Kuzumana makua (Do not agree with Europeans)
- Chakobola Sheni, Hugh Tracey
- Authors: Chakobola Sheni , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139077 , vital:37702 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-13
- Description: The singer had his noise pierced (the tip of the septum), which until recently was a common practice among Tonga. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1957
- Authors: Chakobola Sheni , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139077 , vital:37702 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-13
- Description: The singer had his noise pierced (the tip of the septum), which until recently was a common practice among Tonga. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1957
Nyama yonsi uninkha amakho (You gave all the meat to your mother)
- Authors: Chewa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Fort Jameson f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160763 , vital:40535 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-01
- Description: This group had no drums so they brought three tins (beer mugs) along as substitutes. The Nyau dance is performed with the head covered with feathers and with masks. In Nyau dance songs the young men often sing in feigned voices, no doubt on account of the fact that in the actual dance itself, and not for the purpose of this recording, they would be wearing grass and wickerwork masks and would wish to hide their identity. Nyau dance song with (tins used as drums)
- Full Text: false
- Date Issued: 1957
- Authors: Chewa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Fort Jameson f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160763 , vital:40535 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-01
- Description: This group had no drums so they brought three tins (beer mugs) along as substitutes. The Nyau dance is performed with the head covered with feathers and with masks. In Nyau dance songs the young men often sing in feigned voices, no doubt on account of the fact that in the actual dance itself, and not for the purpose of this recording, they would be wearing grass and wickerwork masks and would wish to hide their identity. Nyau dance song with (tins used as drums)
- Full Text: false
- Date Issued: 1957
Mangai
- Chibanda and Kasena with 7 Kanyoka men, Hugh Tracey
- Authors: Chibanda and Kasena with 7 Kanyoka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical songs , Instrumental music , Africa Democratic Republic of Congo Kandakanda f-cg
- Language: Kanyoka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134487 , vital:37165 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0020-05
- Description: "The Kanyoka captured the chief of the Kasai people on the other side of the river, cut off his head, put it in a pot of beer and drank the beer." It is not certain from the context to which tribal wars this incident refers, if any. It may well be a form of boasting or braggadocio. Topical song with 2 guitars, 3 basket rattles and 1 bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Chibanda and Kasena with 7 Kanyoka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical songs , Instrumental music , Africa Democratic Republic of Congo Kandakanda f-cg
- Language: Kanyoka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134487 , vital:37165 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0020-05
- Description: "The Kanyoka captured the chief of the Kasai people on the other side of the river, cut off his head, put it in a pot of beer and drank the beer." It is not certain from the context to which tribal wars this incident refers, if any. It may well be a form of boasting or braggadocio. Topical song with 2 guitars, 3 basket rattles and 1 bottle.
- Full Text: false
- Date Issued: 1957
Senda kabo
- Chibanga Kalulu (Performer), Kazari Inosa (Performer), Composer not specified, Hugh Tracey
- Authors: Chibanga Kalulu (Performer) , Kazari Inosa (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133868 , vital:37026 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-08
- Description: Lufwelu koma dance with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten, and 1 basket rattle and bottle
- Full Text: false
- Date Issued: 1957
- Authors: Chibanga Kalulu (Performer) , Kazari Inosa (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133868 , vital:37026 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-08
- Description: Lufwelu koma dance with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten, and 1 basket rattle and bottle
- Full Text: false
- Date Issued: 1957
Wemuko ifwala mangapala (Father-in-law, father-in-law, do not kill me)
- Chibuye Matolopa, Hugh Tracey
- Authors: Chibuye Matolopa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134615 , vital:37183 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-03
- Description: "Wemuko, wemuko, ifwala mangapala undipaira pamwana waangi ukufiala kulimilimo-we." "Father-in-law, father-in-law. Don't put on your rags, or kill me or my child. to create a child is work." The rags worn by diviners. Self-delectative song with Kankowele fan-shaped mbira
- Full Text: false
- Date Issued: 1957
- Authors: Chibuye Matolopa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134615 , vital:37183 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-03
- Description: "Wemuko, wemuko, ifwala mangapala undipaira pamwana waangi ukufiala kulimilimo-we." "Father-in-law, father-in-law. Don't put on your rags, or kill me or my child. to create a child is work." The rags worn by diviners. Self-delectative song with Kankowele fan-shaped mbira
- Full Text: false
- Date Issued: 1957
Muyomba walila bukeni, mwebalasa inama (The hornbill is calling, wake up you hunters)
- Chibuye Matolopa, Hugh Tracey
- Authors: Chibuye Matolopa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Africa Zambia Katanga f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134542 , vital:37175 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-01
- Description: "The hornbill is calling, wake up you hunters!" "You who go out hunting in the bush, you must wake up and get ready, for the hornbill is calling and you have far to go.".
