Shangara pa chikaranga
- Stephen R. Gumbo, Hugh Tracey
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154132 , vital:39612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-03
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154132 , vital:39612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-03
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
Ayaya wo- mami- yami- e
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137047 , vital:37482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-03
- Description: The drums are introduced one after the other, the third drum being heavily weighted and having a distinct buzzing tone, takes the main syncopation. The voices are introduced a full minute after the drums have set the rhythm. Chisira initiation dance with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137047 , vital:37482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-03
- Description: The drums are introduced one after the other, the third drum being heavily weighted and having a distinct buzzing tone, takes the main syncopation. The voices are introduced a full minute after the drums have set the rhythm. Chisira initiation dance with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Date Issued: 1957
Ntende
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139481 , vital:37742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-08
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139481 , vital:37742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-08
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
Yawiyanga, ya kulumbata nyama
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137060 , vital:37484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-04
- Description: The song is sung to celebrate the arrival of a hunter bringing back his booty. Song after hunting with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137060 , vital:37484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-04
- Description: The song is sung to celebrate the arrival of a hunter bringing back his booty. Song after hunting with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Date Issued: 1957
Andanyero mamamba
- Ebogoma Gabriel, Hugh Tracey
- Authors: Ebogoma Gabriel , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166860 , vital:41412 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-13
- Description: Likembe songs such as this are the delight of the evening audiences in the huts at night. The subtle changes of rhythm enhance its otherwise simple theme. He re-tuned his instrument for this song as follows:- 800, 608, 488, 324, 276, 244, 400, 544, 656, 712, 364. (552) (648) (728). This scale was knocked slightly out of tune during playing. (See notes in brackets). There appears to be a note missing between 488 vs, and 400 vs. - unless the player deliberatly requred s hexatonic mode. Topical song wih Neikembe, Likembe.
- Full Text: false
- Date Issued: 1952
- Authors: Ebogoma Gabriel , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166860 , vital:41412 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-13
- Description: Likembe songs such as this are the delight of the evening audiences in the huts at night. The subtle changes of rhythm enhance its otherwise simple theme. He re-tuned his instrument for this song as follows:- 800, 608, 488, 324, 276, 244, 400, 544, 656, 712, 364. (552) (648) (728). This scale was knocked slightly out of tune during playing. (See notes in brackets). There appears to be a note missing between 488 vs, and 400 vs. - unless the player deliberatly requred s hexatonic mode. Topical song wih Neikembe, Likembe.
- Full Text: false
- Date Issued: 1952
Awu mungoya wetu amusolile konongo Part I
- Madeje Matengo with Gogo men and women, Hugh Tracey
- Authors: Madeje Matengo with Gogo men and women , Hugh Tracey
- Date: 1950
- Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
- Language: Gogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/174243 , vital:42458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-01
- Description: "The English and the Germans came and still come into our country. What so they want? We do not know them well. This song of ours comes from the Nyamwezi." A lovely chant sung before dancing, by a most decorative people. They sing also about their soilders who fought in the 1939-45 war, and how they went to the Middle East and Ceylon. The song is one of the typical sung legends or epics of the Gogo who are renowned for their compositions of this nature. In the first part the young composer and his friend sing an introduction and at 1m 30s after the start they introduce the chorus of men and women who are standing in line of dance three or four deep. The soilders line each phrase caling "Kanyi" when they want a phrase or stanza repeated. Nindo praise song
- Full Text: false
- Date Issued: 1950
- Authors: Madeje Matengo with Gogo men and women , Hugh Tracey
- Date: 1950
- Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
- Language: Gogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/174243 , vital:42458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-01
- Description: "The English and the Germans came and still come into our country. What so they want? We do not know them well. This song of ours comes from the Nyamwezi." A lovely chant sung before dancing, by a most decorative people. They sing also about their soilders who fought in the 1939-45 war, and how they went to the Middle East and Ceylon. The song is one of the typical sung legends or epics of the Gogo who are renowned for their compositions of this nature. In the first part the young composer and his friend sing an introduction and at 1m 30s after the start they introduce the chorus of men and women who are standing in line of dance three or four deep. The soilders line each phrase caling "Kanyi" when they want a phrase or stanza repeated. Nindo praise song
- Full Text: false
- Date Issued: 1950
Were ruoth Jesu
- Elisha Nyakango, Hugh Tracey
- Authors: Elisha Nyakango , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kasipul f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177862 , vital:42883 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR166-11
- Description: The singer belongs to the Seventh Day Adventist Church. He sings that Jesus came to earth to teach people to be ready for heaven. Wend Nyashye Religious chants with Thum 8 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Elisha Nyakango , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kasipul f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177862 , vital:42883 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR166-11
- Description: The singer belongs to the Seventh Day Adventist Church. He sings that Jesus came to earth to teach people to be ready for heaven. Wend Nyashye Religious chants with Thum 8 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Title Not Specified
- Dyiwili, Nofinishi, Composer Not Specified, Dargie, Dave
- Authors: Dyiwili, Nofinishi , Composer Not Specified , Dargie, Dave
- Date: Date not specified
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko f-sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/316546 , vital:59841 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD138-11
- Description: Traditional Xhosa Meditation Music with Umrhube bow accompaniment.
- Full Text: false
- Date Issued: Date not specified
- Authors: Dyiwili, Nofinishi , Composer Not Specified , Dargie, Dave
- Date: Date not specified
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko f-sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/316546 , vital:59841 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD138-11
- Description: Traditional Xhosa Meditation Music with Umrhube bow accompaniment.
- Full Text: false
- Date Issued: Date not specified