Msumeto. 9th Movement
- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Matauli Chitombe, Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191423 , vital:45096 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-04
- Description: A line of young girls including those who had danced their "Chingomani" dance during the morning moved up to the orchestra behind the line of men when they moved forward. This very short Msumetso was by way of being a skit on the impression left upon them by Portuguese music and military words of command, the dancers performing various typical actions of soilders being drilled with Kutokozela cries. The retreat, with preliminary cries. Orchestral dance with 16 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double Bass) and 4 Njele rattles.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191423 , vital:45096 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-04
- Description: A line of young girls including those who had danced their "Chingomani" dance during the morning moved up to the orchestra behind the line of men when they moved forward. This very short Msumetso was by way of being a skit on the impression left upon them by Portuguese music and military words of command, the dancers performing various typical actions of soilders being drilled with Kutokozela cries. The retreat, with preliminary cries. Orchestral dance with 16 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double Bass) and 4 Njele rattles.
- Full Text: false
- Date Issued: 1963
Mdano. 7th Movement
- Ngodo of Regulo Banguza, Mbuziana Tomo Buke (Leader), Fomeni Faduku, Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Mbuziana Tomo Buke (Leader) , Fomeni Faduku , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191535 , vital:45112 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-03
- Description: The singers start their song three repeats of the four-bar ground after the Kuvelusa indication. "Ho! Come Mahlatini. Come to your house." Mahlatini is the name of the the present Chief Zandamela's grandfather. It is not clear whether the name of the old chief or of his grandson is indicated in this song. Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Mbuziana Tomo Buke (Leader) , Fomeni Faduku , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191535 , vital:45112 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-03
- Description: The singers start their song three repeats of the four-bar ground after the Kuvelusa indication. "Ho! Come Mahlatini. Come to your house." Mahlatini is the name of the the present Chief Zandamela's grandfather. It is not clear whether the name of the old chief or of his grandson is indicated in this song. Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso waworaru. 3rd Movement
- Ngodo of Regulo Banguza, Mbuziana Tomo Buke (Leader), Fomeni Faduku, Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Mbuziana Tomo Buke (Leader) , Fomeni Faduku , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191517 , vital:45110 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-01
- Description: The coda contains three repeats of the ground after the indication (kuvelusa) given by Fomeni who led the playing of his own composition. Orchestral introduction with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Mbuziana Tomo Buke (Leader) , Fomeni Faduku , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191517 , vital:45110 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-01
- Description: The coda contains three repeats of the ground after the indication (kuvelusa) given by Fomeni who led the playing of his own composition. Orchestral introduction with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mzeno. 8th Movement
- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Matauli Chitombe, Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191404 , vital:45094 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-03
- Description: Unlike other villagers, the women sang Mzeno with the men. I had not previously seen this in any other Chopi village, but it now appears to have become popular and can be seen at Canda's village as well. No time limit was set for the rendering and consequently this represents a normal village performance. Orchestral dance with 16 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), and Njele rattles.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191404 , vital:45094 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-03
- Description: Unlike other villagers, the women sang Mzeno with the men. I had not previously seen this in any other Chopi village, but it now appears to have become popular and can be seen at Canda's village as well. No time limit was set for the rendering and consequently this represents a normal village performance. Orchestral dance with 16 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), and Njele rattles.
- Full Text: false
- Date Issued: 1963
Ngeniso. 4th Movement
- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191357 , vital:45089 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-09
- Description: Luzi Chowani is the name of the leader of the dancers. The drum which is used for this movement, in some but not all Chopi villages, is played to one side of the orchestra and slightly in front of the players. It is played rapidly with two sticks. The player was the son of Bokisi who came with me to Durban in 1943. The boy Kalozi is hoping that the girl Madikinyana will marry him and cherish his home. Orchestral dance with 16 Timbila xylophones, 2 Chilanzne (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double Bass) and 4 Njele rattles, 1 drum.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191357 , vital:45089 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-09
- Description: Luzi Chowani is the name of the leader of the dancers. The drum which is used for this movement, in some but not all Chopi villages, is played to one side of the orchestra and slightly in front of the players. It is played rapidly with two sticks. The player was the son of Bokisi who came with me to Durban in 1943. The boy Kalozi is hoping that the girl Madikinyana will marry him and cherish his home. Orchestral dance with 16 Timbila xylophones, 2 Chilanzne (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double Bass) and 4 Njele rattles, 1 drum.
