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Ndoto (I am full)

- Chintuta Banda and group of Ngoni men and women, Hugh Tracey

Chilungulungu madje (The water snake)

- Chintuta Banda and group of Ngoni men and women, Hugh Tracey

Nkosi wotolera (The false chief)

- Chiwandira Mvula, Hugh Tracey

  • Authors: Chiwandira Mvula , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dowa, Mzimba District, Central Nyasaland f-mw
  • Language: Ngoni
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154938 , vital:39795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-15
  • Description: Some words are in Ngoni and some in the local Chewa. The apparent meaning of the words refers to some old dispute about a chieftsmanship, the false chief having died and the rightful chief re-instated. The player was very old and it seems his song refers to some event in past history of his early days or even before. Ngoma dance with Kalimba Mbira.
  • Full Text: false
  • Date Issued: 1959

Hololo we Bahurutshe Matebeyane (When we saw the Hurutshe approaching, we thought they were Ndebele)

- Daniel Ramokgadi and Sei Lobega, Hugh Tracey

Mamarutla

- Dingalo and group of young boys and girls, Hugh Tracey

  • Authors: Dingalo and group of young boys and girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165678 , vital:41270 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-06
  • Description: This song os sung with the accompanying dance, in order to ask the Chief's pernission to go to the initiation school. It seems the young would-be initiates must go to the Chief's house and dance and sing the whole night through. The leader of this group was the Chief's cousin. The boys dance, whilst the girls stand in a row, singing and clapping. The boys all carried long thin wands in their hands and were wearing short loin cloths and leg rattles made of the nests of a variety of wasp which resemble the cacoons of the bag-worm, though somewhat larger. The girls wore short skirts. Both boys and girls were between 15 and 16 years of age. Pre-initiation dance song with leg rattles - "Mathlao".
  • Full Text: false
  • Date Issued: 1959

Natal koa Boroa Tshukudu

- Dingalo and group of young boys and girls, Hugh Tracey

  • Authors: Dingalo and group of young boys and girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165688 , vital:41272 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-08
  • Description: This song os sung with the accompanying dance, in order to ask the Chief's pernission to go to the initiation school. It seems the young would-be initiates must go to the Chief's house and dance and sing the whole night through. The leader of this group was the Chief's cousin. The boys dance, whilst the girls stand in a row, singing and clapping. The boys all carried long thin wands in their hands and were wearing short loin cloths and leg rattles made of the nests of a variety of wasp which resemble the cacoons of the bag-worm, though somewhat larger. The girls wore short skirts. Both boys and girls were between 15 and 16 years of age. Pre-initiation dance song with leg rattles - "Mathlao".
  • Full Text: false
  • Date Issued: 1959

Maipetleko

- Dingalo and group of young boys and girls, Hugh Tracey

  • Authors: Dingalo and group of young boys and girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165683 , vital:41271 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-07
  • Description: This song os sung with the accompanying dance, in order to ask the Chief's pernission to go to the initiation school. It seems the young would-be initiates must go to the Chief's house and dance and sing the whole night through. The leader of this group was the Chief's cousin. The boys dance, whilst the girls stand in a row, singing and clapping. The boys all carried long thin wands in their hands and were wearing short loin cloths and leg rattles made of the nests of a variety of wasp which resemble the cacoons of the bag-worm, though somewhat larger. The girls wore short skirts. Both boys and girls were between 15 and 16 years of age. Pre-initiation dance song with leg rattles - "Mathlao".
  • Full Text: false
  • Date Issued: 1959

Kgosi boa-a Kegakilwe bakgosi boa (Chief Kegakilwe, the chieftainship is leaving us)

- Dintsa Marumolo and about 60 young men, Hugh Tracey

Ishetlhana e Tswerwe ke seokamo

- Dintsa Marumolo and about 60 young men, Hugh Tracey

  • Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
  • Language: Tswana/Rolong
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162367 , vital:40924 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-01
  • Description: The singers had just come back from initiation school. Here they use floor polish instead of the traditional red ochre with which to stain themselves. Several of them looked like Nilo Hamite men from Kenya and some of their songs also suggested the modality of those Northern tribes coincidence perhaps, but noticable. "The brown cow is held, caught and held prisoner and stands there all day. The other cows are also held fast in the same way. The brown yearling, our father's cow, ruled over nations while held flat." The words are allusive and symbolic. Male initiation song performed while in the veld.
  • Full Text: false
  • Date Issued: 1959

He mmalo khaka tshotsome (We have encircled the guinea-fowl)

- Dintsa Marumolo and about 60 young men, Hugh Tracey

Tomolang ka diatla (like putting up carrots with your hands)

- Dintsa Marumolo and about 60 young men, Hugh Tracey

  • Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
  • Language: Tswana/Rolong
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162382 , vital:40925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-02
  • Description: The singers had just come back from initiation school. Here they use floor polish instead of the traditional red ochre with which to stain themselves. Several of them looked like Nilo Hamite men from Kenya and some of their songs also suggested the modality of those Northern tribes coincidence perhaps, but noticable. The singers were waering tribal attire, skins, carrying sticks and knockberries, had their heads shaved except for a patch in the crwon and were stained red. "It is like pulling up carrots (by hand)! To be a policeman is a battle with your hands! Let us go and do it with our hands." 'Diatla'-hands. The word 'hands' is significant and the meaning of the song plays upon this word. Male initiation song performed while in the veld.
  • Full Text: false
  • Date Issued: 1959

Monnamogolo (Old man baboon)

- Dorothy Kgosilentswe and four young girls, Hugh Tracey

Le kae le watle (Where is the sea)

- Dorothy Kgosilentswe and four young girls, Hugh Tracey

Sa bona, bona, bona (We saw, we saw, we saw)

- Dorothy Kgosilentswe and four young girls, Hugh Tracey

Lelwa retswang teng resentse (We come from the place where we have killed)

- Eight Kwena men, Hugh Tracey

  • Authors: Eight Kwena men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Kwena (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Molepolole f-bs
  • Language: Tswana/Kwena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162817 , vital:40986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-09
  • Description: "We come from where we have killed. Oh, the greyhead! We-we! We praise our leader. We come from the place where we have killed. Once we killed the people of the Kalahari. We killed them and they killed us." According to the interpreter it appears that initiation songs among the Tswana follow a certin pattern and the same ones are sung by all the Tswana tribes, with local variations. Male initiation song.
  • Full Text: false
  • Date Issued: 1959

Wazizwa zitini zindata (What did you hear of the trouble)

- Elderly men of Chief Kachere, Hugh Tracey

Buyani Sangweni (Come to the gate)

- Elderly men of Chief Njolomole, Hugh Tracey

  • Authors: Elderly men of Chief Njolomole , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
  • Language: Ngoni
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
  • Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
  • Full Text: false
  • Date Issued: 1959

Udandani makulata

- Fainos Gasa, Hugh Tracey

Ayalero makulata

- Fainos Gasa, Hugh Tracey

Xhosa I (Saturday is a lonely day)

- Four men and group of women, Hugh Tracey

  • Authors: Four men and group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165660 , vital:41268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-04
  • Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
  • Full Text: false
  • Date Issued: 1959
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