Elizabheta kanta Mutungameri
- M. Makhuvela (Composer), Hugh Tracey
- Authors: M. Makhuvela (Composer) , Hugh Tracey
- Date: 1956
- Subjects: Music--Mozambique , Folk music , Folk songs, Tonga (Nyasa) , Africa Mozambique Gaza f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133285 , vital:36959 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-05
- Description: Topical songs with 2 guitars
- Full Text: false
- Date Issued: 1956
- Authors: M. Makhuvela (Composer) , Hugh Tracey
- Date: 1956
- Subjects: Music--Mozambique , Folk music , Folk songs, Tonga (Nyasa) , Africa Mozambique Gaza f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133285 , vital:36959 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-05
- Description: Topical songs with 2 guitars
- Full Text: false
- Date Issued: 1956
Chibudu. 9th Movement
- Ngodo of Zandamela, Mbuziana Tomo (Leader), Samsoni, Tracey, Hugh
- Authors: Ngodo of Zandamela , Mbuziana Tomo (Leader) , Samsoni , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191562 , vital:45117 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-06
- Description: One repeated note on the Debiinda (Bass xylophone) is very prominent. The sound of the smacking of the shields down onto the ground, kupeka hahatsi, can be clearly heard in this movement. Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Zandamela , Mbuziana Tomo (Leader) , Samsoni , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191562 , vital:45117 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-06
- Description: One repeated note on the Debiinda (Bass xylophone) is very prominent. The sound of the smacking of the shields down onto the ground, kupeka hahatsi, can be clearly heard in this movement. Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wa wutlano. 5th Movement
- Ngodo of Mavila, Shambini, Tracey, Hugh
- Authors: Ngodo of Mavila , Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190470 , vital:44997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR198-06
- Description: With Tokozela cries after the opening Kuningeta cadenza and at the end. (41. 42s). The dance leader hits the ground with his dance shield (Kupeke hahatse). The women can be heard occasionally in the distance giving their ulutations, wo kulungela. 5th introduction with Tokozela cries, with 6 Timbila, 4 Sanzhe (alto), 1 Debiinda (bass), 1 Gulu (double bass), 1 Njele rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Mavila , Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190470 , vital:44997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR198-06
- Description: With Tokozela cries after the opening Kuningeta cadenza and at the end. (41. 42s). The dance leader hits the ground with his dance shield (Kupeke hahatse). The women can be heard occasionally in the distance giving their ulutations, wo kulungela. 5th introduction with Tokozela cries, with 6 Timbila, 4 Sanzhe (alto), 1 Debiinda (bass), 1 Gulu (double bass), 1 Njele rattle.
- Full Text: false
- Date Issued: 1963
Msitso woMbidi II
- Mkoma Ramao Mtoti, Tracey, Hugh
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194564 , vital:45462 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-02
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. An excellent Msitso with a good descant player. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194564 , vital:45462 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-02
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. An excellent Msitso with a good descant player. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Kokwa vo (Uncle)
- Tonga/ Hlanguni (Performers), T.O. Kowano (Composer), Hugh Tracey
- Authors: Tonga/ Hlanguni (Performers) , T.O. Kowano (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Humorous song , Guitar , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132613 , vital:36857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-11
- Description: Humorous song with guitar
- Full Text: false
- Date Issued: 1955
- Authors: Tonga/ Hlanguni (Performers) , T.O. Kowano (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Humorous song , Guitar , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132613 , vital:36857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-11
- Description: Humorous song with guitar
- Full Text: false
- Date Issued: 1955
1st Movement "Msitso" V
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194941 , vital:45512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-14
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194941 , vital:45512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-14
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
3rd Movement "Ndano" Mahungwa a Filipe
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194951 , vital:45513 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-15
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Mahungwa a Filipe". The full text of the lyric and translation are on Pages 40 to 42 of "Chopi Musicians." For lack of his dancers to sing the lyric, Komukomu, who never pretended to having a voice, had to sing the words himself. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194951 , vital:45513 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-15
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Mahungwa a Filipe". The full text of the lyric and translation are on Pages 40 to 42 of "Chopi Musicians." For lack of his dancers to sing the lyric, Komukomu, who never pretended to having a voice, had to sing the words himself. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
Mabandla (9th Movement)
- Samson Mzamane (Leader), Tracey, Hugh
- Authors: Samson Mzamane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194502 , vital:45456 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-09
- Description: Note the 'Tsambisela' descant playing. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Samson Mzamane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194502 , vital:45456 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-09
