Shila mili
- Botha, Karika (Recorded by), Sesotho children (Performer), Composer unknown
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Children's song
- Type: Music , Sound
- Identifier: vital:15778 , JKC17a-13 , http://hdl.handle.net/10962/d1008967 , Tape number: JKC17 , Original tape number: 17 , Track number: 13
- Description: Unaccompanied Sesotho children's song , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Children's song
- Type: Music , Sound
- Identifier: vital:15778 , JKC17a-13 , http://hdl.handle.net/10962/d1008967 , Tape number: JKC17 , Original tape number: 17 , Track number: 13
- Description: Unaccompanied Sesotho children's song , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
Title not specified
- Kruger, Jaco (Recorded by), Shonisani and Wilson Randima (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Wilson Randima (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Duet performance , Instrumental , Makwetane part of above , Bass
- Type: Music , Sound
- Identifier: vital:15824 , JKC06a-14 , http://hdl.handle.net/10962/d1009013 , Tape number: JKC06 , Original tape number: 6 , Track number: 14
- Description: Duet performance of traditional Venda tune with 14 key xylophone accompaniment with part of the above in bass that is Makwetane , For further details refer to Jaco Kruger recording card: 83
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Wilson Randima (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Duet performance , Instrumental , Makwetane part of above , Bass
- Type: Music , Sound
- Identifier: vital:15824 , JKC06a-14 , http://hdl.handle.net/10962/d1009013 , Tape number: JKC06 , Original tape number: 6 , Track number: 14
- Description: Duet performance of traditional Venda tune with 14 key xylophone accompaniment with part of the above in bass that is Makwetane , For further details refer to Jaco Kruger recording card: 83
- Full Text: false
Abafazi bemka
- Young Mpondo married women (Performer), Composer not specified
- Authors: Young Mpondo married women (Performer) , Composer not specified
- Subjects: Folk song , Party song , Vocal , Caba Location , Tabankulu District , Eastern Cape Province , South Africa
- Type: Sound , Music
- Identifier: vital:15244 , MOA18-04 , http://hdl.handle.net/10962/d1017403 , MOA18
- Description: English translation of title: 'The women are leaving' , An attractive song with a triple tilt. The women, however, move in African style, with two beats to the three of the song , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Young Mpondo married women (Performer) , Composer not specified
- Subjects: Folk song , Party song , Vocal , Caba Location , Tabankulu District , Eastern Cape Province , South Africa
- Type: Sound , Music
- Identifier: vital:15244 , MOA18-04 , http://hdl.handle.net/10962/d1017403 , MOA18
- Description: English translation of title: 'The women are leaving' , An attractive song with a triple tilt. The women, however, move in African style, with two beats to the three of the song , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Tshikongomuti Part I
- Kruger, Jaco (Recorded by), Shonisani and Mboi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental , Malende dance
- Type: Music , Sound
- Identifier: vital:15936 , JKC14b-26 , http://hdl.handle.net/10962/d1009125 , Tape number: JKC14 , Original tape number: 14 , Track number: 26
- Description: English translation of title: 'Name of a ferocious ant' , Part I of duet performance of Malende traditional Venda dance tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 156
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental , Malende dance
- Type: Music , Sound
- Identifier: vital:15936 , JKC14b-26 , http://hdl.handle.net/10962/d1009125 , Tape number: JKC14 , Original tape number: 14 , Track number: 26
- Description: English translation of title: 'Name of a ferocious ant' , Part I of duet performance of Malende traditional Venda dance tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 156
- Full Text: false
Ku lila Parts I and II
- Kruger, Jaco (Recorded by), R. Shonisani and Mboi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , R. Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental , Bass , Makwetane
- Type: Music , Sound
- Identifier: vital:16114 , JKC14b-09 , http://hdl.handle.net/10962/d1009303 , Tape number: JKC14 , Original tape number: 14 , Track number: 09
