Orukobya
- Tito Manyuru and Nyoro men and women, Hugh Tracey
- Authors: Tito Manyuru and Nyoro men and women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169874 , vital:41833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-13
- Description: This dance was named after a certain girl named Komunjara who invented the new steps of the dance. She was a famous dancer in the district. Komunjara dance song with gourd rattles and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Tito Manyuru and Nyoro men and women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169874 , vital:41833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-13
- Description: This dance was named after a certain girl named Komunjara who invented the new steps of the dance. She was a famous dancer in the district. Komunjara dance song with gourd rattles and clapping.
- Full Text: false
- Date Issued: 1950
Omusango gwenyama tegugwa
- Temusewo Mukasa, Hugh Tracey
- Authors: Temusewo Mukasa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170950 , vital:41988 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-12
- Description: This meat affair goes on and on. Nakatanga took the singer's meat and ate it. Then Nakatanga went off to the war and the singer said "That is right, I hope you get killed". This brilliant singer is well known in Buganda. The clarity both of his singing and playing on the harp is delightful. Song with horizontal, arched, 8 stringed harp.
- Full Text: false
- Date Issued: 1952
- Authors: Temusewo Mukasa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170950 , vital:41988 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-12
- Description: This meat affair goes on and on. Nakatanga took the singer's meat and ate it. Then Nakatanga went off to the war and the singer said "That is right, I hope you get killed". This brilliant singer is well known in Buganda. The clarity both of his singing and playing on the harp is delightful. Song with horizontal, arched, 8 stringed harp.
- Full Text: false
- Date Issued: 1952
Omusango gwabulere
- Temusewo Mukasa, Hugh Tracey
- Authors: Temusewo Mukasa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170986 , vital:41992 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-16
- Description: "When we dance we press down the ground and we remember that we also shall lie there ourselves one day." The Ganda appear to have a great pre-occupation with death and the theme, such as this one, reflects their thoughts in this direction. Wistful song, with horizontal, arched harp.
- Full Text: false
- Date Issued: 1952
- Authors: Temusewo Mukasa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170986 , vital:41992 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-16
- Description: "When we dance we press down the ground and we remember that we also shall lie there ourselves one day." The Ganda appear to have a great pre-occupation with death and the theme, such as this one, reflects their thoughts in this direction. Wistful song, with horizontal, arched harp.
- Full Text: false
- Date Issued: 1952
Omusango gwa balere
- Entenga, Royal drummers, Hugh Tracey
- Authors: Entenga, Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170719 , vital:41953 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-14
- Description: One of the royal bands, the flautist, failed upon a certain occasion in their musical duties at the Kabaka's Lubili (palace). They were condemned to death but they pleaded with the Kabaka for leniency as the people of the village from which they came, Bira, had once saved the Kabaka's son, a service which had in the first instance earned them the honour of becoming the royal flautists. The Kabaka (King) forgave them and set them free. This story is the subject of the lyre behind the drum tune here presented. Six drummers play these 15 drums. Four the main set of 12 drums, and two others the three bass drums. The melody of the tune is well brought out both at the beginning and the end of the performance. Drum tunes. Set of 15 Entenga tuned conical drums, laced, closed, single.
- Full Text: false
- Date Issued: 1950
- Authors: Entenga, Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170719 , vital:41953 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-14
- Description: One of the royal bands, the flautist, failed upon a certain occasion in their musical duties at the Kabaka's Lubili (palace). They were condemned to death but they pleaded with the Kabaka for leniency as the people of the village from which they came, Bira, had once saved the Kabaka's son, a service which had in the first instance earned them the honour of becoming the royal flautists. The Kabaka (King) forgave them and set them free. This story is the subject of the lyre behind the drum tune here presented. Six drummers play these 15 drums. Four the main set of 12 drums, and two others the three bass drums. The melody of the tune is well brought out both at the beginning and the end of the performance. Drum tunes. Set of 15 Entenga tuned conical drums, laced, closed, single.
- Full Text: false
- Date Issued: 1950
Omurimo gwangye
- Fersia Binoberwa with Ruguru girls, Hugh Tracey
- Authors: Fersia Binoberwa with Ruguru girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170002 , vital:41847 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-05
- Description: Song praising the beauties of their land, the Banyaguru county, with its many crater lakes along the edge of the rift valley, its fresh and its bananas. The style of singing suggested foreign influence although the singers assured us it was indigenous. Patriotic song, used as dance song for boys and girls, with two conical drums, laced, single and a raft rattle.
