Ngwindingwindi ishumba inoruma (England is the lion that bites)
- Chief Takawarasha and group of Karanga men, Hugh Tracey
- Authors: Chief Takawarasha and group of Karanga men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154595 , vital:39752 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-12
- Description: An old song composed when the British first came to Rhodesia. 'Gwindingwindi' was their way of pronouncing 'England'. The drum was played by Esteri Shumba. The actual incident which gave rise to this song was the appearence of the Pinoneer Column marching across the Chibi District on its way up through Providential Pass to establish Fort Victoria and soon afterwards 'Fort' Salisbury in 1890. Historical song with 2 drums.
- Full Text: false
- Date Issued: 1958
- Authors: Chief Takawarasha and group of Karanga men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154595 , vital:39752 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-12
- Description: An old song composed when the British first came to Rhodesia. 'Gwindingwindi' was their way of pronouncing 'England'. The drum was played by Esteri Shumba. The actual incident which gave rise to this song was the appearence of the Pinoneer Column marching across the Chibi District on its way up through Providential Pass to establish Fort Victoria and soon afterwards 'Fort' Salisbury in 1890. Historical song with 2 drums.
- Full Text: false
- Date Issued: 1958
Mufupi hainyari (The short man does not tire)
- Chiga Shoko and Esteri Shumba, Hugh Tracey
- Authors: Chiga Shoko and Esteri Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154622 , vital:39755 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-15
- Description: Many of the lines set against the typical yodelling of the women, are taken at random from other songs and have little or no continuity of theme. They do however serve the purpose of keeping the song going. "The short man does not tire. With whom shall I play. Ndendua, I shall die. Close the door, you, Ndendua. In the house e re re. With whom shall I stay. I will die, being just like a dog. Matupa maneke. Where we come from. Harari (Salisbury) is far away. To come out feeling guilty. Like buck from the meadow lands." etc. Song for the Gawo dance with 1 drum.
- Full Text: false
- Date Issued: 1958
- Authors: Chiga Shoko and Esteri Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154622 , vital:39755 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-15
- Description: Many of the lines set against the typical yodelling of the women, are taken at random from other songs and have little or no continuity of theme. They do however serve the purpose of keeping the song going. "The short man does not tire. With whom shall I play. Ndendua, I shall die. Close the door, you, Ndendua. In the house e re re. With whom shall I stay. I will die, being just like a dog. Matupa maneke. Where we come from. Harari (Salisbury) is far away. To come out feeling guilty. Like buck from the meadow lands." etc. Song for the Gawo dance with 1 drum.
- Full Text: false
- Date Issued: 1958
Godo (Bones)
- Esteri Shumba and 4 Karanga women, Hugh Tracey
- Authors: Esteri Shumba and 4 Karanga women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154649 , vital:39758 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-18
- Description: The singer is married to a chief. She goes around asking her fellow wives what part of the animal they received the last time a beast was killed. One says "We're all in the same bag, whats the good of being married to a chief? When he gives all the best meat to his favourite wife and only gives us bone?"
- Full Text: false
- Date Issued: 1958
- Authors: Esteri Shumba and 4 Karanga women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154649 , vital:39758 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-18
- Description: The singer is married to a chief. She goes around asking her fellow wives what part of the animal they received the last time a beast was killed. One says "We're all in the same bag, whats the good of being married to a chief? When he gives all the best meat to his favourite wife and only gives us bone?"
- Full Text: false
- Date Issued: 1958
Hama dza warumi (The husband's relatives)
- Esteri Shumba and a group of Karanga men and women, Hugh Tracey
- Authors: Esteri Shumba and a group of Karanga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154586 , vital:39751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-11
- Description: A certain woman was very fond of her own relatives and preferred them to those of her husband. The story describes how when her in-laws visited her she said she was feeling ill with pains in her back, legs, stomach, head, everywhere. But when her own people came to see her she prepared sadza porridge and all sorts of good things. She behaved like this because she was jealous of her husband's other wives and in this way paid him out. Story with song.
- Full Text: false
- Date Issued: 1958
- Authors: Esteri Shumba and a group of Karanga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154586 , vital:39751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-11
- Description: A certain woman was very fond of her own relatives and preferred them to those of her husband. The story describes how when her in-laws visited her she said she was feeling ill with pains in her back, legs, stomach, head, everywhere. But when her own people came to see her she prepared sadza porridge and all sorts of good things. She behaved like this because she was jealous of her husband's other wives and in this way paid him out. Story with song.
