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Konyane ga ga bo ke kae (Where is Konyane's home?)

- Group of about 30 women, Hugh Tracey

Lalala lise

- Zande elephant drivers, Hugh Tracey

  • Authors: Zande elephant drivers , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Dungu f-cg
  • Language: Zande/Vongara
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168004 , vital:41530 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-02
  • Description: The song was learnt from the original Indian trainers who came across to Africa from India with Indian elephants when the experimental training of African elephants was begun in North Eastern Congo in 1910. The songs taught to the local Zande mahouts or trainers (locally called Cornacs) have survived though local words have partly replaced the original words of the Indians. The original Indian mahouts impressed upon the Zande the need for singing to their elephants, an instruction they have never neglected. Work song for riding and driving tamed elphants.
  • Full Text: false
  • Date Issued: 1952

Kwaheri naja (Goodbye for now)

- Idi Selemani and Hashima Kamata with Nyamwezi men and women, Hugh Tracey

  • Authors: Idi Selemani and Hashima Kamata with Nyamwezi men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Nyamwezi (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173264 , vital:42351 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-03
  • Description: "Goodbye for now, I will be back soon." Several songs under this title "Kwaheri naja", are to be found in Tanganyika, but they do not necessarily have the same melody or follow the same pattern. The style of singing is typical of those away from home and differs materially from the same type of song sung at home. Hiyari ya moyo dance song for men for men and women, with cylindrical laced drums and conical pegged (-14.22101-) and ankle bells (-12.55-).
  • Full Text: false
  • Date Issued: 1950

Nyakawo miya Kataiga (Give me Kataiga cloth)

- Samuiri Oduonga and Chopi men and women, Hugh Tracey

  • Authors: Samuiri Oduonga and Chopi men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Chopi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kigumba f-ug
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169201 , vital:41696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-01
  • Description: A certain boy loved a girl and gave her a present of Kataiga print cloth. He changed his mind but his girl asked him not to take his cloth back. He agreed and left her the cloth as a souvenir. Kyopere dance song for men and women. With two long stem goblet drums, open and pinned, with python skin membrane.
  • Full Text: false
  • Date Issued: 1950

Ugonile mwankenja

- Singolile Mwamalundi with Nyakyusa men, Hugh Tracey

  • Authors: Singolile Mwamalundi with Nyakyusa men , Hugh Tracey
  • Date: 1950
  • Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
  • Language: Nyakyusa , Zaramo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175371 , vital:42569 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-11
  • Description: The raft zither is made out of eight palm midribs joined together. The string is continous being tuned from the high note downwards by straining the first then making up the slack in the second and so on. The tuning therefore is apt to be uncertain but conforms to the general mode. The music of the Pango is accompanied by dancing by three men, one having small bell rattles (Nzisi). When the player makes a pizzicato all the dancers bend down and make a 'ha-aa' sound in rhythm. The raft zither is about 22 inches long between the bridges. Tuning:- 352, 332, 296, 252, 212, 166, 198. This tuning is unusal in that the 7th note is higher than the 6th instead of being the lowest on the zither. Nganya dance tune for men and women.
  • Full Text: false
  • Date Issued: 1950

Agapa

- Bandani and Mayogo men and women, Hugh Tracey

  • Authors: Bandani and Mayogo men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
  • Language: Mayogo/Bazo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166511 , vital:41372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-11
  • Description: "A man went on a journey and took the train." The railway has reached this spot far into the interior of the Congo. It is a narrow gauge (about 2' 6") line which runs from Aketi on one of the northern tributaries of the Congo eastwards to the edge of the great tropical Ituri forest, In common with many other parts of Africa local railway trains have struck the imagination and figure frequently in song. It is interesting to note the "Ai-yo-o" of the singer so often heard in guitar songs. Party song with a Kombi and 1 Gbe-Kombi Likembe.
  • Full Text: false
  • Date Issued: 1952

Nkende yamuyayu

- Mulobo Maswa, Hugh Tracey

Walalemela mugundu (Lazy people have no fields)

- Lupembe Changa with Hehe men, Hugh Tracey

  • Authors: Lupembe Changa with Hehe men , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Hehe (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Ilole f-tz
  • Language: Hehe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175076 , vital:42537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR157-15
  • Description: The Mangala dance is usually performed with bell rattles tied onto the ankles, the performers standing around the drums and occasionally dancing round in a circle with short shuffling steps. The bells are of two pitches, high and low, a pair being strapped to left and right ankles of each dancer. Mangala dance song for men and women with hour-glass drums.
  • Full Text: false
  • Date Issued: 1950

Umefika Marangu

- Yuspina Gadwin with Ghaga girls, Hugh Tracey

  • Authors: Yuspina Gadwin with Ghaga girls , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174336 , vital:42468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-11
  • Description: "You have come to Marangu." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similiar to songs in the schools. Temo dance song for girls with stamping and bass drums, laced, played with sticks, (-14.05303-).
  • Full Text: false
  • Date Issued: 1950

