Flute Tune Two
- Katsuba Mwongolo, Hugh Tracey
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168646 , vital:41634 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-08
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168646 , vital:41634 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-08
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
Flute Tune Six
- Katsuba Mwongolo, Hugh Tracey
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168682 , vital:41639 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-12
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168682 , vital:41639 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-12
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
Flute Tune Seven
- Katsuba Mwongolo, Hugh Tracey
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168700 , vital:41640 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-13
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168700 , vital:41640 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-13
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
Flute Tune Four
- Katsuba Mwongolo, Hugh Tracey
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168664 , vital:41636 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-10
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168664 , vital:41636 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-10
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
Tinkancisi (We shall go to the island)
- Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief, Hugh Tracey
- Authors: Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156153 , vital:39957 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-16
- Description: Mpheta is said to be a kind of small river or reed bird (unidentified). The tuning of the xylophone is as follows; 832, 624, 576, 480, 424, 384, 312, 288, 240, 212. Tune without lyrics, Magogodo xylophone, lose notes.
- Full Text: false
- Date Issued: 1958
- Authors: Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156153 , vital:39957 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-16
- Description: Mpheta is said to be a kind of small river or reed bird (unidentified). The tuning of the xylophone is as follows; 832, 624, 576, 480, 424, 384, 312, 288, 240, 212. Tune without lyrics, Magogodo xylophone, lose notes.
- Full Text: false
- Date Issued: 1958
Kalumampetha (The bird pecking)
- Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief, Hugh Tracey
- Authors: Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156168 , vital:39958 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-17
- Description: Mpheta is said to be a kind of small river or reed bird (unidentified). The tuning of the xylophone is as follows; 832, 624, 576, 480, 424, 384, 312, 288, 240, 212. Tune without lyrics, Magogodo xylophone, lose notes.
- Full Text: false
- Date Issued: 1958
- Authors: Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156168 , vital:39958 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-17
- Description: Mpheta is said to be a kind of small river or reed bird (unidentified). The tuning of the xylophone is as follows; 832, 624, 576, 480, 424, 384, 312, 288, 240, 212. Tune without lyrics, Magogodo xylophone, lose notes.
- Full Text: false
- Date Issued: 1958
Mwezi mtondo (Month after next)
- Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief, Hugh Tracey
- Authors: Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156148 , vital:39956 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-15
- Description: Mpheta is said to be a kind of small river or reed bird (unidentified). The tuning of the xylophone is as follows; 832, 624, 576, 480, 424, 384, 312, 288, 240, 212. Tune without lyrics, Magogodo xylophone, lose notes.
- Full Text: false
- Date Issued: 1958
- Authors: Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156148 , vital:39956 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-15
- Description: Mpheta is said to be a kind of small river or reed bird (unidentified). The tuning of the xylophone is as follows; 832, 624, 576, 480, 424, 384, 312, 288, 240, 212. Tune without lyrics, Magogodo xylophone, lose notes.
- Full Text: false
- Date Issued: 1958
Kyanda
- Kawasunga and Toro women, Hugh Tracey
- Authors: Kawasunga and Toro women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170344 , vital:41888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-15
- Description: The heroine of this song was a beautiful girl named Kyanda. She was greatly loved by a boy who could not marry her but who composed songs about her beauty. Enanga wedding song.
- Full Text: false
- Date Issued: 1950
- Authors: Kawasunga and Toro women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170344 , vital:41888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-15
- Description: The heroine of this song was a beautiful girl named Kyanda. She was greatly loved by a boy who could not marry her but who composed songs about her beauty. Enanga wedding song.
