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Ngoana Mosinoa thola (Keep quiet, Mosinoa's child)

- Mosinoa Moea and group of 20 men, Hugh Tracey

Ngwana le noga (The child and the big watersnake)

- Lizi Mulani, Hugh Tracey

  • Authors: Lizi Mulani , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166263 , vital:41344 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-07
  • Description: There was once a child who was with other children and met a man who liked her. He asked the child to pull a splinter from his thumb. For that service many cattle appeared magically and the child was asked to choose one. The other children became jealous and when they passed a large hole in the ground they threw her in. There she lived with a big snake. After a while she wanted to go home again and the snake asked if he could twine himself around her. He did so and as she reached her home the snake went back to his hole. The song was sung on the way home:- "When I sing this song, you will know that I am tired and we must rest a while. Story.
  • Full Text: false
  • Date Issued: 1959

Ngwanyana a tima Mosadi-Mogola mosoko (The girl who did not give the old woman food)

- Gertrude Matlou, Hugh Tracey

  • Authors: Gertrude Matlou , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166254 , vital:41343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-06
  • Description: A certain girl cooked food and did not give any to an old woman. Later on the girl went to play. While she was playing she saw a locust which she follwed into the country. Other girls with her got tired, but she went on. The same old woman was out in the bush and she caught the locust and handed it to the girl when she came up, but when the girl tried to accept it, the woman caught hold of her and she began to cry. A man who was nearby heard the cry and came and killed the old woman, took the girl and nursed her wounds. One day the girl went to the river and there met her fatherwho went with her to her rescuer and gave him an ox and then afterwards took her safely home again. Story.
  • Full Text: false
  • Date Issued: 1959

Nkwe e jele Rantshilane (The leopard has eaten Rantshilane)

- Kebaakantse Dikhudu and group of 20 men, Hugh Tracey

  • Authors: Kebaakantse Dikhudu and group of 20 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165241 , vital:41222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-12
  • Description: "A leopard has eaten Rantshilane. It held him, it ate him. Oh! Mokampa--wee!" The pitches of the 19 flutes were as follows:- 1728, 1568, 1280, 1136, 864, 760, 664, 584, 432, 380, 332, 292, 224, (216)? 194, 172, 144, 108, 98, 84. The pitch of each pipe can be varied by the player both by the position of the lips and tongue over the emboucher and by the force of the wind, especially noticeable in the higher pitched pipes. The general mode adopted can be gauged roughly but few conclusions as to a Tswana pipe scale can be made from this evidence alone. No names other than Tswana numerals were given to the pipes except to that of the leader playing the highest pipe - Mutenyane. Pipe dance with ensemble of 19 "Ditlhaka" flutes.
  • Full Text: false
  • Date Issued: 1959

Noh'a Metsi (Water snake)

- Agnes Nchanyana. 4 assistants and group of women, Hugh Tracey

  • Authors: Agnes Nchanyana. 4 assistants and group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161222 , vital:40604 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-08
  • Description: The leader does a shaking dance on her knees as she sings "Water snake! it comes out the east and it is very angry." The singer, in addition to her diviner's beads, shells, bells and small antelope horns, wore a large Catholic rosary with a worn medal of the Sacred heart, knotted into her girdle. Her scarlet skirt was thickly embroidered with designs in white beads. The adoption of Catholic symbols by pagans for their divination rites is common in nominally Catholic countries, especially by Black Africans (originally referred to as Negroes at the time) who use them in their Voodoo ceremonies. Diviners' song with cylindrical drum (-14.03-) and frame drum (-14.92-).
  • Full Text: false
  • Date Issued: 1959

Nong (Vulture)

- Tlokotsi Lesikara and Mohomane, Hugh Tracey

Nthakwedi-Nthakwetsane

- Meini Mokgosi and about 30 women, Hugh Tracey

  • Authors: Meini Mokgosi and about 30 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165484 , vital:41248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-09
  • Description: "Hurry up! Hurry! The Chief has gone to the kraal. When will the rain come?" The leader of this group of women was the wife of the Chief's uncle Ketshwerebothata. This rain song is sung from October to December and in times of drought, but also sung on festive or ceremonial occassions. Sung by both men and women. This song has a particularly long melolic line. Rain song.
  • Full Text: false
  • Date Issued: 1959

Ntoeng (To the war)

