Aliyale (Aliyale, the worthless wife)
- Gatoma with two Chewa lads, Hugh Tracey
- Authors: Gatoma with two Chewa lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160134 , vital:40389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-18
- Description: The story concerns a husband who was complaining about his wife that she was running about with other men. He questions his son about the matter and blames his unfaithful wife for several misfortunes which befell,him, such as a pot of paint falling on him and his children dying. " She has shaved off her hair to make herself beautiful." The Nkacece was at one time a dance at which everybody came well-dressed for the party. He infers that although his wife 'dolled' herself up to look nice, she was still worthless. Sketch with song and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Gatoma with two Chewa lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160134 , vital:40389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-18
- Description: The story concerns a husband who was complaining about his wife that she was running about with other men. He questions his son about the matter and blames his unfaithful wife for several misfortunes which befell,him, such as a pot of paint falling on him and his children dying. " She has shaved off her hair to make herself beautiful." The Nkacece was at one time a dance at which everybody came well-dressed for the party. He infers that although his wife 'dolled' herself up to look nice, she was still worthless. Sketch with song and clapping.
- Full Text: false
- Date Issued: 1958
Aliyeli nitauzeni (Aliyeli - greet me!)
- A. Nyambizi and Henga women, Hugh Tracey
- Authors: A. Nyambizi and Henga women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Tumbuka (African people) , Henga (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tumbuka/Henga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156282 , vital:39971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-09
- Description: "Aliyeli, greet me, I am a small child. Aliyeli, write a letter Aliyeli, I came from afar." The burden of the song would appear to be that a young woman about to have her first child is trying to make contact with her man, now that she is about to bear (with difficulty) her first child. Dance song.
- Full Text: false
- Date Issued: 1958
- Authors: A. Nyambizi and Henga women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Tumbuka (African people) , Henga (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tumbuka/Henga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156282 , vital:39971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-09
- Description: "Aliyeli, greet me, I am a small child. Aliyeli, write a letter Aliyeli, I came from afar." The burden of the song would appear to be that a young woman about to have her first child is trying to make contact with her man, now that she is about to bear (with difficulty) her first child. Dance song.
- Full Text: false
- Date Issued: 1958
Allah, Allah
- Sheik Mohammed Bin Isa with Arab/Swahili boys, Hugh Tracey
- Authors: Sheik Mohammed Bin Isa with Arab/Swahili boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179984 , vital:43289 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-12
- Description: Chant in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of the a dead Sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of 'grunting' is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today. Praise of Allah.
- Full Text: false
- Date Issued: 1950
- Authors: Sheik Mohammed Bin Isa with Arab/Swahili boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179984 , vital:43289 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-12
- Description: Chant in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of the a dead Sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of 'grunting' is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today. Praise of Allah.
- Full Text: false
- Date Issued: 1950
Alulu kalele mwana
- Authors: Mani Kuenda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Liliongwe, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153338 , vital:39438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-04
- Description: "Alulu, go and nurse the child. When I go to draw water my child is on my back. When I go to fetch firewood, the child is on my back, When I cook, the child is just beside me and may get burnt. I don't want to keep on telling you the same thing. So, Alulu, go and nurse the child. Lullaby.
- Full Text: false
- Date Issued: 1958
- Authors: Mani Kuenda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Liliongwe, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153338 , vital:39438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-04
- Description: "Alulu, go and nurse the child. When I go to draw water my child is on my back. When I go to fetch firewood, the child is on my back, When I cook, the child is just beside me and may get burnt. I don't want to keep on telling you the same thing. So, Alulu, go and nurse the child. Lullaby.
- Full Text: false
- Date Issued: 1958
Alume yerani malo
- Kanga Mayele with Giryama men, Hugh Tracey
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176603 , vital:42719 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-10
- Description: The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176603 , vital:42719 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-10
- Description: The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Amabele-o-iye
- Mosis, Magdalena, and Terasa (Mambuti women), Hugh Tracey
- Authors: Mosis, Magdalena, and Terasa (Mambuti women) , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mbau-Mbili f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168178 , vital:41548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-04
- Description: These songs were sung by three very small pygmy women all crouching on the ground close together. Their songs, it is said, asre composed mostly of vowel sounds or very simple words without much attempt to form a lyric. They were clothed only in a small strip of cloth each strung between the legs with each supported by a waist band of bark string. Each had a single string of beads around the neck and black markings were painted on their faces and necks. These songs, they said,could also be used as lullabies. At the end of the second and third items the bleat of a goat kid can be heard. Party song.
