Meri wandinyenga
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184821 , vital:44275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-02
- Description: "We long for our homes. We should call ours homes 'Towns'. Mary has deceived me." The attraction of the towns is decimating the male population of Tongaland. The singer makes a plea for the claim of their village homes in the face of foreign attractions. He is blind and he hoped Mary would have married him, but she could not bring herself to do so. Nostaligic song
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184821 , vital:44275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-02
- Description: "We long for our homes. We should call ours homes 'Towns'. Mary has deceived me." The attraction of the towns is decimating the male population of Tongaland. The singer makes a plea for the claim of their village homes in the face of foreign attractions. He is blind and he hoped Mary would have married him, but she could not bring herself to do so. Nostaligic song
- Full Text: false
- Date Issued: 1950
Ndaza apa ndaima (I am here waiting)
- Bifi Phiri and friend, Hugh Tracey
- Authors: Bifi Phiri and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158945 , vital:40243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-13
- Description: "I am here, waiting. Whose child is this that maltreats an oprhan. I am very tired of the Johannesburg road. Because I am left on my own. Kacule, Kacule, save me!" Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Bifi Phiri and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158945 , vital:40243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-13
- Description: "I am here, waiting. Whose child is this that maltreats an oprhan. I am very tired of the Johannesburg road. Because I am left on my own. Kacule, Kacule, save me!" Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Chanta andidaine kaya (God is punishing me)
- Bifi Phiri and friend, Hugh Tracey
- Authors: Bifi Phiri and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158954 , vital:40244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-14
- Description: "God is punishing me because all my relatives are dead, and I am left alone." "I met a woman along the road whose teeth were as white as rice." The words of these two songs as written may have been interchanged. The tuning of the Bangwe Board Zither was; 400, 380, 368, 332, 312, 284, 200. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Bifi Phiri and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158954 , vital:40244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-14
- Description: "God is punishing me because all my relatives are dead, and I am left alone." "I met a woman along the road whose teeth were as white as rice." The words of these two songs as written may have been interchanged. The tuning of the Bangwe Board Zither was; 400, 380, 368, 332, 312, 284, 200. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Muzungu wanga ndilipile ndizipita (My master, pay me, I want to go home now)
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160772 , vital:40536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-02
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160772 , vital:40536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-02
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
Ndi shuye ndi kalele mwana
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160781 , vital:40537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-03
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160781 , vital:40537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-03
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
Namaye Bikitara wakwere bus (We heard the Bikitara has taken a bus)
- Bikitara Banda and friend, Hugh Tracey
- Authors: Bikitara Banda and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158990 , vital:40248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-17
- Description: "We hear that Bikitara has taken a bus and gone home. And if he should die there we would be very sorry." The tuning of the Bangwe was; 488, 456, 416, 380, 324, 304. The top string (above 488) was not in tune. Self delectative song with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Bikitara Banda and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158990 , vital:40248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-17
- Description: "We hear that Bikitara has taken a bus and gone home. And if he should die there we would be very sorry." The tuning of the Bangwe was; 488, 456, 416, 380, 324, 304. The top string (above 488) was not in tune. Self delectative song with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Kumaji kumailo-mailo
- Boys at Dedza Secondary School, Hugh Tracey
- Authors: Boys at Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184875 , vital:44281 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-08
- Description: There was a man who had a wife and he killed a certain woman who had a child and so his wife adopted the baby. It was the child who is supposed to be singing this song. The child was trying to remember her mother and was thinking how she could have been brought up by her own mother. The mother was killed because of a dispute over an old cow. She was carelessly looked by her stepmother. Ntano story song
- Full Text: false
- Date Issued: 1958
- Authors: Boys at Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184875 , vital:44281 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-08
- Description: There was a man who had a wife and he killed a certain woman who had a child and so his wife adopted the baby. It was the child who is supposed to be singing this song. The child was trying to remember her mother and was thinking how she could have been brought up by her own mother. The mother was killed because of a dispute over an old cow. She was carelessly looked by her stepmother. Ntano story song
- Full Text: false
- Date Issued: 1958
Tilira ife (We cry for those who left Gwero)
- Boys of Chief Mwasi's village, Hugh Tracey
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159574 , vital:40313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-03
- Description: "We cry for the boys who have left Gwero (the boma of Kasungu). Such as Kaziyambe Zimba, Mbelere Phiri who went to Lusaka. Stars shone on them, teaching them cleanliness. They are pround in Cape Town." The Muganda dance with Malipenga horns is usually performed in three parts, the first and third parts being with horns and the second, of which this is an example, without horns. Muganda dance (part 2) with brass drum.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159574 , vital:40313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-03
- Description: "We cry for the boys who have left Gwero (the boma of Kasungu). Such as Kaziyambe Zimba, Mbelere Phiri who went to Lusaka. Stars shone on them, teaching them cleanliness. They are pround in Cape Town." The Muganda dance with Malipenga horns is usually performed in three parts, the first and third parts being with horns and the second, of which this is an example, without horns. Muganda dance (part 2) with brass drum.
