Nidapalamula I
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186424 , vital:44497 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-02
- Description: "I do not like this never ending pounding." Simple pounding song in which the one girl echoes the other as they pound in the same mortar with alternate strokes. This echoing style of singing is also used for their rain songs and at first hearing leaves an impression of confusion rather than intent. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186424 , vital:44497 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-02
- Description: "I do not like this never ending pounding." Simple pounding song in which the one girl echoes the other as they pound in the same mortar with alternate strokes. This echoing style of singing is also used for their rain songs and at first hearing leaves an impression of confusion rather than intent. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Nidapalamula II
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186435 , vital:44498 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-03
- Description: Complaining of continous pounding. Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186435 , vital:44498 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-03
- Description: Complaining of continous pounding. Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Ine ndidanduala
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186440 , vital:44499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-04
- Description: "My man paid only 10 pence to marry me." Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186440 , vital:44499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-04
- Description: "My man paid only 10 pence to marry me." Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Bolelela Ramonogeng (Tell Ramonogeng)
- Mamideo Motlokwa and 22 men and women, Hugh Tracey
- Authors: Mamideo Motlokwa and 22 men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165792 , vital:41282 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-03
- Description: Song sung on returning to the village from the hills after the end of the initiation schooling. Three boys initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Mamideo Motlokwa and 22 men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165792 , vital:41282 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-03
- Description: Song sung on returning to the village from the hills after the end of the initiation schooling. Three boys initiation song.
- Full Text: false
- Date Issued: 1959
Dumedisa Moeng
- Mamidse Motlokwa and 22 men, Hugh Tracey
- Authors: Mamidse Motlokwa and 22 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165787 , vital:41281 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-02
- Description: A song sung while the young men are living out on the hills during their initiation schooling. Three boys initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Mamidse Motlokwa and 22 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165787 , vital:41281 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-02
- Description: A song sung while the young men are living out on the hills during their initiation schooling. Three boys initiation song.
- Full Text: false
- Date Issued: 1959
Hai li holope (Who will bring Mamosi down?)
- Mamogeneholo Lephoto, Hugh Tracey
- Authors: Mamogeneholo Lephoto , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161336 , vital:40616 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
- Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Mamogeneholo Lephoto , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161336 , vital:40616 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
- Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
Hai li holope (Who will bring Mamosi down?)
- Mamogeneholo Lephoto, Hugh Tracey
- Authors: Mamogeneholo Lephoto , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161334 , vital:40617 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
- Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Mamogeneholo Lephoto , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161334 , vital:40617 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
- Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
He! MaRahia (Hey! Russians)
- Mamojela Lesojane and large group of Sotho women, Hugh Tracey
- Authors: Mamojela Lesojane and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161499 , vital:40630 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-09
- Description: "Mantsebo(the Paramount Chief Regent) is a jealous woman. She has taken children away from their parents and given them to the 'Russians'." The AmaRussia is one of the notorious gangs in the Johannesburg native townships. The children, they suggest, may have been girls intended for immoral purposes. Hoeing song.
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Lesojane and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161499 , vital:40630 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-09
- Description: "Mantsebo(the Paramount Chief Regent) is a jealous woman. She has taken children away from their parents and given them to the 'Russians'." The AmaRussia is one of the notorious gangs in the Johannesburg native townships. The children, they suggest, may have been girls intended for immoral purposes. Hoeing song.
- Full Text: false
- Date Issued: 1959
He! MaRahia (Hey! Russians)
- Mamojela Lesojane and large group of Sotho women, Hugh Tracey
- Authors: Mamojela Lesojane and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161476 , vital:40632 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-09
- Description: "Mantsebo(the Paramount Chief Regent) is a jealous woman. She has taken children away from their parents and given them to the 'Russians'." The AmaRussia is one of the notorious gangs in the Johannesburg native townships. The children, they suggest, may have been girls intended for immoral purposes. Hoeing song.
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Lesojane and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161476 , vital:40632 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-09
- Description: "Mantsebo(the Paramount Chief Regent) is a jealous woman. She has taken children away from their parents and given them to the 'Russians'." The AmaRussia is one of the notorious gangs in the Johannesburg native townships. The children, they suggest, may have been girls intended for immoral purposes. Hoeing song.
