Showing items 101 - 120 of 1290

Your selections:

Atabala - Atabala

- Chrisesitomu Gingo, Maliame Namale, Composer not specified, Tracey, Hugh

Atu

- Kaizali Mulembwe, Performer not specified, Composer not specified, Tracey, Hugh

Atu

- Andre Boniface Wahamba, group of Chokwe men, Composer not specified, Tracey, Hugh

Atu

- Andre Boniface Wahamba and group of Chokwe men, Hugh Tracey

Au Revoir

- Tumba, Joseph, Composer not specified, Tracey, Hugh

Ayambungu

- Zayi Pierre and Bodagi Alias and Ngbandi men, Hugh Tracey

  • Authors: Zayi Pierre and Bodagi Alias and Ngbandi men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Ubangi f-cg
  • Language: Ngbandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166971 , vital:41424 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-10
  • Description: "If ever I have a man out in prison I shall take him to the tribunal first." The tuning of bamboo notes is not easy as with metal notes on account of the nature of the overtones produced by bamboo. The tuning of these Ngombi Likembe was not quite the same as in the previous items, the reeds of bamboo from left to right was 236, 152, 212, 138, 200, 182, 166 and 332 vs. which gives a heptatonic scale:- 332, (304), (276), 236, 212, 200, 182, 166, 152, 138 vs. The top of this bowl shaped likembe was sewn onto the body which was made from a solid log hollowed out like a bowl with an 8" handle. The body was 21" broad and 7" deep. Topical song with Ngombi Likembe with bamboo notes.
  • Full Text: false
  • Date Issued: 1952

Ayilongo lokele

- Saidi Kikongo and Wagenya fishermen, Hugh Tracey

  • Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
  • Date: 1952
  • Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
  • Language: Nande
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168565 , vital:41625 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-01
  • Description: This song is the original of the theme song for the film "Sanders of the river," which was made famous by Paul Robeson. Most of the river scenes with large Wagenya canoes holding 70 to 100 men were taken at this village above the Stanley falls by Zoltan Korda the producer of the film. In its English film version this song is known all over the world. Mr. Zoltan Korda himself confirmed this information and described the filming. The singers sing in parallel or organum, not unlike the songs of the Bemba people of Northern Rhodesia. Paddling song with large slit drum.
  • Full Text: false
  • Date Issued: 1952

Ayilongo lokele

- Wagenya Fisherman, Saidi Kikongo, Composer not specified, Tracey, Hugh

Azaringwagate

- Ebogoma Gabriel, Hugh Tracey

  • Authors: Ebogoma Gabriel , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166851 , vital:41411 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-12
  • Description: Likembe songs such as this are the delight of the evening audiences in the huts at night. The subtle changes of rhythm enhance its otherwise simple theme. He re-tuned his instrument for this song as follows:- 800, 608, 488, 324, 276, 244, 400, 544, 656, 712, 364. (552) (648) (728). This scale was knocked slightly out of tune during playing. (See notes in brackets). There appears to be a note missing between 488 vs, and 400 vs. - unless the player deliberatly requred s hexatonic mode. Topical song wih Neikembe, Likembe.
  • Full Text: false
  • Date Issued: 1952

Bachingola

- Stanley Mulenga, Bemba Men, Composer not specified, Tracey, Hugh

Baele na ngbangbang

- Zande men, Performer not specified, Composer not specified, Tracey, Hugh

Bagangali

- Bakia Pierre, Hugh Tracey

  • Authors: Bakia Pierre , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
  • Language: Zande/Bandiya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/167368 , vital:41472 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-05
  • Description: "I am the only son of my father. My wife, laugh just once so that I may see your teeth." Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
  • Full Text: false
  • Date Issued: 1952

Bagangali

- Bakia Pierre, Performer not specified, Composer not specified, Tracey, Hugh

Bagbane

- Iyenga Francois and friend Eleo, Hugh Tracey

Bagbane

- Francois Iyenga, Performer not specified, Composer not specified, Tracey, Hugh

Bagbele

- Zande men, Hugh Tracey

  • Authors: Zande men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Nguru f-cg
  • Language: Zande/Bandiya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/167840 , vital:41515 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-07
  • Description: The double headed drums may be beaten at either end according to the pitch of note required by the player. The metal bells are pod shaped 3 long and are fixed onto wooden handles. They are similar in shape to most dancing bells in Southern Africa which are worn elsewhere as anklets. The dancing of the Sudanic tribe of Zande people is most attractive. It is a round dance in which the movements of the dancers are not exaggerated but the routines are subtle and complex. The slit drums in this region are made with feet and do not need insulating from the ground as with the simple cylindrical slit drums elsewhere. The feet emerge from the body of the slit drum at nodel points and so do not interfere with the resonance of teh drum. Bagbele dance , with large slit drum, footed, 3 double headed cross laced conical drums, 4 pairs metal bells on carved handles.
  • Full Text: false
  • Date Issued: 1952

Bagbele

- Zande men, Performer not specified, Composer not specified, Tracey, Hugh

Baligasium

- Nekemiya Nanywamu and Kasami Byansi, Hugh Tracey

Bambalaka

- Jean Bosco Mwenda, Performer not specified, Tracey, Hugh

Bana Kasadi kamwiyambi

- Chibanda Baudouin and friends, performer not specified, Composer not specified, Tracey, Hugh

  • Disclaimer
  • Privacy
  • Copyright
  • Contact