Ingqumbo yomthondo kukuzika kohlanga
- Authors: Mtirara, Zodwa
- Date: 2020
- Subjects: Women and literature , Feminism and literature , Gender identity in literature , Masculinity in literature , Sex role in literature , Xhosa poetry , South African poetry (English) , Sex discrimination against women
- Language: Xhosa, English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/154095 , vital:39562
- Description: Le yingqokelela yemibongo ebhentsisa ukutyeshelwa kobuntu nobuchule bamanina yinkolo yobuKrestu, kunye nenkolo yemveli okanye inkolo yesiNtu. Ikwenza oku ngokwaphula imithetho nemigaqo siseko yenkolo yobuKrestu nesiNtu sakwaXhosa malunga nokufanelekileyo ukuba owasetyhini akuthethe okanye akwenze. Ikwabhentsisa nokuhlukunyezwa kwabasetyhini, ibuza nemibuzo ngesimo esizifumana sikuso mva-nje. Ichukunyiswe bubomi bam kanye nobamanye amanina endiphila nawo ekuhlaleni. Ikubhentsisa ke oku ngokungenalusini njengoko imbongi uLesego Rampolokeng esenza. Izeka mzekweni ezibhalweni zooNtozakhe Shange, Diane Di Prima, Lidia Yuknavitch, noWame Molefhe. Iphikisa indlela ekubhalwe ngayo ngamanina ngooMema nooJolobe, isenza oko uNontsizi Mgqwetho angazange ade afikelele ukukwenza njengombhali wasetyhini.
- Full Text:
- Date Issued: 2020
- Authors: Mtirara, Zodwa
- Date: 2020
- Subjects: Women and literature , Feminism and literature , Gender identity in literature , Masculinity in literature , Sex role in literature , Xhosa poetry , South African poetry (English) , Sex discrimination against women
- Language: Xhosa, English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/154095 , vital:39562
- Description: Le yingqokelela yemibongo ebhentsisa ukutyeshelwa kobuntu nobuchule bamanina yinkolo yobuKrestu, kunye nenkolo yemveli okanye inkolo yesiNtu. Ikwenza oku ngokwaphula imithetho nemigaqo siseko yenkolo yobuKrestu nesiNtu sakwaXhosa malunga nokufanelekileyo ukuba owasetyhini akuthethe okanye akwenze. Ikwabhentsisa nokuhlukunyezwa kwabasetyhini, ibuza nemibuzo ngesimo esizifumana sikuso mva-nje. Ichukunyiswe bubomi bam kanye nobamanye amanina endiphila nawo ekuhlaleni. Ikubhentsisa ke oku ngokungenalusini njengoko imbongi uLesego Rampolokeng esenza. Izeka mzekweni ezibhalweni zooNtozakhe Shange, Diane Di Prima, Lidia Yuknavitch, noWame Molefhe. Iphikisa indlela ekubhalwe ngayo ngamanina ngooMema nooJolobe, isenza oko uNontsizi Mgqwetho angazange ade afikelele ukukwenza njengombhali wasetyhini.
- Full Text:
- Date Issued: 2020
La masculinité dans quelques oeuvres des romanciers Francophones Africains
- Joseph, Joy Ifeanyichukwu Osarumwense
- Authors: Joseph, Joy Ifeanyichukwu Osarumwense
- Date: 2019
- Subjects: Masculinity in literature , Men in literature , African fiction (French) -- History and criticism , Bâ, Mariama. Chant écarlate , Fassinou, Adélaïde, 1955-.Modukpè le rêve brisé , Sanusi, Ramonu Abiodun, 1961-.Le bistouri des larmes , Sanusi, Ramonu Abiodun, 1961-.Un nègre a violé une blonde à Dallas , Baboni, Azaratou.Vie de femme, vie de sang
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/97512 , vital:31446 , DOI 10.21504/10962/97512
- Description: This thesis is a sociocritic and comparative study in Francophone African Literature which examines how male and female authors depict masculinity amongst African men in selected works of Francophone authors and how it affects the emancipation of women in the society. These include Mariama Bâ’s Un chant écarlate (1981) from Senegal, Adelaïde Fassinou’s Modukpè le rêve brisé (2000) from Benin, Ramonu Sanusi’s Le bistouri des larmes (2005, 2010) from Nigeria, Azaratou Baboni’s Vie de femme, vie de sang, (2011) from Benin, Ramonu Sanusi’s Un nègre a violé une blonde à Dallas, (2016) from Nigeria. The study analyses the various forms of masculinity in the selected works of Francophone authors. The study also examines the notable similarities and differences in the portrayal of male characters in the novel and how prevailing environmental factors determine the themes in the novel. This study has demonstrated that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity in West Africa. These forms of masculinity have negative effects not only on the woman but affects the society in general. Furthermore, the study pleads for a social change with respect to Molara Leslie-Oguundipe’s theory on stiwanism (Ogundipe 1994: 229-230) The thesis is made of six chapters. In the first chapter, we outlined the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, we examined Raewyn Connell’s theory of Masculinity and Molara Leslie-Ogundipe’s theory of Stiwanism with respect to the selected novels. Raewyn Connell’s theory on masculinity a sociological theory was employed in analyzing the social patterns of societal relationships, social interaction and culture, while Molara Leslie-Ogundipe’s theory on stiwanism a literary theory mirrored the West African Society. Such analyses helped us in identifying how socio-cultural and religious contexts influence the attitude of men towards women. In the third chapter, we applied sociocritic and comparative analyses between Mariama’s Bâ’s Un Chant Écarlate and Adelaïde’s