Ubenga lahlinkomo (He lost the cattle)
- Group of Mpondo men and 3 girls, Hugh Tracey
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136542 , vital:37389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-02
- Description: The three girls, very gaily beaded, were there simply to add a high shrill descant to the main chorus. Gubura dance for young men.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136542 , vital:37389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-02
- Description: The three girls, very gaily beaded, were there simply to add a high shrill descant to the main chorus. Gubura dance for young men.
- Full Text: false
- Date Issued: 1957
Buzaufazi zipina inkomo (Ask the woman where the cattle are)
- Group of Mpondo men and 3 girls, Hugh Tracey
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136784 , vital:37421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-14
- Description: The singers all lay flat on their stomachs, singing into their cupped hands, which were slightly vibrated. The leader was singing in a forced voice, which appears to be a local fashion in this kind of the song. Dance song for evening dance for young women.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136784 , vital:37421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-14
- Description: The singers all lay flat on their stomachs, singing into their cupped hands, which were slightly vibrated. The leader was singing in a forced voice, which appears to be a local fashion in this kind of the song. Dance song for evening dance for young women.
- Full Text: false
- Date Issued: 1957
Ikomo siyaibulaa (Let the cattle be killed)
- Group of Mpondo men and 3 girls, Hugh Tracey
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136789 , vital:37422 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-15
- Description: The girls sang in the background. Dance song for evening dance for young women.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136789 , vital:37422 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-15
- Description: The girls sang in the background. Dance song for evening dance for young women.
- Full Text: false
- Date Issued: 1957
Miss Mababo
- Group of Mpondo men and girls, Hugh Tracey
- Authors: Group of Mpondo men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136764 , vital:37416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-12
- Description: One of the young girls added the deep guttural rhythmic sounds peculiar to Xhosa singing. The singers were each of them singing into a slightly vibrating cupped hand. They were all lying on their stomachs on the grass wrapped in their blankets and looking like basking seals. Dance song for young people.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136764 , vital:37416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-12
- Description: One of the young girls added the deep guttural rhythmic sounds peculiar to Xhosa singing. The singers were each of them singing into a slightly vibrating cupped hand. They were all lying on their stomachs on the grass wrapped in their blankets and looking like basking seals. Dance song for young people.
- Full Text: false
- Date Issued: 1957
U'tengisa nge misopu (You are selling the beadwork)
- Group of Mpondo men and girls, Hugh Tracey
- Authors: Group of Mpondo men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136775 , vital:37419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-13
- Description: One of the young girls added the deep guttural rhythmic sounds peculiar to Xhosa singing. The singers were each of them singing into a slightly vibrating cupped hand. They were all lying on their stomachs on the grass wrapped in their blankets and looking like basking seals. Dance song for young people.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136775 , vital:37419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-13
- Description: One of the young girls added the deep guttural rhythmic sounds peculiar to Xhosa singing. The singers were each of them singing into a slightly vibrating cupped hand. They were all lying on their stomachs on the grass wrapped in their blankets and looking like basking seals. Dance song for young people.
- Full Text: false
- Date Issued: 1957
Ukubula (To thrash out the affair)
- Group of Mpondo men and women led by Khotso, Hugh Tracey
- Authors: Group of Mpondo men and women led by Khotso , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136524 , vital:37387 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-10
- Description: This was an impromptu sketch of a supposed divination, by Khotso and 2 women. It was a sprited performance of an old time custom. "We didn't know we were going to be found out." says one of the women. One question was: "Whose baboon is this?" "You had better clap your hands, he says to the people. I see them all, I'm going to catch you all. You'd better agree." The group chorused: "Kill the witches. kill the witches." He went on: "Look out, you witches and behave yourselves." He ends up saying to the Chief: "All right, they've all agreed." The witches were accused of having snakes, baboons, "tikoloshes" (gnomes)- everything. "Kali shaya" - "Speak, speak." "Siya vuma" - "We agree-we agree." "Woman, is this your snake?" "Yes, it is", etc., etc. Divibation sketch with clapping and drums.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo men and women led by Khotso , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136524 , vital:37387 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-10
- Description: This was an impromptu sketch of a supposed divination, by Khotso and 2 women. It was a sprited performance of an old time custom. "We didn't know we were going to be found out." says one of the women. One question was: "Whose baboon is this?" "You had better clap your hands, he says to the people. I see them all, I'm going to catch you all. You'd better agree." The group chorused: "Kill the witches. kill the witches." He went on: "Look out, you witches and behave yourselves." He ends up saying to the Chief: "All right, they've all agreed." The witches were accused of having snakes, baboons, "tikoloshes" (gnomes)- everything. "Kali shaya" - "Speak, speak." "Siya vuma" - "We agree-we agree." "Woman, is this your snake?" "Yes, it is", etc., etc. Divibation sketch with clapping and drums.