- Description: Note the 'Tsambisela' descant playing. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Msumeto. 9th Movement
- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Matauli Chitombe, Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191423 , vital:45096 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-04
- Description: A line of young girls including those who had danced their "Chingomani" dance during the morning moved up to the orchestra behind the line of men when they moved forward. This very short Msumetso was by way of being a skit on the impression left upon them by Portuguese music and military words of command, the dancers performing various typical actions of soilders being drilled with Kutokozela cries. The retreat, with preliminary cries. Orchestral dance with 16 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double Bass) and 4 Njele rattles.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191423 , vital:45096 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-04
- Description: A line of young girls including those who had danced their "Chingomani" dance during the morning moved up to the orchestra behind the line of men when they moved forward. This very short Msumetso was by way of being a skit on the impression left upon them by Portuguese music and military words of command, the dancers performing various typical actions of soilders being drilled with Kutokozela cries. The retreat, with preliminary cries. Orchestral dance with 16 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double Bass) and 4 Njele rattles.
- Full Text: false
- Date Issued: 1963
Hakunene
- Tonga/ Hlanguni (Performers), A. Kossa (Composer), Hugh Tracey
- Authors: Tonga/ Hlanguni (Performers) , A. Kossa (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Chibuto f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132549 , vital:36850 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-04
- Description: Two topical songs with two guitars
- Full Text: false
- Date Issued: 1955
- Authors: Tonga/ Hlanguni (Performers) , A. Kossa (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Chibuto f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132549 , vital:36850 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR007-04
- Description: Two topical songs with two guitars
- Full Text: false
- Date Issued: 1955
Msitso Kugwitisa. 11th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Hanyane Waini, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Hanyane Waini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193089 , vital:45297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-06
- Description: This movement was led by Faifiani Faife. The name of this man means 'The little five of five'. His father had taken the English numerical '5' as a name and so his son was called 'Small Five' or 'Five Junior', but his surname being taken from that of his father, and not an old 'Mituno' name was........ (missing words). Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Hanyane Waini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193089 , vital:45297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-06
- Description: This movement was led by Faifiani Faife. The name of this man means 'The little five of five'. His father had taken the English numerical '5' as a name and so his son was called 'Small Five' or 'Five Junior', but his surname being taken from that of his father, and not an old 'Mituno' name was........ (missing words). Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Tata wawu osi wana
- Emmelina Zavala, Chopi women, Tracey, Hugh
- Authors: Emmelina Zavala , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193217 , vital:45310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-06
- Description: "Can you see how I suffer?" This was said to be a married women's lament. Lament with clapping.
- Full Text: false
- Date Issued: 1963
- Authors: Emmelina Zavala , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193217 , vital:45310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-06
- Description: "Can you see how I suffer?" This was said to be a married women's lament. Lament with clapping.
- Full Text: false
- Date Issued: 1963
Joo tsaka
- Raimundu Andreu, Luis Manuel maCanda, Tracey, Hugh
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194202 , vital:45428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-04
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. "I am happy because my wife has come back." Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194202 , vital:45428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-04
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. "I am happy because my wife has come back." Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
Woyahahai zhembulane
- Maria Taime, Chopi women, Tracey, Hugh
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
Wangu mwama wome
- Timoses, Comecado des Amigos, Tracey, Hugh
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
Hambokami kota mova
- Tabarirevu Muyambo, Tracey, Hugh
- Authors: Tabarirevu Muyambo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Folk songs, Ndau , Chopi (African people) , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mwanditura f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194266 , vital:45438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-11
- Description: This song is generally known among the people of these regions of Southern Rhodesia and is sung when the men go off to Johannesburg to work. The tuning of the Mbira dze chiNdau is: 408, 388, 348, 300, 256, 224, 204 vs. "Out of the way, the motor car is coming! We go past Messina. On the way to Johannesburg. Mohamba's car worries me. Out of the way, you Shangaans." Many men from this Chipinga district go to Johannesburg to work taking Mohamba's lorry which connects with the mine buses to Messina and Johannesburg. Topical song with Mbira dze chiNdau with 3 manuals.