- Description: English translation of title: 'The ground hornbills are crying' , Parts I and II of duet performance of traditional Venda tune with 21 key xylophone accompaniment and Makwetane bass , For further details refer to Jaco Kruger recording card: 152
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , R. Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental , Bass , Makwetane
- Type: Music , Sound
- Identifier: vital:16114 , JKC14b-09 , http://hdl.handle.net/10962/d1009303 , Tape number: JKC14 , Original tape number: 14 , Track number: 09
- Description: English translation of title: 'The ground hornbills are crying' , Parts I and II of duet performance of traditional Venda tune with 21 key xylophone accompaniment and Makwetane bass , For further details refer to Jaco Kruger recording card: 152
- Full Text: false
Microstructural characterization of Swift Heavy Ion (SHI) induced rotation in single crystal NiO
- Authors: Douglas-Henry, Danielle
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10948/53648 , vital:45685
- Description: Swift Heavy Ions (SHI) are characterised by having energies greater than 1 MeV per nucleon with an atomic mass greater than 6 amu. Exposure to irradiation of this type has been known to produce latent tracks in insulators. This is due to the energy loss through the material being governed by electronic excitation processes. The extent of the track formation and microstructural changes induced has been reported to be material specific. Models such as the thermal spike model have been used to explain these changes, however rough approximations are still made. A particularly under studied phenomena is the collective rotation seen in materials exposed to off-normal incidence irradiation. To date the only available experimental data is X-Ray Diffraction (XRD) spectra and surface shifts. This does not allow for depth-dependent rotation studies and very little can be deduced regarding the microstructure of the modified volume. In this study, the microstructural changes in single crystal Nickel Oxide (NiO) have been studied using electron microscopy techniques. A depth dependent investigation of the crystal rotation was performed using Selected Area Electron Diffraction (SAED), Transmission Kikuchi Diffraction (TKD) and Electron Backscatter Diffraction (EBSD). Transmission Electron Microscopy (TEM) and Scanning Transmission Electron Microscopy (STEM) were utilized to interrogate the microstructural changes facilitating the bulk rotation. Five different NiO specimens were investigated. Specimens had surfaces parallel to either the {0 0 1} or {1 1 1} planes. Ion energies used were 593 MeV, 940 MeV and 1.6 GeV, while fluences ranged from 1.0 x 1011 ions/cm² to 9.6 x 1014 ions/cm². Latent track formation in both low fluence (nonoverlapping regime) and high fluence (overlapping regime) specimens were investigated and compared. , Thesis (PhD) -- Faculty of Science, School of Computer Science, Mathematics, Physics and Statistics, 2021
- Full Text: false
- Date Issued: 2021-12
- Authors: Douglas-Henry, Danielle
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10948/53648 , vital:45685
- Description: Swift Heavy Ions (SHI) are characterised by having energies greater than 1 MeV per nucleon with an atomic mass greater than 6 amu. Exposure to irradiation of this type has been known to produce latent tracks in insulators. This is due to the energy loss through the material being governed by electronic excitation processes. The extent of the track formation and microstructural changes induced has been reported to be material specific. Models such as the thermal spike model have been used to explain these changes, however rough approximations are still made. A particularly under studied phenomena is the collective rotation seen in materials exposed to off-normal incidence irradiation. To date the only available experimental data is X-Ray Diffraction (XRD) spectra and surface shifts. This does not allow for depth-dependent rotation studies and very little can be deduced regarding the microstructure of the modified volume. In this study, the microstructural changes in single crystal Nickel Oxide (NiO) have been studied using electron microscopy techniques. A depth dependent investigation of the crystal rotation was performed using Selected Area Electron Diffraction (SAED), Transmission Kikuchi Diffraction (TKD) and Electron Backscatter Diffraction (EBSD). Transmission Electron Microscopy (TEM) and Scanning Transmission Electron Microscopy (STEM) were utilized to interrogate the microstructural changes facilitating the bulk rotation. Five different NiO specimens were investigated. Specimens had surfaces parallel to either the {0 0 1} or {1 1 1} planes. Ion energies used were 593 MeV, 940 MeV and 1.6 GeV, while fluences ranged from 1.0 x 1011 ions/cm² to 9.6 x 1014 ions/cm². Latent track formation in both low fluence (nonoverlapping regime) and high fluence (overlapping regime) specimens were investigated and compared. , Thesis (PhD) -- Faculty of Science, School of Computer Science, Mathematics, Physics and Statistics, 2021
