Nkurira nyama (I cry for meat)
- J. M. C. Chimpandando, Hugh Tracey
- Authors: J. M. C. Chimpandando , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140233 , vital:37852
- Description: "I don't not worry about women, I only cry for meat." Humorous song.
- Full Text: false
- Authors: J. M. C. Chimpandando , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140233 , vital:37852
- Description: "I don't not worry about women, I only cry for meat." Humorous song.
- Full Text: false
Munkwele
- Group of 7 Tumbuka men, Hugh Tracey
- Authors: Group of 7 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140287 , vital:37858
- Description: The drum was tapped on the side as well as being beaten on either side. Malipenga dance song with Nkohombo singing horns (calabashes), 1 brass drum, double, laced with 2 beaters.
- Full Text: false
- Authors: Group of 7 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140287 , vital:37858
- Description: The drum was tapped on the side as well as being beaten on either side. Malipenga dance song with Nkohombo singing horns (calabashes), 1 brass drum, double, laced with 2 beaters.
- Full Text: false
Tuibale bonse nwe nseba (Let's flock together like nseba birds)
- Edward Shoni and group of 6 Aushi men, Hugh Tracey
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140105 , vital:37833
- Description: "Come, everyone, flock together like the nseba birds, which are never alone. and let us sing this song." Sung when on the way to some festive occassion. Walking song.
- Full Text: false
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140105 , vital:37833
- Description: "Come, everyone, flock together like the nseba birds, which are never alone. and let us sing this song." Sung when on the way to some festive occassion. Walking song.
- Full Text: false
Ki mangi ya uawize mali (Who stole the money?)
- Group of Lozi men, Hugh Tracey
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139718 , vital:37772
- Description: This recording was received with enthusiasm by the large good-natured crowd. Siyomboka dance song with 1 xylophone on a stand, 3 Milupa drums, conical and pegged.
- Full Text: false
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139718 , vital:37772
- Description: This recording was received with enthusiasm by the large good-natured crowd. Siyomboka dance song with 1 xylophone on a stand, 3 Milupa drums, conical and pegged.
- Full Text: false
Kwa Kazembe okutomboka kana twana (In our country when we are drunk we start dancing)
- Three young Luunda men, Hugh Tracey
- Authors: Three young Luunda men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139924 , vital:37813
- Description: The Luunda style os singing is often indistinguishable from that of their neighbours the Bemba and this simple drinking song is no exception. Drinking song.
- Full Text: false
- Authors: Three young Luunda men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139924 , vital:37813
- Description: The Luunda style os singing is often indistinguishable from that of their neighbours the Bemba and this simple drinking song is no exception. Drinking song.
- Full Text: false
Ematambo waifwe bantu (The bones of the people)
- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140067 , vital:37829
- Description: "When you go on duty, someone else comes and makes love to your wife-that means a fine of much money. A the beer hall you go to drink eleven quarts of wine and then afterwards, go to make love to someone else's wife. And then-caught-you have to pay, and be despised by your own son and daughter. Morality song with guitar and bottle.
- Full Text: false
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140067 , vital:37829
- Description: "When you go on duty, someone else comes and makes love to your wife-that means a fine of much money. A the beer hall you go to drink eleven quarts of wine and then afterwards, go to make love to someone else's wife. And then-caught-you have to pay, and be despised by your own son and daughter. Morality song with guitar and bottle.
- Full Text: false
Yaku Kasama munenu wamukake Nshimbi (At Kasama they put the handcuffs on me)
- Stephen Tsotsi Kasumali and 3 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139945 , vital:37816
- Description: "I was handcuffed at Kasama by the police, sat down and was taken to the Boma, saying; "I did nothing wrong." But it appears that when he was charged, he said he was guilty and blamed his uncle's wife. She came to give evidence on his behalf but she did not get him off. So he said: "You are the one who must get me off." Bust she did not do so." "You are my relative, you must send me home." In this outburst one can see the childlike faith in the blood relationships eben to the point of working miracles.
- Full Text: false
- Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139945 , vital:37816
- Description: "I was handcuffed at Kasama by the police, sat down and was taken to the Boma, saying; "I did nothing wrong." But it appears that when he was charged, he said he was guilty and blamed his uncle's wife. She came to give evidence on his behalf but she did not get him off. So he said: "You are the one who must get me off." Bust she did not do so." "You are my relative, you must send me home." In this outburst one can see the childlike faith in the blood relationships eben to the point of working miracles.
- Full Text: false
Mukashi wamunobe (Do not play about with your friend's wife)
- William Mapulanga and Friends, Hugh Tracey
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139915 , vital:37812
- Description: The cross rhythm of this song is typical, while the melodic formula of the lyric is one which has come up to N. Rhodesia from the south where it originated eight years ago in a song called "Vura matambo." from the Muzezuru tribe in S. Rhodesia. This demonstrates the persistence of the oral folk evolution of songs, now accelerated and more widely distributed by means of phonograhic recording. In the ordinary course of events, this tune would never have moved so far from its original home some 600 and 700 miles away. Morality song with guitar and bottle.
