Antiko lakamukulu
- Boys and girls from Inkaya village, Composer not specified, Tracey, Hugh
- Authors: Boys and girls from Inkaya village , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226578 , vital:49350 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R5
- Description: Indigenous folk song for the Makwaya dance, with singing and clapping.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Boys and girls from Inkaya village , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226578 , vital:49350 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R5
- Description: Indigenous folk song for the Makwaya dance, with singing and clapping.
- Full Text: false
- Date Issued: 1955-10-11
Ndlama-Maritinji
- Boys and girls of Chief Chiguqwana, Composer not specified, Tracey, Hugh
- Authors: Boys and girls of Chief Chiguqwana , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226540 , vital:49345 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R1
- Description: Indigenous folk song for the Makwaya dance, with singing accompanied by drumming.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Boys and girls of Chief Chiguqwana , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226540 , vital:49345 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R1
- Description: Indigenous folk song for the Makwaya dance, with singing accompanied by drumming.
- Full Text: false
- Date Issued: 1955-10-11
Ndlama
- Boys and girls of Chief Chiguqwana, Composer not specified, Tracey, Hugh
- Authors: Boys and girls of Chief Chiguqwana , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226549 , vital:49346 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R2
- Description: Indigenous folk song for the Makwaya dance, with singing accompanied by drumming.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Boys and girls of Chief Chiguqwana , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226549 , vital:49346 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R2
- Description: Indigenous folk song for the Makwaya dance, with singing accompanied by drumming.
- Full Text: false
- Date Issued: 1955-10-11
Awu ngali wanchumo
- Feliciano, Gomez Muntano, Tracey, Hugh
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226333 , vital:49322 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P6a
- Description: Indigenous folk song of lament with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-08
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226333 , vital:49322 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P6a
- Description: Indigenous folk song of lament with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-08
Godwa aswibasanga
- Feliciano, Gomez Muntano, Tracey, Hugh
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226323 , vital:49320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P5
- Description: Indigenous topical folk song with singing accompanied by 2 guitars.
- Full Text: false
- Date Issued: 1955-10-08
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226323 , vital:49320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P5
- Description: Indigenous topical folk song with singing accompanied by 2 guitars.
- Full Text: false
- Date Issued: 1955-10-08
Awu ngali wanchumo
- Feliciano, Gomez Muntano, Tracey, Hugh
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226350 , vital:49323 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P6b
- Description: Indigenous folk song of lament with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-08
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226350 , vital:49323 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P6b
- Description: Indigenous folk song of lament with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-08
Tingana mukon' wana
- Feliciano, Gomez Muntano, Tracey, Hugh
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226360 , vital:49325 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P7
- Description: Indigenous folk song of lament with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-08
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226360 , vital:49325 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P7
- Description: Indigenous folk song of lament with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-08
Zore I
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
Zore II
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore III
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Masesa
- Girls from Macia, Composer not specified, Tracey, Hugh
- Authors: Girls from Macia , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226665 , vital:49360 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT371-J22 , Research no. H1R11
- Description: Indigenous folk song for the Masese dance, with singing, drumming, whistling and clapping.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Girls from Macia , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226665 , vital:49360 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT371-J22 , Research no. H1R11
- Description: Indigenous folk song for the Masese dance, with singing, drumming, whistling and clapping.
- Full Text: false
- Date Issued: 1955-10-11
Siliva Bandi
- Group of 14 Tonga men, Composer not specified, Tracey, Hugh
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246561 , vital:51489 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M6
- Description: Unaccompanied 1st movement of the Malipenga dance song.
- Full Text: false
- Date Issued: 1957-08-16
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246561 , vital:51489 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M6
- Description: Unaccompanied 1st movement of the Malipenga dance song.
- Full Text: false
- Date Issued: 1957-08-16
Elesani banyanja kandhu ka doromo
- Group of 14 Tonga men, Composer not specified, Tracey, Hugh
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246592 , vital:51492 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M8
- Description: This is 3rd movement of the Malipenga dance song with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters accompaniment.
- Full Text: false
- Date Issued: 1957-08-16
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246592 , vital:51492 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M8
- Description: This is 3rd movement of the Malipenga dance song with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters accompaniment.
