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Xhosa II (Xhosa)

- Four men and group of women, Hugh Tracey

  • Authors: Four men and group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165665 , vital:41269 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-05
  • Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
  • Full Text: false
  • Date Issued: 1959

Marimbo

- George Modiegnyana and group of young men, Hugh Tracey

Ngwanyana a tima Mosadi-Mogola mosoko (The girl who did not give the old woman food)

- Gertrude Matlou, Hugh Tracey

  • Authors: Gertrude Matlou , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166254 , vital:41343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-06
  • Description: A certain girl cooked food and did not give any to an old woman. Later on the girl went to play. While she was playing she saw a locust which she follwed into the country. Other girls with her got tired, but she went on. The same old woman was out in the bush and she caught the locust and handed it to the girl when she came up, but when the girl tried to accept it, the woman caught hold of her and she began to cry. A man who was nearby heard the cry and came and killed the old woman, took the girl and nursed her wounds. One day the girl went to the river and there met her fatherwho went with her to her rescuer and gave him an ox and then afterwards took her safely home again. Story.
  • Full Text: false
  • Date Issued: 1959

Maboko tsa Kgosi Masibi II (Praises for Chief Masibi II)

- Goitshasiwang Moleele, Hugh Tracey

Silang moshoko (Grind and make porridge)

- Grace Merementsi and group of about 30 school girls, Hugh Tracey

Mmemogolo golo gana kobo (My grandmother has no blanket)

- Group of 12 men, Hugh Tracey

Pududu we re sentu (Old Chief Ikaneng)

- Group of 12 men, Hugh Tracey

  • Authors: Group of 12 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165511 , vital:41251 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-12
  • Description: "We have killed the people of the Kalahari." Makgalagadi is a team of contempt apparently used by some Tswana tribes for any tribe which lives further west than themselves. This old song refers to the feuds between the Lete and the Ngwaketse tribes. The Chief Ikaneng was always called "Pududu" - 'the old man' by his people. At the end of the song one of them recites a praise to the old chief "Pududu Ikaneng." Fighting song.
  • Full Text: false
  • Date Issued: 1959

Tau lia rora (Lions roar)

- Group of 15 Sotho girl initiates, Hugh Tracey

  • Authors: Group of 15 Sotho girl initiates , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162256 , vital:40827 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-09
  • Description: The singers sat in a close circle on the ground with one in the middle. The grass or masks decorated with fringes of beads or woollen balls. Patterns were worked in the clay daubed on their legs. The singers made their exit in single file to dance in a circle some distance away. They carried long forked wands. "Far down, Lions are roaring. What are they eating that causes them to roar so? They eat small insects. The owner of the grey horse gallops it towards Taung. The Tembu woman who has run away must be brought back to the place where the women are. The song is finished. The song of your companions." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Khutsanyana (An orphan)

- Group of 15 Sotho girls, Hugh Tracey

  • Authors: Group of 15 Sotho girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162286 , vital:40829 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-11
  • Description: "I want to write to my brother, Lethula, to come and see this cruel act perpetrated on his mother's child who has gone round Kolo (mountain) five times looking for the women's charm. She has seen it today. Women are hard hearted, they will not initiate a decent person. They initiate orphans. An orphan who has lost her mother. Whom death has imbued with courage. Losing one's parent is painful. I should have had an uncle who would have given me a goat to give to the waterman. To please the waterman so that he would return to the water." The "waterman" is a water sprite. Lelingoana women's initiation song with slapping hands on leather skirts.
  • Full Text: false
  • Date Issued: 1959

Lethisa (Uninitiated)

- Group of 15 Sotho girls, Hugh Tracey

  • Authors: Group of 15 Sotho girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162277 , vital:40828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-10
  • Description: The singers were daubed entirely with white clay and were wearing traditional costume, leather skirts. rows of tubular grass girdles or, in some cases, girdles made of short lengths of reed strung together and grass masks shaped like screens. Two or three women wore deep fringes of reed over their leather skirts. "Ho, stop it! Ho, ho, what is that? She wishes to enter the initiation school. She is just a dog." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Ke nare e lona (I am a big Buffalo)