- Full Text: false
- Date Issued: 2021-12
Map of Little Namaqualand and Great Bushmanland together, otherwise known as the terribory annexed to the Colony by proclamation of 17 December 1847 shewing the portions yet unexplored, the borders of the subdivided districts, the native locations and missions, the mining locality and the author's route from Colesburg to Steinkopf
- Authors: Moffat, Robert, 1827-1862
- Date: 1856
- Subjects: Cape of Good Hope (South Africa) -- Maps Maps , Namaqualand (South Africa) -- Maps Maps , Boesmanland (South Africa) -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/55386 , vital:26695 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP130 , MP130
- Full Text: false
- Date Issued: 1856
- Authors: Moffat, Robert, 1827-1862
- Date: 1856
- Subjects: Cape of Good Hope (South Africa) -- Maps Maps , Namaqualand (South Africa) -- Maps Maps , Boesmanland (South Africa) -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/55386 , vital:26695 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP130 , MP130
- Full Text: false
- Date Issued: 1856
Malilela imango ingasiyo yabo
- Annie Macholweni (Performer), Composer unknown
- Authors: Annie Macholweni (Performer) , Composer unknown
- Subjects: Song sung to the Uhadi bow , Folk music , Self-delectative song , Vocals , Uhadi gourd bow , Area 32 , King William's Town , Eastern Cape Province , South Africa
- Type: Sound , Music
- Identifier: vital:15242 , MOA18-02 , http://hdl.handle.net/10962/d1017401 , MOA18
- Description: English Translation of title: 'You are jealous of someone else's hair' , Bows are played exclusively by women; the song is used in the hut to sing family to sleep , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Annie Macholweni (Performer) , Composer unknown
- Subjects: Song sung to the Uhadi bow , Folk music , Self-delectative song , Vocals , Uhadi gourd bow , Area 32 , King William's Town , Eastern Cape Province , South Africa
- Type: Sound , Music
- Identifier: vital:15242 , MOA18-02 , http://hdl.handle.net/10962/d1017401 , MOA18
- Description: English Translation of title: 'You are jealous of someone else's hair' , Bows are played exclusively by women; the song is used in the hut to sing family to sleep , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Mulovhidzana Part I
- Kruger, Jaco (Recorded by), Shonisani, Kruger and Randima (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Kruger and Randima (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Trio performance
- Type: Music , Sound
- Identifier: vital:15617 , JKC08a-14 , http://hdl.handle.net/10962/d1008806 , Tape number: JKC08 , Original tape number: 8 , Track number: 14
- Description: Part I of trio performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 101
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Kruger and Randima (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Trio performance
- Type: Music , Sound
- Identifier: vital:15617 , JKC08a-14 , http://hdl.handle.net/10962/d1008806 , Tape number: JKC08 , Original tape number: 8 , Track number: 14
- Description: Part I of trio performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 101
- Full Text: false
Synthesis and characterization of iron doped sodium and potassium titanates using the pechini sol-gel method
- Authors: Guga, Aluwani
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/53646 , vital:45683