- Full Text: false
- Date Issued: 1950
- Authors: Fersia Binoberwa with Ruguru girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170002 , vital:41847 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-05
- Description: Song praising the beauties of their land, the Banyaguru county, with its many crater lakes along the edge of the rift valley, its fresh and its bananas. The style of singing suggested foreign influence although the singers assured us it was indigenous. Patriotic song, used as dance song for boys and girls, with two conical drums, laced, single and a raft rattle.
- Full Text: false
- Date Issued: 1950
Omukyalo nga bamugeya
- Authors: Isaya Deka , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171328 , vital:42047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-18
- Description: "Wherever he went he found people talking ill of him.Why, he asks, should they do so about an innocent harmless man like myself." The tuning of this harp was as follows:- 220, 196, 158, 140, 110, 98 v.s. Topical song, with Ntongoni 6 string horizontal harp.
- Full Text: false
- Date Issued: 1952
- Authors: Isaya Deka , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171328 , vital:42047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-18
- Description: "Wherever he went he found people talking ill of him.Why, he asks, should they do so about an innocent harmless man like myself." The tuning of this harp was as follows:- 220, 196, 158, 140, 110, 98 v.s. Topical song, with Ntongoni 6 string horizontal harp.
- Full Text: false
- Date Issued: 1952
Omukungu nakanyagwe
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169620 , vital:41777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-04
- Description: Eriya Bakwasa is an expert on the playing of the traditional horizontal harp. In this song he sings about a local sub-chief Umukunga, the Gambololo of Buhimba. During the 1939-45 war he was asked to recruit men for the army but all he sent to the Kings African Rifles was his own brother. "What a shame" the old man sings, "we should have done better than that.". The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169620 , vital:41777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-04
- Description: Eriya Bakwasa is an expert on the playing of the traditional horizontal harp. In this song he sings about a local sub-chief Umukunga, the Gambololo of Buhimba. During the 1939-45 war he was asked to recruit men for the army but all he sent to the Kings African Rifles was his own brother. "What a shame" the old man sings, "we should have done better than that.". The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
Omukazi owazaire enkirungu
- Authors: Amosi Bitanako , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170281 , vital:41878 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-08
- Description: The first story is about a man who was born and grew up inside a hard stonelike skin. It was not until a beautiful girl agreed to marry him that his stoney casing fell away. Story.
- Full Text: false
- Date Issued: 1950
- Authors: Amosi Bitanako , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170281 , vital:41878 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-08
- Description: The first story is about a man who was born and grew up inside a hard stonelike skin. It was not until a beautiful girl agreed to marry him that his stoney casing fell away. Story.
- Full Text: false
- Date Issued: 1950
Omukazi owajumire embuzi
- Authors: Amosi Bitanako , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170286 , vital:41879 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-09
- Description: The first story is about a man who was born and grew up inside a hard stonelike skin. It was not until a beautiful girl agreed to marry him that his stoney casing fell away. Story.
- Full Text: false
- Date Issued: 1950
- Authors: Amosi Bitanako , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170286 , vital:41879 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-09
- Description: The first story is about a man who was born and grew up inside a hard stonelike skin. It was not until a beautiful girl agreed to marry him that his stoney casing fell away. Story.
- Full Text: false
- Date Issued: 1950
Omukazi omugumba lubala
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171428 , vital:42059 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-06
- Description: "The barren woman is not easy to keep as a wife as she only wastes your money." A very commonly expressed idea in Africa. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171428 , vital:42059 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-06
- Description: "The barren woman is not easy to keep as a wife as she only wastes your money." A very commonly expressed idea in Africa. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
Omukaire ayabire ha
- Boys of Busoga College, Hugh Tracey
- Authors: Boys of Busoga College , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171171 , vital:42026 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-02
- Description: "Where has the old woman gone, she has got a stick and a pipe, and she has gone to the place we have been talking about." School song.
- Full Text: false
- Date Issued: 1952
- Authors: Boys of Busoga College , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171171 , vital:42026 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-02
- Description: "Where has the old woman gone, she has got a stick and a pipe, and she has gone to the place we have been talking about." School song.
- Full Text: false
- Date Issued: 1952
Omugere
- Mwendera Kaijape with Haya women, Hugh Tracey
- Authors: Mwendera Kaijape with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukoba f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171725 , vital:42116 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR143-04
- Description: "You, the girl who is being married." Song for the bride as she enters her new home. "You are now married. Look after your house, we bid you farewell.". Wedding song.