- Full Text: false
- Date Issued: 1958
Rungano (The story of the younger brother)
- Farai Takawarasha and Ncube Shoko, Hugh Tracey
- Authors: Farai Takawarasha and Ncube Shoko , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154558 , vital:39746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-08
- Description: There were once two brothers who were both herdboys. The elder incited the younger to fight him. While they were fighting the elder brother tired and the younger brother beat him. So the elder brother ran away leaving the younger brother to bring home the cattle. The younger brother thought that their fight was over, but at midnight when he was already in bed he heard a knock at the door and found his older brother standing there. "What do you want?" "I would like to fight again" he replied. So they set to. Again the elder brother was defeated and during the fight they broke the windows and furniture. Early in the morning the elder brother returned and found the younger brother eating mealies, and the younger brother never suspected that the elder brother was eager to fight the third time. He offered the elder brother some mealies but he said he was still dissatisfied with the result of the fight. So they fought again a third time and again and again for six matches, until the younger brother decided he must leave the villgae for good. So he left his home and that was the end of the story. Rungano story.
- Full Text: false
- Date Issued: 1958
- Authors: Farai Takawarasha and Ncube Shoko , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154558 , vital:39746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-08
- Description: There were once two brothers who were both herdboys. The elder incited the younger to fight him. While they were fighting the elder brother tired and the younger brother beat him. So the elder brother ran away leaving the younger brother to bring home the cattle. The younger brother thought that their fight was over, but at midnight when he was already in bed he heard a knock at the door and found his older brother standing there. "What do you want?" "I would like to fight again" he replied. So they set to. Again the elder brother was defeated and during the fight they broke the windows and furniture. Early in the morning the elder brother returned and found the younger brother eating mealies, and the younger brother never suspected that the elder brother was eager to fight the third time. He offered the elder brother some mealies but he said he was still dissatisfied with the result of the fight. So they fought again a third time and again and again for six matches, until the younger brother decided he must leave the villgae for good. So he left his home and that was the end of the story. Rungano story.
- Full Text: false
- Date Issued: 1958
Joki rakafa (Joki is dead)
- Group of 5 Karanga men, Hugh Tracey
- Authors: Group of 5 Karanga men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Gutu District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154292 , vital:39644 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-05
- Description: The 'Bakumba' is a form of the Shangara dance. Joki, it seems, got married but his wife left him. So he went and asked his father-in-law to return the lobola but the father-in-law refused, so Joki went and killed himself by cutting his own throat. Bakumba party dance, with 2 drums and rattle.
- Full Text: false
- Date Issued: 1958
- Authors: Group of 5 Karanga men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Gutu District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154292 , vital:39644 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-05
- Description: The 'Bakumba' is a form of the Shangara dance. Joki, it seems, got married but his wife left him. So he went and asked his father-in-law to return the lobola but the father-in-law refused, so Joki went and killed himself by cutting his own throat. Bakumba party dance, with 2 drums and rattle.
- Full Text: false
- Date Issued: 1958
Mai wa Zondiwa (Mother of Zondiwa)
- Group of 5 Karanga men from Gutu District, Hugh Tracey
- Authors: Group of 5 Karanga men from Gutu District , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154640 , vital:39757 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-17
- Description: The yodelling of these Karanga men is typical of the southern part of Southern Rhodesia and is not found in many other tribes. The dancers take it in turns to come out into the centre of the ring and perform a simple step dance, with rhythmic stamping of the feet. Bakumba party dance with 2 drums and rattle and sound of step dance.
- Full Text: false
- Date Issued: 1958
- Authors: Group of 5 Karanga men from Gutu District , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154640 , vital:39757 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-17
- Description: The yodelling of these Karanga men is typical of the southern part of Southern Rhodesia and is not found in many other tribes. The dancers take it in turns to come out into the centre of the ring and perform a simple step dance, with rhythmic stamping of the feet. Bakumba party dance with 2 drums and rattle and sound of step dance.