Fassinou’s Modukpè le rêve brisé. The study focuses on how hegemonic and marginalized forms of masculinity influences racial discrimination in mixed marriages, polygamy, unwanted pregnancy, secondary sterility and single motherhood. These masculinities had negative effects on women and the society. The study also analyzed how both male and female characters employed stiwanist strategy in enhancing peace and harmony in the society. In the fourth chapter, the study examined how hegemonic and marginalized forms of masculinity influenced domestic violence, primary sterility, female genital mutilation and its negative and permanent damage to the health of women, the loss of lives of women and children in Ramonu Sanusi’s Le bistouri des larmes and Baboni Azaratou’s Vie de femme, vie de sang. The study also examined how women can rise above traditional norms with respect to stiwanist activites. The fifth chapter analyzed the influence of socio-cultural and political challenges in a contemporary society with respect to marginalized form of masculinity. In the sixth chapter, the study concluded that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity. These forms of masculinites have negative effects on both sexes (male and female) as well as the society.
- Full Text:
- Date Issued: 2019
- Authors: Joseph, Joy Ifeanyichukwu Osarumwense
- Date: 2019
- Subjects: Masculinity in literature , Men in literature , African fiction (French) -- History and criticism , Bâ, Mariama. Chant écarlate , Fassinou, Adélaïde, 1955-.Modukpè le rêve brisé , Sanusi, Ramonu Abiodun, 1961-.Le bistouri des larmes , Sanusi, Ramonu Abiodun, 1961-.Un nègre a violé une blonde à Dallas , Baboni, Azaratou.Vie de femme, vie de sang
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/97512 , vital:31446 , DOI 10.21504/10962/97512
- Description: This thesis is a sociocritic and comparative study in Francophone African Literature which examines how male and female authors depict masculinity amongst African men in selected works of Francophone authors and how it affects the emancipation of women in the society. These include Mariama Bâ’s Un chant écarlate (1981) from Senegal, Adelaïde Fassinou’s Modukpè le rêve brisé (2000) from Benin, Ramonu Sanusi’s Le bistouri des larmes (2005, 2010) from Nigeria, Azaratou Baboni’s Vie de femme, vie de sang, (2011) from Benin, Ramonu Sanusi’s Un nègre a violé une blonde à Dallas, (2016) from Nigeria. The study analyses the various forms of masculinity in the selected works of Francophone authors. The study also examines the notable similarities and differences in the portrayal of male characters in the novel and how prevailing environmental factors determine the themes in the novel. This study has demonstrated that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity in West Africa. These forms of masculinity have negative effects not only on the woman but affects the society in general. Furthermore, the study pleads for a social change with respect to Molara Leslie-Oguundipe’s theory on stiwanism (Ogundipe 1994: 229-230) The thesis is made of six chapters. In the first chapter, we outlined the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, we examined Raewyn Connell’s theory of Masculinity and Molara Leslie-Ogundipe’s theory of Stiwanism with respect to the selected novels. Raewyn Connell’s theory on masculinity a sociological theory was employed in analyzing the social patterns of societal relationships, social interaction and culture, while Molara Leslie-Ogundipe’s theory on stiwanism a literary theory mirrored the West African Society. Such analyses helped us in identifying how socio-cultural and religious contexts influence the attitude of men towards women. In the third chapter, we applied sociocritic and comparative analyses between Mariama’s Bâ’s Un Chant Écarlate and Adelaïde’s Fassinou’s Modukpè le rêve brisé. The study focuses on how hegemonic and marginalized forms of masculinity influences racial discrimination in mixed marriages, polygamy, unwanted pregnancy, secondary sterility and single motherhood. These masculinities had negative effects on women and the society. The study also analyzed how both male and female characters employed stiwanist strategy in enhancing peace and harmony in the society. In the fourth chapter, the study examined how hegemonic and marginalized forms of masculinity influenced domestic violence, primary sterility, female genital mutilation and its negative and permanent damage to the health of women, the loss of lives of women and children in Ramonu Sanusi’s Le bistouri des larmes and Baboni Azaratou’s Vie de femme, vie de sang. The study also examined how women can rise above traditional norms with respect to stiwanist activites. The fifth chapter analyzed the influence of socio-cultural and political challenges in a contemporary society with respect to marginalized form of masculinity. In the sixth chapter, the study concluded that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity. These forms of masculinites have negative effects on both sexes (male and female) as well as the society.