- Full Text: false
- Date Issued: 1963
Msitso weRaru. 3rd Movement
- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191343 , vital:45087 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-08
- Description: Orchestral introductions with 16 Timbila xylophones, 1 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), and 4 Njele rattles.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191343 , vital:45087 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-08
- Description: Orchestral introductions with 16 Timbila xylophones, 1 Chilanzane (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), and 4 Njele rattles.
- Full Text: false
- Date Issued: 1963
Msitso wa gwita. 11th Movement
- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Matauli Chitombe, Tracey, Hugh
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191442 , vital:45098 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-06
- Description: The composer of this item, Matauli Chitombi sat on the left of the leader playing a Dole or Bingwe in the front row. The dancers sang to this item, a somewhat unusual practice, as most Msitso are not accompanied by a lyric, the orchestra finishing the dance by itself while the dancers leave the floor. In this case they stayed and sang the verse. Orchestral dance with Timbila xylophone orchestra.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Matauli Chitombe , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191442 , vital:45098 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-06
- Description: The composer of this item, Matauli Chitombi sat on the left of the leader playing a Dole or Bingwe in the front row. The dancers sang to this item, a somewhat unusual practice, as most Msitso are not accompanied by a lyric, the orchestra finishing the dance by itself while the dancers leave the floor. In this case they stayed and sang the verse. Orchestral dance with Timbila xylophone orchestra.
- Full Text: false
- Date Issued: 1963
Msitso wo Khata. 1st Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192683 , vital:45250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-08
- Description: There were 6 rattle players (Ndota we njele) and 28 to 30 dancers. For this dance the combined teams of dancers and musicians of both Regulo Canda and Cabo Mtoti were present. They were not well rehearsed and the performance would have been better with the teams separated. The tone quality of Regulo Canda's xylophones is always distinctive. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192683 , vital:45250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-08
- Description: There were 6 rattle players (Ndota we njele) and 28 to 30 dancers. For this dance the combined teams of dancers and musicians of both Regulo Canda and Cabo Mtoti were present. They were not well rehearsed and the performance would have been better with the teams separated. The tone quality of Regulo Canda's xylophones is always distinctive. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mzeno. 7th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193099 , vital:45298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-07
- Description: A group of about 40 young women and girls joined the Ngodo for this movement, standing behind the dancers in order to take part in the singing. They knew all the words of the lyric by heart even the smallest of them and sang lustily with harsh voices. This development (if it is such) was never seen by me in any Mzeno in the 1940's. The result is no improvement upon the men's voices alone as a song, but was enjoyed by the whole village. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193099 , vital:45298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-07
- Description: A group of about 40 young women and girls joined the Ngodo for this movement, standing behind the dancers in order to take part in the singing. They knew all the words of the lyric by heart even the smallest of them and sang lustily with harsh voices. This development (if it is such) was never seen by me in any Mzeno in the 1940's. The result is no improvement upon the men's voices alone as a song, but was enjoyed by the whole village. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msumeto and Tokozelo. 9th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Teni Gaichwome, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Teni Gaichwome , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193049 , vital:45293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-04
- Description: The somewhat ragged responses to the leader Kutokozela cries arose from the fact that the men of both villages, Canda and Mtoti, were not well rehearsed together, several of them having been away for some months working on the South African gold mines. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Teni Gaichwome , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193049 , vital:45293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-04
- Description: The somewhat ragged responses to the leader Kutokozela cries arose from the fact that the men of both villages, Canda and Mtoti, were not well rehearsed together, several of them having been away for some months working on the South African gold mines. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mzeno
- Ngodo of Regulo Canda, Hamela wa Ditsukale, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Hamela wa Ditsukale , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192745 , vital:45259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-11