- Full Text: false
- Date Issued: 1963
- Authors: Tabarirevu Muyambo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Folk songs, Ndau , Chopi (African people) , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mwanditura f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194266 , vital:45438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-11
- Description: This song is generally known among the people of these regions of Southern Rhodesia and is sung when the men go off to Johannesburg to work. The tuning of the Mbira dze chiNdau is: 408, 388, 348, 300, 256, 224, 204 vs. "Out of the way, the motor car is coming! We go past Messina. On the way to Johannesburg. Mohamba's car worries me. Out of the way, you Shangaans." Many men from this Chipinga district go to Johannesburg to work taking Mohamba's lorry which connects with the mine buses to Messina and Johannesburg. Topical song with Mbira dze chiNdau with 3 manuals.
- Full Text: false
- Date Issued: 1963
Chiriri Eto anga mahwa tambuzi
- Pondekane (Leader), Tracey, Hugh
- Authors: Pondekane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194752 , vital:45488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-08
- Description: A powerful opening played in octaves. The scale was:- 496, 448, 404, 364, 328, 300, 272, 248 vs. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Pondekane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194752 , vital:45488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-08
- Description: A powerful opening played in octaves. The scale was:- 496, 448, 404, 364, 328, 300, 272, 248 vs. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Ndazwa ngengoma kurira
- Tabarirevu Muyambo, Tracey, Hugh
- Authors: Tabarirevu Muyambo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Folk songs, Ndau , Chopi (African people) , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mwanditura f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194423 , vital:45447 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-15
- Description: This is the favourite song of Leonard Simango, the carpenter, who is heard singing it at any time of the day as he works. Even if he starts to sing another song it will not be long before he comes back to this one again. :I heard the sound of drumming. I heard the drum saying 'Guduru'. I heard the sound of the drums, they must be there!" Song for Mashawi souls with Mbira dze chiNdau.
- Full Text: false
- Date Issued: 1963
- Authors: Tabarirevu Muyambo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Folk songs, Ndau , Chopi (African people) , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mwanditura f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194423 , vital:45447 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-15
- Description: This is the favourite song of Leonard Simango, the carpenter, who is heard singing it at any time of the day as he works. Even if he starts to sing another song it will not be long before he comes back to this one again. :I heard the sound of drumming. I heard the drum saying 'Guduru'. I heard the sound of the drums, they must be there!" Song for Mashawi souls with Mbira dze chiNdau.
- Full Text: false
- Date Issued: 1963
Sigowuli tunes
- Three chopi girls (Performers), Composer not specified, Hugh Tracey
- Authors: Three chopi girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--Mozambique , Folk music , Folk songs, Chopi , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133343 , vital:36966 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-11
- Description: Self-delectative tune by three girls on two ocarinas
- Full Text: false
- Date Issued: 1955
- Authors: Three chopi girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--Mozambique , Folk music , Folk songs, Chopi , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133343 , vital:36966 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-11
- Description: Self-delectative tune by three girls on two ocarinas
- Full Text: false
- Date Issued: 1955
Mzeno
- Ngodo of Regulo Kenge, Venacio Mbande (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Kenge , Venacio Mbande (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kenge f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190219 , vital:44975 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-08
- Description: The leader and composer of the Mzeno, Mbande, had little support from his orchestra in this recording as the occasion was not normal, there were too many other distractions at the fiesta. The drums of the Ndau team of dancers nearby can be heard in the background towards the end of this item. ain the crowd and guests. Orchestral dance, with 5 Timbila xylophones and 1 rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Kenge , Venacio Mbande (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kenge f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190219 , vital:44975 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-08
- Description: The leader and composer of the Mzeno, Mbande, had little support from his orchestra in this recording as the occasion was not normal, there were too many other distractions at the fiesta. The drums of the Ndau team of dancers nearby can be heard in the background towards the end of this item. ain the crowd and guests. Orchestral dance, with 5 Timbila xylophones and 1 rattle.
- Full Text: false
- Date Issued: 1963