Anali kudambo Chingodola (Chingodola went to draw water at the marsh)
- Authors: Mavuto Mlanzi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158490 , vital:40197 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-03
- Description: Chingodola went to the marsh to fetch water, then to fetch firewood and after that to look for relish. Her husband was annoyed that she did not come back sooner and began to swear at her and said "Dammit, you are like a 'galo', a dog. Self delectative song with Kalimba.
- Full Text: false
- Date Issued: 1958
- Authors: Mavuto Mlanzi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158490 , vital:40197 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-03
- Description: Chingodola went to the marsh to fetch water, then to fetch firewood and after that to look for relish. Her husband was annoyed that she did not come back sooner and began to swear at her and said "Dammit, you are like a 'galo', a dog. Self delectative song with Kalimba.
- Full Text: false
- Date Issued: 1958
Mbeta
- Mbowela, Phiri (Performer), Simarambo, Phiri (Performer), Tracey, Hugh (Recordist)
- Authors: Mbowela, Phiri (Performer) , Simarambo, Phiri (Performer) , Tracey, Hugh (Recordist)
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187102 , vital:44565 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-23
- Description: "It is a bad thing to have no husband. A man forced me to sleep with him. Then the people said I was bad woman!" The Gwetisa is a dance performed at parties or at any time they say, when people are gathered together. The 'echoed' style of singing is familiar to most of central Nyasaland and the celeste caused between the two voices appears as over-modulation on the recording. Gwesta dance song for men and women
- Full Text: false
- Date Issued: 1950
- Authors: Mbowela, Phiri (Performer) , Simarambo, Phiri (Performer) , Tracey, Hugh (Recordist)
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187102 , vital:44565 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-23
- Description: "It is a bad thing to have no husband. A man forced me to sleep with him. Then the people said I was bad woman!" The Gwetisa is a dance performed at parties or at any time they say, when people are gathered together. The 'echoed' style of singing is familiar to most of central Nyasaland and the celeste caused between the two voices appears as over-modulation on the recording. Gwesta dance song for men and women
- Full Text: false
- Date Issued: 1950
Mulungu analenga Adamu ndi Eva
- Mikaeli Husen Phiri, Mulale school children, Hugh Tracey
- Authors: Mikaeli Husen Phiri , Mulale school children , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186310 , vital:44484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-07
- Description: "God made Adam and Eve from earth." A system of drilling and physical training to music for very snall children. The various actions of the drill are accompanied by the drums with a song in between action. One of the actions here included was making the sign of the cross. The children were pupils at an out station of the nearby Catholic Mission at Likuni. Note how the children naturally play 2 against 3, the double time of the drums against the triple time of the piece of metal and sing in paraell. Three physical excercises to music, with 1 large and 2 small bass drums and a piece of metal
- Full Text: false
- Date Issued: 1950
- Authors: Mikaeli Husen Phiri , Mulale school children , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186310 , vital:44484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-07
- Description: "God made Adam and Eve from earth." A system of drilling and physical training to music for very snall children. The various actions of the drill are accompanied by the drums with a song in between action. One of the actions here included was making the sign of the cross. The children were pupils at an out station of the nearby Catholic Mission at Likuni. Note how the children naturally play 2 against 3, the double time of the drums against the triple time of the piece of metal and sing in paraell. Three physical excercises to music, with 1 large and 2 small bass drums and a piece of metal
- Full Text: false
- Date Issued: 1950
Nkhanu (The crab)
- Miriam Nyalongwe and Chewa women, Hugh Tracey
- Authors: Miriam Nyalongwe and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159667 , vital:40325 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-13
- Description: There was once a crab which was trying to eat the husks of millet and the owner drove it away. When it went back into the water it told its mother that people were driving it away. The mother said "Leave them, they will come to draw water and we will see them." But when they came to draw water they found the crab telling its mother and they were afraid and ran back to the village to tell the boys who came with their bows and arrows to kill the crab, as they were afraid the crab might in some way take its revenge for being denied food. Story.
- Full Text: false
- Date Issued: 1958
- Authors: Miriam Nyalongwe and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159667 , vital:40325 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-13
- Description: There was once a crab which was trying to eat the husks of millet and the owner drove it away. When it went back into the water it told its mother that people were driving it away. The mother said "Leave them, they will come to draw water and we will see them." But when they came to draw water they found the crab telling its mother and they were afraid and ran back to the village to tell the boys who came with their bows and arrows to kill the crab, as they were afraid the crab might in some way take its revenge for being denied food. Story.