- Description: Iron doped (Fe: 5Ti) sodium and potassium titanates were prepared by the Pechini sol-gel method and calcined at 800 °C. X-ray diffraction (XRD), scanning electron microscopy (SEM), transmission electron microscopy (TEM), energy dispersive X-ray spectrometry (EDS), FTIR and Raman spectroscopy were used to characterize the structure and morphology of the titanate nanomaterials. A quantitative XRD analysis using Rietveld refinement of the titanates confirmed the powders to consist of crystalline phases with the Na2Ti7O15 and K2Ti8O17 phases predominant for the sodium and potassium titanate, respectively. This was further confirmed using selected area electron diffraction (SAED) in the TEM. SEM and TEM analyses indicated that the titanates are consistent with a nanostructured material exhibiting rod-like morphology. The elemental compositions of the titanites were examined by SEM-EDS and TEM-EDS and found to agree well with the targeted Fe to Ti ratio from synthesis. Limited evidence for the segregation of iron in the titanate regions were found indicating the iron to be incorporated within the titanate lattice. Electron energy loss spectroscopy (EELS) fine-structure analysis of the Fe L2,3 core-loss edge was successfully used to match the Fe to a 2+ or 3+ valence state, consistent with its occupation at Ti lattice sites. Finally, Fourier transform infrared spectroscopy (FTIR) and Raman spectroscopy were used to study the vibrational modes of the functional group of the sodium and potassium titanates. Vibrational modes consistent with previously reported findings for the titanate phases identified were found with no evidence of isolated Fe related modes. , Thesis (MSc) -- Faculty of Science, Computer Science, Mathematics, Physics and Statistics, 2021
- Full Text: false
- Date Issued: 2021-12
- Authors: Guga, Aluwani
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/53646 , vital:45683
- Description: Iron doped (Fe: 5Ti) sodium and potassium titanates were prepared by the Pechini sol-gel method and calcined at 800 °C. X-ray diffraction (XRD), scanning electron microscopy (SEM), transmission electron microscopy (TEM), energy dispersive X-ray spectrometry (EDS), FTIR and Raman spectroscopy were used to characterize the structure and morphology of the titanate nanomaterials. A quantitative XRD analysis using Rietveld refinement of the titanates confirmed the powders to consist of crystalline phases with the Na2Ti7O15 and K2Ti8O17 phases predominant for the sodium and potassium titanate, respectively. This was further confirmed using selected area electron diffraction (SAED) in the TEM. SEM and TEM analyses indicated that the titanates are consistent with a nanostructured material exhibiting rod-like morphology. The elemental compositions of the titanites were examined by SEM-EDS and TEM-EDS and found to agree well with the targeted Fe to Ti ratio from synthesis. Limited evidence for the segregation of iron in the titanate regions were found indicating the iron to be incorporated within the titanate lattice. Electron energy loss spectroscopy (EELS) fine-structure analysis of the Fe L2,3 core-loss edge was successfully used to match the Fe to a 2+ or 3+ valence state, consistent with its occupation at Ti lattice sites. Finally, Fourier transform infrared spectroscopy (FTIR) and Raman spectroscopy were used to study the vibrational modes of the functional group of the sodium and potassium titanates. Vibrational modes consistent with previously reported findings for the titanate phases identified were found with no evidence of isolated Fe related modes. , Thesis (MSc) -- Faculty of Science, Computer Science, Mathematics, Physics and Statistics, 2021
- Full Text: false
- Date Issued: 2021-12
Nwamalanzele khuhu yo lila
- Kruger, Jaco (Recorded by), Phophi, George (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Phophi, George (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Mbila , Tshizambi , Solo
- Type: Music , Sound
- Identifier: vital:15687 , JKC09a-14 , http://hdl.handle.net/10962/d1008876 , Tape number: JKC09 , Original tape number: 9 , Track number: 14
- Description: Traditional Venda song accompanied by the tshizambi friction musical bow , Note that the performer was recorded as being George Phophi, however it is clearly a woman performing , For further details refer to Jaco Kruger recording card: 109
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Phophi, George (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Mbila , Tshizambi , Solo
- Type: Music , Sound
- Identifier: vital:15687 , JKC09a-14 , http://hdl.handle.net/10962/d1008876 , Tape number: JKC09 , Original tape number: 9 , Track number: 14
