntimbo Royal drummers, Hugh Tracey
- Authors: Yohana Nyakayonga, and Ntimbo Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169693 , vital:41789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-10
- Description: The greater African chiefs would, in the old days, always have their court musicians to perform special functions, one of which was to play early in the morning to waken the chief's household. This duty was performed in the past by the Ntimbo drummers of the Mukama of Bunyoro. "Our Mukama who speaks with the clouds the most learned and wise Mukama, who has been to England." Ntimbo praise song with four Ntimbo Goblet drums, pinned, open, ling stem and small foot. For holding under the arm (not for standing).
- Full Text: false
- Date Issued: 1950
- Authors: Yohana Nyakayonga, and Ntimbo Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169693 , vital:41789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-10
- Description: The greater African chiefs would, in the old days, always have their court musicians to perform special functions, one of which was to play early in the morning to waken the chief's household. This duty was performed in the past by the Ntimbo drummers of the Mukama of Bunyoro. "Our Mukama who speaks with the clouds the most learned and wise Mukama, who has been to England." Ntimbo praise song with four Ntimbo Goblet drums, pinned, open, ling stem and small foot. For holding under the arm (not for standing).
- Full Text: false
- Date Issued: 1950
Ente za Kanyororo Abateza
- Authors: Nyamukuru , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170216 , vital:41870 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-02
- Description: In praise of Kanyororo's cattle, of which he was the herdsman. The herd was called "Abateza", and because it was so strinkingly beautiful to the beholder it would make him shade his eyes and stumble away after looking at them. Praise chant.
- Full Text: false
- Date Issued: 1950
- Authors: Nyamukuru , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170216 , vital:41870 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-02
- Description: In praise of Kanyororo's cattle, of which he was the herdsman. The herd was called "Abateza", and because it was so strinkingly beautiful to the beholder it would make him shade his eyes and stumble away after looking at them. Praise chant.
- Full Text: false
- Date Issued: 1950
Elosi aberu akipore imaniti abiro
- Iganitiyo Ekacholi and Teso men, Hugh Tracey
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169309 , vital:41713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-13
- Description: It is interesting to note the apparent differences in tone between the scale of the harp and the voice. Iganitiyo, the harp, made friends with Chief K. Omudeka and he visited him at his place over the border in Kenya. He was surprised at the great amount of land which was under cultivation there. He entertained the chief every evening of his visit by playing and singing to his Adedeu harp. Topical song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169309 , vital:41713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-13
- Description: It is interesting to note the apparent differences in tone between the scale of the harp and the voice. Iganitiyo, the harp, made friends with Chief K. Omudeka and he visited him at his place over the border in Kenya. He was surprised at the great amount of land which was under cultivation there. He entertained the chief every evening of his visit by playing and singing to his Adedeu harp. Topical song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
Ikwara watindi tindibala
- Bulasiyo Namawa, Hugh Tracey
- Authors: Bulasiyo Namawa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169448 , vital:41751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-05
- Description: This song recalls the days when the Gishu were first subdued by the English during the early occupation of Uganda. Topical song with Lidungu seven string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Bulasiyo Namawa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169448 , vital:41751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-05
- Description: This song recalls the days when the Gishu were first subdued by the English during the early occupation of Uganda. Topical song with Lidungu seven string lyre.
- Full Text: false
- Date Issued: 1950