- Full Text: false
- Date Issued: 1958
Nkhanu (The crab)
- Miriam Nyalongwe and Chewa women, Hugh Tracey
- Authors: Miriam Nyalongwe and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159676 , vital:40324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-13
- Description: There was once a crab which was trying to eat the husks of millet and the owner drove it away. When it went back into the water it told its mother that people were driving it away. The mother said "Leave them, they will come to draw water and we will see them." But when they came to draw water they found the crab telling its mother and they were afraid and ran back to the village to tell the boys who came with their bows and arrows to kill the crab, as they were afraid the crab might in some way take its revenge for being denied food. Story.
- Full Text: false
- Date Issued: 1958
- Authors: Miriam Nyalongwe and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159676 , vital:40324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-13
- Description: There was once a crab which was trying to eat the husks of millet and the owner drove it away. When it went back into the water it told its mother that people were driving it away. The mother said "Leave them, they will come to draw water and we will see them." But when they came to draw water they found the crab telling its mother and they were afraid and ran back to the village to tell the boys who came with their bows and arrows to kill the crab, as they were afraid the crab might in some way take its revenge for being denied food. Story.
- Full Text: false
- Date Issued: 1958
Wasepuka na mbuzi
- Mkwandawiri, Wareni, Henga and Nyanja grils of Blantyre Secondary School, Tracey, Hugh
- Authors: Mkwandawiri, Wareni , Henga and Nyanja grils of Blantyre Secondary School , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185804 , vital:44432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-02
- Description: There was once a pair of twin boys who were herding their goats. They decided to try to find out which was the fatter abd so they cut each other's stomach open to find out. The second twin died from the woound. A bird saw all this and went to tell their parents. When questioned the other twin lied saying that the second twin had been gored by a goat. Thereupon the people took the twin and killed him too for killing his twin brother. (The story was not fully finished on the record). Story with song
- Full Text: false
- Date Issued: 1950
- Authors: Mkwandawiri, Wareni , Henga and Nyanja grils of Blantyre Secondary School , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185804 , vital:44432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-02
- Description: There was once a pair of twin boys who were herding their goats. They decided to try to find out which was the fatter abd so they cut each other's stomach open to find out. The second twin died from the woound. A bird saw all this and went to tell their parents. When questioned the other twin lied saying that the second twin had been gored by a goat. Thereupon the people took the twin and killed him too for killing his twin brother. (The story was not fully finished on the record). Story with song
- Full Text: false
- Date Issued: 1950
Ine ndaleka sanje (I have left my jealousy)
- Authors: Mugizi Mware , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159997 , vital:40365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-03
- Description: The first wife of a certain man was jealous of the younger wife. The husband was arguing with her but she replied that she had indeed put jealousy behind her in the hut of her children. Her children were in fact her consolation. "I left my jealousy in the house of my son. Come and kneel, I have left my jealousy. Lament with Karigo one string bowed lute.
- Full Text: false
- Date Issued: 1958
- Authors: Mugizi Mware , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159997 , vital:40365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-03
- Description: The first wife of a certain man was jealous of the younger wife. The husband was arguing with her but she replied that she had indeed put jealousy behind her in the hut of her children. Her children were in fact her consolation. "I left my jealousy in the house of my son. Come and kneel, I have left my jealousy. Lament with Karigo one string bowed lute.
- Full Text: false
- Date Issued: 1958
Vinyatsi Mjila (Grass on the road)
- Authors: Mugizi Mware , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kotakota, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153730 , vital:39504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-21
- Description: "Much grass on the road, take it all. When we walk we get tired of too much grass on the road." It is not easy to walk on dry grass as it is to slippery and the feet slip backwards and make you tired. The old player reflects a portion of country commonplace truth in this repetative little song. Humorous song with one string lute, Karigo.
- Full Text: false
- Date Issued: 1958
- Authors: Mugizi Mware , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kotakota, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153730 , vital:39504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-21
- Description: "Much grass on the road, take it all. When we walk we get tired of too much grass on the road." It is not easy to walk on dry grass as it is to slippery and the feet slip backwards and make you tired. The old player reflects a portion of country commonplace truth in this repetative little song. Humorous song with one string lute, Karigo.
- Full Text: false
- Date Issued: 1958
Kudandaule (Don't worry)
- Mujodi Havuliwa, Hugh Tracey
- Authors: Mujodi Havuliwa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160701 , vital:40502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-16
- Description: The player is a well-known local entertainer. His Chakwana flute has two finger holes, closed at both ends and is side blown. "Do not worry. Ho-you have cried! Ho-Mother." Party song with Chakwana flute.
