Tolon
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128762 , vital:36150 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-07
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128762 , vital:36150 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-07
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Tama
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128725 , vital:36145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-03
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128725 , vital:36145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-03
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Kounkan
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128734 , vital:36147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-04
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128734 , vital:36147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-04
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Bakouende
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128712 , vital:36144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-02
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128712 , vital:36144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-02
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Dramedjeli
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128749 , vital:36149 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-06
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128749 , vital:36149 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-06
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Kolondji
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128744 , vital:36148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-05
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128744 , vital:36148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-05
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Fespaco
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128707 , vital:36143 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-01
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128707 , vital:36143 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-01
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
Fourou
- Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica), Yacouba Kone (djembe), Bakari Doumbia (zin-zin), Mamadou Diabate ( balafon), Djesou Mory Kante (accoustic and electric guitar), Adjara Cisse (lead vocal), Oulare, Mariame Sylla, Tagaly (chorus), Adama Troare (accoustic guitar), Augustin Lompo (bass), Bassirou Sanou (flute), Tinminu Adio (tama), Brass: Andre Laourou, Dadie, Franck Desamin, Dramane Kienou (djembe accompaniment), Lamine Soumano (kora), Seydoni Production B.F.
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128771 , vital:36151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-08
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
- Authors: Adama Drame (performer, arranger, composer, djembe, tama, doumdoum, chekere, voice, harmonica) , Yacouba Kone (djembe) , Bakari Doumbia (zin-zin) , Mamadou Diabate ( balafon) , Djesou Mory Kante (accoustic and electric guitar) , Adjara Cisse (lead vocal) , Oulare, Mariame Sylla, Tagaly (chorus) , Adama Troare (accoustic guitar) , Augustin Lompo (bass) , Bassirou Sanou (flute) , Tinminu Adio (tama) , Brass: Andre Laourou, Dadie, Franck Desamin , Dramane Kienou (djembe accompaniment) , Lamine Soumano (kora) , Seydoni Production B.F.
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Burkina Faso Ouagadougou f-uv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128771 , vital:36151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC14-08
- Description: Music from Burkino Faso played and sung in the griot style commenting on historical and contemporary events
- Full Text: false
- Date Issued: 2000
McGregor: I tried to forget South Africa
- Aimé, Bernard, Loll, Jacques
- Authors: Aimé, Bernard , Loll, Jacques
- Date: 2012-09-20 , 1989
- Subjects: Jazz , Mndebele, Sonti , Jazz musicians , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Shepp, Archie , Mothle, Ernest , McGregor, Chris -- 1936-1990 , Matthews, Gilbert
- Language: French
- Type: Article
- Identifier: vital:13465 , http://hdl.handle.net/10962/d1001375 , Jazz , Mndebele, Sonti , Jazz musicians , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Shepp, Archie , Mothle, Ernest , McGregor, Chris -- 1936-1990 , Matthews, Gilbert
- Description: Photocopied interview from the French Jazz Magazine of Chris McGregor about the evolution of his music and the music in South Africa. This article has been written when Archie Shepp joined the Brotherhood of Breath. On the first page, the top picture shows Chris McGregor at the time of the interview playing Piano, and the bottom picture shows him with the Big Band Blue Notes during the '60s. There are also 2 pictures on the second page. The left one shows Chris McGregor at the Piano, the singer Sonti Mndebele and the saxophonist Archie Shepp. The picture on the right represents Chris McGregor and Archie Shepp.