Kin anyone en Arap Nairobi

- Chebitet Arap Muina, Hugh Tracey

  • Authors: Chebitet Arap Muina , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177703 , vital:42849 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-15
  • Description: The song describes a donkey's complaint. It was brought from Nairobi, it says, when it was much fatter. Unlike lucky men. it does not recieve money as wages but only maize. "Don't bother me but leave me alone" says the donkey. The Chepkseem is a wishbone shaped instrument, virtually the two arms and yoke of the lyre but without the usual resonating bowl. The tuning was:- 316, 268, 240, 220, 188 vs. Arap Towett was the name of the Kipsigis interpreter who translated all his peoples songs for us. Topical song, with Chepkesem 5 string frame lyre (external resonator - petrol tin).
  • Full Text: false
  • Date Issued: 1950

Abu madzada

- Joseph Lidza, Hugh Tracey

  • Authors: Joseph Lidza , Hugh Tracey
  • Date: 1952
  • Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Djugu f-cg
  • Language: Mombutu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166680 , vital:41392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-16
  • Description: The tuning of this little Nile valley harp is interesting, viz:- 396, 324, 292, 252, 224, vs. as it does not cover a complete octave which is more usual with other harps of this design. Presumably had there been a sixth string it would have been tuned to 198 the lower octave of the top note thus giving a pentatonic scale. Self delectation song with Bonguma horizontal, arched harp.
  • Full Text: false
  • Date Issued: 1952

Ndamukiza aba Kayanga

- Razaro Begumiza and Nkole men, Hugh Tracey

Ho ba bacha (To the youth)

- Men of Koali's village, Hugh Tracey

  • Authors: Men of Koali's village , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161167 , vital:40598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-02
  • Description: "Matholoana, feed us and make us fat. Koali, the foundation of Masupha's kraal. The second chief to Motlalentoa! Spears! Where are you going? We, Makoali's people are weeping. We, Makoali's people are hungry. Habofanoe, feed us so that we may grow fat. We Matabele, are also your people." The name 'Matabele' is used by the Sotho to indicate any people who are not Sotho, notably the Nguni group of peoples. A number of Nguni have settled among the Sotho in small groups attaching themselves to the local chieftainships. This song was interrupted by several very long Lithoko praises with whistling and ululation accompanied by the men and women sitting around. The considerable length of the praises is not found tedious by the people rather the reverse. They are facinated by the flow of words. Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Ko gae, gae, ko gae (At home, home, at home)

- Large group of about 60 young men, Hugh Tracey

Ilemere abagorra nsonga ilemere

- Yohana Byabachwezi with Toro men, Hugh Tracey

Kyuma

- Entenga, Royal drummers, Hugh Tracey

  • Authors: Entenga, Royal drummers , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170700 , vital:41951 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-12
  • Description: At the time when cotton was first introduced into Uganda (largely by the efforts of an indsutrial missionary, Mr. K. Borup, from 1903 onwards) a friend of Mr. Borup came to stay with him from England and brought with him the idea of erecting a roundabout. It was such a novelty that this song "Kyuma" was composed about it. The set of royal Entenga drums are kept and played in a separate courtyard of the Lubili palace. In this recording the separate parts are brought out one after the other. Each drummer plays his allotted drums from the treble player down to the deep bass player while the others continue to strike the side of their drums with their beaters. The first four men play 3 drums each. The fifth plays one drum, and the sixth plays the two deepest toned bass drums. Drum tune. Set of 15 tuned conical drums, laced, closed, single.
  • Full Text: false
  • Date Issued: 1950

Weyama

- Wanyera Natemba, Hugh Tracey

  • Authors: Wanyera Natemba , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
  • Language: Masaba (Gisu, Kisu, Dadiri, Buya)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169480 , vital:41755 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-09
  • Description: "Weyama was so unusual a character for a Gisgu that he actually confessed his mistakes to his friends.". Topical song, with Siilili two string lute and Kengele bell.
  • Full Text: false
  • Date Issued: 1950

Chief summoning his people

- Drummers of Chief Mongika, Hugh Tracey

  • Authors: Drummers of Chief Mongika , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169084 , vital:41682 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-03
  • Description: Away from the Congo river itself it appears that the art of sending drum messages deteriorates into the sendng of signals only, the former being based upon the tonality of the individual words comprising the sentences transmitted, the latter comprising pre-set phrases and rhythms to which certain significance is attached. The signals may have risen from messages in the past but the skill of 'talking' on the drums has almost if not entirely vanished among the Mangbele. The significance ofthe 'Tamatsaro' signal was not explained. Drum rhythms or signals with 2 slit drums, 2 large pod shaped slit drums, 2 long cyclindrical drums.
  • Full Text: false
  • Date Issued: 1952

Lebandima

- Mangbele men, Hugh Tracey

  • Authors: Mangbele men , Hugh Tracey
  • Date: 1952
  • Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168987 , vital:41668 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-14
  • Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
  • Full Text: false
  • Date Issued: 1952

Mo mgdekiriga

- Iyenga Francois and friend Eleo, Hugh Tracey

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