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Ishetlhana e Tswerwe ke seokamo

- Dintsa Marumolo and about 60 young men, Hugh Tracey

  • Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
  • Language: Tswana/Rolong
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162367 , vital:40924 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-01
  • Description: The singers had just come back from initiation school. Here they use floor polish instead of the traditional red ochre with which to stain themselves. Several of them looked like Nilo Hamite men from Kenya and some of their songs also suggested the modality of those Northern tribes coincidence perhaps, but noticable. "The brown cow is held, caught and held prisoner and stands there all day. The other cows are also held fast in the same way. The brown yearling, our father's cow, ruled over nations while held flat." The words are allusive and symbolic. Male initiation song performed while in the veld.
  • Full Text: false
  • Date Issued: 1959

Re tswa kwa Tlhabane (We come from Rustenburg)

- J. D. Tsimele (girl teacher) and young girls, Hugh Tracey

  • Authors: J. D. Tsimele (girl teacher) and young girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
  • Language: Tswana/Tlharo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165219 , vital:41219 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-10
  • Description: "We come from Tlhabana (Rusternburg). We sell goods. Do you want to buy them? Do you want to bargain for them?" (Girls say to the baby) "Keep quiet, darling, who is going to nurse you? Your mother is stingy, she is too mean to give you a nurse." (Mother says) "Sister, what are you doing? Why don't you comfort the child? Quiet, quiet baby! Quiet, quiet, son of my beloved." This amusing little game began with the girls crouching in a circle, singing and beating the ground with their hands. Then one of them outside the circle pretended to cry like a baby, and another girl put her on her back and began to sing to quiet her. Finally, another girl, pretending to be mother, took the child and sang a lullaby to her. Children's game and sketch.
  • Full Text: false
  • Date Issued: 1959

Tumediso ya Morena (Greetings to the Chief)

- Jemina Pheha and 24 women, Hugh Tracey

Pula (Rain)

- Mohapa Tshetlereyane and 20 women, Hugh Tracey

  • Authors: Mohapa Tshetlereyane and 20 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165904 , vital:41294 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-15
  • Description: "They are going to ask for rain, they have been struck by lightening, they are going to look for rain. Long, long rain." The singers were a group of elderly Hurutshe women. This is a very old song, sung in time of drought when a deputation of the people would go to the Chief, asking him to send a messenger to his rain-maker. Rain song.
  • Full Text: false
  • Date Issued: 1959

Magawalela (People of Mapula)

- Odirile Masumoloa and 14 men, Hugh Tracey

Bolelela Ramonogeng (Tell Ramonogeng we are going home)

- Silas Kgaragoba, Hugh Tracey

Marola Bila Kile

- Richard Majafe, Hugh Tracey

Bolelela Ramonogeng (Tell Ramonogeng)

- Mamideo Motlokwa and 22 men and women, Hugh Tracey

Owe, owe, Matebeleng (Oh, oh, home to the Ndebele)

- Mapidio Elisabeth Mothulwe and group of 30 women, Hugh Tracey

  • Authors: Mapidio Elisabeth Mothulwe and group of 30 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165996 , vital:41305 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-09
  • Description: "Red locust, to the Ndebele, it does not return. It comes where it had gone to graze. From the grazing to the Ndebele. Home, home, to the Ndebele. Oh, oh, to the Ndebele. Oh, oh, to the Ndebele." The country of the Ndebele is towards the East, towards Pieterburg and they were the traditional enemies of the local Tswana/Kgatla. Their enemies, the Ndebele or Matebele, are likened to the red locust swarms which used to devastate the crops and the grazing each year. Hoeing song with drum.
  • Full Text: false
  • Date Issued: 1959

Kgokong

- Modiseng, Hugh Tracey

  • Authors: Modiseng , Hugh Tracey
  • Date: 1948
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Maraisburg f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166283 , vital:41347 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-09
  • Description: There are 4 sets of single end-blown pipes, 4 in each. From 1120 vs. to 93 vs. Each set covers a fifth only and is an octave lower than the one above. All notes bearing approximately the same relationship. Treble pipes are called Metenyane, Alto pipes are called Dinikwana, Tenor pipes are called Meporo, Bass pipes are called Meporo e metelele. Intervals: 259. 240. 209 cents. Total 708 cents. These copper and iron pipes are stopped with wood. In Bechuanaland, the pipes are made of reed-Matlhaka. These two flute tunes were recorded eleven years earlier than the other items on this side. Flute tune.
  • Full Text: false
  • Date Issued: 1948

