Photocatalytic properties of neodymium diphthalocyanine towards the transformation of 4-chlorophenol
- Nensala, Ngudiankama, Nyokong, Tebello
- Authors: Nensala, Ngudiankama , Nyokong, Tebello
- Date: 2000
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/${Handle} , vital:58491 , xlink:href="https://doi.org/10.1016/S1381-1169(00)00283-1"
- Description: Photolysis of aqueous solutions of 4-chlorophenol (4-Cp) in the presence of solid neodymium diphthalocyanine ([Pc(−2)NdPc(−2)]−) and oxygen using visible and ultraviolet (UV) radiation resulted in the formation of a number of products. For photolysis in the visible region, phenol, benzoquinone, hydroquinone were observed as intermediates and 4-chlorocatechol (4-CC) as the main product; intermediates similar to those observed for visible photolysis were obtained. Langmuir–Hinshelwood kinetic model was used for treatment of photochemical data.
- Full Text:
- Date Issued: 2000
Photocatalytic properties of neodymium diphthalocyanine towards the transformation of 4-chlorophenol
- Authors: Nensala, Ngudiankama , Nyokong, Tebello
- Date: 2000
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/${Handle} , vital:58491 , xlink:href="https://doi.org/10.1016/S1381-1169(00)00283-1"
- Description: Photolysis of aqueous solutions of 4-chlorophenol (4-Cp) in the presence of solid neodymium diphthalocyanine ([Pc(−2)NdPc(−2)]−) and oxygen using visible and ultraviolet (UV) radiation resulted in the formation of a number of products. For photolysis in the visible region, phenol, benzoquinone, hydroquinone were observed as intermediates and 4-chlorocatechol (4-CC) as the main product; intermediates similar to those observed for visible photolysis were obtained. Langmuir–Hinshelwood kinetic model was used for treatment of photochemical data.
- Full Text:
- Date Issued: 2000
Dee Dee goes the distance
- Authors: Thomas, Cornelius
- Date: 2000
- Subjects: Bridgewater, Dee Dee Jazz musicians -- United States -- Biography
- Type: article
- Identifier: http://hdl.handle.net/10962/32968 , vital:24099 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , MS 20 022
- Description: Photocopied article from the newspaper The Daily Dispatch about Jazz musicians
- Full Text:
- Date Issued: 2000
- Authors: Thomas, Cornelius
- Date: 2000
- Subjects: Bridgewater, Dee Dee Jazz musicians -- United States -- Biography
- Type: article
- Identifier: http://hdl.handle.net/10962/32968 , vital:24099 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , MS 20 022
- Description: Photocopied article from the newspaper The Daily Dispatch about Jazz musicians
- Full Text:
- Date Issued: 2000
My hope is in you
- Youssu Ndour, Viviane (performed by), Adrian Gurvitz, Maribeth Derry, Youssou N'Dour (written by), Dominic Miller, Kamil Rustan (acoustic guitar), Kamil Rustan (electric guitar), Pino Palladino (bass), Paul Mirkovitch (keyboards), George Acogny (arranger, keyboards), Tracey Amos (backing vocals), Jololi
- Authors: Youssu Ndour, Viviane (performed by) , Adrian Gurvitz, Maribeth Derry, Youssou N'Dour (written by) , Dominic Miller, Kamil Rustan (acoustic guitar) , Kamil Rustan (electric guitar) , Pino Palladino (bass) , Paul Mirkovitch (keyboards) , George Acogny (arranger, keyboards) , Tracey Amos (backing vocals) , Jololi
- Date: 2000
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130510 , vital:36430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-02
- Description: Popular Western rhythm and blues
- Full Text: false
- Date Issued: 2000
- Authors: Youssu Ndour, Viviane (performed by) , Adrian Gurvitz, Maribeth Derry, Youssou N'Dour (written by) , Dominic Miller, Kamil Rustan (acoustic guitar) , Kamil Rustan (electric guitar) , Pino Palladino (bass) , Paul Mirkovitch (keyboards) , George Acogny (arranger, keyboards) , Tracey Amos (backing vocals) , Jololi
- Date: 2000
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130510 , vital:36430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC44-02
- Description: Popular Western rhythm and blues
- Full Text: false
- Date Issued: 2000
Effect of water temperature on the biogeography of South African estuarine fishes associated with the subtropical/warm temperate subtraction zone
- Maree, R C, Booth, Anthony J, Whitfield, A K
- Authors: Maree, R C , Booth, Anthony J , Whitfield, A K
- Date: 2000
- Language: English
- Type: Article
- Identifier: vital:6766 , http://hdl.handle.net/10962/d1008043
- Description: Estuarine biogeographical regions along the southeastern coast of South Africa were investigated in terms of fish distribution and abundance patterns, with particular emphasis on the role of water temperature in influencing these patterns. Qualitative and quantitative analyses were conducted upon the ichthyofaunal assemblages to determine whether the location of the subtropical/warm temperate boundary corresponds to that proposed by Whitfield.(n1) Analyses included the distribution ranges of species associated with estuaries according to presence/absence data, cluster analysis of gill net catches in eight estuaries along the southeastern coast and the relative proportion of tropical to temperate marine species within these eight systems. Quantitative analysis indicated that the ichthyofaunal biogeographical regions are indeed a reflection of water temperature regimes and that the subtropical/warm temperate boundary is located between the Great Kei and Mbashe estuaries. A strong negative correlation was found between the number of temperate fish species and the mean of the minimum monthly temperatures recorded in the systems studied. Qualitative analysis revealed that a barrier appears to exist in the vicinity of the Swartkops estuary, which prevents the westward migration of tropical 'vagrants'. The influence of the Agulhas Current along the east coast and its divergence from the coastline in the Algoa Bay region, as well as upwelling phenomena on the southeast and south coasts are identified as major factors that influence marine and estuarine temperature regimes and therefore the ichythyofauna of this region.