- Description: Traditional Venda song accompanied by the tshizambi friction musical bow , Note that the performer was recorded as being George Phophi, however it is clearly a woman performing , For further details refer to Jaco Kruger recording card: 109
- Full Text: false
Luimbo
- Kruger, Jaco (Recorded by), Radzuma, John (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Radzuma, John (Performer) , Composer unknown
- Subjects: Hamutsha , Transvaal (Limpopo) , South Africa , Indigenous music , Initiation music , Tshihwana , Braced mouth bow , Traditional music
- Type: Music , Sound
- Identifier: vital:15551 , JKC04a-02 , http://hdl.handle.net/10962/d1008740 , Tape number: JKC04 , Original tape number: 4 , Track number: 02
- Description: Traditional Venda tune with tshihwana mouth bow accompaniment , For further details refer to Jaco Kruger recording card: 64
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Radzuma, John (Performer) , Composer unknown
- Subjects: Hamutsha , Transvaal (Limpopo) , South Africa , Indigenous music , Initiation music , Tshihwana , Braced mouth bow , Traditional music
- Type: Music , Sound
- Identifier: vital:15551 , JKC04a-02 , http://hdl.handle.net/10962/d1008740 , Tape number: JKC04 , Original tape number: 4 , Track number: 02
- Description: Traditional Venda tune with tshihwana mouth bow accompaniment , For further details refer to Jaco Kruger recording card: 64
- Full Text: false
Botho bafamelang
- Botha, Karika (Recorded by), Sesotho children (Performer), Composer unknown
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Wedding song , Choral
- Type: Music , Sound
- Identifier: vital:15668 , JKC17b-30 , http://hdl.handle.net/10962/d1008857 , Tape number: JKC17 , Original tape number: 17 , Track number: 30
- Description: Unaccompanied Sesotho wedding song , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Wedding song , Choral
- Type: Music , Sound
- Identifier: vital:15668 , JKC17b-30 , http://hdl.handle.net/10962/d1008857 , Tape number: JKC17 , Original tape number: 17 , Track number: 30
- Description: Unaccompanied Sesotho wedding song , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
Koko mme Mmatswale
- Botha, Karika (Recorded by), Sesotho women (Performer), Composer unknown
- Authors: Botha, Karika (Recorded by) , Sesotho women (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Wedding song , Ululating
- Type: Music , Sound
- Identifier: vital:16097 , JKC17a-04 , http://hdl.handle.net/10962/d1009286 , Tape number: JKC17 , Original tape number: 17 , Track number: 04
- Description: Traditional Sesotho wedding song sung by women with ululating accompaniment , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
- Authors: Botha, Karika (Recorded by) , Sesotho women (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Wedding song , Ululating
- Type: Music , Sound
- Identifier: vital:16097 , JKC17a-04 , http://hdl.handle.net/10962/d1009286 , Tape number: JKC17 , Original tape number: 17 , Track number: 04
- Description: Traditional Sesotho wedding song sung by women with ululating accompaniment , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
Vhathu vha fhano vha na mbila ntswu
- Kruger, Jaco (Recorded by), Mashandule (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Mashandule (Performer) , Composer unknown
- Subjects: Levubu , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Malende dance
- Type: Music , Sound
- Identifier: vital:16031 , JKC16a-01 , http://hdl.handle.net/10962/d1009220 , Tape number: JKC16 , Original tape number: 16 , Track number: 01
- Description: English translation of title: 'The people here are bad hearted' , Unaccompanied Malende Venda traditional dance song , For further details refer to Jaco Kruger recording card: 172
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Mashandule (Performer) , Composer unknown
- Subjects: Levubu , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Malende dance
- Type: Music , Sound
- Identifier: vital:16031 , JKC16a-01 , http://hdl.handle.net/10962/d1009220 , Tape number: JKC16 , Original tape number: 16 , Track number: 01
- Description: English translation of title: 'The people here are bad hearted' , Unaccompanied Malende Venda traditional dance song , For further details refer to Jaco Kruger recording card: 172
- Full Text: false
Title not specified
- Kruger, Jaco (Recorded by), Venda girls (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Venda girls (Performer) , Composer unknown