- Full Text: false
- Date Issued: 1952
- Authors: Mosis, Magdalena, and Terasa (Mambuti women) , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mbau-Mbili f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168178 , vital:41548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-04
- Description: These songs were sung by three very small pygmy women all crouching on the ground close together. Their songs, it is said, asre composed mostly of vowel sounds or very simple words without much attempt to form a lyric. They were clothed only in a small strip of cloth each strung between the legs with each supported by a waist band of bark string. Each had a single string of beads around the neck and black markings were painted on their faces and necks. These songs, they said,could also be used as lullabies. At the end of the second and third items the bleat of a goat kid can be heard. Party song.
- Full Text: false
- Date Issued: 1952
Amadoda e lenge
- L. Shandu (Performer), L. Shandu (Composer), Hugh Tracey
- Authors: L. Shandu (Performer) , L. Shandu (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133198 , vital:36946 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-21
- Description: Self-delectative tunes without words, wiith Igekle flute
- Full Text: false
- Date Issued: 1955
- Authors: L. Shandu (Performer) , L. Shandu (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133198 , vital:36946 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-21
- Description: Self-delectative tunes without words, wiith Igekle flute
- Full Text: false
- Date Issued: 1955
Amagombe galindya
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171201 , vital:42029 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-05
- Description: A song of mourning reminding the singers that they also will soon follow their dead friend. Mourning song, with 8 Budongo 11 note Likembe and Nsaai tin rattle.
- Full Text: false
- Date Issued: 1952
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171201 , vital:42029 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-05
- Description: A song of mourning reminding the singers that they also will soon follow their dead friend. Mourning song, with 8 Budongo 11 note Likembe and Nsaai tin rattle.
- Full Text: false
- Date Issued: 1952
Amai anda nena mangwila-ngwila (My mother always told me not to touch anything in the house)
- Authors: Josani Phiri , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Dowa f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160790 , vital:40544 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-04
- Description: On hearing his song played back to him, Josani Phiri held his head in his hands and shook it unbelievingly during the whole playing. Self delectative song with Bongo board zither.
- Full Text: false
- Date Issued: 1957
- Authors: Josani Phiri , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Dowa f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160790 , vital:40544 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-04
- Description: On hearing his song played back to him, Josani Phiri held his head in his hands and shook it unbelievingly during the whole playing. Self delectative song with Bongo board zither.
- Full Text: false
- Date Issued: 1957
Amai netini kone chamba
- Authors: Josita Phiri , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa South Africa Northern Transvaal f-sa
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137529 , vital:37534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-10
- Description: A mother was cutting her child's hair. The child says: "Mother why do you do this? I want to go and play." Selef-delectative song with Bangwe board zither with 7 strings
- Full Text: false
- Date Issued: 1957
- Authors: Josita Phiri , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa South Africa Northern Transvaal f-sa
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137529 , vital:37534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-10
- Description: A mother was cutting her child's hair. The child says: "Mother why do you do this? I want to go and play." Selef-delectative song with Bangwe board zither with 7 strings
- Full Text: false
- Date Issued: 1957
Amai, Amai, ndikunene eleli (Mother, mother, I will say much to you)
- Daliya Kafaniza and Manganja women, Hugh Tracey
- Authors: Daliya Kafaniza and Manganja women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155802 , vital:39918 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-15
- Description: "My mother, mother, I will say much to you. You have taken my child. I myself am only small. You have taken my child. No, you have taken my child, as I say." Chitsukulumwe dance with gourd rattles and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Daliya Kafaniza and Manganja women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155802 , vital:39918 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-15
- Description: "My mother, mother, I will say much to you. You have taken my child. I myself am only small. You have taken my child. No, you have taken my child, as I say." Chitsukulumwe dance with gourd rattles and clapping.
- Full Text: false
- Date Issued: 1958
Amaliza
- Authors: Batwa women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Rundi (African people) , Folk songs, Rundi , Africa Rwanda Shangugu f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148859 , vital:38780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR058-02
- Description: A song in which the young women praise themselves. Sung when they come to pay court to the Omwami or at weedings. Praise song for chief with handclapping.
- Full Text: false
- Date Issued: 1952
- Authors: Batwa women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Rundi (African people) , Folk songs, Rundi , Africa Rwanda Shangugu f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148859 , vital:38780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR058-02
- Description: A song in which the young women praise themselves. Sung when they come to pay court to the Omwami or at weedings. Praise song for chief with handclapping.