- Full Text: false
- Date Issued: 2000
- Authors: Maree, R C , Booth, Anthony J , Whitfield, A K
- Date: 2000
- Language: English
- Type: Article
- Identifier: vital:6766 , http://hdl.handle.net/10962/d1008043
- Description: Estuarine biogeographical regions along the southeastern coast of South Africa were investigated in terms of fish distribution and abundance patterns, with particular emphasis on the role of water temperature in influencing these patterns. Qualitative and quantitative analyses were conducted upon the ichthyofaunal assemblages to determine whether the location of the subtropical/warm temperate boundary corresponds to that proposed by Whitfield.(n1) Analyses included the distribution ranges of species associated with estuaries according to presence/absence data, cluster analysis of gill net catches in eight estuaries along the southeastern coast and the relative proportion of tropical to temperate marine species within these eight systems. Quantitative analysis indicated that the ichthyofaunal biogeographical regions are indeed a reflection of water temperature regimes and that the subtropical/warm temperate boundary is located between the Great Kei and Mbashe estuaries. A strong negative correlation was found between the number of temperate fish species and the mean of the minimum monthly temperatures recorded in the systems studied. Qualitative analysis revealed that a barrier appears to exist in the vicinity of the Swartkops estuary, which prevents the westward migration of tropical 'vagrants'. The influence of the Agulhas Current along the east coast and its divergence from the coastline in the Algoa Bay region, as well as upwelling phenomena on the southeast and south coasts are identified as major factors that influence marine and estuarine temperature regimes and therefore the ichythyofauna of this region.
- Full Text: false
- Date Issued: 2000
Electrocatalytic behavior of substituted cobalt phthalocyanines towards the oxidation of cysteine
- Maree, Suzanne, Nyokong, Tebello
- Authors: Maree, Suzanne , Nyokong, Tebello
- Date: 2000
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/293268 , vital:57070 , xlink:href="https://doi.org/10.1016/S0022-0728(00)00281-3"
- Description: Ring substituted cobalt phthalocyanine complexes of the form CoPc(X)4, (where X=NH2, NO2, C(CH3)3, SO3H and COOH) are compared for their catalytic activities towards the oxidation of cysteine. The potential for the electrocatalytic oxidation of cysteine is closely related to the CoIII/CoII couple of the CoPc(X)4 complexes in acidic media and to the CoII/CoI couple in basic media. The catalytic currents and the oxidation potential for cysteine are dependent on the pH of the solution, the potential becoming less positive as the pH increases and the catalytic currents decreasing with increase in pH, for the same concentration of cysteine. The magnitudes of the catalytic currents (after ten scans) for cysteine oxidation at pH 8.3 and on electrodes modified with the CoPc(X)4 complexes increased with the nature of the ring substituent as follows: NO2 less than NH2 less than SO3H less than C(CH3)3 less than COOH.
- Full Text:
- Date Issued: 2000
- Authors: Maree, Suzanne , Nyokong, Tebello
- Date: 2000
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/293268 , vital:57070 , xlink:href="https://doi.org/10.1016/S0022-0728(00)00281-3"
- Description: Ring substituted cobalt phthalocyanine complexes of the form CoPc(X)4, (where X=NH2, NO2, C(CH3)3, SO3H and COOH) are compared for their catalytic activities towards the oxidation of cysteine. The potential for the electrocatalytic oxidation of cysteine is closely related to the CoIII/CoII couple of the CoPc(X)4 complexes in acidic media and to the CoII/CoI couple in basic media. The catalytic currents and the oxidation potential for cysteine are dependent on the pH of the solution, the potential becoming less positive as the pH increases and the catalytic currents decreasing with increase in pH, for the same concentration of cysteine. The magnitudes of the catalytic currents (after ten scans) for cysteine oxidation at pH 8.3 and on electrodes modified with the CoPc(X)4 complexes increased with the nature of the ring substituent as follows: NO2 less than NH2 less than SO3H less than C(CH3)3 less than COOH.