- Full Text: false
- Date Issued: 1959
He Khalumo-lumo (He! The Khalumo-lumo)
- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women, Hugh Tracey
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161048 , vital:40585 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-06
- Description: Sung by the chief woman diviner, assisted by both a man and a woman diviner and group of women, all of whom clapped. The assistant woman diviner beat a smal drum slung round her neck. "He, the Khalumo-lumo. It ate a whole nation and left a small boy." This refers to an old Sotho legend. The small boy grew up to be the saviour of his race. Many snares were laid for him from which he escaped. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161048 , vital:40585 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-06
- Description: Sung by the chief woman diviner, assisted by both a man and a woman diviner and group of women, all of whom clapped. The assistant woman diviner beat a smal drum slung round her neck. "He, the Khalumo-lumo. It ate a whole nation and left a small boy." This refers to an old Sotho legend. The small boy grew up to be the saviour of his race. Many snares were laid for him from which he escaped. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
Ba mo loile
- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women, Hugh Tracey
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161056 , vital:40586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-07
- Description: Much of the divining ceremonial seems to follow the Xhosa pattern from which it appears to be borrowed. One girl beats a small frame drum made of metal. Some of the phrases used in the divining procedure are Xhosa such as "Siyavuma". "They have bewitched him. The child of the gods. Mahayane has been bewitched. Ntate Sekhobe has been bewitched. Ntate Ntsopa has been bewitched." This song was followed by a Lithoko in praise of the singer. After the Lithoko the same song was repeated, followed by another Lithoko in which further reference was made to the singer, who she was and how she had been cured by another Lethuela (diviner) when she was ill. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161056 , vital:40586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-07
- Description: Much of the divining ceremonial seems to follow the Xhosa pattern from which it appears to be borrowed. One girl beats a small frame drum made of metal. Some of the phrases used in the divining procedure are Xhosa such as "Siyavuma". "They have bewitched him. The child of the gods. Mahayane has been bewitched. Ntate Sekhobe has been bewitched. Ntate Ntsopa has been bewitched." This song was followed by a Lithoko in praise of the singer. After the Lithoko the same song was repeated, followed by another Lithoko in which further reference was made to the singer, who she was and how she had been cured by another Lethuela (diviner) when she was ill. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
Hela Banana (Hey! Girls!)
- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women, Hugh Tracey
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161137 , vital:40595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-14
- Description: "Hey! girls, the reaping machine is making a noise. At sunrise I reap. Mother Matabo, men, Father Manyetse. At sunrise, at Koali's village. Mother Matholoana, the Chieftainess." The song is interspersed with Lithoko and exhortations to throw away medicines and charms. Mathuela diviner's song with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161137 , vital:40595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-14
- Description: "Hey! girls, the reaping machine is making a noise. At sunrise I reap. Mother Matabo, men, Father Manyetse. At sunrise, at Koali's village. Mother Matholoana, the Chieftainess." The song is interspersed with Lithoko and exhortations to throw away medicines and charms. Mathuela diviner's song with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
Kob'a ntja (The blanket made of dog skin)
- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women, Hugh Tracey
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161127 , vital:40594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-13
- Description: Note the interesting change in the middle of the song. "O Mother! She is wearing a dog's skin blanket. The people despise her. They want me in the cool places, where the Dhlamini live. I am not a Zulu. I am a 'Portuguese'. I, Maboshabane, speak. I speak with a sore heart. I tell you, I am suffering from a stomach-ache. Come and cure me." The singer could not explain the reference to being a 'Portuguese'. African tribesmen who come from the Portuguese territory of Mozambique often refer to themselves as 'Portuguese', i.e. a citizen of Portuguese territory. Mathuela diviner's song with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161127 , vital:40594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-13
- Description: Note the interesting change in the middle of the song. "O Mother! She is wearing a dog's skin blanket. The people despise her. They want me in the cool places, where the Dhlamini live. I am not a Zulu. I am a 'Portuguese'. I, Maboshabane, speak. I speak with a sore heart. I tell you, I am suffering from a stomach-ache. Come and cure me." The singer could not explain the reference to being a 'Portuguese'. African tribesmen who come from the Portuguese territory of Mozambique often refer to themselves as 'Portuguese', i.e. a citizen of Portuguese territory. Mathuela diviner's song with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