- Full Text: false
- Date Issued: 1957
- Authors: Chibuye Matolopa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Africa Zambia Katanga f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134542 , vital:37175 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-01
- Description: "The hornbill is calling, wake up you hunters!" "You who go out hunting in the bush, you must wake up and get ready, for the hornbill is calling and you have far to go.".
- Full Text: false
- Date Issued: 1957
Kapidilai ikula-e (The great hill)
- Chibuye Matolopa, Hugh Tracey
- Authors: Chibuye Matolopa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134584 , vital:37181 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-02
- Description: ""Kapidikai ikulae pambala eka chirikire kunkhondo." "The great hill, the great hill beyond shields me from the war." First composed and sung during the Great War 11. Self-delectative song with Kankowele fan shaped mbira
- Full Text: false
- Date Issued: 1957
- Authors: Chibuye Matolopa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134584 , vital:37181 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-02
- Description: ""Kapidikai ikulae pambala eka chirikire kunkhondo." "The great hill, the great hill beyond shields me from the war." First composed and sung during the Great War 11. Self-delectative song with Kankowele fan shaped mbira
- Full Text: false
- Date Issued: 1957
Puo ea Morena George T. Moshoeshoe
- Chief George T. Moshoeshoe (Composer), Chief George T. Moshoeshoe (Performer), Hugh Tracey
- Authors: Chief George T. Moshoeshoe (Composer) , Chief George T. Moshoeshoe (Performer) , Hugh Tracey
- Date: 1957
- Subjects: Folklore , Speeches, addresses, etc., African , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133905 , vital:37036 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR016-01
- Description: Lithoko, praises and speech with praise cries
- Full Text: false
- Date Issued: 1957
- Authors: Chief George T. Moshoeshoe (Composer) , Chief George T. Moshoeshoe (Performer) , Hugh Tracey
- Date: 1957
- Subjects: Folklore , Speeches, addresses, etc., African , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133905 , vital:37036 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR016-01
- Description: Lithoko, praises and speech with praise cries
- Full Text: false
- Date Issued: 1957
Puo ea Morena George T. Moshoeshoe
- Chief George T. Moshoeshoe (Composer), Chief George T. Moshoeshoe (Performer), Hugh Tracey
- Authors: Chief George T. Moshoeshoe (Composer) , Chief George T. Moshoeshoe (Performer) , Hugh Tracey
- Date: 1957
- Subjects: Folklore , Speeches, addresses, etc., African , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133910 , vital:37037 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR016-01
- Description: Lithoko, praises and speech with praise cries
- Full Text: false
- Date Issued: 1957
- Authors: Chief George T. Moshoeshoe (Composer) , Chief George T. Moshoeshoe (Performer) , Hugh Tracey
- Date: 1957
- Subjects: Folklore , Speeches, addresses, etc., African , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133910 , vital:37037 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR016-01
- Description: Lithoko, praises and speech with praise cries
- Full Text: false
- Date Issued: 1957
Intetho ye Inkosi
- Chief Madlanya Tantsi, Hugh Tracey
- Authors: Chief Madlanya Tantsi , Hugh Tracey
- Date: 1957
- Subjects: Speeches, addresses, etc., African , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136344 , vital:37364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-01
- Description: This Chief Madlanya Tantsi was a man of great personality and charm. His "Great Place" was situated in a cup of the hills not far from Tabankulu. The speech was delivered to a gathering of his people men and women, seated on the short grass, with their ponies grazing peacefully in the background and the hot afternoon sunshine shining on the wide expanse of hills and grassy slopes beyond. In the course of the speech he made great play with his stick, which was covered with a leopard's tail.
- Full Text: false
- Date Issued: 1957
- Authors: Chief Madlanya Tantsi , Hugh Tracey
- Date: 1957
- Subjects: Speeches, addresses, etc., African , Africa South Africa Tabankulu f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136344 , vital:37364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-01
- Description: This Chief Madlanya Tantsi was a man of great personality and charm. His "Great Place" was situated in a cup of the hills not far from Tabankulu. The speech was delivered to a gathering of his people men and women, seated on the short grass, with their ponies grazing peacefully in the background and the hot afternoon sunshine shining on the wide expanse of hills and grassy slopes beyond. In the course of the speech he made great play with his stick, which was covered with a leopard's tail.