- Full Text:
- Date Issued: 2000
Pineapples in the Eastern Cape: a study of the farm economy and marketing patterns
- Authors: Strauss, Conrad Barend
- Date: 2000
- Subjects: Pineapple industry -- South Africa -- Cape of Good Hope Pineapples -- Marketing Agriculture -- Economic aspects -- Eastern Cape
- Language: English
- Type: Book , Text
- Identifier: http://hdl.handle.net/10962/2442 , vital:20291
- Description: The major objective of this study was to seek a better knowledge and greater understanding of the factors associated with successful pineapple farming in the Eastern Cape Region of the Union of South Africa. As no previous investigation equally representative of commercial pineapple farming patterns in the Eastern Cape has been made, this study can be regarded as a pilot survey of the labour structures, rates of production, combination of enterprises, marketing channels and the suitability of various districts in the region of study for the production of pineapples. In addition, the history of the pineapple in South Africa will be traced briefly, and the position the Union holds as a supplier of pineapples on the world market, will be investigated. The importance of the Eastern Cape as a producer of pineapples in South Africa is well known, but is also unequivocally illustrated by the information in Table 1. According to estimates made by the Division of Economics and Markets for 1955/56 season, no less than 86.5 per cent of the total acreage planted to pineapples in South Africa, was located in this area. Bathurst, East London and Albany, three of the six districts included in the estimate, were particularly prominent. Taken together, they cultivated more than three-quarters of the total area planted to pineapples in the Eastern Cape, and nearly 70 per cent of the total for South Africa. The remaining quarter of the area cultivated in the Eastern Cape was located in the districts of Peddie, Komgha and Alexandria. , Digitised by Rhodes University Library on behalf of the Institute of Social and Economic Research (ISER)
- Full Text:
- Date Issued: 2000
- Authors: Strauss, Conrad Barend
- Date: 2000
- Subjects: Pineapple industry -- South Africa -- Cape of Good Hope Pineapples -- Marketing Agriculture -- Economic aspects -- Eastern Cape
- Language: English
- Type: Book , Text
- Identifier: http://hdl.handle.net/10962/2442 , vital:20291
- Description: The major objective of this study was to seek a better knowledge and greater understanding of the factors associated with successful pineapple farming in the Eastern Cape Region of the Union of South Africa. As no previous investigation equally representative of commercial pineapple farming patterns in the Eastern Cape has been made, this study can be regarded as a pilot survey of the labour structures, rates of production, combination of enterprises, marketing channels and the suitability of various districts in the region of study for the production of pineapples. In addition, the history of the pineapple in South Africa will be traced briefly, and the position the Union holds as a supplier of pineapples on the world market, will be investigated. The importance of the Eastern Cape as a producer of pineapples in South Africa is well known, but is also unequivocally illustrated by the information in Table 1. According to estimates made by the Division of Economics and Markets for 1955/56 season, no less than 86.5 per cent of the total acreage planted to pineapples in South Africa, was located in this area. Bathurst, East London and Albany, three of the six districts included in the estimate, were particularly prominent. Taken together, they cultivated more than three-quarters of the total area planted to pineapples in the Eastern Cape, and nearly 70 per cent of the total for South Africa. The remaining quarter of the area cultivated in the Eastern Cape was located in the districts of Peddie, Komgha and Alexandria. , Digitised by Rhodes University Library on behalf of the Institute of Social and Economic Research (ISER)
- Full Text:
- Date Issued: 2000
Blacky's Groove
- Founy Faya (author, composer, lead vocal), Marcelin Yace (flute), Evan's Yace (guitar, arrangement), Jojo (bass), Kone Ibrahim, Founy Faya (percussion), Astride, Oliza, Hariton T Cheky (chorus), Showbiz
- Authors: Founy Faya (author, composer, lead vocal) , Marcelin Yace (flute) , Evan's Yace (guitar, arrangement) , Jojo (bass) , Kone Ibrahim, Founy Faya (percussion) , Astride, Oliza, Hariton T Cheky (chorus) , Showbiz
- Date: 2000
- Subjects: Popular music , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129632 , vital:36314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC31-01
- Description: Reggae music from Cote d'Ivoire's Burkinabe's diaspora
- Full Text: false
- Date Issued: 2000
- Authors: Founy Faya (author, composer, lead vocal) , Marcelin Yace (flute) , Evan's Yace (guitar, arrangement) , Jojo (bass) , Kone Ibrahim, Founy Faya (percussion) , Astride, Oliza, Hariton T Cheky (chorus) , Showbiz
- Date: 2000
- Subjects: Popular music , Reggae music , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129632 , vital:36314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC31-01
- Description: Reggae music from Cote d'Ivoire's Burkinabe's diaspora
- Full Text: false
- Date Issued: 2000
An exploration of female physicality and psyche and how these inform art-making
- Authors: Poole, Tanya Katherine
- Date: 2000
- Subjects: Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2419 , http://hdl.handle.net/10962/d1002215 , Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Description: This thesis proposes that female physicality informs the psyche and thus in turn, art-making. My argument will be shown to be apposite and informative to the discussion of the work of Paula Rego, Jenny Saville and Cindy Sherman. Furthermore such an understanding is helpful to a reading of my practice. In examining issues of identity, which contribute to the formulation of a distinctly female psyche, I will base my critique on the philosophical positions of Sartre, de Beauvoir and Paglia.