- Full Text: false
- Date Issued: 1957
Ndinike inkomo zolobole (Give back mu dowry)
- Group of Mpondo women, Hugh Tracey
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136383 , vital:37371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-05
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136383 , vital:37371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-05
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
Ndipeze phi? (Where should I drink?)
- Group of Mpondo women, Hugh Tracey
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136378 , vital:37370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-04
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136378 , vital:37370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-04
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
Umgquzo (Where is my blanket? It is in the forest)
- Group of Mpondo women, Hugh Tracey
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136370 , vital:37369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-03
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136370 , vital:37369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-03
- Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
- Full Text: false
- Date Issued: 1957
Ukugwiya
- Group of old Hlubi men, Hugh Tracey
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139564 , vital:37751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR049-02
- Description: Individual men spring out from the circle of singers and start their cries and their own song. The performance is continuous. The occasion uopn which this kind of song is sung is immediately after a circumcision ceremony. Some Hlubi call this Giya, others Gwiya. Post-initiation Giya dances with sticks.
- Full Text: false
- Date Issued: 1957
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139564 , vital:37751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR049-02
- Description: Individual men spring out from the circle of singers and start their cries and their own song. The performance is continuous. The occasion uopn which this kind of song is sung is immediately after a circumcision ceremony. Some Hlubi call this Giya, others Gwiya. Post-initiation Giya dances with sticks.
- Full Text: false
- Date Issued: 1957
Ezimaqiya (A woman's headdress)
- Group of old Hlubi men, Hugh Tracey
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139555 , vital:37750 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR049-01
- Description: This rather mild-looking group were notable for a great variety of fur and feather headdresses, combined with porcupine quills. No particular pattern was follwed, simply the wearer's taste. The song is also sung on festive occassion. Post-initiation Giya dances with sticks.
- Full Text: false
- Date Issued: 1957
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139555 , vital:37750 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR049-01
- Description: This rather mild-looking group were notable for a great variety of fur and feather headdresses, combined with porcupine quills. No particular pattern was follwed, simply the wearer's taste. The song is also sung on festive occassion. Post-initiation Giya dances with sticks.
- Full Text: false
- Date Issued: 1957
Woho naizhi
- Group of old Hlubi men, Hugh Tracey
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139687 , vital:37768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-05
- Description: The people of this "location" are Hlubi, but they all speak Thembu, having no language of their own. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Date Issued: 1957
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139687 , vital:37768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-05
- Description: The people of this "location" are Hlubi, but they all speak Thembu, having no language of their own. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Date Issued: 1957
Woho naizhi
- Group of old Hlubi men, Hugh Tracey
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139678 , vital:37767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-04
- Description: Some very spirited solo performances were put up by individuals who dashed out of a line to take up a new song, each replacing the last man. The first song indicated that the hero of the song had a case to bring. The second, that he should be caught. The third one that he should be held, and so on. Each of the many singers and dancers liked to come out into the ring, shout his individual cries and introduce his own song. The occassional interpolation of a horn was made by blowing through an pld rubber bulb type motor-cycle horn. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Date Issued: 1957
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139678 , vital:37767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-04
- Description: Some very spirited solo performances were put up by individuals who dashed out of a line to take up a new song, each replacing the last man. The first song indicated that the hero of the song had a case to bring. The second, that he should be caught. The third one that he should be held, and so on. Each of the many singers and dancers liked to come out into the ring, shout his individual cries and introduce his own song. The occassional interpolation of a horn was made by blowing through an pld rubber bulb type motor-cycle horn. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Date Issued: 1957
Mhlahlo (Greetings)
- Group of old Xhosa me, Hugh Tracey
- Authors: Group of old Xhosa me , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136015 , vital:37327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-01
- Description: This song may be sung on any occasion by the older folk. It was explained that every ceremony or "occasion" , is opened by the singing of a "Mhlahlo" , which really means a 'begining' or opening song. Old people's greeting song with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Group of old Xhosa me , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136015 , vital:37327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-01
- Description: This song may be sung on any occasion by the older folk. It was explained that every ceremony or "occasion" , is opened by the singing of a "Mhlahlo" , which really means a 'begining' or opening song. Old people's greeting song with clapping
- Full Text: false
- Date Issued: 1957
Mhala
- Group of old Xhosa men, Hugh Tracey
- Authors: Group of old Xhosa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136055 , vital:37332 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-02
- Description: This song has no words, but anyone may put in interjections if he wishes. At one point a man praises the composer of this song. and later there are cries of encouragement- "Go on" - "Sing well" - "Make it a good song", and so on.- They were very pleased on hearing the closing shouts of approval when it was played back to them. Old people's song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of old Xhosa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136055 , vital:37332 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-02
- Description: This song has no words, but anyone may put in interjections if he wishes. At one point a man praises the composer of this song. and later there are cries of encouragement- "Go on" - "Sing well" - "Make it a good song", and so on.- They were very pleased on hearing the closing shouts of approval when it was played back to them. Old people's song with clapping.
