Bayathetha abantwana ndinendaba (Children are speaking because I have news)
- Gcaleka boys and girls, Hugh Tracey
- Authors: Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151224 , vital:39041 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-10
- Description: The girl playing this mouth bow whistles out of the side of her mouth as well as resonating the notes in the usual manner. She used the open string and a stopped note, stopping it with her thumbnail and first finger. The use of this indigenious instrument and its style of music explains the ease with which Gcaleka people take to the small concertina. The harmonies produced in the mouth being on the true harmonic series makes the transition to the concertina a simple matter for simple tunes. Notes of the bow, 292 and 260. Mtshotsho dance for boys and girls with Ikinki mouth resonated musical bow.
- Full Text: false
- Date Issued: 1957
- Authors: Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151224 , vital:39041 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-10
- Description: The girl playing this mouth bow whistles out of the side of her mouth as well as resonating the notes in the usual manner. She used the open string and a stopped note, stopping it with her thumbnail and first finger. The use of this indigenious instrument and its style of music explains the ease with which Gcaleka people take to the small concertina. The harmonies produced in the mouth being on the true harmonic series makes the transition to the concertina a simple matter for simple tunes. Notes of the bow, 292 and 260. Mtshotsho dance for boys and girls with Ikinki mouth resonated musical bow.
- Full Text: false
- Date Issued: 1957
Bayeza kusasa (They are coming tomorrow)
- Group of Mpondo and Sotho men led by Siganeko Nonkonyana, Hugh Tracey
- Authors: Group of Mpondo and Sotho men led by Siganeko Nonkonyana , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136487 , vital:37383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-06
- Description: "The sick people are coming tomorrow-They are bringing money." The day's recording at the Great Place of the Paramount Chief of the Mpondo ended with 3 songs by this group of Mpondo and Sotho men. Diviner's (Herbalist's) song with clapping and drums.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo and Sotho men led by Siganeko Nonkonyana , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136487 , vital:37383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-06
- Description: "The sick people are coming tomorrow-They are bringing money." The day's recording at the Great Place of the Paramount Chief of the Mpondo ended with 3 songs by this group of Mpondo and Sotho men. Diviner's (Herbalist's) song with clapping and drums.
- Full Text: false
- Date Issued: 1957
Bayile
- Villagers from Dabi's location near Peddie, Hugh Tracey
- Authors: Villagers from Dabi's location near Peddie , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149190 , vital:38813 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-05
- Description: The words of this song make no sense. The people of this district are actually Fingo or Mfengu but speak Ngqika. Their ancestors were refugees from Shaka and came here from Swaziland over 120 years ago. The song is sung before initiation, when the young man is old enough to undergo his ordeal. Circumcision song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Villagers from Dabi's location near Peddie , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149190 , vital:38813 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-05
- Description: The words of this song make no sense. The people of this district are actually Fingo or Mfengu but speak Ngqika. Their ancestors were refugees from Shaka and came here from Swaziland over 120 years ago. The song is sung before initiation, when the young man is old enough to undergo his ordeal. Circumcision song with clapping.
- Full Text: false
- Date Issued: 1957
Bidera
- Mudzanani, Baranganani, Tracey, Hugh
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:44691 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-04
- Description: "To eat beef is to eat blood, I will see the daylight at Sibasa. Matasalutombo and Mwambale. Do not come with Mashawi (souls). I will see the daylight at Sibasa. And climb the trees at Chibasa. To eat beef is to eat blood. Self delectative song, without words and Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:44691 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-04
- Description: "To eat beef is to eat blood, I will see the daylight at Sibasa. Matasalutombo and Mwambale. Do not come with Mashawi (souls). I will see the daylight at Sibasa. And climb the trees at Chibasa. To eat beef is to eat blood. Self delectative song, without words and Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
Bidera
- Mudzanani, Baranganani, Tracey, Hugh
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187714 , vital:44689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-03
- Description: "To eat beef is to eat blood, I will see the daylight at Sibasa. Matasalutombo and Mwambale. Do not come with Mashawi (souls). I will see the daylight at Sibasa. And climb the trees at Chibasa. To eat beef is to eat blood. Self delectative song, with Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187714 , vital:44689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-03
