Tune I on Chibvelani Friction Bow
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194167 , vital:45425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-01
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194167 , vital:45425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-01
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
Tune II on Chibvelani Friction Bow
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194183 , vital:45426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-02
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194183 , vital:45426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-02
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
Hauza muteto
- Teni Maposi (Leader), Tracey, Hugh
- Authors: Teni Maposi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Johannesburg f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194707 , vital:45483 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-04
- Description: This item was recorded in the dance arenaat the consolidated main Reef Gold mine near Johannesburf. The large double bass Timbila (metal drum resonated) makes a full sounded recording. The leader and composer, Teni Maposi, from Regulo Canda's village has for many years been the leader of this mine's Chopi orchestra, over 400 miles from their home district. Other items by the same orchestra led by Teni Maposi at the mine have been published in the 'Music of Africa' series, 'African Dances of the Witwatersrand Gold Mines'. At the opening of the item the singers shout in their own language:- "Beer! Beer! we want at the time we want it! Beer!" Orchestral dance with eight Sange (Alto) Timbila, two Chilanzane (Treble) Timbila, one Debiinda (Bass) and two Gulu double bass Timbila and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1949
- Authors: Teni Maposi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Johannesburg f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194707 , vital:45483 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-04
- Description: This item was recorded in the dance arenaat the consolidated main Reef Gold mine near Johannesburf. The large double bass Timbila (metal drum resonated) makes a full sounded recording. The leader and composer, Teni Maposi, from Regulo Canda's village has for many years been the leader of this mine's Chopi orchestra, over 400 miles from their home district. Other items by the same orchestra led by Teni Maposi at the mine have been published in the 'Music of Africa' series, 'African Dances of the Witwatersrand Gold Mines'. At the opening of the item the singers shout in their own language:- "Beer! Beer! we want at the time we want it! Beer!" Orchestral dance with eight Sange (Alto) Timbila, two Chilanzane (Treble) Timbila, one Debiinda (Bass) and two Gulu double bass Timbila and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1949
Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193304 , vital:45319 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-13
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193304 , vital:45319 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-13
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193318 , vital:45321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-15
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193318 , vital:45321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-15
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193313 , vital:45320 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-14
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193313 , vital:45320 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-14
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Mzeno Movement Vulelani
- Sitiki wa Mndipa (Leader), Tracey, Hugh
- Authors: Sitiki wa Mndipa (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194611 , vital:45468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-06
- Description: This is the old Mzeno (1947) which is now no longer sung and danced to. It was replaced by the Mzeno waHamela, Hamela's Mzeno. Sitiki was once working in the Johammesburg mines and sent his coat to the tailor to be mended because it was torn. The tailor put leather onto the tear. When Sitiki came for it and asked him why he put on leather patches the tailor said, "because of the Germans". The man went away and made a song that all English material came from Germany, and that was why he had to have leather patches on his coat. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Sitiki wa Mndipa (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194611 , vital:45468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-06
- Description: This is the old Mzeno (1947) which is now no longer sung and danced to. It was replaced by the Mzeno waHamela, Hamela's Mzeno. Sitiki was once working in the Johammesburg mines and sent his coat to the tailor to be mended because it was torn. The tailor put leather onto the tear. When Sitiki came for it and asked him why he put on leather patches the tailor said, "because of the Germans". The man went away and made a song that all English material came from Germany, and that was why he had to have leather patches on his coat. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Ngeniso
- Authors: Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191316 , vital:45084 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-05
- Description: Experiment in analytical recording. a. Right hand - 0m. 18s. b. Both hands. 0m. 31s. c. Left hand. 0m. 38s. d. Both hands. 0m. 53s. e. Up the instrument. 1m. 04s. f. Right hand. 1m. 15s. g. Both hands. 1m. 22s. h. Left hand. 1m. 27s. i. Both hands. 1m. 35s. j. Down the instrument. 1m. 43s. k. Right hand. 1m. 56s. l. Both hands. 2m. 06s. m. Left hand. 2m. 15s. n. Both hands. 2m. 27s. o. End. 2m. 42s. Calisto Zavala, a chopi xylophone player working near the library in South Africa found this recording very interesting and remarked that the analysis wouls be very helpful in learning to play this Ngeniso. Orchestral dance (left and right hand analysis) with 1 Timbila xylophone.
