Shangara pa chikaranga
- Stephen R. Gumbo, Hugh Tracey
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154132 , vital:39612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-03
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154132 , vital:39612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-03
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
Hama dza warumi (The husband's relatives)
- Esteri Shumba and a group of Karanga men and women, Hugh Tracey
- Authors: Esteri Shumba and a group of Karanga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154586 , vital:39751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-11
- Description: A certain woman was very fond of her own relatives and preferred them to those of her husband. The story describes how when her in-laws visited her she said she was feeling ill with pains in her back, legs, stomach, head, everywhere. But when her own people came to see her she prepared sadza porridge and all sorts of good things. She behaved like this because she was jealous of her husband's other wives and in this way paid him out. Story with song.
- Full Text: false
- Date Issued: 1958
- Authors: Esteri Shumba and a group of Karanga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154586 , vital:39751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-11
- Description: A certain woman was very fond of her own relatives and preferred them to those of her husband. The story describes how when her in-laws visited her she said she was feeling ill with pains in her back, legs, stomach, head, everywhere. But when her own people came to see her she prepared sadza porridge and all sorts of good things. She behaved like this because she was jealous of her husband's other wives and in this way paid him out. Story with song.
- Full Text: false
- Date Issued: 1958
Rungano rgwe rombe (The story of the minstrel)
- Authors: Robin Magiriri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154658 , vital:39760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-19
- Description: The story teller is a nephew of the chief Takawarasha. One day when a hungry minstrel waswalking through the country he found a woman spreading her mealie meal in the sun and asked her for some of it. She said "I cannot do so or I will be beaten tonight", "Who will beat you?" he asked. She said "My mother", So he sang what had happened so that she would be persuaded to change her mind and give him some.
- Full Text: false
- Date Issued: 1958
- Authors: Robin Magiriri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154658 , vital:39760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-19
- Description: The story teller is a nephew of the chief Takawarasha. One day when a hungry minstrel waswalking through the country he found a woman spreading her mealie meal in the sun and asked her for some of it. She said "I cannot do so or I will be beaten tonight", "Who will beat you?" he asked. She said "My mother", So he sang what had happened so that she would be persuaded to change her mind and give him some.
- Full Text: false
- Date Issued: 1958
Zimbige 1
- Tawagaza Sibanda, Hugh Tracey
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154494 , vital:39739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-01
- Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. Self delecatative song with Njari (Mbira).
- Full Text: false
- Date Issued: 1958
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154494 , vital:39739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-01
- Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. Self delecatative song with Njari (Mbira).
- Full Text: false
- Date Issued: 1958
Rungano rgwe mwana we imbgwa (The story of the child of the dog)
- Rufashas and friend, Hugh Tracey
- Authors: Rufashas and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154567 , vital:39748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-09
- Description: Once upon a time there was a Chief who had a dog that was about to have some puppies. But instead of puppies it bore a child, a girl. He was very disobedient and insisted upon finding and eating bones. Now when she was fully grown, she was about to marry a chief's son. On the day she was going to marry there was a big party. People were warned not to throw the bones on the floor because people might walk on them. But in fact the chief was afraid his daughter would pick them up and revert into being a dog. But the people did not pay attention. Then the girl began to pick up the bones and they all called out "child of a dog, child of a dog". So you see, there is nothing you can hide in the long run. Story.
- Full Text: false
- Date Issued: 1958
- Authors: Rufashas and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154567 , vital:39748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-09
- Description: Once upon a time there was a Chief who had a dog that was about to have some puppies. But instead of puppies it bore a child, a girl. He was very disobedient and insisted upon finding and eating bones. Now when she was fully grown, she was about to marry a chief's son. On the day she was going to marry there was a big party. People were warned not to throw the bones on the floor because people might walk on them. But in fact the chief was afraid his daughter would pick them up and revert into being a dog. But the people did not pay attention. Then the girl began to pick up the bones and they all called out "child of a dog, child of a dog". So you see, there is nothing you can hide in the long run. Story.