- Full Text: false
- Date Issued: 1958
Twaliwananga na Joni Meka (We met with Joni Meka)
- Group of 7 Luvale women and 12 men, Hugh Tracey
- Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137265 , vital:37504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-12
- Description: "Joni Meka promised to marry Mary-and married her." The bottle rhythm so common in south central Africa opens this song set off against a cross rhythm on the piece of metal. The organum singing of the chorus, in antiphony with the leader is unmistakeably Luvale in structure and tone. It is not a kind of music which tribes other than Luvale either appreciate or imitates. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
- Full Text: false
- Date Issued: 1957
- Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137265 , vital:37504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-12
- Description: "Joni Meka promised to marry Mary-and married her." The bottle rhythm so common in south central Africa opens this song set off against a cross rhythm on the piece of metal. The organum singing of the chorus, in antiphony with the leader is unmistakeably Luvale in structure and tone. It is not a kind of music which tribes other than Luvale either appreciate or imitates. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
- Full Text: false
- Date Issued: 1957
Samukonga lunga lyambala lya Meli (Samukonga is the husband of Mary)
- Group of 7 Luvale women and 12 men, Hugh Tracey
- Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137239 , vital:37503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-11
- Description: This song with long opening recitative by the leader and the repeated use of the word "Mama", make it an unmistakable example of Luvale singing. The percussive accompaniment is interesting for its complexity and the fact that it seems to bear small direct relationship to the melody produced by the voices but appears to act as a rhythmic and complex background for the singers. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
- Full Text: false
- Date Issued: 1957
- Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137239 , vital:37503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-11
- Description: This song with long opening recitative by the leader and the repeated use of the word "Mama", make it an unmistakable example of Luvale singing. The percussive accompaniment is interesting for its complexity and the fact that it seems to bear small direct relationship to the melody produced by the voices but appears to act as a rhythmic and complex background for the singers. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
- Full Text: false
- Date Issued: 1957
Mande
- Group of Karanga men and women, Hugh Tracey
- Authors: Group of Karanga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154631 , vital:39756 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-16
- Description: One of the Mashawi 9souls) dances. The Mujukwa are considered in the local mythology to represent the entities who act as go-betweens, or media, between man and the High-God: Especially in connection with their pleading for rain. Some would call them 'Angels'. The dances and songs of the Majukwa are therefore intended to concentrate attention upon aspect of social necessity. Rain, without which the people would perish. With the opening up of communications by white people the effects of draught and subsequent famine have been lessened and therefore the cult or belief in Majukwa and their functions has been proportianately diminished. A Majukwa dance with 3 Dumba drums, 1 Nyeri flute, leg rattles and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Group of Karanga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154631 , vital:39756 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-16
- Description: One of the Mashawi 9souls) dances. The Mujukwa are considered in the local mythology to represent the entities who act as go-betweens, or media, between man and the High-God: Especially in connection with their pleading for rain. Some would call them 'Angels'. The dances and songs of the Majukwa are therefore intended to concentrate attention upon aspect of social necessity. Rain, without which the people would perish. With the opening up of communications by white people the effects of draught and subsequent famine have been lessened and therefore the cult or belief in Majukwa and their functions has been proportianately diminished. A Majukwa dance with 3 Dumba drums, 1 Nyeri flute, leg rattles and clapping.
- Full Text: false
- Date Issued: 1958
Mbiya ambwiya wo tiende (Grandmother, let us go)
- Authors: Jesi Tembo , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179081 , vital:39872 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-14
- Description: A hyena's grandmother died and so he went off to suckle from a woman in order to show people that he was in reality the son of the woman. The meaning of this story is not clear, though it is among the many African stories in which people turn themselves or are turned into animals to stress a moral point. Story song.
- Full Text: false
- Date Issued: 1959
- Authors: Jesi Tembo , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179081 , vital:39872 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-14
- Description: A hyena's grandmother died and so he went off to suckle from a woman in order to show people that he was in reality the son of the woman. The meaning of this story is not clear, though it is among the many African stories in which people turn themselves or are turned into animals to stress a moral point. Story song.
- Full Text: false
- Date Issued: 1959
Mwadzi itira (He has done it himself)
- Joseph Ngonyama Shumba, Hugh Tracey
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154322 , vital:39648 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-08
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is in effect a complaint against those who do things without first asking permission, particularly a wife who does not first ask her husband's permission regarding family matters. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154322 , vital:39648 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-08
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is in effect a complaint against those who do things without first asking permission, particularly a wife who does not first ask her husband's permission regarding family matters. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
Amasewe mukadzi wakanaka (The beauty)
- Joseph Ngonyama Shumba, Hugh Tracey
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154314 , vital:39646 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-07
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154314 , vital:39646 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-07
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
Amasewe mukadzi wakanaka (The beauty)
- Joseph Ngonyama Shumba, Hugh Tracey
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154309 , vital:39647 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-07
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154309 , vital:39647 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-07
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
Chisisi zano rine godo
- M. Runesu Gumbo, Hugh Tracey
- Authors: M. Runesu Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154159 , vital:39615 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-06
- Description: This singer makes up all his accompaniments for his humorous songs and sketches which are in the true line of rombe minstrel material. "Little sister, your idea is a jealous one. I go fetch firewood, you brought back ants. I go to the stream, you brought back dirty water, I go pound, you grind very coarsely, I go to cook, you cook undercooked food, I go to cut, you cut off to much, I go to take relish, you make it all dirty, I go to work in the fields, you go for young men, I go to wash clothes, you remain dirty, Little sister, your idea is a jealous one. Chisisi is taken from the English word 'sister' with the Karanga dimunitive 'chi'. Story song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: M. Runesu Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154159 , vital:39615 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-06
- Description: This singer makes up all his accompaniments for his humorous songs and sketches which are in the true line of rombe minstrel material. "Little sister, your idea is a jealous one. I go fetch firewood, you brought back ants. I go to the stream, you brought back dirty water, I go pound, you grind very coarsely, I go to cook, you cook undercooked food, I go to cut, you cut off to much, I go to take relish, you make it all dirty, I go to work in the fields, you go for young men, I go to wash clothes, you remain dirty, Little sister, your idea is a jealous one. Chisisi is taken from the English word 'sister' with the Karanga dimunitive 'chi'. Story song with Mbira.