- Full Text: false
- Date Issued: 1963
- Authors: Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191316 , vital:45084 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-05
- Description: Experiment in analytical recording. a. Right hand - 0m. 18s. b. Both hands. 0m. 31s. c. Left hand. 0m. 38s. d. Both hands. 0m. 53s. e. Up the instrument. 1m. 04s. f. Right hand. 1m. 15s. g. Both hands. 1m. 22s. h. Left hand. 1m. 27s. i. Both hands. 1m. 35s. j. Down the instrument. 1m. 43s. k. Right hand. 1m. 56s. l. Both hands. 2m. 06s. m. Left hand. 2m. 15s. n. Both hands. 2m. 27s. o. End. 2m. 42s. Calisto Zavala, a chopi xylophone player working near the library in South Africa found this recording very interesting and remarked that the analysis wouls be very helpful in learning to play this Ngeniso. Orchestral dance (left and right hand analysis) with 1 Timbila xylophone.
- Full Text: false
- Date Issued: 1963
The Ngodo of Regulo Mavila
- Authors: Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194239 , vital:45433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-08
- Description: This item was omitted from TR-199 (B) for lack of space, but is here reproduced in order to complete the whole of Regulo Mavila's Ngodo, composed and played by Shambibi. Orchestral dance with 6 Timbila xylophones, 4 Sanzhe (Alto), 1 Debiinda (Bass), 1 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194239 , vital:45433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-08
- Description: This item was omitted from TR-199 (B) for lack of space, but is here reproduced in order to complete the whole of Regulo Mavila's Ngodo, composed and played by Shambibi. Orchestral dance with 6 Timbila xylophones, 4 Sanzhe (Alto), 1 Debiinda (Bass), 1 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Nini nge shikoko
- Sara chi Gango, Chopi women, Tracey, Hugh
- Authors: Sara chi Gango , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193151 , vital:45303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-01
- Description: "Give me a cup (of beer or cidar)." In this district the most popular drink is made from the juice of the cashew apple. In some instances it is distilled, but is more usually drunk when freshly fermented in the months of October and November.The Shikoko is a small wooden goblet specially carved for the cashew season after the shape of a Portuguese wine glass. The name shikoko may come from the diminutive of Koko (a coconut). Drinking song with hand clapping.
- Full Text: false
- Date Issued: 1963
- Authors: Sara chi Gango , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193151 , vital:45303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-01
- Description: "Give me a cup (of beer or cidar)." In this district the most popular drink is made from the juice of the cashew apple. In some instances it is distilled, but is more usually drunk when freshly fermented in the months of October and November.The Shikoko is a small wooden goblet specially carved for the cashew season after the shape of a Portuguese wine glass. The name shikoko may come from the diminutive of Koko (a coconut). Drinking song with hand clapping.
- Full Text: false
- Date Issued: 1963
Manganakana nguvera achitala mzinda
- Sancho Nyangele (Leader), Tracey, Hugh
- Authors: Sancho Nyangele (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194698 , vital:45482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-03
- Description: This famous song compsed by Katini of Zavala's village is here played by the Ngodo of Zandamela, led by Sancho Nyangele from Cabo Mahamba's village. The original version of the lyric was written in my book 'Chopi musicians' and only a few words have been changed, such as, 'Ucisika msaho' instead of 'Ucisika timbila' in the second verse. The composer, Katini, had died the previous year (1948) but his songs were so appreciated by the whole tribe that several of the village orchestras played his music. One still hears an occasional item of his 1963, fifteen years after his death. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Sancho Nyangele (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194698 , vital:45482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-03
- Description: This famous song compsed by Katini of Zavala's village is here played by the Ngodo of Zandamela, led by Sancho Nyangele from Cabo Mahamba's village. The original version of the lyric was written in my book 'Chopi musicians' and only a few words have been changed, such as, 'Ucisika msaho' instead of 'Ucisika timbila' in the second verse. The composer, Katini, had died the previous year (1948) but his songs were so appreciated by the whole tribe that several of the village orchestras played his music. One still hears an occasional item of his 1963, fifteen years after his death. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Migodo of Cabo Mahamba and Regulo Zandamela (Mzeno)
- Sancho Nyamchunbele, Tracey, Hugh
- Authors: Sancho Nyamchunbele , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194533 , vital:45459 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-12
- Description: This is said to be the best song ever composed by Sancho Nyamchungele. The Chopi of Zandamela consider this song excellent both in melody and lyric. It refers to the scattering of Chopi to the mines and other places away from their country when they go off to work. When they sing their song they feel deeply moved by both words and music, they say. The lyric is original, but the melody is very like one of the Mzeno composed by Komukomu of Banguza's village. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Sancho Nyamchunbele , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194533 , vital:45459 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-12