- Full Text: false
- Date Issued: 1958
Muzazaranda
- Mutuwenga Shawa, Hugh Tracey
- Authors: Mutuwenga Shawa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154603 , vital:39753 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-13
- Description: Muzazaranda is the traditional title for this kind of tune. There is no evidence as to whether the tune itself has evolved or remained much the same over the years. Party song with Njari (Mbira) and a drum and leg rattles.
- Full Text: false
- Date Issued: 1958
- Authors: Mutuwenga Shawa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154603 , vital:39753 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-13
- Description: Muzazaranda is the traditional title for this kind of tune. There is no evidence as to whether the tune itself has evolved or remained much the same over the years. Party song with Njari (Mbira) and a drum and leg rattles.
- Full Text: false
- Date Issued: 1958
Kare-Kare Maporisa (A policeman's journey)
- Stephen R. Gumbo, Hugh Tracey
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154141 , vital:39613 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-04
- Description: Stephen Gumbo comes from the Zaka district. His description concerned two policemen who go on a tour. The English policemen goes ahead on his horse leaving his Karanga policemen far behind plodding along on his biscyle and trying to catch up. Eventually he gets to a village, has a frustrating conversation with a small girl, arrests a man for having no dog tax and takes him to the magistrate. Each action is accompanied with the approriate tune on the mbira. The house, the biscyle and the foot weary each having their own melody. Humorous story with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154141 , vital:39613 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-04
- Description: Stephen Gumbo comes from the Zaka district. His description concerned two policemen who go on a tour. The English policemen goes ahead on his horse leaving his Karanga policemen far behind plodding along on his biscyle and trying to catch up. Eventually he gets to a village, has a frustrating conversation with a small girl, arrests a man for having no dog tax and takes him to the magistrate. Each action is accompanied with the approriate tune on the mbira. The house, the biscyle and the foot weary each having their own melody. Humorous story with Mbira.
- Full Text: false
- Date Issued: 1958
Pamukadzi wo munu takataka
- Authors: Pineas Hungwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154373 , vital:39654 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-13
- Description: In this song the singer explains, is about men who spend their time with other men's wives. Why do you do so? he sings. It is because she makes good tea, because she cooks well, because she laughs with me. "You get out or I will hit you." Topical song with guitar.
- Full Text: false
- Date Issued: 1958
- Authors: Pineas Hungwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154373 , vital:39654 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-13
- Description: In this song the singer explains, is about men who spend their time with other men's wives. Why do you do so? he sings. It is because she makes good tea, because she cooks well, because she laughs with me. "You get out or I will hit you." Topical song with guitar.
- Full Text: false
- Date Issued: 1958
Baya wa baya (Kill, stab)
- Peter Dudurai Shiri and 4 Karanga men, Hugh Tracey
- Authors: Peter Dudurai Shiri and 4 Karanga men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Gutu District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154301 , vital:39645 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-06
- Description: Peter Dudurai is a boxing trainer and this old fighting song is now used as a boxing song. It was first used in the days of the Shangaan and Matebele raids towards the end of the last century and is known from one end of the country to the other, all along the southern portion of Souhthern Rhodesia. Although not frequently heard nowadays, it was often sung twenty to thirty years ago by a previous generation. Old fighting song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Peter Dudurai Shiri and 4 Karanga men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Gutu District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154301 , vital:39645 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-06
- Description: Peter Dudurai is a boxing trainer and this old fighting song is now used as a boxing song. It was first used in the days of the Shangaan and Matebele raids towards the end of the last century and is known from one end of the country to the other, all along the southern portion of Souhthern Rhodesia. Although not frequently heard nowadays, it was often sung twenty to thirty years ago by a previous generation. Old fighting song with clapping.