Wimbe ngoma wulisalise ye-ye
- Mandona, Group of Luvale men and women, Hugh Tracey
- Authors: Mandona , Group of Luvale men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Luvale f-za
- Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184153 , vital:44178 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-08
- Description: The rhythm was tapped out by a knife on the Mbira. Sung in organum by 3 women and 3 men. The principal man in the group wagged his tongue whilst he mimed the movements of the dance, during the playback. This was his own peculiar contribution and not generally done. This is a typical and highly repetitive Luvale song demonstrating their distinctive manner of singing in organum. Farewell song, with Likembe Mbira 8 notes
- Full Text: false
- Date Issued: 1957
- Authors: Mandona , Group of Luvale men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Luvale f-za
- Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184153 , vital:44178 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-08
- Description: The rhythm was tapped out by a knife on the Mbira. Sung in organum by 3 women and 3 men. The principal man in the group wagged his tongue whilst he mimed the movements of the dance, during the playback. This was his own peculiar contribution and not generally done. This is a typical and highly repetitive Luvale song demonstrating their distinctive manner of singing in organum. Farewell song, with Likembe Mbira 8 notes
- Full Text: false
- Date Issued: 1957
Negbada
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168982 , vital:41667 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-13
- Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
- Full Text: false
- Date Issued: 1952
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168982 , vital:41667 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-13
- Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
- Full Text: false
- Date Issued: 1952
Lebandima
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168987 , vital:41668 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-14
- Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
- Full Text: false
- Date Issued: 1952
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168987 , vital:41668 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-14
- Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
- Full Text: false
- Date Issued: 1952
Wadima, Wadima
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168995 , vital:41669 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-15
- Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
- Full Text: false
- Date Issued: 1952
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168995 , vital:41669 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-15
- Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
- Full Text: false
- Date Issued: 1952
Nekenye
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168949 , vital:41664 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-10
- Description: The Mangbele are a sub-group of the Mangbetu, mixed with the Mamvy. Most tribes in this north eastern corner of the Congo have been absorbed in whole or in part by their neighbours. This Bantu tribe came under the cultural sway of the stronger Sudanic Mangbetu and have adopted the habits of their mentors. The name of the chief whose praises are sung in this song is Mokoto. Praise song for a Chief, with two wooden pod drums, and two cylindrical wooden slit drums and two bells and basket rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168949 , vital:41664 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-10
- Description: The Mangbele are a sub-group of the Mangbetu, mixed with the Mamvy. Most tribes in this north eastern corner of the Congo have been absorbed in whole or in part by their neighbours. This Bantu tribe came under the cultural sway of the stronger Sudanic Mangbetu and have adopted the habits of their mentors. The name of the chief whose praises are sung in this song is Mokoto. Praise song for a Chief, with two wooden pod drums, and two cylindrical wooden slit drums and two bells and basket rattles.
- Full Text: false
- Date Issued: 1952
Kujeya shiankori umparuti (Kill the wild pig and cook him on the fire)
- Authors: Mangwato Penge , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138983 , vital:37692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-05
- Description: The singer was an old man. Self-delectative song with Kankobela mbira, fan-shaped, with external resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Mangwato Penge , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138983 , vital:37692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-05
- Description: The singer was an old man. Self-delectative song with Kankobela mbira, fan-shaped, with external resonator.
- Full Text: false
- Date Issued: 1957
Sigorira (Who is crying)
- Authors: Mangwato Penge , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:37693 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-06
- Description: The singer was an old man. Self-delectative song with Kankobela mbira, fan-shaped, with external resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Mangwato Penge , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:37693 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-06
- Description: The singer was an old man. Self-delectative song with Kankobela mbira, fan-shaped, with external resonator.
- Full Text: false
- Date Issued: 1957