- Description: The fine Mzeno (inserted here for comparison) was recorded in the same village just 14 years earlier, and is a useful guide to any change of style during that period. For purposes of this recording, the verses were not repeated as is usual with Mzeno. This Mzeno of Chief Mahikete (Canda) is about the payment of poll tax and the wish of the people to escape payment by running along to Mnyokowela in the Panda district, as they did in the old days when fighting against Shangaans. But, alas today the white men are at Panda also, so it would be no good. Orchestral dance with Timbila xylophones orchestra
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Hamela wa Ditsukale , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192745 , vital:45259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-11
- Description: The fine Mzeno (inserted here for comparison) was recorded in the same village just 14 years earlier, and is a useful guide to any change of style during that period. For purposes of this recording, the verses were not repeated as is usual with Mzeno. This Mzeno of Chief Mahikete (Canda) is about the payment of poll tax and the wish of the people to escape payment by running along to Mnyokowela in the Panda district, as they did in the old days when fighting against Shangaans. But, alas today the white men are at Panda also, so it would be no good. Orchestral dance with Timbila xylophones orchestra
- Full Text: false
- Date Issued: 1963
Chibudu. 7th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193028 , vital:45291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-03
- Description: Owing to the large size of the combined orchestras and the many dancers the rattle players got out of time and caused consternation for a few moments until Lambo pulled them together again. Lambo is Ingilishi's son and grandson of old Muchinga "Hichi-o!". Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193028 , vital:45291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-03
- Description: Owing to the large size of the combined orchestras and the many dancers the rattle players got out of time and caused consternation for a few moments until Lambo pulled them together again. Lambo is Ingilishi's son and grandson of old Muchinga "Hichi-o!". Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mwemiso. 5th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193004 , vital:45288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-01
- Description: The dances did not dance for this movement as usual, thinking they were only needed for the song which goes with the movement. The name of this Mwemiso movement indicates the principal dance action, that of pointing both arms forward with shield and stick, but the meaning of the name is uncertain. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193004 , vital:45288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-01
- Description: The dances did not dance for this movement as usual, thinking they were only needed for the song which goes with the movement. The name of this Mwemiso movement indicates the principal dance action, that of pointing both arms forward with shield and stick, but the meaning of the name is uncertain. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wo wombidi. 2nd Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Solomon Semendi, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Solomon Semendi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192703 , vital:45252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-09
- Description: Led by the composer Solomon Semendi, this Msitso approximates in style the Msitso of Komukomu of Regulo Banguza, who died recently. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Solomon Semendi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192703 , vital:45252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-09
- Description: Led by the composer Solomon Semendi, this Msitso approximates in style the Msitso of Komukomu of Regulo Banguza, who died recently. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso Kugwitisa. 11th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Hanyane Waini, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Hanyane Waini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193089 , vital:45297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-06
- Description: This movement was led by Faifiani Faife. The name of this man means 'The little five of five'. His father had taken the English numerical '5' as a name and so his son was called 'Small Five' or 'Five Junior', but his surname being taken from that of his father, and not an old 'Mituno' name was........ (missing words). Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Hanyane Waini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193089 , vital:45297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-06
- Description: This movement was led by Faifiani Faife. The name of this man means 'The little five of five'. His father had taken the English numerical '5' as a name and so his son was called 'Small Five' or 'Five Junior', but his surname being taken from that of his father, and not an old 'Mituno' name was........ (missing words). Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mchuio. 6th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193019 , vital:45290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-02
- Description: The dancers considered that someone had made a mistake during the course of the movement, hence the argument that broke out at the end. This kind of disagreement rarely happens in a single village but only when the dancers and players of two or more villages combine without adequate rehearsal. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193019 , vital:45290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-02