- Full Text: false
- Date Issued: 1950
Bana twai musalemba
- Kayoka Ladislas and group of Luba men, Hugh Tracey
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182553 , vital:43840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-10
- Description: This tuning is called by the Luba the Bilonda mode and differs from the other two commonly used. Tuning:- 536, 472, 448, 396, 352, 300, 268 vs. Topical song with Chisanzhi Mbira
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182553 , vital:43840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-10
- Description: This tuning is called by the Luba the Bilonda mode and differs from the other two commonly used. Tuning:- 536, 472, 448, 396, 352, 300, 268 vs. Topical song with Chisanzhi Mbira
- Full Text: false
- Date Issued: 1952
Kalamba wa badya
- Kayoka Ladislas and group of Luba men, Hugh Tracey
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182544 , vital:43839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-09
- Description: All Mbira played by the Luba are called 'Chisanzhi' but a Chisanzhi was bass notes on the left instead of central is called Bilonda ba Bukabala. Tuning:- 488, 440, 364, 320, 284, 268, 244 vs. Topical song with Chisanzhi Mbira
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182544 , vital:43839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-09
- Description: All Mbira played by the Luba are called 'Chisanzhi' but a Chisanzhi was bass notes on the left instead of central is called Bilonda ba Bukabala. Tuning:- 488, 440, 364, 320, 284, 268, 244 vs. Topical song with Chisanzhi Mbira
- Full Text: false
- Date Issued: 1952
Lupunga
- Kayoka Ladislas with Kankolongo Alidor, Hugh Tracey
- Authors: Kayoka Ladislas with Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182588 , vital:43844 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-12
- Description: Lupungu is the Chief of the Sankua district. The higher instrument is called Chisanzhi tendo and the other, an octave lower is Chisanzhi chinene. Instrumental pieces, with two Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislas with Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182588 , vital:43844 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-12
- Description: Lupungu is the Chief of the Sankua district. The higher instrument is called Chisanzhi tendo and the other, an octave lower is Chisanzhi chinene. Instrumental pieces, with two Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
Kemai I
- Kayoka Ladislas with Kankolongo Alidor, Hugh Tracey
- Authors: Kayoka Ladislas with Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182577 , vital:43843 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-11
- Description: Lupungu is the Chief of the Sankua district. The higher instrument is called Chisanzhi tendo and the other, an octave lower is Chisanzhi chinene. Instrumental pieces, with two Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislas with Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182577 , vital:43843 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-11
- Description: Lupungu is the Chief of the Sankua district. The higher instrument is called Chisanzhi tendo and the other, an octave lower is Chisanzhi chinene. Instrumental pieces, with two Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
Dyibwe dyambule kabanda
- Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players), Hugh Tracey
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182017 , vital:43790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-10
- Description: "There is an ant which carries a box on its head just as Europeans carry an aeroplane and as a lorry carries stones and stones carry the lorry." The two Likembe Mbira were tuned an octave apart. The scale was:- 648, 548, 496, 424, 392, 324, 274, 248, 212, 162. Topical song, with 2 Likembe mbira and wooden clapper (-12,02-)
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182017 , vital:43790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-10
- Description: "There is an ant which carries a box on its head just as Europeans carry an aeroplane and as a lorry carries stones and stones carry the lorry." The two Likembe Mbira were tuned an octave apart. The scale was:- 648, 548, 496, 424, 392, 324, 274, 248, 212, 162. Topical song, with 2 Likembe mbira and wooden clapper (-12,02-)
- Full Text: false
- Date Issued: 1952
Mwakadima wamibushiba
- Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players), Hugh Tracey
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182060 , vital:43794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-13
- Description: "The mother of Kadima was staying in the village of Lushiba. Early one morning she was walking along the road nearby when a car came up from behind, knocked her down and killed her." The history of a true incident. Topical song, with 2 Likembe mbira and wooden clapper (-12.02-)
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182060 , vital:43794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-13
- Description: "The mother of Kadima was staying in the village of Lushiba. Early one morning she was walking along the road nearby when a car came up from behind, knocked her down and killed her." The history of a true incident. Topical song, with 2 Likembe mbira and wooden clapper (-12.02-)
- Full Text: false
- Date Issued: 1952
Muleygame dibwela
- Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players), Hugh Tracey
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182043 , vital:43793 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-12
- Description: "If a woman is supposed to work and yet just remains idle with her hands hanging, time will not wait for her." Chorus - "The brothers-in-law of my mother-in-law." "Les beaux freres de ma belle mere" was the translation given. For these two tunes (B5 and 6) the players returned their Likembe to another mode. 656, 592, 488, 432, 392, 380, 328, 296, 244, 216. Topical song, with 2 Likembe mbira and wooden clapper (-12.02-)
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182043 , vital:43793 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-12