- Full Text: false
- Date Issued: 1957
Puo ea Morena Neo Sibi
- Chief Neo Sibi (Performer), Chief Neo Sibi (Composer), Hugh Tracey
- Authors: Chief Neo Sibi (Performer) , Chief Neo Sibi (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Speeches, addresses, etc., African , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134223 , vital:37102 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR018-08
- Description: The Chief thanked the recording party for coming to record and asked his people not to forget their traditional songs.
- Full Text: false
- Date Issued: 1957
- Authors: Chief Neo Sibi (Performer) , Chief Neo Sibi (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Speeches, addresses, etc., African , Africa South Africa Matatiele f-za
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134223 , vital:37102 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR018-08
- Description: The Chief thanked the recording party for coming to record and asked his people not to forget their traditional songs.
- Full Text: false
- Date Issued: 1957
Ata pikure katenge (You will turn the mortar)
- Chimwala Ganiziechi and Mwamadi Lokote, Hugh Tracey
- Authors: Chimwala Ganiziechi and Mwamadi Lokote , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Ngonde (African people)--Music , Africa Zimbabwe Kariba f-rh
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151920 , vital:39187 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-12
- Description: "I am working here now. When I go home rich, some wizard may envy me (turn the mortar over), for my money." It is said that turning a mortar upside down, is one of the practices which are used in casting a spell. Topical song with Bangwe board zither, with resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Chimwala Ganiziechi and Mwamadi Lokote , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Ngonde (African people)--Music , Africa Zimbabwe Kariba f-rh
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151920 , vital:39187 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-12
- Description: "I am working here now. When I go home rich, some wizard may envy me (turn the mortar over), for my money." It is said that turning a mortar upside down, is one of the practices which are used in casting a spell. Topical song with Bangwe board zither, with resonator.
- Full Text: false
- Date Issued: 1957
Kazela kambelemba (Set the trapstone so that we can catch five and two mice)
- Chimwala Ganiziechi and Mwamadi Lokote, Hugh Tracey
- Authors: Chimwala Ganiziechi and Mwamadi Lokote , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Ngonde (African people)--Music , Africa Zimbabwe Kariba f-rh
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151902 , vital:39185 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-10
- Description: This bangwe had a rough plank resonator beneath its whole length. Counting in several African languages goes up to five, then five and one, five and two etc. to ten. Topical song with Bangwe board zither, with resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Chimwala Ganiziechi and Mwamadi Lokote , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Ngonde (African people)--Music , Africa Zimbabwe Kariba f-rh
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151902 , vital:39185 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-10
- Description: This bangwe had a rough plank resonator beneath its whole length. Counting in several African languages goes up to five, then five and one, five and two etc. to ten. Topical song with Bangwe board zither, with resonator.
- Full Text: false
- Date Issued: 1957
Ukandenda-ka-sagaiyo (I have done a lot of work)
- Chimwala Ganiziechi and Mwamadi Lokote, Hugh Tracey
- Authors: Chimwala Ganiziechi and Mwamadi Lokote , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Ngonde (African people)--Music , Africa Zimbabwe Kariba f-rh
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151911 , vital:39186 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-11
- Description: "I have built a house, I have made a garden, I have bought a plough - So you, my wife will be quite safe and well provided for." Topical song with Bangwe board zither, with resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Chimwala Ganiziechi and Mwamadi Lokote , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Ngonde (African people)--Music , Africa Zimbabwe Kariba f-rh
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151911 , vital:39186 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-11
- Description: "I have built a house, I have made a garden, I have bought a plough - So you, my wife will be quite safe and well provided for." Topical song with Bangwe board zither, with resonator.