- Description: "To eat beef is to eat blood, I will see the daylight at Sibasa. Matasalutombo and Mwambale. Do not come with Mashawi (souls). I will see the daylight at Sibasa. And climb the trees at Chibasa. To eat beef is to eat blood. Self delectative song, with Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
Bloemfontein
- One of the girls of Chief Mhlolutini (Performer), Composer not specified, Hugh Tracey
- Authors: One of the girls of Chief Mhlolutini (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133039 , vital:36925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-04
- Description: Two love songs with Makhweyana musical bow
- Full Text: false
- Date Issued: 1955
- Authors: One of the girls of Chief Mhlolutini (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133039 , vital:36925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-04
- Description: Two love songs with Makhweyana musical bow
- Full Text: false
- Date Issued: 1955
Brunayini Fofoza
- Mwamitwa, Fofoza (Chief), Shangaan men, Tracey, Hugh
- Authors: Mwamitwa, Fofoza (Chief) , Shangaan men , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187831 , vital:44701 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-12
- Description: Brunaini Khoza is a friend of the Chief Fofoza Mwamitwa and composed this song in his honour, here sung by the chief himself. The gist of the song is that without the Chief the people are likely to be in considerable distress which only his presence can dispel. "Brunaini Makosi. How is he? The sound of the light delivery van tells us it is coming with Mwamitwa." In the first line of the song the name of the Chief, Fofoza is pronounced "Fofozi'. Praise song with clapping
- Full Text: false
- Date Issued: 1963
- Authors: Mwamitwa, Fofoza (Chief) , Shangaan men , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187831 , vital:44701 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-12
- Description: Brunaini Khoza is a friend of the Chief Fofoza Mwamitwa and composed this song in his honour, here sung by the chief himself. The gist of the song is that without the Chief the people are likely to be in considerable distress which only his presence can dispel. "Brunaini Makosi. How is he? The sound of the light delivery van tells us it is coming with Mwamitwa." In the first line of the song the name of the Chief, Fofoza is pronounced "Fofozi'. Praise song with clapping
- Full Text: false
- Date Issued: 1963
Buzaufazi zipina inkomo (Ask the woman where the cattle are)
- Group of Mpondo men and 3 girls, Hugh Tracey
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136784 , vital:37421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-14
- Description: The singers all lay flat on their stomachs, singing into their cupped hands, which were slightly vibrated. The leader was singing in a forced voice, which appears to be a local fashion in this kind of the song. Dance song for evening dance for young women.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136784 , vital:37421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-14
- Description: The singers all lay flat on their stomachs, singing into their cupped hands, which were slightly vibrated. The leader was singing in a forced voice, which appears to be a local fashion in this kind of the song. Dance song for evening dance for young women.
- Full Text: false
- Date Issued: 1957
Deborah mntaka mama ngendi tshata nawe (Deborah, my dear, I would marry you had I the cattle)
- Young girls and boys of Durban location, Hugh Tracey
- Authors: Young girls and boys of Durban location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149440 , vital:38852 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-10
- Description: This song is performed before the wedding. A middle-aged man did a step-dance while the girls sang. The step-dance has no special significance but is performed on festive occassions. Wedding song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young girls and boys of Durban location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149440 , vital:38852 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-10
- Description: This song is performed before the wedding. A middle-aged man did a step-dance while the girls sang. The step-dance has no special significance but is performed on festive occassions. Wedding song with clapping.
- Full Text: false
- Date Issued: 1957
Didiyela Monkalanga Semlangeni
- Women of Kalana location, Hugh Tracey
- Authors: Women of Kalana location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149994 , vital:38928 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-15
- Description: A diviner arrived in person but declined to sing with the women who were all sitting around on the floor of the hut, about 80 of them. The married women were more soberly dressed than the young unmarried ones and wore their headclothes in the more usual Xhosa 'pile' of cloth on the head, producing a large loose turban-like effect. Diviner's song, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Women of Kalana location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149994 , vital:38928 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-15
- Description: A diviner arrived in person but declined to sing with the women who were all sitting around on the floor of the hut, about 80 of them. The married women were more soberly dressed than the young unmarried ones and wore their headclothes in the more usual Xhosa 'pile' of cloth on the head, producing a large loose turban-like effect. Diviner's song, with clapping.
