Lelwa retswang teng resentse (We come from the place where we have killed)
- Eight Kwena men, Hugh Tracey
- Authors: Eight Kwena men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Kwena (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Molepolole f-bs
- Language: Tswana/Kwena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162817 , vital:40986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-09
- Description: "We come from where we have killed. Oh, the greyhead! We-we! We praise our leader. We come from the place where we have killed. Once we killed the people of the Kalahari. We killed them and they killed us." According to the interpreter it appears that initiation songs among the Tswana follow a certin pattern and the same ones are sung by all the Tswana tribes, with local variations. Male initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Eight Kwena men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Kwena (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Molepolole f-bs
- Language: Tswana/Kwena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162817 , vital:40986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-09
- Description: "We come from where we have killed. Oh, the greyhead! We-we! We praise our leader. We come from the place where we have killed. Once we killed the people of the Kalahari. We killed them and they killed us." According to the interpreter it appears that initiation songs among the Tswana follow a certin pattern and the same ones are sung by all the Tswana tribes, with local variations. Male initiation song.
- Full Text: false
- Date Issued: 1959
Xhosa II (Xhosa)
- Four men and group of women, Hugh Tracey
- Authors: Four men and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165665 , vital:41269 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-05
- Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Four men and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165665 , vital:41269 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-05
- Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
- Full Text: false
- Date Issued: 1959
Etso ga ke batle e ejwa (I don't want to give my cow)
- Group of Lete men, Hugh Tracey
- Authors: Group of Lete men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165317 , vital:41232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-04
- Description: "This dark cow of mine must not be given for lobola because it belongs to the rain. It cannot be given to cowards." This refers to the old custom of sacrificing a dark-coloured or black beast for the rain ceremony. It is sung when the bride-price has been to the girl's parents. At the end of the song one of the men declaims a praise, Maboko, for the grandfather of the present Chief - Chief Ikaneng who died about 1896. Engagement song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of Lete men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165317 , vital:41232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-04
- Description: "This dark cow of mine must not be given for lobola because it belongs to the rain. It cannot be given to cowards." This refers to the old custom of sacrificing a dark-coloured or black beast for the rain ceremony. It is sung when the bride-price has been to the girl's parents. At the end of the song one of the men declaims a praise, Maboko, for the grandfather of the present Chief - Chief Ikaneng who died about 1896. Engagement song.
- Full Text: false
- Date Issued: 1959
He mmalo khaka tshotsome (We have encircled the guinea-fowl)
- Dintsa Marumolo and about 60 young men, Hugh Tracey
- Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162401 , vital:40927 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-04
- Description: "We have encircled the guinea-fowl. We men have encircled the guinea-fowl." Male initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162401 , vital:40927 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-04
- Description: "We have encircled the guinea-fowl. We men have encircled the guinea-fowl." Male initiation song.
- Full Text: false
- Date Issued: 1959
Khonou e ea kga thamo (The brown ox swings its dewlap)
- Tshekoeng Mokgosi and 4 men and women, Hugh Tracey
- Authors: Tshekoeng Mokgosi and 4 men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164763 , vital:41162 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-01
- Description: "The brown ox swings its dewlap, do not swing your dewalp, brown ox! It comes rushing along, swinging its dewalp, brown ox. The yellow ox swings its dewalp, do not swing your dewalp, brown ox! It comes rushing along and swinging its dewalp, brown ox." One woman started the song and was stopped by her friend who took over. The pitch of the song was gradually raised. Threshing song.
- Full Text: false
- Date Issued: 1959
- Authors: Tshekoeng Mokgosi and 4 men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164763 , vital:41162 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-01
- Description: "The brown ox swings its dewlap, do not swing your dewalp, brown ox! It comes rushing along, swinging its dewalp, brown ox. The yellow ox swings its dewalp, do not swing your dewalp, brown ox! It comes rushing along and swinging its dewalp, brown ox." One woman started the song and was stopped by her friend who took over. The pitch of the song was gradually raised. Threshing song.
- Full Text: false
- Date Issued: 1959
Kgomo e tsaletse nageng thokwana (A grey cow has calved in the veld)
- Mishack Sehuneo, Hugh Tracey
- Authors: Mishack Sehuneo , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166351 , vital:41354 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-16
- Description: Praise song in honour of Tshekedi Khama. Praise verse.