- Subjects: Ligege's homestead , Duthuni , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Ngoma , Mirumba , Domba , Drums
- Type: Music , Sound
- Identifier: vital:15816 , JKC01b-05 , http://hdl.handle.net/10962/d1009005 , Tape number: JKC01 , Original tape number: 1 , Track number: 05
- Description: Venda traditional Domba dance song for girls with two Ngoma drums and three Mirumba drums , For further details refer to Jaco Kruger recording card: 12
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Venda girls (Performer) , Composer unknown
- Subjects: Ligege's homestead , Duthuni , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Ngoma , Mirumba , Domba , Drums
- Type: Music , Sound
- Identifier: vital:15816 , JKC01b-05 , http://hdl.handle.net/10962/d1009005 , Tape number: JKC01 , Original tape number: 1 , Track number: 05
- Description: Venda traditional Domba dance song for girls with two Ngoma drums and three Mirumba drums , For further details refer to Jaco Kruger recording card: 12
- Full Text: false
Ro shavha Mujeremane
- Kruger, Jaco (Recorded by), Venda people (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Venda people (Performer) , Composer unknown
- Subjects: Mathugana , Rembander , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional Music , Ngoma , Mirumba , Rattles , Clapping , Phala-phala horn , Whistles , Tshigombela dance , Dance song , Drums
- Type: Music , Sound
- Identifier: vital:15747 , JKC01b-13 , http://hdl.handle.net/10962/d1008936 , Tape number: JKC01 , Original tape number: 1B , Track number: 13
- Description: English translation of title: 'We ran away from the Germans' , Traditional Venda dance song accompanied by the mirumba, ngoma, whistling, phala-phala horn, ankle rattles and handclapping , For further details refer to Jaco Kruger recording card: 16
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Venda people (Performer) , Composer unknown
- Subjects: Mathugana , Rembander , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional Music , Ngoma , Mirumba , Rattles , Clapping , Phala-phala horn , Whistles , Tshigombela dance , Dance song , Drums
- Type: Music , Sound
- Identifier: vital:15747 , JKC01b-13 , http://hdl.handle.net/10962/d1008936 , Tape number: JKC01 , Original tape number: 1B , Track number: 13
- Description: English translation of title: 'We ran away from the Germans' , Traditional Venda dance song accompanied by the mirumba, ngoma, whistling, phala-phala horn, ankle rattles and handclapping , For further details refer to Jaco Kruger recording card: 16
- Full Text: false
The role of trade unions in policy formulation: the role of trade unions in policy formulation: The case of the Premier’s Office in the Eastern Cape
- Rula-Peter, Philiswa Nolufefe
- Authors: Rula-Peter, Philiswa Nolufefe
- Date: 2020-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/55185 , vital:49586
- Description: After the first democratic elections of 1994, there was a clear need for radical change in South Africa’s socioeconomic and political order. The new government was confronted by significant institutional transformation and the introduction of new policies in line with the Constitution. It was also necessary to integrate the country into a rapidly changing global environment. Labour relations were important in engineering the much-needed transformation and policy changes. The government based the democratisation of South African society on the principles of equality, non-racialism, and non-sexism (Ferguson, 2013). In line with the Interim Constitution of 1993, new policies and programmes were put in place to improve the quality of life of all people. In the finalised Constitution of 1996, equitable labour relations were formally recognised as a fundamental right, in line with protection provided to all workers in advanced democracies throughout the world (Ferreira, 2005). Before 1994, there was much debate on the issue of labour, with the African National Congress’s (ANC) Members of Parliament (MPs) supporting the extension of the Labour Relations Act (LRA) to the public sector (Macun, cited in Adler, 2000:99). In late 1996, the public sector was included in the LRA, with certain transitional measures. As a result, a few changes took place in the nature of labour relations in the public sector, and there was a shift from consultation to interaction between the state and representative organisations. The first of these changes was the creation of new collective bargaining structures consisting of a central chamber, provincial councils, and departmental structures. Local government had long been unionised and regulated by the LRA. The second change was that labour relations were transferred from the Public Service Commission to the newly established office of the Minister for Public Service and Administration (Ferreira, 2005). , Thesis (MPA) -- Faculty of Humanities, School of Governmental and Social Sciences, 2020