Ga a nelwe Kolobe (Give the pig to no one)

- Lentswe Male and 20 Kgatla men, Hugh Tracey

  • Authors: Lentswe Male and 20 Kgatla men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166014 , vital:41307 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-11
  • Description: "Give the pig to no one. Warn those dogs, Kolobe, and give the pig to no one. Pig is not given to one in confinement. Give it to no one. Hoki has not had some." This song reflects the play of words on the name Kolobe and its literal translation, meaning 'pig'. The song's origin is obsecure. There is little hunting now-a-days and there are few buck or pig left in the vivinity. This song is well-known, it appears, among most, if not all, Tswana tribes. Hunting song.
  • Full Text: false
  • Date Issued: 1959

Matichere le go tshwana diketlele (Teachers and the way they hold their teapots)

- Jemina Pheha and 24 women, Hugh Tracey

  • Authors: Jemina Pheha and 24 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166038 , vital:41310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-13
  • Description: "I have met Maloka. They have come to the valley of Marape. Teachers and the way they hold their teapots and their ties. They have run away from us." The Chief seemed to think this song was meant to be satirical with its allusion to teachers. Party song with metal bucket used as a drum.
  • Full Text: false
  • Date Issued: 1959

Re a ya ka Uhogo ya Motho (We go with the head of a person)

- Mapidio Elisabeth Mothulwe and 30 women, Hugh Tracey

  • Authors: Mapidio Elisabeth Mothulwe and 30 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165951 , vital:41300 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-04
  • Description: "Tell us to return, we go with a person's head. We, go, we go to this village. We go with a person's head." During the song of the women shouts a 'praise'. The 'head of a person or human being', means the bride who they are carrying. The song is connected with the gift, part of the bridal or wedding presents which are given to the uncle of the bride. Marriage song, with drum.
  • Full Text: false
  • Date Issued: 1959

Letsema la a phota (The group is threshing corn)

- Boys and girls from Mabe's Community school, Hugh Tracey

Klusi Malorato tlaa o bone (Chief Lencoe's horses)

- Group of small children, boys and girls, Hugh Tracey

Mme o leleka baeng (Mother drives away the visitors for me)

- Levi Modisane and group of men and women, Hugh Tracey

Modumo o u dumang kwa botshaka (The noise heard in the north)

- Sinna Ramorula, Hugh Tracey

Kgokong (If it dies)

- Mosaila Mokgothu and Hurutshe men, Hugh Tracey

Majone (Johnnie)

- Moroke Molebatsi and group of 19 men, Hugh Tracey

  • Authors: Moroke Molebatsi and group of 19 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165228 , vital:41220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-11
  • Description: "Johnnie's mother weeps, where did Johnnie die? (she says). Johnnie died when they were cattle-raiding (she says). They killed him when he was following the spoor of his captured cattle. I refused you, so you hated me and went away disappointed." These 19 pipes were made of lenghts of copper tubing. The pitch of each pipe was recorded before each item. From two measurements of the same set of pipes within three weeks, it is clear that the tuning varies from performance to performance, the pitch of each pipe being adjusted by means of the plug a wire ramrod is kept for this purpose. The pipes are used on any occassion, for parties, or recreational purposes. The performerswalk around sideways in a circle, using a simple stamping step or shuffle or leaping like frogs in an anti-clockwise direction. Pipe dance with closed end blown "Ditlhaka" flute ensemble.
  • Full Text: false
  • Date Issued: 1959

Maomosa re kaeleng (You women who cannot cook)

- Motsekhumo Tiro and group of elderly men, Hugh Tracey

  • Authors: Motsekhumo Tiro and group of elderly men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
  • Language: Tswana/Ngwaketse
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162524 , vital:40943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0108-06
  • Description: "You women who cannot cook, tell us where the noise is." The meaning is that where there is noise, there may be a party and where there is a party there is good cheer. Introduced by each pipe played in turn around the circle of old men. Most of the pipes were made of reed. The pipes must be immersed in water before playing or they will not sound. They were very old pipes and the tuning was clearly awry, the old players being unable to tune them accurately. Pipe dance with Dithloko end-blown reeds
  • Full Text: false
  • Date Issued: 1959
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