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Sekelele tawona tengwa ipya

- Composer not specified, Group of Tumbuka men (Performers), Hugh Tracey

Senda kabo

- Chibanga Kalulu (Performer), Kazari Inosa (Performer), Composer not specified, Hugh Tracey

Shabansa katende

- Ngoi Nono, Kabongo Anastase with 9 Luba men, Hugh Tracey

Shana ntakwiyini (Now, what shall I do)

- Rafael Ubisi, Hugh Tracey

  • Authors: Rafael Ubisi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Vilanculos f-mz
  • Language: Tswa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136197 , vital:37348 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-02
  • Description: This item demonstrates clever singing in cross rhythms. Humorous song with Mbira dza waNdau with bell and 3 manuals.
  • Full Text: false
  • Date Issued: 1957

Sheme yasenzana wa mai-we

- 2 Tonga women and 2 young girls, Hugh Tracey

Shendamundale banana (I am a very worried man)

- Alexander Muhiana and Griffis Kopo, Hugh Tracey

Shiwifulunganye ifunde (Thou shall not interfere with the law of the Sabbath)

- Bancroft 7th Day Adventist Choir, Arr. Sankey and Moody, Hugh Tracey

  • Authors: Bancroft 7th Day Adventist Choir , Arr. Sankey and Moody , Hugh Tracey
  • Date: 1957
  • Subjects: Hymns, Bemba , Africa Zambia Bancroft Mine f-za
  • Language: bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135490 , vital:37271 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0024-11
  • Description: The hymn is typical of those which are now being compiled by separatist congregations. Most of the melodies have been absorbed, digested and handed on in the oral folk tradition, so that it is now nearly impossible to trace their parentage. With each succeeding generation they appear to become more and more African in spirit and execution. 2 Hymns
  • Full Text: false
  • Date Issued: 1957

Shiya bantwana nosela ingavin (You leave the children alone whilst you go and drink 'gavin'

- Nomaswiti Citaumvano and Uvakutsiwo, Hugh Tracey

Sigorira (Who is crying)

- Mangwato Penge, Hugh Tracey

Simbayoka mwisale kwa limubunga (The Simbayoka is a dance for loose women)

- Group of 12 Lozi men and women, Hugh Tracey

Simongoma

- Muimui Nasirere, Hugh Tracey

  • Authors: Muimui Nasirere , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zambia Mongu district f-za
  • Language: Lozi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152092 , vital:39212 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-13
  • Description: The player has worked in a store in Livingstone for 5 years. He comes from Lyatolo village near Mongu in Barotseland. The mirliton would not stick onto the hole in the board, so he plugged it up with paper. The tuning of the instrument:- 276, 256, 224, 210, (188), 174, (154), 138. Self-delectative song with Kangombio mbira.
  • Full Text: false
  • Date Issued: 1957

Sina numeya weyeya mama ainanu memaye (A bird without feathers has no home)

- Group of 12 Lozi men and women, Hugh Tracey

  • Authors: Group of 12 Lozi men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
  • Language: Lozi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139787 , vital:37783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-07
  • Description: "Sina numeya weyeya mama sinanu memaya tulai ye sinameya ucyaya sina mumeya bakuto kwisize mwana sinanumeya." "A bird without feathers has no home; and is like a woman who roams about married and without a decent home." This song is also used for the Siamboka dance. Morality song.
  • Full Text: false
  • Date Issued: 1957

Sipenbela nkosi (We are waiting for the Chief)

- Group of 14 Ngoni men and chorus of women, Hugh Tracey

  • Authors: Group of 14 Ngoni men and chorus of women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
  • Language: Nyanja , Nsenga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137620 , vital:37543 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-13
  • Description: This was probably composed long ago when the people of Mzilikazi were being driven out of the Transvaal by the Boers in the middle of the nineteenth century. The singers agreed that this was a Ndebele song not of the Ngoni songs - but they said their languages were so similar that they had adopted it. Ngoma dance song with stamping and 1 pair of leg rattles.
  • Full Text: false
  • Date Issued: 1957

Sipero

- Mwendawai Sendowi, Hugh Tracey

  • Authors: Mwendawai Sendowi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zambia Mongu district f-za
  • Language: Lozi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152065 , vital:39209 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-11
  • Description: The player has worked at the museum as a gardner for the last 2 and half years. He comes from Namusa village in the Mongu District, from Mukwangwa clan. Self-delectative song with Kangombio mbira.
  • Full Text: false
  • Date Issued: 1957

Sisi woere hai

- Simon Mafiru Sithole (Performer), Composer not specified, Hugh Tracey

Sitimela ga puma e Rhodesia (The train comes from Rhodesia)

- Young men and boys, Hugh Tracey

Siyahamba (We are going)

- Midnight stars, Alfred Tafeni, Hugh Tracey

Siyakulindila utinina? (What are you waiting for?)

- Group of 14 Ngoni men abd chorus of women, Hugh Tracey

  • Authors: Group of 14 Ngoni men abd chorus of women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
  • Language: Nyanja , Nsenga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137547 , vital:37536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-12
  • Description: The song belongs to "umgubo" or, in Zulu "ihubo" type of regimental singing. They were sung by the Mpezeni regiment, in 1920. The last of the age groups to be called officially a regiment by the Ngoni tribe. Ngoma dance song with stamping and 1 pair of leg rattles.
  • Full Text: false
  • Date Issued: 1957

Siyemboka

- Balisa Ita Milopa, Hugh Tracey

  • Authors: Balisa Ita Milopa , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Mongu f-za
  • Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184078 , vital:44167 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-05
  • Description: This is a dance peformed at feasts of rejoicing such as the majority of a man on taking over from his dead father, or at the maturity of a girl. The recording was made at the Museum at Livingstone where the performers were engaged as full time musicians to play for the museum visitors. (See also TR67-10). The 'slit drum' was cracked and did not emit the usual clear tone of these gongs. The order of appearance od each instrument is as follows:- The tall conical drum starts: then at 10 seconds the slit drum or gong; at 23 seconds the xylophone; at 37 seconds the friction drum. At the end of the recording at 2m. 37 seconds, the friction drum plays alone. Siyemboka dance with Kajakiri conical drum, Singubu rectangular skit drum, Namalwa friction drum and Silimba xylophone
  • Full Text: false
  • Date Issued: 1957

Sole, maninga ndaba

- Group of 4 Luvale men, Hugh Tracey

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