- Full Text:
- Date Issued: 2000
- Authors: Poole, Tanya Katherine
- Date: 2000
- Subjects: Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2419 , http://hdl.handle.net/10962/d1002215 , Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Description: This thesis proposes that female physicality informs the psyche and thus in turn, art-making. My argument will be shown to be apposite and informative to the discussion of the work of Paula Rego, Jenny Saville and Cindy Sherman. Furthermore such an understanding is helpful to a reading of my practice. In examining issues of identity, which contribute to the formulation of a distinctly female psyche, I will base my critique on the philosophical positions of Sartre, de Beauvoir and Paglia.
- Full Text:
- Date Issued: 2000
The dynamics of an emerging outcomes-based educational approach in a second language English classroom
- Authors: Westphal, Vivian
- Date: 2000
- Subjects: English language -- Study and teaching -- Foreign speakers -- South Africa Competency-based education -- South Africa
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1502 , http://hdl.handle.net/10962/d1003384
- Description: Curriculum 2005 and outcomes-based education was introduced to South African educators in 1996 by the Minister of Education, Prof. S.M.E. Bengu as an alternative to the racially divided education system prior to the first democratic elections of 1995. The new curriculum was designed to transform the education system into a more equitable system by focussing on creating learners who would become creative thinkers, independent, productive workers and responsible, non-racial citizens. Learners would take a greater role in their own education and teachers would take on new roles as facilitators in the learning process. The new approach was introduced into grade 1 in 1998 and grade 2 in 1999. By using a modified ethnographic approach, this research project studies how one teacher has begun to think about Curriculum 2005 and implement an OBE approach to ESL teaching in a grade 2 classroom. It also focuses on gaining insights into how the teacher has attempted to make sense of the new curriculum in terms of her current practice and the training she has received in OBE. The ethnographic approach of the thesis has allowed the researcher to draw on many forms of data providing a holistic view. Tentative findings show that the teacher is experiencing difficulty in “unpacking” the underlying principles of OBE in terms of her current methods of teaching ESL. She continues to work from tacit knowledge. Because she has received very little training in OBE, she lacks the tools to become a more reflective practitioner. Despite this, her ESL lessons show a positive communicative approach to language teaching by focusing on stories, rhymes and songs as comprehensible input for the learners. The findings of this thesis tentatively suggest that unless teachers are given more adequate training and learning support materials, their classroom practices will remain relatively unchanged.
- Full Text:
- Date Issued: 2000
- Authors: Westphal, Vivian
- Date: 2000
- Subjects: English language -- Study and teaching -- Foreign speakers -- South Africa Competency-based education -- South Africa
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1502 , http://hdl.handle.net/10962/d1003384
- Description: Curriculum 2005 and outcomes-based education was introduced to South African educators in 1996 by the Minister of Education, Prof. S.M.E. Bengu as an alternative to the racially divided education system prior to the first democratic elections of 1995. The new curriculum was designed to transform the education system into a more equitable system by focussing on creating learners who would become creative thinkers, independent, productive workers and responsible, non-racial citizens. Learners would take a greater role in their own education and teachers would take on new roles as facilitators in the learning process. The new approach was introduced into grade 1 in 1998 and grade 2 in 1999. By using a modified ethnographic approach, this research project studies how one teacher has begun to think about Curriculum 2005 and implement an OBE approach to ESL teaching in a grade 2 classroom. It also focuses on gaining insights into how the teacher has attempted to make sense of the new curriculum in terms of her current practice and the training she has received in OBE. The ethnographic approach of the thesis has allowed the researcher to draw on many forms of data providing a holistic view. Tentative findings show that the teacher is experiencing difficulty in “unpacking” the underlying principles of OBE in terms of her current methods of teaching ESL. She continues to work from tacit knowledge. Because she has received very little training in OBE, she lacks the tools to become a more reflective practitioner. Despite this, her ESL lessons show a positive communicative approach to language teaching by focusing on stories, rhymes and songs as comprehensible input for the learners. The findings of this thesis tentatively suggest that unless teachers are given more adequate training and learning support materials, their classroom practices will remain relatively unchanged.