- Description: "If a woman is supposed to work and yet just remains idle with her hands hanging, time will not wait for her." Chorus - "The brothers-in-law of my mother-in-law." "Les beaux freres de ma belle mere" was the translation given. For these two tunes (B5 and 6) the players returned their Likembe to another mode. 656, 592, 488, 432, 392, 380, 328, 296, 244, 216. Topical song, with 2 Likembe mbira and wooden clapper (-12.02-)
- Full Text: false
- Date Issued: 1952
Chibemba
- Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players), Hugh Tracey
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182025 , vital:43791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-11
- Description: "My brothers and sisters belong to a family of great repute." A simple accompaniment of bell like quality mainly on two notes. The sound of one of the players thumb nails striking the surface of the sound of the sound board after plucking the note can be clearly heard towards the end of the recording. Topical song, with 2 Likembe mbira and wooden clapper (-12.02-)
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182025 , vital:43791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-11
- Description: "My brothers and sisters belong to a family of great repute." A simple accompaniment of bell like quality mainly on two notes. The sound of one of the players thumb nails striking the surface of the sound of the sound board after plucking the note can be clearly heard towards the end of the recording. Topical song, with 2 Likembe mbira and wooden clapper (-12.02-)
- Full Text: false
- Date Issued: 1952
Muchima ngoyi muchungu
- Kazari Inosa (Performer), Chibanga Kalulu (Performer), Composer not specified, Hugh Tracey
- Authors: Kazari Inosa (Performer) , Chibanga Kalulu (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133885 , vital:37032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-10
- Description: Kabingo muke party dances with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten; 1 basket rattle and bottle
- Full Text: false
- Date Issued: 1957
- Authors: Kazari Inosa (Performer) , Chibanga Kalulu (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133885 , vital:37032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-10
- Description: Kabingo muke party dances with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten; 1 basket rattle and bottle
- Full Text: false
- Date Issued: 1957
Chabo wa bwile bokombo
- Kazari Inosa (Performer), Chibanga Kalulu (Performer), Composer not specified, Hugh Tracey
- Authors: Kazari Inosa (Performer) , Chibanga Kalulu (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133896 , vital:37033 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-11
- Description: Kabingo muke party dances with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten; 1 basket rattle and bottle
- Full Text: false
- Date Issued: 1957
- Authors: Kazari Inosa (Performer) , Chibanga Kalulu (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133896 , vital:37033 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-11
- Description: Kabingo muke party dances with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten; 1 basket rattle and bottle
- Full Text: false
- Date Issued: 1957
Waluwendo chombelo
- Kazari Inosa (Performer), Chibanga Kalulu (Performer), Composer not specified, Hugh Tracey
- Authors: Kazari Inosa (Performer) , Chibanga Kalulu (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133877 , vital:37031 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-09
- Description: Kabingo muke party dances with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten; 1 basket rattle and bottle
- Full Text: false
- Date Issued: 1957
- Authors: Kazari Inosa (Performer) , Chibanga Kalulu (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133877 , vital:37031 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-09
- Description: Kabingo muke party dances with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten; 1 basket rattle and bottle
- Full Text: false
- Date Issued: 1957
Nkwe e jele Rantshilane (The leopard has eaten Rantshilane)
- Kebaakantse Dikhudu and group of 20 men, Hugh Tracey
- Authors: Kebaakantse Dikhudu and group of 20 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165241 , vital:41222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-12
- Description: "A leopard has eaten Rantshilane. It held him, it ate him. Oh! Mokampa--wee!" The pitches of the 19 flutes were as follows:- 1728, 1568, 1280, 1136, 864, 760, 664, 584, 432, 380, 332, 292, 224, (216)? 194, 172, 144, 108, 98, 84. The pitch of each pipe can be varied by the player both by the position of the lips and tongue over the emboucher and by the force of the wind, especially noticeable in the higher pitched pipes. The general mode adopted can be gauged roughly but few conclusions as to a Tswana pipe scale can be made from this evidence alone. No names other than Tswana numerals were given to the pipes except to that of the leader playing the highest pipe - Mutenyane. Pipe dance with ensemble of 19 "Ditlhaka" flutes.
- Full Text: false
- Date Issued: 1959
- Authors: Kebaakantse Dikhudu and group of 20 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165241 , vital:41222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-12
- Description: "A leopard has eaten Rantshilane. It held him, it ate him. Oh! Mokampa--wee!" The pitches of the 19 flutes were as follows:- 1728, 1568, 1280, 1136, 864, 760, 664, 584, 432, 380, 332, 292, 224, (216)? 194, 172, 144, 108, 98, 84. The pitch of each pipe can be varied by the player both by the position of the lips and tongue over the emboucher and by the force of the wind, especially noticeable in the higher pitched pipes. The general mode adopted can be gauged roughly but few conclusions as to a Tswana pipe scale can be made from this evidence alone. No names other than Tswana numerals were given to the pipes except to that of the leader playing the highest pipe - Mutenyane. Pipe dance with ensemble of 19 "Ditlhaka" flutes.
- Full Text: false
- Date Issued: 1959