- Full Text: false
- Date Issued: 1959
- Authors: Mishack Sehuneo , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166351 , vital:41354 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-16
- Description: Praise song in honour of Tshekedi Khama. Praise verse.
- Full Text: false
- Date Issued: 1959
Pina eaa badisa (A herdboy's song)
- Kgosietsile Mokgosi and Seyedi Merafe, Hugh Tracey
- Authors: Kgosietsile Mokgosi and Seyedi Merafe , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164975 , vital:41190 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-03
- Description: This instrument was peculiar to the herdboys in the old days but is seldom seen now-a-days, they say. The pitch of the open string was 146 vs. Herdman's song with one stringed resonated bowed zither "Segankure".
- Full Text: false
- Date Issued: 1959
- Authors: Kgosietsile Mokgosi and Seyedi Merafe , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164975 , vital:41190 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-03
- Description: This instrument was peculiar to the herdboys in the old days but is seldom seen now-a-days, they say. The pitch of the open string was 146 vs. Herdman's song with one stringed resonated bowed zither "Segankure".
- Full Text: false
- Date Issued: 1959
Motee (Name)
- Abraham Mudukanele and 18 Hurutshe men, Hugh Tracey
- Authors: Abraham Mudukanele and 18 Hurutshe men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165705 , vital:41273 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-09
- Description: Male initiation song sung on going up into the hills for the period of seclusion during the initiation school.
- Full Text: false
- Date Issued: 1959
- Authors: Abraham Mudukanele and 18 Hurutshe men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165705 , vital:41273 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-09
- Description: Male initiation song sung on going up into the hills for the period of seclusion during the initiation school.
- Full Text: false
- Date Issued: 1959
Magawalela (People of Mapula)
- Odirile Masumoloa and 14 men, Hugh Tracey
- Authors: Odirile Masumoloa and 14 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165850 , vital:41288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-09
- Description: "People of Mapula, I, the young man, cry in the sand. I heard a person cursing his elders, cursing one who had carried him on his back..i-i-i...!" This song is also regimental or age group song. Four boys initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Odirile Masumoloa and 14 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165850 , vital:41288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-09
- Description: "People of Mapula, I, the young man, cry in the sand. I heard a person cursing his elders, cursing one who had carried him on his back..i-i-i...!" This song is also regimental or age group song. Four boys initiation song.
- Full Text: false
- Date Issued: 1959
Tshwene phatana yayone (The baboon's forehead is frowning)
- Kenewang Dikgole and group of women, Hugh Tracey
- Authors: Kenewang Dikgole and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165592 , vital:41260 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-09
- Description: "The baboon's forehead is frowning. We are 'baboons', what is this?, We are 'baboons'." Song in praise of the baboon which is the tribal totem. The spoken praises which follow the song are in honour of the women of the village. Praise song with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Kenewang Dikgole and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165592 , vital:41260 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-09
- Description: "The baboon's forehead is frowning. We are 'baboons', what is this?, We are 'baboons'." Song in praise of the baboon which is the tribal totem. The spoken praises which follow the song are in honour of the women of the village. Praise song with clapping.
- Full Text: false
- Date Issued: 1959
Kgongana tshewa (Must I pay a beast in order to marry you?)
- Momitse Mutokwa and 18 men, Hugh Tracey
- Authors: Momitse Mutokwa and 18 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165814 , vital:41284 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-05
- Description: A song sung by the bridegroom's party. Wedding song.
- Full Text: false
- Date Issued: 1959
- Authors: Momitse Mutokwa and 18 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165814 , vital:41284 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-05
- Description: A song sung by the bridegroom's party. Wedding song.
- Full Text: false
- Date Issued: 1959
Motee (The cattle)
- Botlhe Motswa (c. 60 years old) and 20 women, Hugh Tracey
- Authors: Botlhe Motswa (c. 60 years old) and 20 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165882 , vital:41292 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-14
- Description: "He-e-e, the cattle, we-e-e! The cattle, we-e-e! The desert, we-e-e! Motee, motee!" Wedding song.
- Full Text: false
- Date Issued: 1959
- Authors: Botlhe Motswa (c. 60 years old) and 20 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165882 , vital:41292 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-14
- Description: "He-e-e, the cattle, we-e-e! The cattle, we-e-e! The desert, we-e-e! Motee, motee!" Wedding song.