- Full Text:
- Date Issued: 2000
Marie Sala
- Badou Boy (lead vocal, accoustic guitar, harmonica), Assane Thiam (Tama talking drum), Tapha Faye (piano), Mbaye Dieye Feye (Sabar and Percussions), Pathe Diassy (bass guitar), Fallilou Niang (drums), Ibou Cisse (piano), Badou Boy and Pape Armand (composers), Straun Douglas
- Authors: Badou Boy (lead vocal, accoustic guitar, harmonica) , Assane Thiam (Tama talking drum) , Tapha Faye (piano) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Fallilou Niang (drums) , Ibou Cisse (piano) , Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127304 , vital:35998 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-07
- Description: Singing accompanied by guitar and electric piano
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy (lead vocal, accoustic guitar, harmonica) , Assane Thiam (Tama talking drum) , Tapha Faye (piano) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Fallilou Niang (drums) , Ibou Cisse (piano) , Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127304 , vital:35998 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-07
- Description: Singing accompanied by guitar and electric piano
- Full Text: false
- Date Issued: 2000
Mama Noukou
- Brighess (author, composer, lead singer, chorus, percussions), Turbo (chorus), Le Ziboua Stars (band), Cisky de Panza (chorus, guitar, arranger), Ras live I
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129260 , vital:36253 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-03
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129260 , vital:36253 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-03
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
The structure and function of the gametes of the striped field mouse (Rhabdomys pumilio)
- Authors: Tinney, Gregory Michael
- Date: 2000
- Subjects: Gametes , Microtus , Mice
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5774 , http://hdl.handle.net/10962/d1005462 , Gametes , Microtus , Mice
- Description: This study was initiated in an attempt toadd the four-striped field mouse (Rhabdomys pumilio) to the small group of mammals that are used to study and develop assisted reproductive technologies. To accomplish this, a complete knowledge of both the male and female gametes was necessary, as well as a repeatable and successful IVF protocol. The gametes of the field mouse, both the falciformspermand the mature oocytes, were shown to be similar in several respects to those of many other rodent species. The induction of both the capacitated state and the acrosome reaction in the sperm were readily achieved. The success of retrieving mature oocytes was very low, with the rare occurrence of polar bodies within ovulated oocytes. The difficulties with oocytes was either related to the lack of a regular oestrous cycle, or to the hormonal regime used to induce superovulation. Although several protocols were used to accomplish superovulation in this species, it was seldom achieved. In in vitro fertilization trials, sperm were found to attach to both the cumulus oophorus and the zona pellucida of the oocytes. However, fertilization was never accomplished. This failure to achieve fertilization was probably related to the immaturity of the oocytes. Without further studies on Rhabdomys pumilio and further attempts at accomplishing in vitro fertilization, it would seem that this species would not easily be introduced as an animalmodelfor assisted reproduction.
- Full Text:
- Date Issued: 2000
- Authors: Tinney, Gregory Michael
- Date: 2000
- Subjects: Gametes , Microtus , Mice
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5774 , http://hdl.handle.net/10962/d1005462 , Gametes , Microtus , Mice
- Description: This study was initiated in an attempt toadd the four-striped field mouse (Rhabdomys pumilio) to the small group of mammals that are used to study and develop assisted reproductive technologies. To accomplish this, a complete knowledge of both the male and female gametes was necessary, as well as a repeatable and successful IVF protocol. The gametes of the field mouse, both the falciformspermand the mature oocytes, were shown to be similar in several respects to those of many other rodent species. The induction of both the capacitated state and the acrosome reaction in the sperm were readily achieved. The success of retrieving mature oocytes was very low, with the rare occurrence of polar bodies within ovulated oocytes. The difficulties with oocytes was either related to the lack of a regular oestrous cycle, or to the hormonal regime used to induce superovulation. Although several protocols were used to accomplish superovulation in this species, it was seldom achieved. In in vitro fertilization trials, sperm were found to attach to both the cumulus oophorus and the zona pellucida of the oocytes. However, fertilization was never accomplished. This failure to achieve fertilization was probably related to the immaturity of the oocytes. Without further studies on Rhabdomys pumilio and further attempts at accomplishing in vitro fertilization, it would seem that this species would not easily be introduced as an animalmodelfor assisted reproduction.