- Full Text: false
- Date Issued: 1957
Dlalani (Name of a man)
- 5 young Xhosa men and women, Hugh Tracey
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150741 , vital:39001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-01
- Description: The song is in praise of a man who has many lovers. This song and the following one were sung by a group of very beautifully dressed young people, the men dancers elegantly blanketed and beaded, the girls wearing pale ochre skirts with many rows of indigo blue braid and their headcloths of indingo blie wool were folded about their heads to form a tall tubular headdress rather like that of Queen Nefertiti. Before the recording started, but whilst the singers were "warming up" there was rather a curious little ceremony which forms part of the dance. One of the girls went around removing the men dancers's headcloths revealing their head bead ornaments. She put their headcloths on her own head, then returned to the line of girls and gave each girl her own young mans' headcloth, which was then tied round the girl's head. A stick specially decorated for dancing is called "Libunguza." Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150741 , vital:39001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-01
- Description: The song is in praise of a man who has many lovers. This song and the following one were sung by a group of very beautifully dressed young people, the men dancers elegantly blanketed and beaded, the girls wearing pale ochre skirts with many rows of indigo blue braid and their headcloths of indingo blie wool were folded about their heads to form a tall tubular headdress rather like that of Queen Nefertiti. Before the recording started, but whilst the singers were "warming up" there was rather a curious little ceremony which forms part of the dance. One of the girls went around removing the men dancers's headcloths revealing their head bead ornaments. She put their headcloths on her own head, then returned to the line of girls and gave each girl her own young mans' headcloth, which was then tied round the girl's head. A stick specially decorated for dancing is called "Libunguza." Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
Dukathole
- M. Buthelezi (Performer), M. Buthelezi (Composer), Hugh Tracey
- Authors: M. Buthelezi (Performer) , M. Buthelezi (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133211 , vital:36947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-22
- Description: Self-delectative tunes without words, wiith Igekle flute
- Full Text: false
- Date Issued: 1955
- Authors: M. Buthelezi (Performer) , M. Buthelezi (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133211 , vital:36947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-22
- Description: Self-delectative tunes without words, wiith Igekle flute
- Full Text: false
- Date Issued: 1955
E kenia matsolo
- Group of 10 young Pedi initiates (girls), Four Pedi women, Tracey, Hugh
- Authors: Group of 10 young Pedi initiates (girls) , Four Pedi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189149 , vital:44821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-07
- Description: Sung by the girls after the initiation ceremonies are over. They dress up in skins and wear small mirrors and go about among the houses and people, dancing and asking for presents. The initiation school lasts for two months and follows much the same lines as those of the Tswana. Many young Africans from Kenya southwards use metal whistles for their dances, blowing them continously as in this item; the result is deafening to the audience but apparently most enjoyable to the young who seem to be impervious to the noise. Three girls post-initiation song with 2 drums, leg rattles and whistles
- Full Text: false
- Date Issued: 1963
- Authors: Group of 10 young Pedi initiates (girls) , Four Pedi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189149 , vital:44821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-07
- Description: Sung by the girls after the initiation ceremonies are over. They dress up in skins and wear small mirrors and go about among the houses and people, dancing and asking for presents. The initiation school lasts for two months and follows much the same lines as those of the Tswana. Many young Africans from Kenya southwards use metal whistles for their dances, blowing them continously as in this item; the result is deafening to the audience but apparently most enjoyable to the young who seem to be impervious to the noise. Three girls post-initiation song with 2 drums, leg rattles and whistles
- Full Text: false
- Date Issued: 1963
E lesang goloya
- Group of 10 young Pedi initiates (girls), Four Pedi women, Tracey, Hugh
- Authors: Group of 10 young Pedi initiates (girls) , Four Pedi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189141 , vital:44820 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-06
- Description: Sung by the girls after the initiation ceremonies are over. They dress up in skins and wear small mirrors and go about among the houses and people, dancing and asking for presents. The initiation school lasts for two months and follows much the same lines as those of the Tswana. Many young Africans from Kenya southwards use metal whistles for their dances, blowing them continously as in this item; the result is deafening to the audience but apparently most enjoyable to the young who seem to be impervious to the noise. "Stop bewitching people. Kerishe is gone." Kerishe is the name of a man who was driven away from Thabakgolo because it was thought that he disturbed (bewitched) people. Three girls post-initiation song with 2 drums, leg rattles and whistles
- Full Text: false
- Date Issued: 1963
- Authors: Group of 10 young Pedi initiates (girls) , Four Pedi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189141 , vital:44820 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-06
- Description: Sung by the girls after the initiation ceremonies are over. They dress up in skins and wear small mirrors and go about among the houses and people, dancing and asking for presents. The initiation school lasts for two months and follows much the same lines as those of the Tswana. Many young Africans from Kenya southwards use metal whistles for their dances, blowing them continously as in this item; the result is deafening to the audience but apparently most enjoyable to the young who seem to be impervious to the noise. "Stop bewitching people. Kerishe is gone." Kerishe is the name of a man who was driven away from Thabakgolo because it was thought that he disturbed (bewitched) people. Three girls post-initiation song with 2 drums, leg rattles and whistles
- Full Text: false
- Date Issued: 1963
Ea ema nthodona matsetsela
- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey
- Authors: Two diviners (Izangoma) and a group of pupils (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Divination , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134250 , vital:37107 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR018-11
- Description: This Izangoma and his wife were both dressed in scarlet, with skirts lavishly sewn with beads and many bead and "lucky seed" necklaces and bangles and leggings. Bead bands and strands on the head. The learner-izangomaare distinguished by a string of white beads round their heads.The Izangoma were supposed to be finding and throwing a "spirit" out of someone who had ben bewitched. At the end of the recording, one member of the audience remarked:- "There is no tokolosh (imp) here." Much laughter. The words were partly in Zulu, although the performers were actually Sotho.