- Full Text: false
- Date Issued: 1958
M' Sodomo (Sodom was burnt)
- Boys of Chief Mwasi's village, Hugh Tracey
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159565 , vital:40312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-02
- Description: "The headquaters of our dance team are here at Gwero and we are going to sing the song Sodom", was the introduction by the young leader. "There was a fire in Sodom." This has been a popular dance since 1927 or thereabouts. The dancers alternately sing openly and sing through their Lipenga horns. How the subject of Sodom and its destruction came to be chosen as a dance motif is a mystery. Maganda dance (Part 1) with 12 Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159565 , vital:40312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-02
- Description: "The headquaters of our dance team are here at Gwero and we are going to sing the song Sodom", was the introduction by the young leader. "There was a fire in Sodom." This has been a popular dance since 1927 or thereabouts. The dancers alternately sing openly and sing through their Lipenga horns. How the subject of Sodom and its destruction came to be chosen as a dance motif is a mystery. Maganda dance (Part 1) with 12 Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
Tamanga simbi
- Boys of Chief Mwasi's village, Hugh Tracey
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159585 , vital:40314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-04
- Description: "We have handcuffed them, we of Linga Boma. Although you are proud today, you will see!" The dancers go in groupd called Boma and challenge each other in the dance and in singing with with the Malipenga horns and boast about their performances. The Malipenga were all made out of gourds with mirlton membranes over the small end. The sound quality of the bass singers was good owing to their use of the gourds of adequate size and shape. Their song is a familiar type of boasting to be found among dance teams in most parts of Africa familiar to us. Muganda dance (part 3) with tweleve Malipenga singing horns and drum.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159585 , vital:40314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-04
- Description: "We have handcuffed them, we of Linga Boma. Although you are proud today, you will see!" The dancers go in groupd called Boma and challenge each other in the dance and in singing with with the Malipenga horns and boast about their performances. The Malipenga were all made out of gourds with mirlton membranes over the small end. The sound quality of the bass singers was good owing to their use of the gourds of adequate size and shape. Their song is a familiar type of boasting to be found among dance teams in most parts of Africa familiar to us. Muganda dance (part 3) with tweleve Malipenga singing horns and drum.