- Full Text: false
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139915 , vital:37812
- Description: The cross rhythm of this song is typical, while the melodic formula of the lyric is one which has come up to N. Rhodesia from the south where it originated eight years ago in a song called "Vura matambo." from the Muzezuru tribe in S. Rhodesia. This demonstrates the persistence of the oral folk evolution of songs, now accelerated and more widely distributed by means of phonograhic recording. In the ordinary course of events, this tune would never have moved so far from its original home some 600 and 700 miles away. Morality song with guitar and bottle.
- Full Text: false
Tandabala (Name of a man)
- Group of Lozi men, Hugh Tracey
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139756 , vital:37779
- Description: This song, they said, is sung normally by women at the end of a girl's initiation period - a time when songs mentioning taboo subjects are not frequently found in African societies. It appears that the use of a guitar in a song of this nature is unusual. Girl's initiation song with guitar, and bottle struck by a nail.
- Full Text: false
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139756 , vital:37779
- Description: This song, they said, is sung normally by women at the end of a girl's initiation period - a time when songs mentioning taboo subjects are not frequently found in African societies. It appears that the use of a guitar in a song of this nature is unusual. Girl's initiation song with guitar, and bottle struck by a nail.
- Full Text: false
Namakawu-wo misali kunyala Liwali (Namakwawu was married to 2 husbands)
- Group of 12 Lozi men and women, Hugh Tracey
- Authors: Group of 12 Lozi men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139747 , vital:37777
- Description: The woman Namakawu was a polyandrist and carried on a successful liaison with 2 men until she was at last found out. Siamboka dance with 2 Milupa conical drums, pegged, open, hand beaten.
- Full Text: false
- Authors: Group of 12 Lozi men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139747 , vital:37777
- Description: The woman Namakawu was a polyandrist and carried on a successful liaison with 2 men until she was at last found out. Siamboka dance with 2 Milupa conical drums, pegged, open, hand beaten.
- Full Text: false
Mwaiseni mwe balendo (Welcome visitors)
- Stephen Tsotsi Kasumali and 3 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139957 , vital:37817
- Description: "Welcome all you people who have come to hear me sing.- I am Stephen Tsotsi whom you have heard about so often. I am singing with my three friends Chigowane, Chisoko and Meleki. Greeting song with guitar and bottle.
- Full Text: false
- Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139957 , vital:37817
- Description: "Welcome all you people who have come to hear me sing.- I am Stephen Tsotsi whom you have heard about so often. I am singing with my three friends Chigowane, Chisoko and Meleki. Greeting song with guitar and bottle.
- Full Text: false
Woho naizhi
- Group of old Hlubi men, Hugh Tracey
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139678 , vital:37767
- Description: Some very spirited solo performances were put up by individuals who dashed out of a line to take up a new song, each replacing the last man. The first song indicated that the hero of the song had a case to bring. The second, that he should be caught. The third one that he should be held, and so on. Each of the many singers and dancers liked to come out into the ring, shout his individual cries and introduce his own song. The occassional interpolation of a horn was made by blowing through an pld rubber bulb type motor-cycle horn. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139678 , vital:37767
- Description: Some very spirited solo performances were put up by individuals who dashed out of a line to take up a new song, each replacing the last man. The first song indicated that the hero of the song had a case to bring. The second, that he should be caught. The third one that he should be held, and so on. Each of the many singers and dancers liked to come out into the ring, shout his individual cries and introduce his own song. The occassional interpolation of a horn was made by blowing through an pld rubber bulb type motor-cycle horn. Mgibo pre-initiation dance with sticks.
- Full Text: false
Libela (We are going to dance)
- R. Chimengwa and 5 Kaonde men, Hugh Tracey
- Authors: R. Chimengwa and 5 Kaonde men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan
- Language: Kaonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139221 , vital:37716
- Description: "We are going to dance a great deal today. When I die I will stop dancing. I am proud of my country because I was born there. Now good-bye to you. SHONONGO dance song.
- Full Text: false
- Authors: R. Chimengwa and 5 Kaonde men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan
- Language: Kaonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139221 , vital:37716
- Description: "We are going to dance a great deal today. When I die I will stop dancing. I am proud of my country because I was born there. Now good-bye to you. SHONONGO dance song.