- Full Text: false
- Date Issued: 1959
Tomolang ka diatla (like putting up carrots with your hands)
- Dintsa Marumolo and about 60 young men, Hugh Tracey
- Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162382 , vital:40925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-02
- Description: The singers had just come back from initiation school. Here they use floor polish instead of the traditional red ochre with which to stain themselves. Several of them looked like Nilo Hamite men from Kenya and some of their songs also suggested the modality of those Northern tribes coincidence perhaps, but noticable. The singers were waering tribal attire, skins, carrying sticks and knockberries, had their heads shaved except for a patch in the crwon and were stained red. "It is like pulling up carrots (by hand)! To be a policeman is a battle with your hands! Let us go and do it with our hands." 'Diatla'-hands. The word 'hands' is significant and the meaning of the song plays upon this word. Male initiation song performed while in the veld.
- Full Text: false
- Date Issued: 1959
- Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162382 , vital:40925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-02
- Description: The singers had just come back from initiation school. Here they use floor polish instead of the traditional red ochre with which to stain themselves. Several of them looked like Nilo Hamite men from Kenya and some of their songs also suggested the modality of those Northern tribes coincidence perhaps, but noticable. The singers were waering tribal attire, skins, carrying sticks and knockberries, had their heads shaved except for a patch in the crwon and were stained red. "It is like pulling up carrots (by hand)! To be a policeman is a battle with your hands! Let us go and do it with our hands." 'Diatla'-hands. The word 'hands' is significant and the meaning of the song plays upon this word. Male initiation song performed while in the veld.
- Full Text: false
- Date Issued: 1959
Bana ba tau we-e! (Children of the lion!)
- Group of about 70 men, Hugh Tracey
- Authors: Group of about 70 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mochudi f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166218 , vital:41339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-02
- Description: "Children of the lion. He - he! we! Having been called, we have come." This song was recorded on the occasion when the Chief was being presented with the skin of a lion which had recently been killed, out at one of the cattle posts. According to custom, the skin had to be given to the Chief, Murusi Pilane. A large crowd of men marched up through the village to the Chief's council place, the Kgotla, singing this song as they came. The man who had killed the lion wore the skin over his head and shoulders, while four other men were similarly covered with the skins of leopards. A friend had the hollow fanged skull of the lion strapped on top of his head. As they sang, several men stabbed the air with their assegais as if they were reenacting the scene. Hunting song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of about 70 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mochudi f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166218 , vital:41339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-02
- Description: "Children of the lion. He - he! we! Having been called, we have come." This song was recorded on the occasion when the Chief was being presented with the skin of a lion which had recently been killed, out at one of the cattle posts. According to custom, the skin had to be given to the Chief, Murusi Pilane. A large crowd of men marched up through the village to the Chief's council place, the Kgotla, singing this song as they came. The man who had killed the lion wore the skin over his head and shoulders, while four other men were similarly covered with the skins of leopards. A friend had the hollow fanged skull of the lion strapped on top of his head. As they sang, several men stabbed the air with their assegais as if they were reenacting the scene. Hunting song.
- Full Text: false
- Date Issued: 1959
Kgatha shoewanene (We have driven the guinea fowl)
- Tshekoeng Mokgosi and 8 women and 4 men, Hugh Tracey
- Authors: Tshekoeng Mokgosi and 8 women and 4 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164966 , vital:41189 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-02
- Description: "We men, we have driven the guinea fowl into the ruined, deserted kraal. We have driven it, we have driven it. We did, we drove it to the deserted kraal." This song is now used for threshing. Initiation is no longer practised in this district but the similarity in the wording of this song to the one recorded at Kanye seems to confirm its having been an initiation song originally. It is the general custom among the Tswana people for guinea fowl to be hunted by the younger men and then given to the older men. Threshing song.
- Full Text: false
- Date Issued: 1959
- Authors: Tshekoeng Mokgosi and 8 women and 4 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164966 , vital:41189 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-02
- Description: "We men, we have driven the guinea fowl into the ruined, deserted kraal. We have driven it, we have driven it. We did, we drove it to the deserted kraal." This song is now used for threshing. Initiation is no longer practised in this district but the similarity in the wording of this song to the one recorded at Kanye seems to confirm its having been an initiation song originally. It is the general custom among the Tswana people for guinea fowl to be hunted by the younger men and then given to the older men. Threshing song.
- Full Text: false
- Date Issued: 1959
Mme o leleka baeng (Mother drives away the visitors for me)
- Levi Modisane and group of men and women, Hugh Tracey
- Authors: Levi Modisane and group of men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166313 , vital:41350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-12
- Description: "Mother drives away the visitors for me. I am no longer visiting," Threshing song.