- Full Text:
- Date Issued: 2019
Portrayals of masculinity in selected Nigerian plays
- Authors: Onuoha, Beatrice Nwawuloke
- Date: 2021-06
- Subjects: Masculinity in literature , Nigeria -- In literature
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10353/22131 , vital:51985
- Description: This work critically interrogates the portrayal of masculinity in plays written by both male and female Nigerian playwrights. Selected plays (three from each author) of Wole Soyinka, Femi Osofisan, Tess Onwueme and Tracie Utoh-Ezeajugh were studied in order to proffer answers to certain critical questions, some of which include determining whether the way male playwrights construct the psychosocial temperament of lead male characters differs from how such is depicted in the works of female authors. The study also sought to ascertain how the concept of masculinity has evolved through the careers of three generations of playwriting in Nigeria. While evaluating the differences that exist in the portrayal of masculinity in the male lead characters in the works of selected male playwrights when compared to those of their female counterparts, the study equally examines the portrayals of male identities in the selected texts. It also evaluates the notion of masculinity shift among the three generations of Nigerian playwrights with a view to ascertaining how textual portrayals of characters and events reflect the changing values that are held about male identities in different Nigerian societies. In executing these objectives, the study adopts a qualitative method, and then eclectically employs Raewyn Connell’s (1995) Theory of Masculinity, Judith Butler’s (1990) Theory of Performativity, and Louis Athan Althusser’s (1970) Idea of Interpellation as the Theoretical Framework to guide the analysis and interpretation of the selected texts. Furthermore, the study follows a constructivist model that involves several stages including the identification of the selected plays as the main texts, a perusal of the plays, review of the literature on gender portrayals in the plays, and a critiquing of the portrayal of masculinity in them. The findings of the analysis reveal that masculinity is a conditional, provisional and elusive subject. It is created in a certain socio-cultural and historical context and evolves according to situations. The studied texts demonstrate the artistic agency of women in constructing men’s masculinity. They imply that masculinity and femininity are like Siamese twins in the building of a peaceful, strong, and new nation. Moreover, the playwrights under study divulge that power is the key factor in (de)constructing and (re)defining of masculinity of men. Through their plays, the dramatists challenge and attempt to change the stereotypical constructs of men, dismantle the traditional gender roles and propose a new way of envisioning gender, where hegemonic principles can be nullified. It is therefore the submission of this work that Soyinka, Osofisan, Onwueme and Utoh-Ezeajugh do not affirm the social construct of masculinity but rather interrogate them. , Thesis (PhD) -- Faculty of Social Sciences and Humanities, 2021
- Full Text:
- Date Issued: 2021-06
- Authors: Onuoha, Beatrice Nwawuloke
- Date: 2021-06
- Subjects: Masculinity in literature , Nigeria -- In literature
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10353/22131 , vital:51985
- Description: This work critically interrogates the portrayal of masculinity in plays written by both male and female Nigerian playwrights. Selected plays (three from each author) of Wole Soyinka, Femi Osofisan, Tess Onwueme and Tracie Utoh-Ezeajugh were studied in order to proffer answers to certain critical questions, some of which include determining whether the way male playwrights construct the psychosocial temperament of lead male characters differs from how such is depicted in the works of female authors. The study also sought to ascertain how the concept of masculinity has evolved through the careers of three generations of playwriting in Nigeria. While evaluating the differences that exist in the portrayal of masculinity in the male lead characters in the works of selected male playwrights when compared to those of their female counterparts, the study equally examines the portrayals of male identities in the selected texts. It also evaluates the notion of masculinity shift among the three generations of Nigerian playwrights with a view to ascertaining how textual portrayals of characters and events reflect the changing values that are held about male identities in different Nigerian societies. In executing these objectives, the study adopts a qualitative method, and then eclectically employs Raewyn Connell’s (1995) Theory of Masculinity, Judith Butler’s (1990) Theory of Performativity, and Louis Athan Althusser’s (1970) Idea of Interpellation as the Theoretical Framework to guide the analysis and interpretation of the selected texts. Furthermore, the study follows a constructivist model that involves several stages including the identification of the selected