- Full Text: false
- Date Issued: 1957
Tula mtwana (Hush, baby)
- Group of Qwathi wome, Hugh Tracey
- Authors: Group of Qwathi wome , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Xhosa , Lullabies, Xhosa , Africa South Africa Engcobo f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134936 , vital:37219 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-04
- Description: Several mothers sitting in the hut with their babies took part in this lullaby.-The voice of one of the babies can be heard. The tune is said to be traditional to the whole country. Lullaby.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Qwathi wome , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Xhosa , Lullabies, Xhosa , Africa South Africa Engcobo f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134936 , vital:37219 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-04
- Description: Several mothers sitting in the hut with their babies took part in this lullaby.-The voice of one of the babies can be heard. The tune is said to be traditional to the whole country. Lullaby.
- Full Text: false
- Date Issued: 1957
Heehee ndithe gebelele
- Group of Qwathi women, Hugh Tracey
- Authors: Group of Qwathi women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Herbalists , Africa South Africa Engcobo f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134841 , vital:37211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-02
- Description: In the course of this divination song, they broke off for a woman to call out after the fashion of the diviners, to which everyone clapped their hands replying "siya vuma", "we agree". Song for diviner's ceremony with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Qwathi women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Herbalists , Africa South Africa Engcobo f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134841 , vital:37211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-02
- Description: In the course of this divination song, they broke off for a woman to call out after the fashion of the diviners, to which everyone clapped their hands replying "siya vuma", "we agree". Song for diviner's ceremony with clapping.
- Full Text: false
- Date Issued: 1957
Khawuxheliso wakalo haha (Will you say what is wrong, ha ha)
- Group of Qwathi women, Hugh Tracey
- Authors: Group of Qwathi women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Engcobo f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139583 , vital:37753 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR049-04
- Description: In the middle of this song the headman and the owner of the hut got up, delievered a rousing speech and stepped back to his place on the left of the door, very pleased with himself. After that the woman resumed singing with renewed vigour, stood up and accompanied themselves by a double stamp instead of the single stamp usually heard further south. Topical song sung in the evening with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Qwathi women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Engcobo f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139583 , vital:37753 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR049-04
- Description: In the middle of this song the headman and the owner of the hut got up, delievered a rousing speech and stepped back to his place on the left of the door, very pleased with himself. After that the woman resumed singing with renewed vigour, stood up and accompanied themselves by a double stamp instead of the single stamp usually heard further south. Topical song sung in the evening with clapping.
- Full Text: false
- Date Issued: 1957
Itileni
- Group of Xhosa "amakwenkwe" young men, Hugh Tracey
- Authors: Group of Xhosa "amakwenkwe" young men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149134 , vital:38807 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-01
- Description: "You can look down on the train that goes from Mazeppa to Natal." Sung by boys on their way to the Mtshosho dance. The lilt is very infectious. "Amakwenkwe", young men, are under the approximate age 18-20 years. They are so called before they have been initiated and achieved full manhood. A walking song.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Xhosa "amakwenkwe" young men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149134 , vital:38807 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-01
- Description: "You can look down on the train that goes from Mazeppa to Natal." Sung by boys on their way to the Mtshosho dance. The lilt is very infectious. "Amakwenkwe", young men, are under the approximate age 18-20 years. They are so called before they have been initiated and achieved full manhood. A walking song.
- Full Text: false
- Date Issued: 1957
Ndakutsala ngomlenze (I will pull you by the leg)
- Group of Xhosa me and boys, Hugh Tracey
- Authors: Group of Xhosa me and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150679 , vital:38996 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-14
- Description: This was a version of the dance often seen on the mines in Johannesburg where it is known as "Amakwenkwe." It is remarkable for two things. The strange guttural roaring made by flexing and unflexing the knee of the leg on which they happen to be standing. Bands of small bells worn across the chest make this peculiar feat audible as well as visible. The legs of the dancers are also shaken or made to quiver, as they walk round and on the mines the dancers wear rattles on their legs as well. Mbayizelo dance, with clapping and bells.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Xhosa me and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150679 , vital:38996 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-14
- Description: This was a version of the dance often seen on the mines in Johannesburg where it is known as "Amakwenkwe." It is remarkable for two things. The strange guttural roaring made by flexing and unflexing the knee of the leg on which they happen to be standing. Bands of small bells worn across the chest make this peculiar feat audible as well as visible. The legs of the dancers are also shaken or made to quiver, as they walk round and on the mines the dancers wear rattles on their legs as well. Mbayizelo dance, with clapping and bells.
- Full Text: false
- Date Issued: 1957