- Full Text:
- Date Issued: 2000
Je Chante
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Priscilia Ngando (composer), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130896 , vital:36496 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-10
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Priscilia Ngando (composer) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130896 , vital:36496 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-10
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
Healing at the margins: discourses of culture and illness in psychiatrists', psychologists' and indigenous healers' talk about collaboration
- Authors: Yen, Jeffery
- Date: 2000
- Subjects: Traditional medicine -- South Africa , Medical policy -- South Africa , Mental health -- South Africa , Healers -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3090 , http://hdl.handle.net/10962/d1002600 , Traditional medicine -- South Africa , Medical policy -- South Africa , Mental health -- South Africa , Healers -- South Africa
- Description: This dissertation explores discourses about culture and illness in the talk of mental health professionals and indigenous healers. It represents an attempt to situate the issue of indigenous healing in South Africa within a particular strand of critical discourse analytic research. In the context of current deliberations on the value, or otherwise, of indigenous healing in a changing health and specifically mental health system, the talk of both mental health practitioners and indigenous healers as they conceptualise “disorder”, and discuss possibilities for collaboration, is chosen as a specific focus for this study. Disputes over what constitutes “disorder” both within mental health, and between mental health and indigenous healing are an important site in which the negotiation of power relations between mental health professionals and indigenous healers is played out. The results of this study suggest that despite the construction of cogent commendations for the inclusion of indigenous healing in mental health, it remains largely marginalised within talk about mental health practice. While this study reproduces to some extent the marginalisation of indigenous healing discourse, it also examines some of the discursive practices and methodological difficulties implicated in its marginalisation. However, in the context of “cultural pride strategies” associated with talk about an African Renaissance, indigenous healing may also function as a site of assertion of African power and resistance in its construction as an essentially African enterprise. At the same time, it may achieve disciplinary effects consonant with cultural pride strategies, in constructing afflictions in terms of neglect of, or disloyalty to cultural tradition. These results are discussed in terms of the methodological difficulties associated with interviewing and discourse analysis of translated texts, which contributes to difficulties with articulating indigenous healing discourse in a way that challenges the dominant psychiatric discourses implicated in its marginalisation within mental health. It concludes with recommendations for future research which addresses indigenous healing discourse in its own terms, and examines its operation as a disciplinary apparatus in South African society.
- Full Text:
- Date Issued: 2000
- Authors: Yen, Jeffery
- Date: 2000
- Subjects: Traditional medicine -- South Africa , Medical policy -- South Africa , Mental health -- South Africa , Healers -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3090 , http://hdl.handle.net/10962/d1002600 , Traditional medicine -- South Africa , Medical policy -- South Africa , Mental health -- South Africa , Healers -- South Africa
- Description: This dissertation explores discourses about culture and illness in the talk of mental health professionals and indigenous healers. It represents an attempt to situate the issue of indigenous healing in South Africa within a particular strand of critical discourse analytic research. In the context of current deliberations on the value, or otherwise, of indigenous healing in a changing health and specifically mental health system, the talk of both mental health practitioners and indigenous healers as they conceptualise “disorder”, and discuss possibilities for collaboration, is chosen as a specific focus for this study. Disputes over what constitutes “disorder” both within mental health, and between mental health and indigenous healing are an important site in which the negotiation of power relations between mental health professionals and indigenous healers is played out. The results of this study suggest that despite the construction of cogent commendations for the inclusion of indigenous healing in mental health, it remains largely marginalised within talk about mental health practice. While this study reproduces to some extent the marginalisation of indigenous healing discourse, it also examines some of the discursive practices and methodological difficulties implicated in its marginalisation. However, in the context of “cultural pride strategies” associated with talk about an African Renaissance, indigenous healing may also function as a site of assertion of African power and resistance in its construction as an essentially African enterprise. At the same time, it may achieve disciplinary effects consonant with cultural pride strategies, in constructing afflictions in terms of neglect of, or disloyalty to cultural tradition. These results are discussed in terms of the methodological difficulties associated with interviewing and discourse analysis of translated texts, which contributes to difficulties with articulating indigenous healing discourse in a way that challenges the dominant psychiatric discourses implicated in its marginalisation within mental health. It concludes with recommendations for future research which addresses indigenous healing discourse in its own terms, and examines its operation as a disciplinary apparatus in South African society.