- Full Text: false
- Date Issued: 1959
- Authors: Levi Modisane and group of men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Rustenburg f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166313 , vital:41350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-12
- Description: "Mother drives away the visitors for me. I am no longer visiting," Threshing song.
- Full Text: false
- Date Issued: 1959
Maboko (Praises)
- The Chief's praiser, Hugh Tracey
- Authors: The Chief's praiser , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Kwena (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Molepolole f-bs
- Language: Tswana/Kwena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162808 , vital:40985 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-08
- Description: Praises for the present Chief Kgosi Sechele II. O.B.E. A Maboko verse.
- Full Text: false
- Date Issued: 1959
- Authors: The Chief's praiser , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Kwena (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Molepolole f-bs
- Language: Tswana/Kwena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162808 , vital:40985 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-08
- Description: Praises for the present Chief Kgosi Sechele II. O.B.E. A Maboko verse.
- Full Text: false
- Date Issued: 1959
Klusi Malorato tlaa o bone (Chief Lencoe's horses)
- Group of small children, boys and girls, Hugh Tracey
- Authors: Group of small children, boys and girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Witkleigat f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166305 , vital:41349 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-10
- Description: "Sister Malorato, come and see how the chief's horses triple. They triple and gaze fetlocks." The children were from 4 to 3 years old. Party song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of small children, boys and girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Witkleigat f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166305 , vital:41349 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-10
- Description: "Sister Malorato, come and see how the chief's horses triple. They triple and gaze fetlocks." The children were from 4 to 3 years old. Party song.
- Full Text: false
- Date Issued: 1959
Leboko II
- a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa, Hugh Tracey
- Authors: a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Dinokana f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165832 , vital:41286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-07
- Description: At the time of recording this village was much divided on account of the political questions of the continuity of the Chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another Chief was acting in his place. The speaker, who composed and read the praises of his elder brother, the present acting Chief, had been a teacher in their village for 38 years. Moiloa II was the original Chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded hs grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-Chief of the Moiloa Reserve, is still alive. Praise songs for a) Chief Moiloa II, b) Chief Ikalafeng, c) Chief Pogiso II, d) Chief Diutloiling wa Sebogodi. e) Chief Michael Bagatsu Moiloa.
- Full Text: false
- Date Issued: 1959
- Authors: a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Dinokana f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165832 , vital:41286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-07
- Description: At the time of recording this village was much divided on account of the political questions of the continuity of the Chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another Chief was acting in his place. The speaker, who composed and read the praises of his elder brother, the present acting Chief, had been a teacher in their village for 38 years. Moiloa II was the original Chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded hs grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-Chief of the Moiloa Reserve, is still alive. Praise songs for a) Chief Moiloa II, b) Chief Ikalafeng, c) Chief Pogiso II, d) Chief Diutloiling wa Sebogodi. e) Chief Michael Bagatsu Moiloa.
- Full Text: false
- Date Issued: 1959
Leboko I
- a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa, Hugh Tracey
- Authors: a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Dinokana f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165823 , vital:41285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-06
- Description: At the time of recording this village was much divided on account of the political questions of the continuity of the Chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another Chief was acting in his place. The speaker, who composed and read the praises of his elder brother, the present acting Chief, had been a teacher in their village for 38 years. Moiloa II was the original Chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded hs grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-Chief of the Moiloa Reserve, is still alive. Praise songs for a) Chief Moiloa II, b) Chief Ikalafeng, c) Chief Pogiso II, d) Chief Diutloiling wa Sebogodi. e) Chief Michael Bagatsu Moiloa.
- Full Text: false
- Date Issued: 1959
- Authors: a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Dinokana f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165823 , vital:41285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-06
- Description: At the time of recording this village was much divided on account of the political questions of the continuity of the Chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another Chief was acting in his place. The speaker, who composed and read the praises of his elder brother, the present acting Chief, had been a teacher in their village for 38 years. Moiloa II was the original Chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded hs grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-Chief of the Moiloa Reserve, is still alive. Praise songs for a) Chief Moiloa II, b) Chief Ikalafeng, c) Chief Pogiso II, d) Chief Diutloiling wa Sebogodi. e) Chief Michael Bagatsu Moiloa.
- Full Text: false
- Date Issued: 1959