- Full Text: false
- Date Issued: 1952
Amaluka Nkosi
- Zulu people, Hugh Tracey, Composer not specified, Tracey, Hugh
- Authors: Zulu people , Hugh Tracey , Composer not specified , Tracey, Hugh
- Date: 1939
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa KwaZulu-Natal f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345134 , vital:63237 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3929-11B1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1939
- Authors: Zulu people , Hugh Tracey , Composer not specified , Tracey, Hugh
- Date: 1939
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa KwaZulu-Natal f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345134 , vital:63237 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3929-11B1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1939
Amalume (Uncle)
- Boys of Dedza Secondary School, Hugh Tracey
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Dedza f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155948 , vital:39934 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-15
- Description: "Uncle, uncle, uncle, drink your beer carefully. They who hate me, Eyae! They would put poison in my beer. Uncle drink your beer carefully." Drinking song.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Dedza f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155948 , vital:39934 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-15
- Description: "Uncle, uncle, uncle, drink your beer carefully. They who hate me, Eyae! They would put poison in my beer. Uncle drink your beer carefully." Drinking song.
- Full Text: false
- Date Issued: 1958
Amalume kuwayawa
- Group of Nsenga women, Hugh Tracey
- Authors: Group of Nsenga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Petauke f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184418 , vital:44220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-03
- Description: "Boys marry young girls, who is Lami going to marry? You will never have any food. You are going to eat your mother. My uncle is not settled, for he thinks I am his wife." One woman claps gently in the background
- Full Text: false
- Date Issued: 1957
- Authors: Group of Nsenga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Petauke f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184418 , vital:44220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-03
- Description: "Boys marry young girls, who is Lami going to marry? You will never have any food. You are going to eat your mother. My uncle is not settled, for he thinks I am his wife." One woman claps gently in the background
- Full Text: false
- Date Issued: 1957
Amama nkhawawone
- Authors: Eliya Chaya , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185263 , vital:44359 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-05
- Description: This instrument usually called Bangwe among the Yao is here called Bango. Simple song in typical vein by a village singer. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
- Authors: Eliya Chaya , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185263 , vital:44359 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-05
- Description: This instrument usually called Bangwe among the Yao is here called Bango. Simple song in typical vein by a village singer. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
Amana mi adu namgwetia lebobo
- Authors: Baziri Teofili , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169014 , vital:41672 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-17
- Description: "My mother-in-law came to my house during my wife's absence to ask for a bunch of bananas." A charming patter song, with a light-hearted mother-in-law theme. Humorous song with Lisanzo, 10 note Likembe.
- Full Text: false
- Date Issued: 1952
- Authors: Baziri Teofili , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169014 , vital:41672 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-17
- Description: "My mother-in-law came to my house during my wife's absence to ask for a bunch of bananas." A charming patter song, with a light-hearted mother-in-law theme. Humorous song with Lisanzo, 10 note Likembe.
- Full Text: false
- Date Issued: 1952
Amandi phikila kholowa (He cooked me sweet potatoe leaves)
- Young boys and girls, Hugh Tracey
- Authors: Young boys and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160098 , vital:40383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-14
- Description: Sweet potatoe leaves are frequently used with monkey nuts as a dish in this region, it is said. There was once a man who went to visit a friend who had many fowls. Now expecting that his friend would kill a fowl and cook it for him, he was very disappointed as his friend only cooked sweet potatoe leaves. When he went back home he began to complain saying he would never forget the meanness of his friend in refusing him a fowl. Nthano story for clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Young boys and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160098 , vital:40383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-14
- Description: Sweet potatoe leaves are frequently used with monkey nuts as a dish in this region, it is said. There was once a man who went to visit a friend who had many fowls. Now expecting that his friend would kill a fowl and cook it for him, he was very disappointed as his friend only cooked sweet potatoe leaves. When he went back home he began to complain saying he would never forget the meanness of his friend in refusing him a fowl. Nthano story for clapping.
- Full Text: false
- Date Issued: 1958
Amano yabula noko wemwana niwe nyatumbe? (Your mother is not very wise, how do you expect to be any wiser?)
- Stephen Tsotsi Kasumali and friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140096 , vital:37832 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-06
- Description: Names of his friends:- E. Soko, B. Singowani and J. Meleki. Humorous song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Stephen Tsotsi Kasumali and friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140096 , vital:37832 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-06
- Description: Names of his friends:- E. Soko, B. Singowani and J. Meleki. Humorous song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Amapoyisa ahlal' esangweni
- Group of Baca Men (Performers), Composer not specified, Hugh Tracey
- Authors: Group of Baca Men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133452 , vital:36978 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR012-07
- Description: Wedding song with sticks
- Full Text: false
- Date Issued: 1957
- Authors: Group of Baca Men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133452 , vital:36978 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR012-07
- Description: Wedding song with sticks
- Full Text: false
- Date Issued: 1957