- Full Text: false
- Date Issued: 1958
- Authors: Mujodi Havuliwa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160701 , vital:40502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-16
- Description: The player is a well-known local entertainer. His Chakwana flute has two finger holes, closed at both ends and is side blown. "Do not worry. Ho-you have cried! Ho-Mother." Party song with Chakwana flute.
- Full Text: false
- Date Issued: 1958
Tenga, Tenga (Take, take)
- Mujodi Havuliwa, Hugh Tracey
- Authors: Mujodi Havuliwa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160714 , vital:40504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-17
- Description: "Take, take, take-hold it carefully. Mother-sister-I call." Party song with Chakwana flute.
- Full Text: false
- Date Issued: 1958
- Authors: Mujodi Havuliwa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160714 , vital:40504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-17
- Description: "Take, take, take-hold it carefully. Mother-sister-I call." Party song with Chakwana flute.
- Full Text: false
- Date Issued: 1958
Kantengo (The tree)
- Authors: Muzize Mwane , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160025 , vital:40371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-06
- Description: "The tree that is in my father's garden has spoiled my dance. My friends, I worry too much about this tree spoiling my dance. Father, you have spoiled my dance with the tree you cut down in your garden." The Gule dance, they say, is done with masks. Dance song for Gule dance (Zinyau mask dance) with Karigo one stringed bowed lute.
- Full Text: false
- Date Issued: 1958
- Authors: Muzize Mwane , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160025 , vital:40371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-06
- Description: "The tree that is in my father's garden has spoiled my dance. My friends, I worry too much about this tree spoiling my dance. Father, you have spoiled my dance with the tree you cut down in your garden." The Gule dance, they say, is done with masks. Dance song for Gule dance (Zinyau mask dance) with Karigo one stringed bowed lute.
- Full Text: false
- Date Issued: 1958
Dzombe Rija (My Grasshopper)
- Authors: Muzize Mware , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kotakota District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153833 , vital:39529 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-08
- Description: "Where does that grasshopper of mine sleep? I won't eat until everyone helps me to catch it."
- Full Text: false
- Date Issued: 1958
- Authors: Muzize Mware , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kotakota District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153833 , vital:39529 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-08
- Description: "Where does that grasshopper of mine sleep? I won't eat until everyone helps me to catch it."
- Full Text: false
- Date Issued: 1958
Kuklala pafupi (If it was near)
- Nazaro Ngoma and Chewa men, Hugh Tracey
- Authors: Nazaro Ngoma and Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153615 , vital:39487 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-10
- Description: "Let me drink and go, father, and make me a witness myself." The cheerful confusion of this drinking song is typical of the country, and the meaning of the words is obsecure. It is suggested that it refers to death and the fact that did they but know what happened after death they would accompany the dead. "If it was only close by where my father went I would go with him, indeed, I would go with him.". Drinking song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Nazaro Ngoma and Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153615 , vital:39487 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-10
- Description: "Let me drink and go, father, and make me a witness myself." The cheerful confusion of this drinking song is typical of the country, and the meaning of the words is obsecure. It is suggested that it refers to death and the fact that did they but know what happened after death they would accompany the dead. "If it was only close by where my father went I would go with him, indeed, I would go with him.". Drinking song with clapping.
- Full Text: false
- Date Issued: 1958
Toleka ntamwako (Let me drink)
- Nazaro Ngoma and Chewa men, Hugh Tracey
- Authors: Nazaro Ngoma and Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153606 , vital:39486 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-09
- Description: "Let me drink and go, father, and make me a witness myself." It appears to be usual for a couple of friends to start singing by singing against each other in a set pattern. Drinking song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Nazaro Ngoma and Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153606 , vital:39486 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-09
- Description: "Let me drink and go, father, and make me a witness myself." It appears to be usual for a couple of friends to start singing by singing against each other in a set pattern. Drinking song with clapping.
