Bassa Kele
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129866 , vital:36340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-04
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129866 , vital:36340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-04
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Doni Taba
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129875 , vital:36341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-05
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129875 , vital:36341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-05
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Diarabi
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129880 , vital:36342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-06
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129880 , vital:36342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-06
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Be Ta Lame
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129849 , vital:36339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-03
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129849 , vital:36339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-03
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Nakan
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129844 , vital:36338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-02
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129844 , vital:36338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-02
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Kafo
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129900 , vital:36344 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-08
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129900 , vital:36344 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-08
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Mogo
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129885 , vital:36343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-07
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129885 , vital:36343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-07
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Nimissa
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129839 , vital:36337 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-01
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129839 , vital:36337 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-01
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Yaq Faaxee
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130459 , vital:36423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-03
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130459 , vital:36423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-03
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Win We Mbodre
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:36426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-05
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:36426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-05
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Njambaar
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130449 , vital:36421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-02
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130449 , vital:36421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-02
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Onow Nee Jik Weel
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130482 , vital:36428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-06
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130482 , vital:36428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-06
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Gis Na Xalebi
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130440 , vital:36419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-01
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130440 , vital:36419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-01
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Xey Baax
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130468 , vital:36425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-04
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130468 , vital:36425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-04
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Baladjigui Moussa
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128870 , vital:36176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-07
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128870 , vital:36176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-07
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Manore
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Madame Siby
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128832 , vital:36171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-02
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128832 , vital:36171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-02
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Ligueyante
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128846 , vital:36173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-04
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128846 , vital:36173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-04
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Yalla Bahna
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128865 , vital:36175 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-06
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128865 , vital:36175 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-06
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Sare Bamba
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128841 , vital:36172 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-03
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128841 , vital:36172 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-03
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000