- Full Text:
- Date Issued: 1989
- Authors: Aimé, Bernard , Loll, Jacques
- Date: 2012-09-20 , 1989
- Subjects: Jazz , Mndebele, Sonti , Jazz musicians , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Shepp, Archie , Mothle, Ernest , McGregor, Chris -- 1936-1990 , Matthews, Gilbert
- Language: French
- Type: Article
- Identifier: vital:13465 , http://hdl.handle.net/10962/d1001375 , Jazz , Mndebele, Sonti , Jazz musicians , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Shepp, Archie , Mothle, Ernest , McGregor, Chris -- 1936-1990 , Matthews, Gilbert
- Description: Photocopied interview from the French Jazz Magazine of Chris McGregor about the evolution of his music and the music in South Africa. This article has been written when Archie Shepp joined the Brotherhood of Breath. On the first page, the top picture shows Chris McGregor at the time of the interview playing Piano, and the bottom picture shows him with the Big Band Blue Notes during the '60s. There are also 2 pictures on the second page. The left one shows Chris McGregor at the Piano, the singer Sonti Mndebele and the saxophonist Archie Shepp. The picture on the right represents Chris McGregor and Archie Shepp.
- Full Text:
- Date Issued: 1989
No more lament
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, Aly Hachem (arrangement), Lamine Faye (guitar), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Moussa Traore (percussion), Jean Pierre Gomes (bass), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Moussa Traore (percussion) , Jean Pierre Gomes (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129405 , vital:36275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-08
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Aly Hachem (arrangement) , Lamine Faye (guitar) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Moussa Traore (percussion) , Jean Pierre Gomes (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129405 , vital:36275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-08
- Description: Lyrical songs with solo and chorus accompanied by keyboard, percussion and guitars, in traditional Senegalese music style mixed with international influences
- Full Text: false
- Date Issued: 2000
Lu Ko Jar
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, El Hadji Niang (arrangement), Lamine Faye (guitar), El Hadji Niang (bass), Bakane Seck (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Kaounding Cissokho (kora), Barou Sall (Khalam), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Kaounding Cissokho (kora) , Barou Sall (Khalam) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129368 , vital:36268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-04
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Kaounding Cissokho (kora) , Barou Sall (Khalam) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129368 , vital:36268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-04
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
Délices et négation: une approche de l’écriture féminine à travers quelques romans Africains Francophones
- Authors: Anjugu, Taimako Ajigo
- Date: 2023-03-30
- Subjects: African fiction (French) History and criticism , Literature Women authors , Women authors, African , Reader-response criticism , Womanism in literature
- Language: French
- Type: Academic theses , Doctoral theses , text
- Identifier: http://hdl.handle.net/10962/409779 , vital:70629 , DOI 10.21504/10962/409779
- Description: From the onset, it is worthy to note that, nowadays, just as after the independence of most African countries, several writers from the African continent have been preoccupied with the fate of women. This is because, the African continent was since ancient times characterized by certain traditions and cultures which mainly have contributed to the plight of the women. This goes to emphasise that women in most cases are the victims of misdeeds such as early marriage, forced marriage, prejudices, violence, marginalisation, exploitation, discrimination; in short, vices that lead to devalorisation of African women in Africa. Over time, some contemporary French-speaking African writers have responded to the devaluation and valuation of women in their novels using 21st century objective view. With regard to the theme that we decided to address in this research, it is worth knowing that the preponderant task is based on the socio-critical theory, postulated by Claude Duchet. Meanwhile, recourse is also made to the comparative method by Rens, Bod et al. However, since the author’s message could be understood by the reader through the use of some expressions or terms that speak directly to the themes of the research, and that a reader’s role in reading experience cannot be overemphasised, we have been able to also lean on the Reader-response theory of Louise Michelle Rosenblatt. The three methods were used concurrently especially that the analysis of each text is based on how characters are being depicted