- Full Text: false
- Date Issued: 1958
Wezulu walila
- Boys of Dedza Secondary School, Hugh Tracey
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184958 , vital:44293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-17
- Description: This song was sung, they say, when the white man first came to their country at the turn of the century. Unlike the local people they used whistle to give words of command and it was a novelity at the time, and so found its way into folk song. Dance song for Ngoma with clapping
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184958 , vital:44293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-17
- Description: This song was sung, they say, when the white man first came to their country at the turn of the century. Unlike the local people they used whistle to give words of command and it was a novelity at the time, and so found its way into folk song. Dance song for Ngoma with clapping
- Full Text: false
- Date Issued: 1958
Panari mtsikana wina (The girl and the beads)
- Boys of Masula village, Hugh Tracey
- Authors: Boys of Masula village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158544 , vital:40205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-09
- Description: An equivalent story to one in Southern Rhodesia. There were three girls who went to the river to get water. They had big strings of beads but one forgot her beads down by the river and when she got home she told her brothers and asked them to take her back to the river to look for them. They refused, so she went alone. She found a hyena who had taken her beads and put them inside a drum and then when she arrived he caught her and put her inside the drum also. He then went to the village to play the drum. The people of the village heard her singing inside the drum. They cooked food and gave it to the hyena who, as soon as he had eaten the food began to play the drum. He went to another village and did the same. The girl inside the drum got very hot but eventually her brothers saved her by cutting open the drum and the hyena diasppeared. A were-wolf story. Nthano story.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Masula village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158544 , vital:40205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-09
- Description: An equivalent story to one in Southern Rhodesia. There were three girls who went to the river to get water. They had big strings of beads but one forgot her beads down by the river and when she got home she told her brothers and asked them to take her back to the river to look for them. They refused, so she went alone. She found a hyena who had taken her beads and put them inside a drum and then when she arrived he caught her and put her inside the drum also. He then went to the village to play the drum. The people of the village heard her singing inside the drum. They cooked food and gave it to the hyena who, as soon as he had eaten the food began to play the drum. He went to another village and did the same. The girl inside the drum got very hot but eventually her brothers saved her by cutting open the drum and the hyena diasppeared. A were-wolf story. Nthano story.
- Full Text: false
- Date Issued: 1958
Inu A'Kachere (You Kachere)
- By elderly men at Kachere's village, Hugh Tracey
- Authors: By elderly men at Kachere's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153392 , vital:39447 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-10
- Description: One of the songs said to have been sung after a tribal raid - a morality song after victory, so that the people will continue to be strong and not be thrown out of their country. It was sung when Europeans first entered the country about the end of the last century when Sir Harry Johnstone first ruled the country. "You! It is A Kachere who has increased the population of this country. There should not be prostitutes, it is forbidden or you will be thrown out by the white men." The Kachere mentioned in the song was the father of the present Chief who is about 70 years old. The song is no doubt derived from the old Nguni custom of purification after fighting. A fighting song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: By elderly men at Kachere's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153392 , vital:39447 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-10
- Description: One of the songs said to have been sung after a tribal raid - a morality song after victory, so that the people will continue to be strong and not be thrown out of their country. It was sung when Europeans first entered the country about the end of the last century when Sir Harry Johnstone first ruled the country. "You! It is A Kachere who has increased the population of this country. There should not be prostitutes, it is forbidden or you will be thrown out by the white men." The Kachere mentioned in the song was the father of the present Chief who is about 70 years old. The song is no doubt derived from the old Nguni custom of purification after fighting. A fighting song with clapping.
- Full Text: false
- Date Issued: 1958
Inu A'Kachere (You Kachere)
- By elderly men at Kachere's village, Hugh Tracey
- Authors: By elderly men at Kachere's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153401 , vital:39446 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-10
- Description: One of the songs said to have been sung after a tribal raid - a morality song after victory, so that the people will continue to be strong and not be thrown out of their country. It was sung when Europeans first entered the country about the end of the last century when Sir Harry Johnstone first ruled the country. "You! It is A Kachere who has increased the population of this country. There should not be prostitutes, it is forbidden or you will be thrown out by the white men." The Kachere mentioned in the song was the father of the present Chief who is about 70 years old. The song is no doubt derived from the old Nguni custom of purification after fighting. A fighting song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: By elderly men at Kachere's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153401 , vital:39446 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-10
- Description: One of the songs said to have been sung after a tribal raid - a morality song after victory, so that the people will continue to be strong and not be thrown out of their country. It was sung when Europeans first entered the country about the end of the last century when Sir Harry Johnstone first ruled the country. "You! It is A Kachere who has increased the population of this country. There should not be prostitutes, it is forbidden or you will be thrown out by the white men." The Kachere mentioned in the song was the father of the present Chief who is about 70 years old. The song is no doubt derived from the old Nguni custom of purification after fighting. A fighting song with clapping.
