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An exploration of James Dreier’s Standard Tune Learning Sequence in a self-directed learning environment : an interpretative phenomenological analysis
- Authors: Ellis, Stephen James
- Date: 2014
- Subjects: Dreier, James , Drum -- Performance -- Studies and exercises , Drum -- Methods -- Self-instruction , Drum -- Instruction and study , Drummers (Musicians)
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2680 , http://hdl.handle.net/10962/d1011312
- Description: This qualitative case study was undertaken in order to explore the experiences of drum set students who apply themselves to James Dreier’s Standard Tune Learning Sequence (STLS) in a self-directed learning environment. These experiences ultimately shed light on how best to implement Differentiated Instruction to the STLS. The study draws on the experience of three adult drum students under the instruction of the author. The students were provided with the STLS and left to proceed with it on their own. They were asked to keep a record of their progress in the form of a learning journal. These learning journals were used, in conjunction with transcribed interviews and learner profiles, as data for this study and as such were subjected to Interpretative Phenomenological Analysis. The study recognizes three factors which affect the student’s successful progression through the STLS: readiness, interest and meaning. Each factor is discussed in relation to literature on differentiated Instruction. Recommendations are made regarding the implementation of Differentiated Instruction to the STLS.
- Full Text:
- Authors: Ellis, Stephen James
- Date: 2014
- Subjects: Dreier, James , Drum -- Performance -- Studies and exercises , Drum -- Methods -- Self-instruction , Drum -- Instruction and study , Drummers (Musicians)
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2680 , http://hdl.handle.net/10962/d1011312
- Description: This qualitative case study was undertaken in order to explore the experiences of drum set students who apply themselves to James Dreier’s Standard Tune Learning Sequence (STLS) in a self-directed learning environment. These experiences ultimately shed light on how best to implement Differentiated Instruction to the STLS. The study draws on the experience of three adult drum students under the instruction of the author. The students were provided with the STLS and left to proceed with it on their own. They were asked to keep a record of their progress in the form of a learning journal. These learning journals were used, in conjunction with transcribed interviews and learner profiles, as data for this study and as such were subjected to Interpretative Phenomenological Analysis. The study recognizes three factors which affect the student’s successful progression through the STLS: readiness, interest and meaning. Each factor is discussed in relation to literature on differentiated Instruction. Recommendations are made regarding the implementation of Differentiated Instruction to the STLS.
- Full Text:
Imilishyo y'ingoma (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: Drummers (Musicians) , Folk music--Africa
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136801 , vital:37425
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: Drummers (Musicians) , Folk music--Africa
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136801 , vital:37425
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
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