plays as the main texts, a perusal of the plays, review of the literature on gender portrayals in the plays, and a critiquing of the portrayal of masculinity in them. The findings of the analysis reveal that masculinity is a conditional, provisional and elusive subject. It is created in a certain socio-cultural and historical context and evolves according to situations. The studied texts demonstrate the artistic agency of women in constructing men’s masculinity. They imply that masculinity and femininity are like Siamese twins in the building of a peaceful, strong, and new nation. Moreover, the playwrights under study divulge that power is the key factor in (de)constructing and (re)defining of masculinity of men. Through their plays, the dramatists challenge and attempt to change the stereotypical constructs of men, dismantle the traditional gender roles and propose a new way of envisioning gender, where hegemonic principles can be nullified. It is therefore the submission of this work that Soyinka, Osofisan, Onwueme and Utoh-Ezeajugh do not affirm the social construct of masculinity but rather interrogate them. , Thesis (PhD) -- Faculty of Social Sciences and Humanities, 2021
- Full Text:
- Date Issued: 2021-06
Versions of masculinity in Zukiswa Wanners work
- Authors: Scina, Nontsikelelo
- Date: 2018-07
- Subjects: Gender , Zukiswa Wanner , Masculinity in literature , Sex roles
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/11260/6708 , vital:47459
- Description: Traditional notions of masculinity which give power and authority to one dominant form of masculinity in the contemporary era are under scrutiny as they are constantly being challenged through the emergence of alternative forms of masculinity. Through the use of Wanner’s novels, this work examines how South African masculinities are constructed, how they are challenged, and how alternative forms are negotiated. It unpacks Wanner’s depiction of hegemonic, thwarted, complicit and marginalised masculinities as it traces the diversity and fluidity of masculinities in these literary texts and the resultant alternative masculinities these novels propose. Furthermore, this work foregrounds the often taken-for-granted role of women and portrays it as the centre around which masculinities are constructed. This is achieved by probing deeper into the familial unit and looking at the traditional gender roles of women, taking into consideration that the South African constitution allows them either to stick to these roles or to choose from an array of career choices presented to them. It is suggested that instead of viewing masculinity as a standard uniform entity, it is profitable to perceive it as a heterogeneous entity, comprising of different versions which are determined by different factors. It is further suggested that the role of women in the construction of masculinities should be given recognition, as they seem to play a significant role in either inhibiting or promoting the transformation of masculinities through the choices they make. , Thesis (M.Arts) -- Faculty of Humanities, Social Sciences and Law, 2018
- Full Text:
- Date Issued: 2018-07
- Authors: Scina, Nontsikelelo
- Date: 2018-07
- Subjects: Gender , Zukiswa Wanner , Masculinity in literature , Sex roles
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/11260/6708 , vital:47459
- Description: Traditional notions of masculinity which give power and authority to one dominant form of masculinity in the contemporary era are under scrutiny as they are constantly being challenged through the emergence of alternative forms of masculinity. Through the use of Wanner’s novels, this work examines how South African masculinities are constructed, how they are challenged, and how alternative forms are negotiated. It unpacks Wanner’s depiction of hegemonic, thwarted, complicit and marginalised masculinities as it traces the diversity and fluidity of masculinities in these literary texts and the resultant alternative masculinities these novels propose. Furthermore, this work foregrounds the often taken-for-granted role of women and portrays it as the centre around which masculinities are constructed. This is achieved by probing deeper into the familial unit and looking at the traditional gender roles of women, taking into consideration that the South African constitution allows them either to stick to these roles or to choose from an array of career choices presented to them. It is suggested that instead of viewing masculinity as a standard uniform entity, it is profitable to perceive it as a heterogeneous entity, comprising of different versions which are determined by different factors. It is further suggested that the role of women in the construction of masculinities should be given recognition, as they seem to play a significant role in either inhibiting or promoting the transformation of masculinities through the choices they make. , Thesis (M.Arts) -- Faculty of Humanities, Social Sciences and Law, 2018
- Full Text:
- Date Issued: 2018-07
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