- Full Text: false
- Date Issued: 1950
- Authors: Mwendera Kaijape with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukoba f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171725 , vital:42116 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR143-04
- Description: "You, the girl who is being married." Song for the bride as she enters her new home. "You are now married. Look after your house, we bid you farewell.". Wedding song.
- Full Text: false
- Date Issued: 1950
Omubanda
- Matesaiwe and Nkole men, Hugh Tracey
- Authors: Matesaiwe and Nkole men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bushenyi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170117 , vital:41860 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-16
- Description: The flute (Omubanda. s. Emibanda. pl.) is a notched flute, end blown onto a V shaped notch cut into the end of the open pipe. There are four finger holes in two pairs. These flutes usually accompany the chief country dance the Ekitagururo, a very simple rhythm. The clay poys, which cannot be distinguished in this recording are played by striking the orifice of the pot with a flat beater made of banana frond or leaf. Emibanda flute duet, with two conical drums, laced, single, played with sticks, three clay pots, (Enyungu), rattles and two end blown notched flutes (Emibanda).
- Full Text: false
- Date Issued: 1950
- Authors: Matesaiwe and Nkole men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bushenyi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170117 , vital:41860 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-16
- Description: The flute (Omubanda. s. Emibanda. pl.) is a notched flute, end blown onto a V shaped notch cut into the end of the open pipe. There are four finger holes in two pairs. These flutes usually accompany the chief country dance the Ekitagururo, a very simple rhythm. The clay poys, which cannot be distinguished in this recording are played by striking the orifice of the pot with a flat beater made of banana frond or leaf. Emibanda flute duet, with two conical drums, laced, single, played with sticks, three clay pots, (Enyungu), rattles and two end blown notched flutes (Emibanda).
- Full Text: false
- Date Issued: 1950
Omubaliya
- Bukombe Mukirane, Hugh Tracey
- Authors: Bukombe Mukirane , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Toro f-ug
- Language: Lhukonzo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169556 , vital:41764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-17
- Description: This flute is unusual in that it is made from a single section of banboo 28 inches long by 3/4 inches. The bamboo grows on the higher slopes of the Ruwenzori mountain just above the homes of the Konjo people who live on the foothills below. The first finger hole is 17 inches from the mouthpiece notch. The four holes are played by the first and third fingers of each hand, the thumbs and second fingers holding the flute. Bamboos on the Ruwenzori are said to grow as much as 14 inches per day, which makes them ideal for making flutes as the distance between nodes is long. Nyamulera dance for men with Nyamulera four holed end blown notched flute, two conical drums, laced, single, played with hands.
- Full Text: false
- Date Issued: 1950
- Authors: Bukombe Mukirane , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Toro f-ug
- Language: Lhukonzo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169556 , vital:41764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-17
- Description: This flute is unusual in that it is made from a single section of banboo 28 inches long by 3/4 inches. The bamboo grows on the higher slopes of the Ruwenzori mountain just above the homes of the Konjo people who live on the foothills below. The first finger hole is 17 inches from the mouthpiece notch. The four holes are played by the first and third fingers of each hand, the thumbs and second fingers holding the flute. Bamboos on the Ruwenzori are said to grow as much as 14 inches per day, which makes them ideal for making flutes as the distance between nodes is long. Nyamulera dance for men with Nyamulera four holed end blown notched flute, two conical drums, laced, single, played with hands.
- Full Text: false
- Date Issued: 1950
Omtwale Kasha
- Ernest Kibuka with Haya men, Hugh Tracey
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172042 , vital:42151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-12
- Description: "Take him to Kasha's village, where he will be happy and have plenty to drink." A beer made from bananas is the favourite drink of the district. Note the somewhat complicated rhythmic structure of the song. Topical song with conical laced drum and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172042 , vital:42151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-12
- Description: "Take him to Kasha's village, where he will be happy and have plenty to drink." A beer made from bananas is the favourite drink of the district. Note the somewhat complicated rhythmic structure of the song. Topical song with conical laced drum and clapping.
- Full Text: false
- Date Issued: 1950
Okwidhibana
- Nuzale Kyemiere and Soga men, Hugh Tracey
- Authors: Nuzale Kyemiere and Soga men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171383 , vital:42054 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-02
- Description: A man wanted a certain woman as a wife and to this end made as much money as he could. As long as he had money she liked him but when he had spent it all she ran away. Topical sogn, with 7 Budongo Likembe and 1 Nsaasi rattle.
- Full Text: false
- Date Issued: 1952
- Authors: Nuzale Kyemiere and Soga men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171383 , vital:42054 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-02
- Description: A man wanted a certain woman as a wife and to this end made as much money as he could. As long as he had money she liked him but when he had spent it all she ran away. Topical sogn, with 7 Budongo Likembe and 1 Nsaasi rattle.