- Full Text:
- Date Issued: 2000
Musik
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, El Hadji Niang (bass), Lamine Faye (guitar), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Bakane Seck (percussion), Kaounding Cissokho (kora), Massala man (Khalam), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (bass) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Bakane Seck (percussion) , Kaounding Cissokho (kora) , Massala man (Khalam) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129414 , vital:36276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-09
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (bass) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Bakane Seck (percussion) , Kaounding Cissokho (kora) , Massala man (Khalam) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129414 , vital:36276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-09
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
Music
- Badou Boy and Pape Armand (composers), Straun Douglas
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127277 , vital:35995 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-04
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127277 , vital:35995 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-04
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
Yama Daboon Ci Yoon
- Badou Boy and Pape Armand (composers), Badou Boy (lead vocal, accoustic guitar, harmonica, Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals), Mbaye Dieye Feye (Sabar and Percussions), Pathe Diassy (bass guitar), Straun Douglas
- Authors: Badou Boy and Pape Armand (composers) , Badou Boy (lead vocal, accoustic guitar, harmonica , Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127295 , vital:35997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-06
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy and Pape Armand (composers) , Badou Boy (lead vocal, accoustic guitar, harmonica , Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127295 , vital:35997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-06
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
Dynamic compensation for performance characteristic differences of wind generator coupled pumps
- Swanepoel, Pieter Frederick Renier
- Authors: Swanepoel, Pieter Frederick Renier
- Date: 2000
- Subjects: Wind pumps
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:10806 , http://hdl.handle.net/10948/25 , Wind pumps
- Description: The lack of services such as electricity in the rural areas of South Africa has given rise to the use of pump water and the windmills. The ones in use currently are maintenance intensive. There is a corrosive element in water and this sometimes requires plastic or other non-corrosive materials to be used for pump components and pipes. Solar panels are expensive and have low efficiencies. Alternative energy systems such as diesel engine driven- mono pumps or -turbines or windmills are costly, which means that the overall efficiency must be maximized to reduce these costs.
- Full Text:
- Date Issued: 2000
- Authors: Swanepoel, Pieter Frederick Renier
- Date: 2000
- Subjects: Wind pumps
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:10806 , http://hdl.handle.net/10948/25 , Wind pumps
- Description: The lack of services such as electricity in the rural areas of South Africa has given rise to the use of pump water and the windmills. The ones in use currently are maintenance intensive. There is a corrosive element in water and this sometimes requires plastic or other non-corrosive materials to be used for pump components and pipes. Solar panels are expensive and have low efficiencies. Alternative energy systems such as diesel engine driven- mono pumps or -turbines or windmills are costly, which means that the overall efficiency must be maximized to reduce these costs.
- Full Text:
- Date Issued: 2000
Searching for new relevance in the 1990s: the Organization of African Unity as an instrument of conflict resolution
- Authors: Dlamini, Thandeka Lungile
- Date: 2000
- Subjects: Organization of African Unity , Africa -- Foreign relations , Conflict management -- Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2770 , http://hdl.handle.net/10962/d1002980 , Organization of African Unity , Africa -- Foreign relations , Conflict management -- Africa
- Description: The 1960's and the 1970's marked a great Pan-African movement in Africa, that saw the liberation of most African states. This Pan-African movement, was spearheaded by a quest to unite Africa, and to abate foreign occupation. Amidst the spirit of unity, lay a promise of an organization that would embody the hopes and aspirations of a continent undergoing a re-birth; a progression towards self-determination, economic development and integration, and the maintenance of peace. Therefore, the inception ofthe Organization of African Unity (OAD) was not only a symbol of a unifying force for Africans, but a diplomatic platform that would promote African needs on the international arena. In effect the OAU, at its inception, was for specific ideals that would guarantee liberation and unity of African states. The outcome of these ideals would be greater regional economic integration and the achievement of peace and stability. These ideals mirrored the structural definition of regional organization, with the inclusion of a Commission for Mediation Arbitration and Conciliation under the OAU Charter, to handle disputes among member states. However, the mere fact that this commission lacked the political wherewithal to resolve conflicts, by its sheer lack of a standing peacekeeping force, contributed to the inefficiency of the organization to play an effective role in conflict management. This study attempts to examine the role ofthe OAU in settling disputes. The study sought to accomplish this, in the following manner. Firstly, an investigation into the nature of conflict and why it persists in Africa was conducted. Further, an examination ofthe tools that practitioners utilize not only to study conflict, but to prevent, manage and resolve it, was done. During the investigation it was found that, although the OAU's greatest successes have come from preventive diplomacy, its structural foundations limit the capabilities of the organization to become more relevant. The Charter of the OAU alludes vaguely to the settlement of disputes, but without an executive political decision-making body able to deploy peacekeepers, its principles are largely meaningless. Amidst the growing concerns, the OAU as a matter of survival, developed initiatives it hopes will make it more effective and relevant. The focus ofthe study was the evolving role ofthe OAU, from its inception to its new role as an instrument of conflict resolution. Most of the scholarly work conducted on the OAU, is concerned with depicting a terminal organization, with little or no hope of surviving. Little emphasis is placed on prescribing remedies on how to improve and restructure the organization. The findings included, inter alia, that the organization is faced with enormous challenges, as the sources of conflict are varied and complex. Africa is now the landscape of collapsed states, economic stagnation, environmental degradation, disease and chronic conflicts. The OAU shoulders much ofthe responsibility for not sanctioning governments that contribute to the decay and suffering of the African peoples. Most ofthe criticism of the OAU, stem from the inability of the organization to play an effective role in resolving conflicts in Africa. Most of Africa's conflicts stem from a lack of political legitimacy, lack of democratic institutions, uneven distribution of resources, ethnic tensions and economic stagnation. Until such problems are addressed, Africa will continue to host the world's deadliest conflicts.
