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Teohela Silatsatsi(Go down Silatsatsi)

- School girls of Qeme, Hugh Tracey

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161821 , vital:40681 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-05
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Teohela Silatsatsi(Go down Silatsatsi)

- School girls of Qeme, Hugh Tracey

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161834 , vital:40680 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-05
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Paulo (Paul)

- School girls of Qeme, Hugh Tracey

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161816 , vital:40679 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-04
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Ha tsekoa sebaka (A site was in dispute)

- Sebakeng Khoalenyana and group of 15 men, Hugh Tracey

  • Authors: Sebakeng Khoalenyana and group of 15 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161899 , vital:40688 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-11
  • Description: The words were impromptu and the singer said he really could not remember what words he had sung. He just made them up out of his head. It is clear that the deep notes of the Mokorotlo are most satisfying in themselves to the perfromers. Mokorotlo are sung by men together on horseback or walking or even at a drinking party.
  • Full Text: false
  • Date Issued: 1959

Mabalane kgosi ra bokome (Mabalane, the chief in the North)

- Sebati Dikgageng and group of elderly men, Hugh Tracey

Wena Gawazane utotekwa himwinyi Kakowane (You, Gawazane, you will be married to Kakowane)

- Sechene Kowani, Hugh Tracey

  • Authors: Sechene Kowani , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Mabote f-mz
  • Language: Tswa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136234 , vital:37352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-06
  • Description: Kakowane, he said, was a mulatto living in his district (Self-delectative song with friction bow (Chisambi).
  • Full Text: false
  • Date Issued: 1957

Lisimo

- Sechene Kowani, Hugh Tracey

  • Authors: Sechene Kowani , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Mabote f-mz
  • Language: Tswa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136225 , vital:37351 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-05
  • Description: The stick with which the serrations on the bow were rubbed, had a small rattle attached to it. The performer made the squeaking sounds by blowing inwards over the palm ribbon, in the same way as children do with a blade of grass. -He stopped the ribbon with first and third finger of the left hand. Self-delectative song with fiction bow (Chisambi).
  • Full Text: false
  • Date Issued: 1957

Ho-ho-ho-ho ba bacha (To the young men)

- Seforo Mosese, Hugh Tracey

  • Authors: Seforo Mosese , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162003 , vital:40747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-03
  • Description: "Oh, the young men, the men of LeLerotholi's place are black and are called horse-eaters. Your guns are used for shooting pigeons, and your spears for hunting mice. Let Mpaleng's father speak. Youe child looks like its father, your child looks like its maternal uncle, I resemble Mokhehle of Mokoalibe. Dun-coloured with long tears. Dun-coloured and milked by women. The child of Seforo's wife is the one who provided a bachelor with a bed." Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Oa mona Letsie (You see Letsie) Chief of Leribe.

- Seforo Mosese, Hugh Tracey

  • Authors: Seforo Mosese , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162012 , vital:40749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-04
  • Description: "You see Letsie, Leribe where there is a beautiful small mountain. Brakpan with its small pretty hill. My mother's Mosinoa, mother's child. You see Seforo, you see Tefolo. Mosinoa, Moea's child, is crying. He cries although nobody has hit him." Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Kawala milonga kalila kate (The ferry men are complaining about the Zambezi being in flood)

- Segareti Chirumpu, Hugh Tracey

  • Authors: Segareti Chirumpu , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139001 , vital:37694 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-07
  • Description: When the Zambezi is in flood the ferry men cannot paddle their canoes across. They do this ferrying to help people across but we are told, are not paid for their services. Self-delectative song with Kankobela mbira, fan-shaped, external resonator and mirliton.
  • Full Text: false
  • Date Issued: 1957

Kugama II

- Segbe and Ndongo men and women, Hugh Tracey

Kugama I

- Segbe and Ndongo men and women, Hugh Tracey

Chyoko

- Segbe and Ndongo men and women, Hugh Tracey

Terene ea malahla (The train)

- Sehloho, Hugh Tracey

Maboko a Kgosi (Chief's praises)

- Sei Robega, Hugh Tracey

Baryaningwe wa Ntwali

- Sekivura, Hugh Tracey

  • Authors: Sekivura , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Rugerero f-rw
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/148773 , vital:38772 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-12
  • Description: Baryaningwe, son of Ntwali. "I, professional thief, I went to a place called Ruagi and stole a cow, but the owner saw me just as I was driving it out. So I was caught. I was taken into a hut and tied up. In my misery, I was asked for an Inanga zither and began to sing. I sang so well that the women and children begged for my release. I was freed but I did not know that my fellow-thieves had gone to tell my family what had happened. So whilst I was singing to all these people my relatives came to my help and my enemies spell-bound by my singing were taken unawares and thus I escaped. Legend. Recitative to instrumental accompaniment with Inanga trough zither.
  • Full Text: false
  • Date Issued: 1952

Meru washi

- Senduwa Selukoki with Meru men, Hugh Tracey

Kunyai

- Senduwa Selukoki with Meru men and women, Hugh Tracey

  • Authors: Senduwa Selukoki with Meru men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) -- Music , Meru (African people) -- Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
  • Language: Meru
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173901 , vital:42420 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-06
  • Description: Lesu, the composer of this song was a martinet in matters of dance dress. He would turn away dancers who were not properly equipped. Well dressed dancers would be brought out in front as an example for others to copy. A Meru dance is most colourful. The girls being adorned with coloured bead necklets and both men and women paint patterns in ochre colours on their faces, from vermillion to ultramarine. The complex structure of this song is most interesting and elusive. Ufina dance song for men and women.
  • Full Text: false
  • Date Issued: 1950

Re roala masale (We wear earings)

- Seponono Mokemane and group of men, Hugh Tracey

A re eng

- Serakalala Abotsen and large group of middle-aged and elderly men, Tracey, Hugh

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