- Description: The dancers considered that someone had made a mistake during the course of the movement, hence the argument that broke out at the end. This kind of disagreement rarely happens in a single village but only when the dancers and players of two or more villages combine without adequate rehearsal. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mabandla. 10th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Mcheni Bobo, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Mcheni Bobo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193080 , vital:45296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-05
- Description: The last movement by the dancers. This movement was led by the composer, Mcheni Bobo. The dancers complete the Ngodo in the usual manner by dancing in pairs out in front of the line. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Mcheni Bobo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193080 , vital:45296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-05
- Description: The last movement by the dancers. This movement was led by the composer, Mcheni Bobo. The dancers complete the Ngodo in the usual manner by dancing in pairs out in front of the line. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wo woraru. 3rd Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192735 , vital:45255 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-10
- Description: Lambo Diki Muchinga is the son and grandson of two famous Timbila makers in this district Muchinga, who died about 1945 and his son Ngilishi Muchina who, between them, have made most of the beautiful instruments of these two Migodo of Regulo Canda and Cabo Mtoti. By some strange oversight the fourth movement, the Ngeniso, entry of the dancers, was omitted, the leader going straight on his Mweniso. This error was not noticed until too late. It was caused perhaps by the fact that the dancers had already been dancing before our arrival since early morning and so were, so to speak, already on the dance floor. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192735 , vital:45255 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-10
- Description: Lambo Diki Muchinga is the son and grandson of two famous Timbila makers in this district Muchinga, who died about 1945 and his son Ngilishi Muchina who, between them, have made most of the beautiful instruments of these two Migodo of Regulo Canda and Cabo Mtoti. By some strange oversight the fourth movement, the Ngeniso, entry of the dancers, was omitted, the leader going straight on his Mweniso. This error was not noticed until too late. It was caused perhaps by the fact that the dancers had already been dancing before our arrival since early morning and so were, so to speak, already on the dance floor. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mzeno
- Ngodo of Regulo Kenge, Venacio Mbande (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Kenge , Venacio Mbande (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kenge f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190219 , vital:44975 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-08
- Description: The leader and composer of the Mzeno, Mbande, had little support from his orchestra in this recording as the occasion was not normal, there were too many other distractions at the fiesta. The drums of the Ndau team of dancers nearby can be heard in the background towards the end of this item. ain the crowd and guests. Orchestral dance, with 5 Timbila xylophones and 1 rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Kenge , Venacio Mbande (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kenge f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190219 , vital:44975 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-08
- Description: The leader and composer of the Mzeno, Mbande, had little support from his orchestra in this recording as the occasion was not normal, there were too many other distractions at the fiesta. The drums of the Ndau team of dancers nearby can be heard in the background towards the end of this item. ain the crowd and guests. Orchestral dance, with 5 Timbila xylophones and 1 rattle.
- Full Text: false
- Date Issued: 1963
Mzeno (of Quengue)
- Ngodo of Regulo Kenge, Venacio Mbande (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Kenge , Venacio Mbande (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kenge f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190210 , vital:44974 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-07
- Description: The Chopi of the Homoine District are the most easterly of all the Chopi/Tonga. These two Mzeno of Chief Kenge (Quengue) were not recorded under ideal conditions. This Ngodo was present at Chief Nhamuswa's about 20 miles from their home village for a sopecial fiesta to declare a new flag staff, and to entertain the crowd and guests. Orchestral dance, with 15 Timbila xylophones and 1 Njele rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Kenge , Venacio Mbande (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kenge f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190210 , vital:44974 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-07
- Description: The Chopi of the Homoine District are the most easterly of all the Chopi/Tonga. These two Mzeno of Chief Kenge (Quengue) were not recorded under ideal conditions. This Ngodo was present at Chief Nhamuswa's about 20 miles from their home village for a sopecial fiesta to declare a new flag staff, and to entertain the crowd and guests. Orchestral dance, with 15 Timbila xylophones and 1 Njele rattle.
- Full Text: false
- Date Issued: 1963