- Full Text: false
- Date Issued: 1958
Uku ndapita ine
- Nyirenda, Ganizani, Tracey, Hugh
- Authors: Nyirenda, Ganizani , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186603 , vital:44516 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-16
- Description: Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Nyirenda, Ganizani , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186603 , vital:44516 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-16
- Description: Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Tiziyendelana
- Nyirenda, Ganizani, Tracey, Hugh
- Authors: Nyirenda, Ganizani , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186617 , vital:44518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-18
- Description: This is his own composition. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Nyirenda, Ganizani , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186617 , vital:44518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-18
- Description: This is his own composition. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Tayamba kumba vifya, tamu Chifila
- Oxendale Mateu Nkata, Tonga men, Hugh Tracey
- Authors: Oxendale Mateu Nkata , Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184949 , vital:44291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-16
- Description: The style of this song appears to arise from the popular Malipenga dance which derives much of its colour from European taught melodies. Topical song
- Full Text: false
- Date Issued: 1957
- Authors: Oxendale Mateu Nkata , Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184949 , vital:44291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-16
- Description: The style of this song appears to arise from the popular Malipenga dance which derives much of its colour from European taught melodies. Topical song
- Full Text: false
- Date Issued: 1957
Kumtondo mwana amalira (At the pounding place the child was crying)
- P. G. Kalumbamoyo and 2 Chewa women, Hugh Tracey
- Authors: P. G. Kalumbamoyo and 2 Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kota Kota, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153712 , vital:39502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-19
- Description: This is really a woman's song but here sung by 3 men and is said to be typical of Chewa songs of this nature. "At the pounding place the child was crying. What is it crying for? What is the reason for my child to be beaten? What is it crying for? Let's go, let's go quickly to Jesus, go quickly. Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: P. G. Kalumbamoyo and 2 Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kota Kota, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153712 , vital:39502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-19
- Description: This is really a woman's song but here sung by 3 men and is said to be typical of Chewa songs of this nature. "At the pounding place the child was crying. What is it crying for? What is the reason for my child to be beaten? What is it crying for? Let's go, let's go quickly to Jesus, go quickly. Topical song.
- Full Text: false
- Date Issued: 1958
Chakunaka
- Paulosi Jere, Henga and Nyanja grils of Blantyre Secondary School, Hugh Tracey
- Authors: Paulosi Jere , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185795 , vital:44430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-01
- Description: This story, told by an old woman, of the handsome young man and his jealous mother is almost identical with a similar story I found amongst the Karanga of Southern Rhodesia in 1932. The story concerns a handsome young man who wanted to get married but his jealous mother made him promise that he would not marry any girl who ate food cooked by her. Girl after girl was turned away until one discovered the secret pact, refused the mother's food and married the handsome son. The Ngoni of the Jiri clan came up through the southern regions of what became Southern Rhodesia sacking the settlement at Zimbabwe on their way. It is clear that they must have captured a girl from that region who bore her master children to whom she taught her own home stories in Karanga and they in turn handed them on to the next generation. In Bikita district Southern Rhodesia, the chorus sings:- "Tiende gore tiende gore" instead of the Ngoni in this version. "Ce ce gore, ce ce gore." Story with song
- Full Text: false
- Date Issued: 1950
- Authors: Paulosi Jere , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185795 , vital:44430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-01
- Description: This story, told by an old woman, of the handsome young man and his jealous mother is almost identical with a similar story I found amongst the Karanga of Southern Rhodesia in 1932. The story concerns a handsome young man who wanted to get married but his jealous mother made him promise that he would not marry any girl who ate food cooked by her. Girl after girl was turned away until one discovered the secret pact, refused the mother's food and married the handsome son. The Ngoni of the Jiri clan came up through the southern regions of what became Southern Rhodesia sacking the settlement at Zimbabwe on their way. It is clear that they must have captured a girl from that region who bore her master children to whom she taught her own home stories in Karanga and they in turn handed them on to the next generation. In Bikita district Southern Rhodesia, the chorus sings:- "Tiende gore tiende gore" instead of the Ngoni in this version. "Ce ce gore, ce ce gore." Story with song
- Full Text: false
- Date Issued: 1950
Awe wedikoyoyo (No meaning)
- Authors: Pearson Kapeni , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153788 , vital:39522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-03
- Description: "The women of Dowa desire very much to drink beer. Their work indeed is to drink beer. The women of Dowa, their work is to sell flour and flat cakes. And when they get home their marriage is broken. The women of Msoci, their work is to love the market place. And they was on Saturday only." I, Pearson Kapeni have troubles in the country of Dowa. This country hates me, why does it hate me? The reference to washing on Saturday is appreciated when one remembers that Saturday is market day in Dowa when the women put on their best clothes. The song struck home as it was true. Topical song with guitar.
- Full Text: false
- Date Issued: 1958
- Authors: Pearson Kapeni , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153788 , vital:39522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-03
- Description: "The women of Dowa desire very much to drink beer. Their work indeed is to drink beer. The women of Dowa, their work is to sell flour and flat cakes. And when they get home their marriage is broken. The women of Msoci, their work is to love the market place. And they was on Saturday only." I, Pearson Kapeni have troubles in the country of Dowa. This country hates me, why does it hate me? The reference to washing on Saturday is appreciated when one remembers that Saturday is market day in Dowa when the women put on their best clothes. The song struck home as it was true. Topical song with guitar.
- Full Text: false
- Date Issued: 1958