leading us to realizing that our findings on how the African woman is devalued in the first part of the research, while in the second part of the thesis, our findings demonstrate that a lot of tributes are showered on the African woman due to her numerous outstanding qualities. In effect, our findings also reinforce a significant shift in the narrative that concerns the contemporary view on womanhood. Hence, moving from a dogmatic overconcentration on her lot to the new era woman whose lot is now redefined via the new wave feminist perspective on the negation of the African woman. This could be said to be in line with Amadiume Ifi’s contributions and pioneering work in feminist discourse towards new ways of thinking about sex and gender, the question of power, and women’s place in history and culture. , Pour commencer, il est nécessaire de se souvenir qu’à l’époque actuelle, comme juste après les indépendances de la plupart des pays africains, bon nombre des écrivains venant du continent africain décident de se préoccuper des méfaits sociaux tels que le mariage précoce et/ou forcé, les préjugés, la violence, la marginalisation, l’exploitation, la discrimination, entre autres. Tous ces vices sont issus de la négation de la femme africaine. Ceci se justifie par le fait que le continent africain était depuis l’antiquité caractérisé par certaines traditions et cultures qui ont contribué principalement aux dégâts ci-dessus soulignés subis par les femmes. En effet, nous estimons que beaucoup de femmes sont victimes de ces méfaits qui sont encore pratiqués dans certaines parties de l’Afrique. Avec le temps, certains écrivains africains francophones contemporains représentent la dévalorisation et la valorisation de la femme dans leurs romans en se servant d’une vision contemporaine, celle du XXIe siècle. En ce qui concerne le thème que nous avons décidé d'aborder dans cette recherche, il faut savoir que la tâche prépondérante repose sur la théorie sociocritique, postulée par Claude Duchet. Parallèlement, on a également recours à la méthode comparative de Bod Rens Et ses coauteurs. Cependant, puisque le message de l’auteur pourrait être compris aussi par le lecteur à travers l’usage de certaines expressions ou termes qui sont directement liés aux thèmes de la recherche, le rôle du lecteur dans l’expérience de lecture ne peut pas être surestimé, nous avons également pu nous appuyer sur la théorie de la réponse du lecteur de Louise Michelle Rosenblatt. Les trois méthodes ont été utilisées simultanément d'autant plus que l'analyse de chaque texte est basée sur la façon dont les personnages sont représentés ; ceci nous a amené à tirer nos conclusions sur la façon dont la femme africaine est dévalorisée dans la première partie de la recherche, tandis que dans la deuxième partie de la thèse, nos résultats démontrent que de nombreux hommages sont rendus à la femme africaine grâce à ses nombreuses qualités exceptionnelles. En effet, nos résultats renforcent également un changement important dans le récit qui concerne la vision contemporaine de la féminité. Par conséquent, passer d’une surconcentration dogmatique sur son sort à la femme de la nouvelle ère dont le sort est maintenant redéfini via la perspective féministe par rapport à la négation de la femme africaine telle a été la démarche. On pourrait dire que cela est au diapason avec les contributions d’Amadiume Ifi et avec son travail dans le discours féministe vers de nouvelles façons de penser le sexe et le genre, la question du pouvoir et la place de la femme dans l’histoire et la culture. , Thesis (PhD) -- Faculty of Humanities, School of Languages and Literatures, 2023
- Full Text:
- Date Issued: 2023-03-30
- Authors: Anjugu, Taimako Ajigo
- Date: 2023-03-30
- Subjects: African fiction (French) History and criticism , Literature Women authors , Women authors, African , Reader-response criticism , Womanism in literature
- Language: French
- Type: Academic theses , Doctoral theses , text
- Identifier: http://hdl.handle.net/10962/409779 , vital:70629 , DOI 10.21504/10962/409779
- Description: From the onset, it is worthy to note that, nowadays, just as after the independence of most African countries, several writers from the African continent have been preoccupied with the fate of women. This is because, the African continent was since ancient times characterized by certain traditions and cultures which mainly have contributed to the plight of the women. This goes to emphasise that women in most cases are the victims of misdeeds such as early marriage, forced marriage, prejudices, violence, marginalisation, exploitation, discrimination; in short, vices that lead to devalorisation of African women in Africa. Over time, some contemporary French-speaking African writers have responded to the devaluation and valuation of women in their novels using 21st century objective view. With regard to the theme that we decided to address in this research, it is worth knowing that the preponderant