- Full Text: false
- Date Issued: 1957
Che Chipala (Chief Chipala)
- Chimwala Ganiziechi and Mwamadi Lokote, Hugh Tracey
- Authors: Chimwala Ganiziechi and Mwamadi Lokote , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Ngonde (African people)--Music , Africa Zimbabwe Kariba f-rh
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151929 , vital:39188 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-13
- Description: The singer comments upon the sense of justice of his chief. "Chief Chipala, he sings, knows how to settle cases." Praise song for a Chief with Bangwe board
- Full Text: false
- Date Issued: 1957
- Authors: Chimwala Ganiziechi and Mwamadi Lokote , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Ngonde (African people)--Music , Africa Zimbabwe Kariba f-rh
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151929 , vital:39188 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-13
- Description: The singer comments upon the sense of justice of his chief. "Chief Chipala, he sings, knows how to settle cases." Praise song for a Chief with Bangwe board
- Full Text: false
- Date Issued: 1957
Lamnandi ugolohlang (That has fetched this person)
- Authors: Citaumvano , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136596 , vital:37395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-08
- Description: Citaumvano, the singer, praises Mis Gertie Carter's store. Miss Carter is a well-known and much respected figure in the district, her father having established the store about 1870, about 25 years before the annexation of Pondoland. Praise song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: Citaumvano , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136596 , vital:37395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-08
- Description: Citaumvano, the singer, praises Mis Gertie Carter's store. Miss Carter is a well-known and much respected figure in the district, her father having established the store about 1870, about 25 years before the annexation of Pondoland. Praise song with guitar.
- Full Text: false
- Date Issued: 1957
Pelile Makoti (My love for you, Makoti, is finished)
- Authors: Citaumvano , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136614 , vital:37397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-11
- Description: Makoti was his wife. From what he said, the singer was devoted to her and their song was not to be taken too literally. His capotasto was placed on the fifth fret of the guitar. Love song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: Citaumvano , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136614 , vital:37397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-11
- Description: Makoti was his wife. From what he said, the singer was devoted to her and their song was not to be taken too literally. His capotasto was placed on the fifth fret of the guitar. Love song with guitar.
- Full Text: false
- Date Issued: 1957
Ukulalubokile (The weeds in the lands have got them beat)
- Authors: Citaumvano , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136605 , vital:37396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-09
- Description: "Sila" is literary :to grind", i.e. the woman who grinds the grain for the beer. Topical song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: Citaumvano , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136605 , vital:37396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-09
- Description: "Sila" is literary :to grind", i.e. the woman who grinds the grain for the beer. Topical song with guitar.
- Full Text: false
- Date Issued: 1957
Intlanganiso ya magqika ye Izangoma (Herbalist's meeting)
- Composer not specified, Hugh Tracey
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Xhosa , Herbalists , Africa South Africa Umtata f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134945 , vital:37220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-05
- Description: Led by Dangazela and by Nowinjile Sincabo his wife. Dangazela is the son of Chief Bota the paramount chief of Lusikisiki. This recording demonstrates the procedure adopted by herbalists and diviners at their meetings and healing ceremonies.- the music and speeches helping to create an atmosphere of serious contemplation and thereby assisting in the cure of the patient. Proceedings for herbalists, with songs and speech, with clapping, stamping and 1 bass drum.
- Full Text: false
- Date Issued: 1957
- Authors: Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Xhosa , Herbalists , Africa South Africa Umtata f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134945 , vital:37220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-05
- Description: Led by Dangazela and by Nowinjile Sincabo his wife. Dangazela is the son of Chief Bota the paramount chief of Lusikisiki. This recording demonstrates the procedure adopted by herbalists and diviners at their meetings and healing ceremonies.- the music and speeches helping to create an atmosphere of serious contemplation and thereby assisting in the cure of the patient. Proceedings for herbalists, with songs and speech, with clapping, stamping and 1 bass drum.
- Full Text: false
- Date Issued: 1957
Mwariwa toca ku Henga
- Composer not specified, Elmas Nachilwa and group of Tumbuka/Henga women (Performers), Hugh Tracey
- Authors: Composer not specified , Elmas Nachilwa and group of Tumbuka/Henga women (Performers) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Tumbuka , Africa Malawi Livingstonia f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134073 , vital:37068 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR017-07
- Description: The raft rattles are made from sections of stout dried grass stalks with beans or other seeds inside. They are held between the palms of the hands and swung to and fro, the thumbs or her fingers hitting the rattles at the end of the swing.
- Full Text: false
- Date Issued: 1957
- Authors: Composer not specified , Elmas Nachilwa and group of Tumbuka/Henga women (Performers) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Tumbuka , Africa Malawi Livingstonia f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134073 , vital:37068 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR017-07
- Description: The raft rattles are made from sections of stout dried grass stalks with beans or other seeds inside. They are held between the palms of the hands and swung to and fro, the thumbs or her fingers hitting the rattles at the end of the swing.
- Full Text: false
- Date Issued: 1957