- Full Text: false
- Date Issued: 1957-08-16
Mungore
- Group of 14 Tonga men, Composer not specified, Tracey, Hugh
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246579 , vital:51491 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M7
- Description: This is 2nd movement of the Malipenga dance song with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters accompaniment.
- Full Text: false
- Date Issued: 1957-08-16
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246579 , vital:51491 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M7
- Description: This is 2nd movement of the Malipenga dance song with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters accompaniment.
- Full Text: false
- Date Issued: 1957-08-16
Maruvata
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189640 , vital:44916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-08
- Description: The name 'Bombo' is taken from the Portuguese for 'Bass Drum'. The Daiero drums were home made and joined together after the fashion of jazz 'Bongo' drums which they are intended to represent. The music played and sung by the drums and horns is supposed to be an imitation of jazz but would hardly be recognised as such by an outsider. The local GiTonga modality can be clearly heard in the pitch of their voices. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189640 , vital:44916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-08
- Description: The name 'Bombo' is taken from the Portuguese for 'Bass Drum'. The Daiero drums were home made and joined together after the fashion of jazz 'Bongo' drums which they are intended to represent. The music played and sung by the drums and horns is supposed to be an imitation of jazz but would hardly be recognised as such by an outsider. The local GiTonga modality can be clearly heard in the pitch of their voices. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
Maruraba
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189651 , vital:44917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-09
- Description: The Gulu was played with a rubber headed beater (like the Chopi 'Tikongo') and the hand. The two Daiero were played with a pair of light sticks. The style of dancing which has persisted among the GiTonga of the Inhambane region for many decades appears to be solely the dance du ventre, performed either by men or women in which almost every possible action of the pelvic region below the waist is employed with tedious repetition. It is doubtful whether teh dance music of the GiTonga would have any attractions for other local tribes. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189651 , vital:44917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-09
- Description: The Gulu was played with a rubber headed beater (like the Chopi 'Tikongo') and the hand. The two Daiero were played with a pair of light sticks. The style of dancing which has persisted among the GiTonga of the Inhambane region for many decades appears to be solely the dance du ventre, performed either by men or women in which almost every possible action of the pelvic region below the waist is employed with tedious repetition. It is doubtful whether teh dance music of the GiTonga would have any attractions for other local tribes. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
Kwaya III
- Hodzwana, Julio Temba, Girls from Macia, Composer not specified, Tracey, Hugh
- Authors: Hodzwana, Julio Temba , Girls from Macia , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226649 , vital:49359 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT371-J22 , Research no. H1R10
- Description: Indigenous folk song for the Kwaya dance, with singing, background cries and clapping.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Hodzwana, Julio Temba , Girls from Macia , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226649 , vital:49359 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT371-J22 , Research no. H1R10
- Description: Indigenous folk song for the Kwaya dance, with singing, background cries and clapping.
- Full Text: false
- Date Issued: 1955-10-11
Numero uno we Regulo Rumbane
- Jazzi Rumba (Group), Tamusi, Arone, and Gwambe (leaders), Tracey, Hugh
- Authors: Jazzi Rumba (Group) , Tamusi, Arone, and Gwambe (leaders) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189629 , vital:44914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-07
- Description: This tune is almost a round. Dance song.
- Full Text: false
- Date Issued: 1963
- Authors: Jazzi Rumba (Group) , Tamusi, Arone, and Gwambe (leaders) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189629 , vital:44914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-07
- Description: This tune is almost a round. Dance song.
- Full Text: false
- Date Issued: 1963
Wa Mambo
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227015 , vital:49402 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT375-J26 , Research no. H1R25
- Description: Indigenous historical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227015 , vital:49402 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT375-J26 , Research no. H1R25
- Description: Indigenous historical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-11
Kwongotela mwananga
- Kawano, Tonganyana Orelio, Composer not specified, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226764 , vital:49371 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT373-J24 , Research no. H1R16
- Description: Indigenous topical folk song with singing and guitar.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226764 , vital:49371 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT373-J24 , Research no. H1R16
- Description: Indigenous topical folk song with singing and guitar.
- Full Text: false
- Date Issued: 1955-10-11