- Full Text: false
- Date Issued: 1952
Okwagala omulungi kwesengereza
- Temusewo Mukasa, Hugh Tracey
- Authors: Temusewo Mukasa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170977 , vital:41991 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-15
- Description: "To love the Kabaka brings trouble. You are handed over to the executioner who binds your arms. When the Kabaka goes to Nakawa, Nabulagawa, he hands people over to the executioner." To be friendly with the powerful has its dangers. Songs such as this give a vivid insight into the conditions around the chief's courts in the old days. Historical song with horizontal, arched 8 string harp.
- Full Text: false
- Date Issued: 1952
- Authors: Temusewo Mukasa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170977 , vital:41991 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-15
- Description: "To love the Kabaka brings trouble. You are handed over to the executioner who binds your arms. When the Kabaka goes to Nakawa, Nabulagawa, he hands people over to the executioner." To be friendly with the powerful has its dangers. Songs such as this give a vivid insight into the conditions around the chief's courts in the old days. Historical song with horizontal, arched 8 string harp.
- Full Text: false
- Date Issued: 1952
Okuzanyira
- Abalere ba Kabaka, Hugh Tracey
- Authors: Abalere ba Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170594 , vital:41939 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-01
- Description: This song was sung to warn the young Kabaka (the native king of Uganda) against taking risks on the Lake Victoria by going out in canoes which might easily overturn and drown him. He very much enjoyed going out onto the lake and his people were becoming enxious as they confirmed royalists and feared for the succession. Song for the Kabaka with 3 Ndere flutes, end blown, notched, open, I cylindrical drum, pinned, (-14.01201-), 3 conical drums, laced, played with hands. (-14.22301-).
- Full Text: false
- Date Issued: 1950
- Authors: Abalere ba Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170594 , vital:41939 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-01
- Description: This song was sung to warn the young Kabaka (the native king of Uganda) against taking risks on the Lake Victoria by going out in canoes which might easily overturn and drown him. He very much enjoyed going out onto the lake and his people were becoming enxious as they confirmed royalists and feared for the succession. Song for the Kabaka with 3 Ndere flutes, end blown, notched, open, I cylindrical drum, pinned, (-14.01201-), 3 conical drums, laced, played with hands. (-14.22301-).
- Full Text: false
- Date Issued: 1950
Okuturukya Omukama
- Yohana Nyakayonga with Ntimbo Royal drummers, Hugh Tracey
- Authors: Yohana Nyakayonga with Ntimbo Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169784 , vital:41823 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-03
- Description: Tunes, like the bosun's piping in the navy, which drum and pipe the Mukama as he leaves his Kikale (house) to go his rounds or visit the Council Chamber or court. The Nsegu pipes are made in two sections and joined together by binding with hide, or iguana skin which is shrunk or bound onto the two halves. Way of 'piping' the Mukama with four Ntimbo drums, footed, pinned, open, and Nsegu end blown vertical flutes.
- Full Text: false
- Date Issued: 1950
- Authors: Yohana Nyakayonga with Ntimbo Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169784 , vital:41823 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-03
- Description: Tunes, like the bosun's piping in the navy, which drum and pipe the Mukama as he leaves his Kikale (house) to go his rounds or visit the Council Chamber or court. The Nsegu pipes are made in two sections and joined together by binding with hide, or iguana skin which is shrunk or bound onto the two halves. Way of 'piping' the Mukama with four Ntimbo drums, footed, pinned, open, and Nsegu end blown vertical flutes.
- Full Text: false
- Date Issued: 1950
Okufa kwa Kireri
- Nekemiya Nanywamu and Kasani Byansi, Hugh Tracey
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukona f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171543 , vital:42089 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-06
- Description: Kireri was a godly man who died in a train accident between Kamapala and Nairobi. He believed that everyone should pray to his own gods, and belonged to a sect called Balokole. When he was killed in the accident, they say, that had it not been for Europeans his body would have been eaten by hyenas, for his wife refused to have him brought home for burial. Topical song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukona f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171543 , vital:42089 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-06
- Description: Kireri was a godly man who died in a train accident between Kamapala and Nairobi. He believed that everyone should pray to his own gods, and belonged to a sect called Balokole. When he was killed in the accident, they say, that had it not been for Europeans his body would have been eaten by hyenas, for his wife refused to have him brought home for burial. Topical song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10.54-).
- Full Text: false
- Date Issued: 1950