task is based on the socio-critical theory, postulated by Claude Duchet. Meanwhile, recourse is also made to the comparative method by Rens, Bod et al. However, since the author’s message could be understood by the reader through the use of some expressions or terms that speak directly to the themes of the research, and that a reader’s role in reading experience cannot be overemphasised, we have been able to also lean on the Reader-response theory of Louise Michelle Rosenblatt. The three methods were used concurrently especially that the analysis of each text is based on how characters are being depicted leading us to realizing that our findings on how the African woman is devalued in the first part of the research, while in the second part of the thesis, our findings demonstrate that a lot of tributes are showered on the African woman due to her numerous outstanding qualities. In effect, our findings also reinforce a significant shift in the narrative that concerns the contemporary view on womanhood. Hence, moving from a dogmatic overconcentration on her lot to the new era woman whose lot is now redefined via the new wave feminist perspective on the negation of the African woman. This could be said to be in line with Amadiume Ifi’s contributions and pioneering work in feminist discourse towards new ways of thinking about sex and gender, the question of power, and women’s place in history and culture. , Pour commencer, il est nécessaire de se souvenir qu’à l’époque actuelle, comme juste après les indépendances de la plupart des pays africains, bon nombre des écrivains venant du continent africain décident de se préoccuper des méfaits sociaux tels que le mariage précoce et/ou forcé, les préjugés, la violence, la marginalisation, l’exploitation, la discrimination, entre autres. Tous ces vices sont issus de la négation de la femme africaine. Ceci se justifie par le fait que le continent africain était depuis l’antiquité caractérisé par certaines traditions et cultures qui ont contribué principalement aux dégâts ci-dessus soulignés subis par les femmes. En effet, nous estimons que beaucoup de femmes sont victimes de ces méfaits qui sont encore pratiqués dans certaines parties de l’Afrique. Avec le temps, certains écrivains africains francophones contemporains représentent la dévalorisation et la valorisation de la femme dans leurs romans en se servant d’une vision contemporaine, celle du XXIe siècle. En ce qui concerne le thème que nous avons décidé d'aborder dans cette recherche, il faut savoir que la tâche prépondérante repose sur la théorie sociocritique, postulée par Claude Duchet. Parallèlement, on a également recours à la méthode comparative de Bod Rens Et ses coauteurs. Cependant, puisque le message de l’auteur pourrait être compris aussi par le lecteur à travers l’usage de certaines expressions ou termes qui sont directement liés aux thèmes de la recherche, le rôle du lecteur dans l’expérience de lecture ne peut pas être surestimé, nous avons également pu nous appuyer sur la théorie de la réponse du lecteur de Louise Michelle Rosenblatt. Les trois méthodes ont été utilisées simultanément d'autant plus que l'analyse de chaque texte est basée sur la façon dont les personnages sont représentés ; ceci nous a amené à tirer nos conclusions sur la façon dont la femme africaine est dévalorisée dans la première partie de la recherche, tandis que dans la deuxième partie de la thèse, nos résultats démontrent que de nombreux hommages sont rendus à la femme africaine grâce à ses nombreuses qualités exceptionnelles. En effet, nos résultats renforcent également un changement important dans le récit qui concerne la vision contemporaine de la féminité. Par conséquent, passer d’une surconcentration dogmatique sur son sort à la femme de la nouvelle ère dont le sort est maintenant redéfini via la perspective féministe par rapport à la négation de la femme africaine telle a été la démarche. On pourrait dire que cela est au diapason avec les contributions d’Amadiume Ifi et avec son travail dans le discours féministe vers de nouvelles façons de penser le sexe et le genre, la question du pouvoir et la place de la femme dans l’histoire et la culture. , Thesis (PhD) -- Faculty of Humanities, School of Languages and Literatures, 2023
- Full Text:
- Date Issued: 2023-03-30
Photocopied article from the Jazz Magazine
- Authors: Azoulay, Eliane
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Dollar Brand , Mabuse, Sipho
- Language: French
- Type: Article
- Identifier: vital:13485 , http://hdl.handle.net/10962/d1005620 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Dollar Brand , Mabuse, Sipho
- Description: Photocopied article in French from Jazz Magazine about the various South African bands who came to and stayed in Europe, because they were forbidden in their country. There is a short interview of Chris McGregor about his return in South Africa in 1987 and announcing his forthcoming recording with the band Brotherhood of Breath.