- Group of 20 men, Hugh Tracey

Thota peli na Molapo (The rolling downs of Molapo)

- Group of 20 women, Hugh Tracey

  • Authors: Group of 20 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161066 , vital:40588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-08
  • Description: The soloist rises in pitch throughout the song. "Rolling downs of Molapo. Mokale and Khethisa are quarreling over the spring at Nkala. Horses are saddled. Who is the mother of the unmarried girl? Giver her a letter, Makamore, the marriage letter. There is a fight at the rolling downs. Horses should be saddled. They are going to Maseru. The worst singer is Raphane's mother. I shouted with a sad voice. I shouted and shook the graves. Women's party song with clapping.
  • Full Text: false
  • Date Issued: 1959

Pududu we-e (Old one)

- Group of 70 men, Hugh Tracey

  • Authors: Group of 70 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mochudi f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166209 , vital:41338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-01
  • Description: "Grey ox-grey home. There at the place we have come from, we have destroyed. The heart of the enemy, grey home, we have slaughtered for the birds of prey. The ox of the enemy, they have destroyed us and we also have destroyed them. Men, we are people who have spilt blood on the grass. We are the blood spilt on the grass-Grey home. The ox of the enemy, we are those whose blood is spilt everywhere upon the earth. Brindled one, with a blackback, beast of the enemy." The song was introduced by the Chief, Murusi Pilane. Regimental song.
  • Full Text: false
  • Date Issued: 1959

Mogalepetla nong tsa noka e kgolo (The Mogalepetla birds live near the great river)

- Group of 8 men, Hugh Tracey

Sechomane, ke kabo ke itsi (Sechomane, if I knew how to write)

- Group of about 30 women, Hugh Tracey

  • Authors: Group of about 30 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165344 , vital:41235 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-07
  • Description: "Sechomane, if I knew how to write, I would write to the Chief." The melody of this song suggests a similarity with songs from the Masai - Arusha region of Tanganyika. There may be no direct connection whatsoever; it is only the musical impact which suggests the comparison. People's dance with clapping.
  • Full Text: false
  • Date Issued: 1959

Konyane ga ga bo ke kae (Where is Konyane's home?)

- Group of about 30 women, Hugh Tracey

Tebele ya sila ya gaila (The Ndebele girl is grinding and crushing)

- Group of about 40 women, Hugh Tracey

Bana ba tau we-e! (Children of the lion!)

- Group of about 70 men, Hugh Tracey

  • Authors: Group of about 70 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mochudi f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166218 , vital:41339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-02
  • Description: "Children of the lion. He - he! we! Having been called, we have come." This song was recorded on the occasion when the Chief was being presented with the skin of a lion which had recently been killed, out at one of the cattle posts. According to custom, the skin had to be given to the Chief, Murusi Pilane. A large crowd of men marched up through the village to the Chief's council place, the Kgotla, singing this song as they came. The man who had killed the lion wore the skin over his head and shoulders, while four other men were similarly covered with the skins of leopards. A friend had the hollow fanged skull of the lion strapped on top of his head. As they sang, several men stabbed the air with their assegais as if they were reenacting the scene. Hunting song.
  • Full Text: false
  • Date Issued: 1959

Sebata (The clawed lion)

- Group of Hurutshe men, Hugh Tracey

  • Authors: Group of Hurutshe men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165520 , vital:41252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-01
  • Description: This song is introduced by an old woman. The word "Sebata" used for the lion, is a generic name for all clawed carnivorous animals. "Mariwi" - the "manned one". "Sebata" - the "clawed one" (with special reference to the lion). "The clawed one, the manned one. Lion! It ate the cattle of my in-laws when I was looking after them. Alas! It did not run away." Men's initiation song, sung on returning from the hills.
  • Full Text: false
  • Date Issued: 1959

Makwati o tshola nama (Makwati is handing out meat of a pig)

- Group of Kwena boys, Hugh Tracey

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