- Mpara Masienyane and large group of men, Hugh Tracey

  • Authors: Mpara Masienyane and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162182 , vital:40817 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-01
  • Description: This Lengae is sung when boys are going up to the initiation school. "Maluke's husband captured Seleke, a cow for which there had been much fighting. A question is asked about Maphaleng's grave. 'Is it where we have been fighting? Who do you say should take me to war? I am afraid when men go out armed.' Men, you do not make sufficient sound. Is it because of all that beard? Lengae men's initiation song.
  • Full Text: false
  • Date Issued: 1959

Nyeketheula

- Small boys of Koali, Hugh Tracey

O sempone le la kana ke botlhale (I may be young, but I am clever)

- Silas Kgaragoba, Hugh Tracey

Oa lla moholili (The crane is crying)

- Mokoto Tsoeliane and group of men, Hugh Tracey

Oa mona Letsie (You see Letsie) Chief of Leribe.

- Seforo Mosese, Hugh Tracey

  • Authors: Seforo Mosese , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162012 , vital:40749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-04
  • Description: "You see Letsie, Leribe where there is a beautiful small mountain. Brakpan with its small pretty hill. My mother's Mosinoa, mother's child. You see Seforo, you see Tefolo. Mosinoa, Moea's child, is crying. He cries although nobody has hit him." Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Owe, owe, Matebeleng (Oh, oh, home to the Ndebele)

- Mapidio Elisabeth Mothulwe and group of 30 women, Hugh Tracey

  • Authors: Mapidio Elisabeth Mothulwe and group of 30 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165996 , vital:41305 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-09
  • Description: "Red locust, to the Ndebele, it does not return. It comes where it had gone to graze. From the grazing to the Ndebele. Home, home, to the Ndebele. Oh, oh, to the Ndebele. Oh, oh, to the Ndebele." The country of the Ndebele is towards the East, towards Pieterburg and they were the traditional enemies of the local Tswana/Kgatla. Their enemies, the Ndebele or Matebele, are likened to the red locust swarms which used to devastate the crops and the grazing each year. Hoeing song with drum.
  • Full Text: false
  • Date Issued: 1959

Paseka oa tseka (Paseka is complaining)

- Mahlapane Qalike and group of Sotho women, Hugh Tracey

  • Authors: Mahlapane Qalike and group of Sotho women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tebang f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162304 , vital:40831 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-13
  • Description: "Paseka is disputing over a piece of land, foolishly. He is disputing over the site behind Semoti's house. You, Mampolletse of Makhaba, The thing becomes more serious at night. Do not give Mahlapane any corn she does not hoe her cornfields. If my voice were a clock I would be ringing it through to Natal. To my friend at Monyameng. The length of a bundle of reeds." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Paulo (Paul)

- School girls of Qeme, Hugh Tracey

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161816 , vital:40679 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-04
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Phatshwa bolela (Tell us, black and white ox)

- Rantana Dinake and a large group of men and women, Hugh Tracey

Pholo ha lieme (Stop the ox-span)

- Mosinoa Moea and group of 12 men, Hugh Tracey

Pina eaa badisa (A herdboy's song)

- Kgosietsile Mokgosi and Seyedi Merafe, Hugh Tracey

Piroena eo ke e bireng (The language I speak)

- Relechate Ntsolo and Jacquot Mokete, Hugh Tracey

  • Authors: Relechate Ntsolo and Jacquot Mokete , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161002 , vital:40579 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-04
  • Description: "This language I speak, you speak without knowing it. In the battle of tongues, I should have been a lawyer. The language which is widely understood. You should have made holes in the mountains, so that I could go in and see the country between Natal and Aooeng. And the land between Winburg and Bloemfontein." "Aooeng" means 'the place where people say Aooeng'. i.e. the Eastern Free State, a reference to their mode of speech or dialect. Walking song.
  • Full Text: false
  • Date Issued: 1959

Pududu we re sentu (Old Chief Ikaneng)

- Group of 12 men, Hugh Tracey

  • Authors: Group of 12 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165511 , vital:41251 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-12
  • Description: "We have killed the people of the Kalahari." Makgalagadi is a team of contempt apparently used by some Tswana tribes for any tribe which lives further west than themselves. This old song refers to the feuds between the Lete and the Ngwaketse tribes. The Chief Ikaneng was always called "Pududu" - 'the old man' by his people. At the end of the song one of them recites a praise to the old chief "Pududu Ikaneng." Fighting song.
  • Full Text: false
  • Date Issued: 1959
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