- Full Text:
- Date Issued: 2000
- Authors: Dlamini, Thandeka Lungile
- Date: 2000
- Subjects: Organization of African Unity , Africa -- Foreign relations , Conflict management -- Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2770 , http://hdl.handle.net/10962/d1002980 , Organization of African Unity , Africa -- Foreign relations , Conflict management -- Africa
- Description: The 1960's and the 1970's marked a great Pan-African movement in Africa, that saw the liberation of most African states. This Pan-African movement, was spearheaded by a quest to unite Africa, and to abate foreign occupation. Amidst the spirit of unity, lay a promise of an organization that would embody the hopes and aspirations of a continent undergoing a re-birth; a progression towards self-determination, economic development and integration, and the maintenance of peace. Therefore, the inception ofthe Organization of African Unity (OAD) was not only a symbol of a unifying force for Africans, but a diplomatic platform that would promote African needs on the international arena. In effect the OAU, at its inception, was for specific ideals that would guarantee liberation and unity of African states. The outcome of these ideals would be greater regional economic integration and the achievement of peace and stability. These ideals mirrored the structural definition of regional organization, with the inclusion of a Commission for Mediation Arbitration and Conciliation under the OAU Charter, to handle disputes among member states. However, the mere fact that this commission lacked the political wherewithal to resolve conflicts, by its sheer lack of a standing peacekeeping force, contributed to the inefficiency of the organization to play an effective role in conflict management. This study attempts to examine the role ofthe OAU in settling disputes. The study sought to accomplish this, in the following manner. Firstly, an investigation into the nature of conflict and why it persists in Africa was conducted. Further, an examination ofthe tools that practitioners utilize not only to study conflict, but to prevent, manage and resolve it, was done. During the investigation it was found that, although the OAU's greatest successes have come from preventive diplomacy, its structural foundations limit the capabilities of the organization to become more relevant. The Charter of the OAU alludes vaguely to the settlement of disputes, but without an executive political decision-making body able to deploy peacekeepers, its principles are largely meaningless. Amidst the growing concerns, the OAU as a matter of survival, developed initiatives it hopes will make it more effective and relevant. The focus ofthe study was the evolving role ofthe OAU, from its inception to its new role as an instrument of conflict resolution. Most of the scholarly work conducted on the OAU, is concerned with depicting a terminal organization, with little or no hope of surviving. Little emphasis is placed on prescribing remedies on how to improve and restructure the organization. The findings included, inter alia, that the organization is faced with enormous challenges, as the sources of conflict are varied and complex. Africa is now the landscape of collapsed states, economic stagnation, environmental degradation, disease and chronic conflicts. The OAU shoulders much ofthe responsibility for not sanctioning governments that contribute to the decay and suffering of the African peoples. Most ofthe criticism of the OAU, stem from the inability of the organization to play an effective role in resolving conflicts in Africa. Most of Africa's conflicts stem from a lack of political legitimacy, lack of democratic institutions, uneven distribution of resources, ethnic tensions and economic stagnation. Until such problems are addressed, Africa will continue to host the world's deadliest conflicts.
- Full Text:
- Date Issued: 2000
Wali nyuman don
- Saly Sidibe, Harouna Bary (arrangement), Adama Drame (guitar solo), Batoss (bass guitar), Lamine Camara (electric piano), Mamadou Koita (Djembe), Harouna Samake (N'goni), Sidi Coulibaly (drums), Awa Diabate, Sanota Doumbie (chorus), Ali Landoure
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127391 , vital:36009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-09
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000
- Authors: Saly Sidibe , Harouna Bary (arrangement) , Adama Drame (guitar solo) , Batoss (bass guitar) , Lamine Camara (electric piano) , Mamadou Koita (Djembe) , Harouna Samake (N'goni) , Sidi Coulibaly (drums) , Awa Diabate, Sanota Doumbie (chorus) , Ali Landoure
- Date: 2000
- Subjects: Popular music , Popular music--Mali--1991-2000 , Africa Mali Wassoulou f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127391 , vital:36009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO3-09
- Description: Singing accompanied by guitar and N'goni, electric piano and flute
- Full Text: false
- Date Issued: 2000