- Full Text: false
Intlnganiso ya magqiha ye Isangoma (Proceddings at Herbalist's meeting)
- Led by Masamaigazi and Nowinile, Hugh Tracey
- Authors: Led by Masamaigazi and Nowinile , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139592 , vital:37756
- Description: Nowinile is the wife of L. S. Khontsiwe, the 'President' of the African National Herbalist Dokhtors Association. Proceedings at Herbalists's meeting, with songs, speech and refrains, with clapping, stampingand 1 bass drum. (-14.04-)
- Full Text: false
- Authors: Led by Masamaigazi and Nowinile , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139592 , vital:37756
- Description: Nowinile is the wife of L. S. Khontsiwe, the 'President' of the African National Herbalist Dokhtors Association. Proceedings at Herbalists's meeting, with songs, speech and refrains, with clapping, stampingand 1 bass drum. (-14.04-)
- Full Text: false
Woho naizhi
- Group of old Hlubi men, Hugh Tracey
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139687 , vital:37768
- Description: The people of this "location" are Hlubi, but they all speak Thembu, having no language of their own. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139687 , vital:37768
- Description: The people of this "location" are Hlubi, but they all speak Thembu, having no language of their own. Mgibo pre-initiation dance with sticks.
- Full Text: false
Mutshwa kusaeuhamhish Musoka wa (The Judge, Musoka, is going)
- Group of 9 Lunda men, Hugh Tracey
- Authors: Group of 9 Lunda men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139376 , vital:37732
- Description: The memember of the group who sets the rhythm is called "Mbayo." The two basket rattles Litswakaie are made of a basket work woven onto a piece of gourd for a base. Ceremonial farewell song with 1 box drum, hand beaten, 2 Litswakaie basket rattles and 1 bottle.
- Full Text: false
- Authors: Group of 9 Lunda men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139376 , vital:37732
- Description: The memember of the group who sets the rhythm is called "Mbayo." The two basket rattles Litswakaie are made of a basket work woven onto a piece of gourd for a base. Ceremonial farewell song with 1 box drum, hand beaten, 2 Litswakaie basket rattles and 1 bottle.
- Full Text: false
Pano pano tabikana mutima (This village is full of jealousy)
- Smart Chigwamba and group of 5 Tumbuka men, Hugh Tracey
- Authors: Smart Chigwamba and group of 5 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140189 , vital:37846
- Description: If a man finds that people in the village are jeolous of him, he moves away and goes elesewhere to live. Then if someone says to him: "Why have you gone away?", he replies, "This village is full of jealousy. Topical song.
- Full Text: false
- Authors: Smart Chigwamba and group of 5 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140189 , vital:37846
- Description: If a man finds that people in the village are jeolous of him, he moves away and goes elesewhere to live. Then if someone says to him: "Why have you gone away?", he replies, "This village is full of jealousy. Topical song.
- Full Text: false
Nyambilichina twali akwawu ku Muwewu (Nyambilichi is taking other girls to Muwewu) (
- Group of 14 Lunda men and 4 women, Hugh Tracey
- Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139348 , vital:37729
- Description: The Lunda or Luunda people came into the territory which is now N. Rhodesia from the Congo. They now form a group of about 50,000 east of the Luapula river. Kahaku ceremonial dance song with rattle and struck bottle.
- Full Text: false
- Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139348 , vital:37729
- Description: The Lunda or Luunda people came into the territory which is now N. Rhodesia from the Congo. They now form a group of about 50,000 east of the Luapula river. Kahaku ceremonial dance song with rattle and struck bottle.
- Full Text: false
We ngoma mashiana migoti nokwinta (The dance I have danced throughout the mines)
- C. Yamba, J. Kabalale and G. Lupala, Hugh Tracey
- Authors: C. Yamba, J. Kabalale and G. Lupala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140132 , vital:37838
- Description: "The song we are going to sing you is so interesting that you will even leave your supper to come and listen to us even the police with their wives and children have left their duties just to come and hear. The Lamba people are making fun of us and saying we Aushi/Lumbo have no copper mine. But Lake Bengwelu is our mine because wheras you Lamba, you get all your wealth from the mines, we get it from our fish. In place of the jack hammers we have a net. The miners use a rock drilling machine underground, and we use a Mukwano net." Kalela dance song.
- Full Text: false
- Authors: C. Yamba, J. Kabalale and G. Lupala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140132 , vital:37838
- Description: "The song we are going to sing you is so interesting that you will even leave your supper to come and listen to us even the police with their wives and children have left their duties just to come and hear. The Lamba people are making fun of us and saying we Aushi/Lumbo have no copper mine. But Lake Bengwelu is our mine because wheras you Lamba, you get all your wealth from the mines, we get it from our fish. In place of the jack hammers we have a net. The miners use a rock drilling machine underground, and we use a Mukwano net." Kalela dance song.
- Full Text: false
Kanakazi Kayaya mbebeweta pamulomo (The unfaithful wife talks too much)
- Smart Chigwamba and group of 5 Tumbuka men, Hugh Tracey
- Authors: Smart Chigwamba and group of 5 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140198 , vital:37847
- Description: The unfaithful wife deliberately annoys her husband by nagging him, until he leaves her. Topical song.
- Full Text: false
- Authors: Smart Chigwamba and group of 5 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140198 , vital:37847
- Description: The unfaithful wife deliberately annoys her husband by nagging him, until he leaves her. Topical song.
- Full Text: false