- Full Text: false
- Date Issued: 1957
- Authors: Two diviners (Izangoma) and a group of pupils (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Sotho , Divination , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134250 , vital:37107 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR018-11
- Description: This Izangoma and his wife were both dressed in scarlet, with skirts lavishly sewn with beads and many bead and "lucky seed" necklaces and bangles and leggings. Bead bands and strands on the head. The learner-izangomaare distinguished by a string of white beads round their heads.The Izangoma were supposed to be finding and throwing a "spirit" out of someone who had ben bewitched. At the end of the recording, one member of the audience remarked:- "There is no tokolosh (imp) here." Much laughter. The words were partly in Zulu, although the performers were actually Sotho.
- Full Text: false
- Date Issued: 1957
Elele Pelepele uile luatle
- Mapulana small boys and girls (under 12 years), Tracey, Hugh
- Authors: Mapulana small boys and girls (under 12 years) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/188443 , vital:44754 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR194-09
- Description: Simple songs sung in the evening after food. Children's song with 2 drums and clapping
- Full Text: false
- Date Issued: 1963
- Authors: Mapulana small boys and girls (under 12 years) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/188443 , vital:44754 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR194-09
- Description: Simple songs sung in the evening after food. Children's song with 2 drums and clapping
- Full Text: false
- Date Issued: 1963
Emagangeleni
- Cwaizile Shandu and Nomatheku Zungu (Performers), Composer not specified, Hugh Tracey
- Authors: Cwaizile Shandu and Nomatheku Zungu (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133066 , vital:36931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-07
- Description: Four love songs with Makhweyana musical bow
- Full Text: false
- Date Issued: 1955
- Authors: Cwaizile Shandu and Nomatheku Zungu (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133066 , vital:36931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-07
- Description: Four love songs with Makhweyana musical bow
- Full Text: false
- Date Issued: 1955
Emalomeni
- Cwaizile Shandu and Nomatheku Zungu (Performers), Composer not specified, Hugh Tracey
- Authors: Cwaizile Shandu and Nomatheku Zungu (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133057 , vital:36930 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-06
- Description: Four love songs with Makhweyana musical bow
- Full Text: false
- Date Issued: 1955
- Authors: Cwaizile Shandu and Nomatheku Zungu (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--South Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133057 , vital:36930 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR010-06
- Description: Four love songs with Makhweyana musical bow
- Full Text: false
- Date Issued: 1955
Emonti Mama Siyazalana (East London mother, we are related)
- Young girls and boys of Durban location, Hugh Tracey
- Authors: Young girls and boys of Durban location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149431 , vital:38851 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-09
- Description: "Emonti" is the Xhosa name for East London. This song is performed before the wedding. A middle-aged man did a step-dance while the girls sang. The step-dance has no special significance but is performed on festive occassions. Wedding song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young girls and boys of Durban location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149431 , vital:38851 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-09
- Description: "Emonti" is the Xhosa name for East London. This song is performed before the wedding. A middle-aged man did a step-dance while the girls sang. The step-dance has no special significance but is performed on festive occassions. Wedding song with clapping.
- Full Text: false
- Date Issued: 1957
Eya - eya, mani Boi
- Mapulana small boys and girls (under 12 years), Tracey, Hugh
- Authors: Mapulana small boys and girls (under 12 years) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/188434 , vital:44753 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR194-08
- Description: Simple songs sung in the evening after food. The pitch rises throughout the song, a common phenomenon in many African songs. Children's song with 2 drums and clapping
- Full Text: false
- Date Issued: 1963
- Authors: Mapulana small boys and girls (under 12 years) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
- Language: Pedi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/188434 , vital:44753 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR194-08
- Description: Simple songs sung in the evening after food. The pitch rises throughout the song, a common phenomenon in many African songs. Children's song with 2 drums and clapping
- Full Text: false
- Date Issued: 1963