- Full Text: false
- Date Issued: 1958
Musikana ne Jaya (Girl and Boy)
- Stephen R. Gumbo, Hugh Tracey
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154150 , vital:39614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-05
- Description: A lad is proposing to a girl, bhut she says, "You are to late, I am going to marry someone else." But he goes on pressing his suit. She says, "You must pay lobola if you want me, you must give six cows." At the end she says, "You must swear then, if you want me." Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154150 , vital:39614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-05
- Description: A lad is proposing to a girl, bhut she says, "You are to late, I am going to marry someone else." But he goes on pressing his suit. She says, "You must pay lobola if you want me, you must give six cows." At the end she says, "You must swear then, if you want me." Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
Chipindura (To turn over)
- Tawagaza Sibanda, Hugh Tracey
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154513 , vital:39741 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-03
- Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. Self delecatative song with Njari (Mbira).
- Full Text: false
- Date Issued: 1958
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154513 , vital:39741 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-03
- Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. Self delecatative song with Njari (Mbira).
- Full Text: false
- Date Issued: 1958
Mwadzi itira (He has done it himself)
- Joseph Ngonyama Shumba, Hugh Tracey
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154322 , vital:39648 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-08
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is in effect a complaint against those who do things without first asking permission, particularly a wife who does not first ask her husband's permission regarding family matters. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154322 , vital:39648 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-08
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is in effect a complaint against those who do things without first asking permission, particularly a wife who does not first ask her husband's permission regarding family matters. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
Kuna mai wangu (Ay my mother's place)
- Shengwe Mashowa, Hugh Tracey
- Authors: Shengwe Mashowa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Kariba, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154337 , vital:39649 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-09
- Description: Note the interesting change of the rhythm and the reversion to the original one used at the beginning of the song. This Ndau instrument has only two manuals, though most Mbira of this kind have three. Self delectative song with Mbira dza waNdau.
- Full Text: false
- Date Issued: 1958
- Authors: Shengwe Mashowa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Kariba, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154337 , vital:39649 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-09
- Description: Note the interesting change of the rhythm and the reversion to the original one used at the beginning of the song. This Ndau instrument has only two manuals, though most Mbira of this kind have three. Self delectative song with Mbira dza waNdau.
- Full Text: false
- Date Issued: 1958
Rungano rgwe nerera (Story of the orphan girl in the cave)
- Rufashas and friend, Hugh Tracey
- Authors: Rufashas and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154577 , vital:39750 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-10
- Description: A variation of a story collected at Gutu and eleswhere. It tells of a girl who was locked in a cave and whose brother brought her food every day. He used to sing a special song by which she recognised him and opened the door. But a hyena had been hiding nearby and observed all this. And one day he impersonated the brother and sang his song. The girl opened the door and the hyena ate her up. Stroy with song.
- Full Text: false
- Date Issued: 1958
- Authors: Rufashas and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154577 , vital:39750 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-10
- Description: A variation of a story collected at Gutu and eleswhere. It tells of a girl who was locked in a cave and whose brother brought her food every day. He used to sing a special song by which she recognised him and opened the door. But a hyena had been hiding nearby and observed all this. And one day he impersonated the brother and sang his song. The girl opened the door and the hyena ate her up. Stroy with song.
- Full Text: false
- Date Issued: 1958
Mufupi hainyari (The short man does not tire)
- Chiga Shoko and Esteri Shumba, Hugh Tracey
- Authors: Chiga Shoko and Esteri Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154622 , vital:39755 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-15
- Description: Many of the lines set against the typical yodelling of the women, are taken at random from other songs and have little or no continuity of theme. They do however serve the purpose of keeping the song going. "The short man does not tire. With whom shall I play. Ndendua, I shall die. Close the door, you, Ndendua. In the house e re re. With whom shall I stay. I will die, being just like a dog. Matupa maneke. Where we come from. Harari (Salisbury) is far away. To come out feeling guilty. Like buck from the meadow lands." etc. Song for the Gawo dance with 1 drum.