- Description: This is said to be the best song ever composed by Sancho Nyamchungele. The Chopi of Zandamela consider this song excellent both in melody and lyric. It refers to the scattering of Chopi to the mines and other places away from their country when they go off to work. When they sing their song they feel deeply moved by both words and music, they say. The lyric is original, but the melody is very like one of the Mzeno composed by Komukomu of Banguza's village. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Mabandla (9th Movement)
- Samson Mzamane (Leader), Tracey, Hugh
- Authors: Samson Mzamane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194502 , vital:45456 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-09
- Description: Note the 'Tsambisela' descant playing. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Samson Mzamane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194502 , vital:45456 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-09
- Description: Note the 'Tsambisela' descant playing. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Msumeto and kutokozela cries (8th Movement)
- Samson Mzamane (Leader), Tracey, Hugh
- Authors: Samson Mzamane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194497 , vital:45455 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-08
- Description: Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Samson Mzamane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194497 , vital:45455 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-08
- Description: Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Mhauzelo and Msitso (10th Movement)
- Samson Mzamane (Leader), Tracey, Hugh
- Authors: Samson Mzamane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194515 , vital:45457 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-10
- Description: The movement consists of cries in cries in Chopi and a repeat of the first Msitso Orchestral introduction. This is done twice with different cries the second time at 2m. 20s. from the start. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Samson Mzamane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194515 , vital:45457 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-10
- Description: The movement consists of cries in cries in Chopi and a repeat of the first Msitso Orchestral introduction. This is done twice with different cries the second time at 2m. 20s. from the start. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Ngeniso Movement Tata nikaute
- Sagethi wa Nguyuza (Leader), Tracey, Hugh
- Authors: Sagethi wa Nguyuza (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194593 , vital:45466 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-04
- Description: This orchestra was remarkably resonant which is a great credit to the maker of Timbila xylophones in that village. Ngilishi Mchinga. The tuning was as follows:- 536, 488, 440, 360, 336, 304, 268 vs. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Sagethi wa Nguyuza (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194593 , vital:45466 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-04
- Description: This orchestra was remarkably resonant which is a great credit to the maker of Timbila xylophones in that village. Ngilishi Mchinga. The tuning was as follows:- 536, 488, 440, 360, 336, 304, 268 vs. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Nya udile
- Raimundu Andreu, Luis Manuel maCanda, Tracey, Hugh
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194192 , vital:45427 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-03
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. "I am weeping because my wife has left me though I still loved her." In this song, the singer says who he is, where he is, and the name of his chief, as well as other remarks. He continued his first song with additional verses in his third item. Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194192 , vital:45427 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-03
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. "I am weeping because my wife has left me though I still loved her." In this song, the singer says who he is, where he is, and the name of his chief, as well as other remarks. He continued his first song with additional verses in his third item. Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
Nya udile II
- Raimundu Andreu, Luis Manuel maCanda, Tracey, Hugh
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194212 , vital:45430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-05
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. Song sung with additional verses. Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194212 , vital:45430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-05
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. Song sung with additional verses. Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
Joo tsaka
- Raimundu Andreu, Luis Manuel maCanda, Tracey, Hugh
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194202 , vital:45428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-04
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. "I am happy because my wife has come back." Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194202 , vital:45428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-04
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. "I am happy because my wife has come back." Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
Mdano Madikise ukwete m'mova
- Pondekane (Leader), Tracey, Hugh
- Authors: Pondekane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194743 , vital:45487 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-07
- Description: "Madikise" was the Chopi name for the local Administrator at that time, Dr. Luiz de Vasconcelos. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Pondekane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194743 , vital:45487 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-07
- Description: "Madikise" was the Chopi name for the local Administrator at that time, Dr. Luiz de Vasconcelos. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949