- Full Text: false
- Date Issued: 1958
Ogo de zili ndi myendo (She has tattoo marks)
- C. Banda and G. Phiri, Hugh Tracey
- Authors: C. Banda and G. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza village, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153652 , vital:39494 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-13
- Description: It is notable that the Chewa men of the region have the lowest opinion of their wives and vice versa, the custom which allows immediate marriage without bride price (Dibolo) or any other formality except what is locally called 'snatching' has clearly led to this state of affairs and whether recent or of long standing they could not say. Drinking song.
- Full Text: false
- Date Issued: 1958
- Authors: C. Banda and G. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza village, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153652 , vital:39494 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-13
- Description: It is notable that the Chewa men of the region have the lowest opinion of their wives and vice versa, the custom which allows immediate marriage without bride price (Dibolo) or any other formality except what is locally called 'snatching' has clearly led to this state of affairs and whether recent or of long standing they could not say. Drinking song.
- Full Text: false
- Date Issued: 1958
Ode tate, kuseli kwaphili kuli njati (There is a buffalo)
- C. Banda and G. Phiri, Hugh Tracey
- Authors: C. Banda and G. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza village, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153665 , vital:39495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-14
- Description: "There is a buffalo behind the hill, Ngala, let us go and shoot it." " No, no, my bow is broken!" The hill Ngala is a big, solid granite boss about 30 and 40 ft. high, about a mile fro, the village. "A woman is just naturally immoral. She has tattoo marks inside her thighs. She will sell her body for any small thing such as pennies, to find sugar cane for herself." Drinking song.
- Full Text: false
- Date Issued: 1958
- Authors: C. Banda and G. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza village, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153665 , vital:39495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-14
- Description: "There is a buffalo behind the hill, Ngala, let us go and shoot it." " No, no, my bow is broken!" The hill Ngala is a big, solid granite boss about 30 and 40 ft. high, about a mile fro, the village. "A woman is just naturally immoral. She has tattoo marks inside her thighs. She will sell her body for any small thing such as pennies, to find sugar cane for herself." Drinking song.
- Full Text: false
- Date Issued: 1958
Amati akatambe tilawe
- Authors: Chewa girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187335 , vital:44610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-13
- Description: "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out until the whole circle has been completed. It was done very gracefully. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Chewa girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187335 , vital:44610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-13
- Description: "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out until the whole circle has been completed. It was done very gracefully. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Apa mkuti
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153428 , vital:39450 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-13
- Description: "When you say it is a dog, it is a dog, Mama. My childis a dog, Mama. Bugs! Bugs! Yaya-hole! They bite my child in the hut, Mama. Dori I am tired." Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153428 , vital:39450 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-13
- Description: "When you say it is a dog, it is a dog, Mama. My childis a dog, Mama. Bugs! Bugs! Yaya-hole! They bite my child in the hut, Mama. Dori I am tired." Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
Tiye Mlongo (Let us go sister)
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153406 , vital:39448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-11
- Description: "Let us go sister, let us go. Go to see the lake. They say the water has gone down. Let us go then. Go, go, go." Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153406 , vital:39448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-11
- Description: "Let us go sister, let us go. Go to see the lake. They say the water has gone down. Let us go then. Go, go, go." Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
Anyilongo (A mere quarrel)
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153419 , vital:39449 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-12
- Description: "That is a mere quarrel. Let us die now. Those are the troubles of Nyilongo. A Nyilongo, you are angry. What have you to be angry about? I had saved some money. It is in the grain bin." Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153419 , vital:39449 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-12
- Description: "That is a mere quarrel. Let us die now. Those are the troubles of Nyilongo. A Nyilongo, you are angry. What have you to be angry about? I had saved some money. It is in the grain bin." Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958