- Full Text:
- Date Issued: 2020-04
- Authors: Rula-Peter, Philiswa Nolufefe
- Date: 2020-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/55185 , vital:49586
- Description: After the first democratic elections of 1994, there was a clear need for radical change in South Africa’s socioeconomic and political order. The new government was confronted by significant institutional transformation and the introduction of new policies in line with the Constitution. It was also necessary to integrate the country into a rapidly changing global environment. Labour relations were important in engineering the much-needed transformation and policy changes. The government based the democratisation of South African society on the principles of equality, non-racialism, and non-sexism (Ferguson, 2013). In line with the Interim Constitution of 1993, new policies and programmes were put in place to improve the quality of life of all people. In the finalised Constitution of 1996, equitable labour relations were formally recognised as a fundamental right, in line with protection provided to all workers in advanced democracies throughout the world (Ferreira, 2005). Before 1994, there was much debate on the issue of labour, with the African National Congress’s (ANC) Members of Parliament (MPs) supporting the extension of the Labour Relations Act (LRA) to the public sector (Macun, cited in Adler, 2000:99). In late 1996, the public sector was included in the LRA, with certain transitional measures. As a result, a few changes took place in the nature of labour relations in the public sector, and there was a shift from consultation to interaction between the state and representative organisations. The first of these changes was the creation of new collective bargaining structures consisting of a central chamber, provincial councils, and departmental structures. Local government had long been unionised and regulated by the LRA. The second change was that labour relations were transferred from the Public Service Commission to the newly established office of the Minister for Public Service and Administration (Ferreira, 2005). , Thesis (MPA) -- Faculty of Humanities, School of Governmental and Social Sciences, 2020
- Full Text:
- Date Issued: 2020-04
Doroboni dzhomela vho nalona
- Kruger, Jaco (Recorded by), Phampha, Masindi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Phampha, Masindi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana
- Type: Music , Sound
- Identifier: vital:15734 , JKC04a-11 , http://hdl.handle.net/10962/d1008923 , Tape number: JKC04 , Original tape number: 4 , Track number: 11
- Description: Traditional Venda song with tshihwana bow accompaniment , For further details refer to Jaco Kruger recording card: 67
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Phampha, Masindi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana
- Type: Music , Sound
- Identifier: vital:15734 , JKC04a-11 , http://hdl.handle.net/10962/d1008923 , Tape number: JKC04 , Original tape number: 4 , Track number: 11
- Description: Traditional Venda song with tshihwana bow accompaniment , For further details refer to Jaco Kruger recording card: 67
- Full Text: false
Vho Elelwani shela idale
- Kruger, Jaco (Recorded by), Rapulu, Sarah (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Rapulu, Sarah (Performer) , Composer unknown
- Subjects: Tshakhuma , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:16036 , JKC12a-11 , http://hdl.handle.net/10962/d1009225 , Tape number: JKC12 , Original tape number: 12 , Track number: 11
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 135
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Rapulu, Sarah (Performer) , Composer unknown
- Subjects: Tshakhuma , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:16036 , JKC12a-11 , http://hdl.handle.net/10962/d1009225 , Tape number: JKC12 , Original tape number: 12 , Track number: 11
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 135
- Full Text: false