- Full Text: false
- Date Issued: 1958
E. Gukuku (Pack up)
- M. Runesu Gumbo, Hugh Tracey
- Authors: M. Runesu Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154179 , vital:39619 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-07
- Description: This singer makes up all his accompaniments for his humorous songs and sketches which are in the true line of rombe minstrel material. This wife had nothing to do, so she packed up her clothes and left. The people there did not like her. (Wife) "Pack up quickly, pack up quick. Is this the reason why you took me from my homw? Why do you give me this sorrow? This tray of my mother's, I will never leave it here. This that I brought with me from my home." (Man) "Take it away! Do you think I cannot get another wife?" (Wife) "Your mother gave you a dog's heart to eat! Your mother! Had I known all this I would never have come." (Mother-in-law) "Leave her, let her go! Do you think all women are as bad as her?" (Man) "You, mother, you gave me bad advice." Humorous song.
- Full Text: false
- Date Issued: 1958
- Authors: M. Runesu Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154179 , vital:39619 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-07
- Description: This singer makes up all his accompaniments for his humorous songs and sketches which are in the true line of rombe minstrel material. This wife had nothing to do, so she packed up her clothes and left. The people there did not like her. (Wife) "Pack up quickly, pack up quick. Is this the reason why you took me from my homw? Why do you give me this sorrow? This tray of my mother's, I will never leave it here. This that I brought with me from my home." (Man) "Take it away! Do you think I cannot get another wife?" (Wife) "Your mother gave you a dog's heart to eat! Your mother! Had I known all this I would never have come." (Mother-in-law) "Leave her, let her go! Do you think all women are as bad as her?" (Man) "You, mother, you gave me bad advice." Humorous song.
- Full Text: false
- Date Issued: 1958
Njenjenje
- Madzimbone and younf Tonga women, Hugh Tracey
- Authors: Madzimbone and younf Tonga women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179199 , vital:39870 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-12
- Description: The leader was an old woman and the chorus a number of young married women. Party song.
- Full Text: false
- Date Issued: 1959
- Authors: Madzimbone and younf Tonga women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179199 , vital:39870 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-12
- Description: The leader was an old woman and the chorus a number of young married women. Party song.
- Full Text: false
- Date Issued: 1959
Waramba ukuma (He refused the relationship)
- Murira, Madzikuminga, Muzengedza and Madera, Hugh Tracey
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179072 , vital:39867 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-09
- Description: "You refused friendship, Machinda. You refused friendship, it is worn out." Machinda was the title given to the sons of the Monomotapa and may well have come down from those days in the sixteenth century when the Monomotapa held sway over this part of what is now Southern Rhodesia. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179072 , vital:39867 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-09
- Description: "You refused friendship, Machinda. You refused friendship, it is worn out." Machinda was the title given to the sons of the Monomotapa and may well have come down from those days in the sixteenth century when the Monomotapa held sway over this part of what is now Southern Rhodesia. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
Kari muchipfuwa kanaziwa ne mwene wako (What is in your heart only yourself can tell)
- Murira, Madzikuminga, Muzengedza and Madera, Hugh Tracey
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179105 , vital:39866 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-08
- Description: The great volume of sound mabe by the Matebe inside their resonators of large gourds gives a grand impression of what it is like to play in a band of this nature. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179105 , vital:39866 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-08
- Description: The great volume of sound mabe by the Matebe inside their resonators of large gourds gives a grand impression of what it is like to play in a band of this nature. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
Musengu
- Murira, Madzikununga, Muzengedza and Madero, Hugh Tracey
- Authors: Murira, Madzikununga, Muzengedza and Madero , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155127 , vital:39857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-01
- Description: The leader starts the tune the second part coming in at 15 seconds, and the third at 27 seconds. Yodelling of this nature is typical of many South Rhodesian folk tunes. The drum comes in at 1m. 27s. and the drummer hits the body of the drum as well as the membrane. Mondoro song for ancestral rites with 3 Matebe dza Mondoro (Mbira) and a drum.
- Full Text: false
- Date Issued: 1958
- Authors: Murira, Madzikununga, Muzengedza and Madero , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155127 , vital:39857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-01
- Description: The leader starts the tune the second part coming in at 15 seconds, and the third at 27 seconds. Yodelling of this nature is typical of many South Rhodesian folk tunes. The drum comes in at 1m. 27s. and the drummer hits the body of the drum as well as the membrane. Mondoro song for ancestral rites with 3 Matebe dza Mondoro (Mbira) and a drum.
- Full Text: false
- Date Issued: 1958