Showing items 1861 - 1880 of 23597

Your selections:

Banda mai dodile lulanda

- Myundu Gabriel (Dilele munenge flute), Kwadi Bonza (Chisanzhi), Luba men and women, Hugh Tracey

  • Authors: Myundu Gabriel (Dilele munenge flute) , Kwadi Bonza (Chisanzhi) , Luba men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kabongo f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183891 , vital:44081 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-02
  • Description: When asked why they played music like this, they replied, "To give our haters courage." In view of the severe troubles with which they and their people were to be confronted in the years ahead one can only hope that their music did indeed give them and their families that courage to face their ordeals in the Kasai and the Katanga so shortly to overtake them. The flute player uses voiced notes while he blows. The music is sometimes played to the "Sultan", the chief, 'in order to refresh his spirit'. Nyundu Gabriel said that when he was feeling sad, tired of depressed he would play this music to cheer himself up. The Chisanzhi (Mbira) keeps up a fascinating accompaniment. (See also TR 39 and TR 40). Self delectative song with sibe blown flute and Chisanzhi (-13.37206 x 18-)
  • Full Text: false
  • Date Issued: 1957

Bandametu womgeniso movement of Ngodo of Regulo Nyankowango 1955

- Nyankowango, Kumbani, Hafu, Tracey, Hugh

Bande Lam

- Boston Stars, Ngwangqa, Samuel, Tracey, Hugh

Bande lami>

- Six, Lo, not specified, Ramokgopa, T, Tracey, Hugh

Bandiya Yo

- Nakule Nguba, Accompanied, Performer not specified, Composer not specified, Tracey, Hugh

Bandiya yo

- Nakule ,and two other players and dancers, Hugh Tracey

  • Authors: Nakule ,and two other players and dancers , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Nguru f-cg
  • Language: Zande/Bandiya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/167803 , vital:41511 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-03
  • Description: These loose note xylophones are played by three ad sometimes four men sitting on either side of the instrument. The Zande dance is performed in a circle to the cheerful sound of the xylophone. All the dancers move in union with small steps in a set pattern which ensures that the circle moves around gradually in an anti-clockwise direction. A characteristic gesture by Zande dancers is the holding out of the hands, palms upwards gently raising and lowering the forearms in time with the music. Zande dance with Kponingbo xylophone.
  • Full Text: false
  • Date Issued: 1952

Bane lekeni chichawa

- Bemba boys and girls at Mbereshi, performer not specified, composer not specified, Tracey, Hugh

Bane lekeni cicawa

- Boys and girls of Mbereshi, Composer not specified, Tracey, Hugh

Banele Song

- Performer not specified, Composer not specified, Dargie, Dave

Banga

- Zaka Francois and Benge wommen, Hugh Tracey

  • Authors: Zaka Francois and Benge wommen , Hugh Tracey
  • Date: 1952
  • Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bondo f-cg
  • Language: Benge-Baati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168935 , vital:41662 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-09
  • Description: The notes of this instrument had holes pierced at one end to enable them to be fixed to the banana stalk by slips of bamboo. The beaters are made of a light fibrous wood (Dukwa) and are called Yokobu. The wood used to make the notes is called Ngula, and is also used to make slit drums. It is red when cut. It is sometimes used, they say, to make furniture for Europeans. Topical song with Kpingbi, six note xylophone, loose notes, one peg each, on banana stalks.
  • Full Text: false
  • Date Issued: 1952

Banga ramhinghigai

- Rhodesian Glee Singers, Performer not specified, Composer not specified, Tracey, Hugh

Banga ramhinghigai

- Rhodesian Glee Singers, Performer not specified, Composer not specified, Tracey, Hugh

Bangan Nkosi

- Church Choir, Composer Not Specified, Dargie, Dave

Bangan Nkosi

- Church Choir, Composer Not Specified, Dargie, Dave

Bangi chela manga

- George Sibanda, performer not specified, composer not specified, Tracey, Hugh

Bangibophe

- Solomon Linda's Original Evening Birds, performer not specified, Composer not specified, Tracey, Hugh

Bangisa

- Amos Tshikudu, performer not specified, composer not specified, Tracey, Hugh

Banhloile Bakgalabje

- Mafogo, Lukas, Shaai, Phineas, Composer Not Specified, Dargie, Dave

Baningba

- Iyenga Francois and friend Eleo, Hugh Tracey

  • Authors: Iyenga Francois and friend Eleo , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bondo f-cg
  • Language: Zande/Bandiya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/167422 , vital:41478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-11
  • Description: The Zande are a Sudanic people and are found along the north eastern border of the Congo and Southern Sudan. They are an active military tribe with great influence and power in the whole of this area, their young men being noted for their bravery. This tune set to a topical song is in the common Zande dance measure and a Zande audience hearing it would be likely to start their attractive dance action in spite of the accompanying instrument being a Likembe and not a xylophone which is commonly used for dancing on account of its greater volume of sound. The player tuned up his instrument begining with the tone centre 440 vs. The order of notes from left to right was:- 880, 648, 488, 360, 244, 220, 180, 324, 440, 584, 720, 292 vs. Topical song with 2 Ekembe, 12 note Likembe Mbiras.
  • Full Text: false
  • Date Issued: 1952

Baningba

- Francois Iyenga, Performer not specified, Composer not specified, Tracey, Hugh

  • Disclaimer
  • Privacy
  • Copyright
  • Contact