- Full Text:
- Authors: Azoulay, Eliane
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Dollar Brand , Mabuse, Sipho
- Language: French
- Type: Article
- Identifier: vital:13485 , http://hdl.handle.net/10962/d1005620 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Dollar Brand , Mabuse, Sipho
- Description: Photocopied article in French from Jazz Magazine about the various South African bands who came to and stayed in Europe, because they were forbidden in their country. There is a short interview of Chris McGregor about his return in South Africa in 1987 and announcing his forthcoming recording with the band Brotherhood of Breath.
- Full Text:
Les Vielles Cabanes Ensorcelees
- Badou Boy and Pape Armand (composers), Straun Douglas
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127268 , vital:35994 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-03
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127268 , vital:35994 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-03
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
Chris McGregor: Brotherhood of Breath "Country Cooking".
- Authors: Balen, Noel
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Beckett, Harry , Matthews, Gilbert , DeFries, David , Deppa, Claude , Williamson, Steve , Whitehead, Annie , Mothle, Ernest , Biscoe, Chris
- Language: French
- Type: Article
- Identifier: vital:13486 , http://hdl.handle.net/10962/d1005621 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Beckett, Harry , Matthews, Gilbert , DeFries, David , Deppa, Claude , Williamson, Steve , Whitehead, Annie , Mothle, Ernest , Biscoe, Chris
- Description: Photocopied article form the French newspaper Jazz Hot about the new recording of the Band Brotherhood of Breath "Country Cooking". Under the title, there is a list of the tracks to be found on the recording and a list of the players, then a short description of the band. There are also 2 other articles about other recordings, one about Joachim Kuhn Walter Quintus and the second one about Jean-Louis Mechali.
- Full Text:
- Authors: Balen, Noel
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Beckett, Harry , Matthews, Gilbert , DeFries, David , Deppa, Claude , Williamson, Steve , Whitehead, Annie , Mothle, Ernest , Biscoe, Chris
- Language: French
- Type: Article
- Identifier: vital:13486 , http://hdl.handle.net/10962/d1005621 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Beckett, Harry , Matthews, Gilbert , DeFries, David , Deppa, Claude , Williamson, Steve , Whitehead, Annie , Mothle, Ernest , Biscoe, Chris
- Description: Photocopied article form the French newspaper Jazz Hot about the new recording of the Band Brotherhood of Breath "Country Cooking". Under the title, there is a list of the tracks to be found on the recording and a list of the players, then a short description of the band. There are also 2 other articles about other recordings, one about Joachim Kuhn Walter Quintus and the second one about Jean-Louis Mechali.
- Full Text:
Marche du premier groupement
- Band of the 1st group Elizabethville, performer not specified, V. Quenon, Tracey, Hugh
- Authors: Band of the 1st group Elizabethville , performer not specified , V. Quenon , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/363868 , vital:65476 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0110-C2U1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Band of the 1st group Elizabethville , performer not specified , V. Quenon , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/363868 , vital:65476 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0110-C2U1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255499 , vital:52601 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987d
- Description: Traditional song with drum and rattles accompaniment
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255499 , vital:52601 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987d
- Description: Traditional song with drum and rattles accompaniment
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255454 , vital:52592 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986c
- Description: Traditional song with drum and rattle accompaniment
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255454 , vital:52592 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986c
- Description: Traditional song with drum and rattle accompaniment
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255445 , vital:52591 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986b
- Description: Traditional mouth imitation of song
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255445 , vital:52591 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986b
- Description: Traditional mouth imitation of song
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255436 , vital:52590 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986a
- Description: Traditional song with drum accompaniment
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255436 , vital:52590 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986a
- Description: Traditional song with drum accompaniment
- Full Text: false
- Date Issued: 0000-00-00