- Full Text: false
- Date Issued: 1958
- Authors: Chiga Shoko and Esteri Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154622 , vital:39755 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-15
- Description: Many of the lines set against the typical yodelling of the women, are taken at random from other songs and have little or no continuity of theme. They do however serve the purpose of keeping the song going. "The short man does not tire. With whom shall I play. Ndendua, I shall die. Close the door, you, Ndendua. In the house e re re. With whom shall I stay. I will die, being just like a dog. Matupa maneke. Where we come from. Harari (Salisbury) is far away. To come out feeling guilty. Like buck from the meadow lands." etc. Song for the Gawo dance with 1 drum.
- Full Text: false
- Date Issued: 1958
Joki rakafa (Joki is dead)
- Group of 5 Karanga men, Hugh Tracey
- Authors: Group of 5 Karanga men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Gutu District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154292 , vital:39644 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-05
- Description: The 'Bakumba' is a form of the Shangara dance. Joki, it seems, got married but his wife left him. So he went and asked his father-in-law to return the lobola but the father-in-law refused, so Joki went and killed himself by cutting his own throat. Bakumba party dance, with 2 drums and rattle.
- Full Text: false
- Date Issued: 1958
- Authors: Group of 5 Karanga men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Gutu District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154292 , vital:39644 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-05
- Description: The 'Bakumba' is a form of the Shangara dance. Joki, it seems, got married but his wife left him. So he went and asked his father-in-law to return the lobola but the father-in-law refused, so Joki went and killed himself by cutting his own throat. Bakumba party dance, with 2 drums and rattle.
- Full Text: false
- Date Issued: 1958
Handina mwana (I have no child)
- Authors: Pineas Hungwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154355 , vital:39651 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-11
- Description: I have no child. But if you want to see a jackal go along the river bank and you will find a jackal there. Jackal, what killed my child? Jackal, will you be my child? The singer is blind and as with so many blind musicians he lets his fancy roam into poetry. Who and what the jackal might represent can only be conjecture. The lack of a child is a continual source of lamentation among many Africans. Lament with Chizambi musical bow.
- Full Text: false
- Date Issued: 1958
- Authors: Pineas Hungwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154355 , vital:39651 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-11
- Description: I have no child. But if you want to see a jackal go along the river bank and you will find a jackal there. Jackal, what killed my child? Jackal, will you be my child? The singer is blind and as with so many blind musicians he lets his fancy roam into poetry. Who and what the jackal might represent can only be conjecture. The lack of a child is a continual source of lamentation among many Africans. Lament with Chizambi musical bow.
- Full Text: false
- Date Issued: 1958
Godo (Bones)
- Esteri Shumba and 4 Karanga women, Hugh Tracey
- Authors: Esteri Shumba and 4 Karanga women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154649 , vital:39758 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-18
- Description: The singer is married to a chief. She goes around asking her fellow wives what part of the animal they received the last time a beast was killed. One says "We're all in the same bag, whats the good of being married to a chief? When he gives all the best meat to his favourite wife and only gives us bone?"
- Full Text: false
- Date Issued: 1958
- Authors: Esteri Shumba and 4 Karanga women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154649 , vital:39758 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-18
- Description: The singer is married to a chief. She goes around asking her fellow wives what part of the animal they received the last time a beast was killed. One says "We're all in the same bag, whats the good of being married to a chief? When he gives all the best meat to his favourite wife and only gives us bone?"
- Full Text: false
- Date Issued: 1958
Rungano
- Authors: Wambai , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154545 , vital:39745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-07
- Description: Self delectative song with Chipendani bow.
- Full Text: false
- Date Issued: 1958
- Authors: Wambai , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154545 , vital:39745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-07
- Description: Self delectative song with Chipendani bow.
- Full Text: false
- Date Issued: 1958
Ndozofa (I shall die)
- Authors: Pineas Hungwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154346 , vital:39650 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-10
- Description: I shall die here in the wilds far from my father and mother, or any of my family. Lament with Chizambi musical bow.
- Full Text: false
- Date Issued: 1958
- Authors: Pineas Hungwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154346 , vital:39650 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-10
- Description: I shall die here in the wilds far from my father and mother, or any of my family. Lament with Chizambi musical bow.
- Full Text: false
- Date Issued: 1958