Yalila ngololo kutwaga belega (You were praised by the man you worked for)
- Group of Tonga men and women led by Joseph Munyeme, Hugh Tracey
- Authors: Group of Tonga men and women led by Joseph Munyeme , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138856 , vital:37680 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-10
- Description: "The foreman took us for training before we started our duties in the morning- ordering us to "go on working". If I were a small boy I would hit the foreman. We would rather die than be forced to go on working." Bugogo party dance with sticks and 1 small Gogogo drum beaten by hands.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga men and women led by Joseph Munyeme , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138856 , vital:37680 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-10
- Description: "The foreman took us for training before we started our duties in the morning- ordering us to "go on working". If I were a small boy I would hit the foreman. We would rather die than be forced to go on working." Bugogo party dance with sticks and 1 small Gogogo drum beaten by hands.
- Full Text: false
- Date Issued: 1957
Yalambula masaza
- Zakaria Kasasa, 'Endongo za Baganda'., Hugh Tracey
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170489 , vital:41929 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-12
- Description: "The Kabaka visits all the Ssaza country chiefs and the whole country. He looks very well and distingusished in his uniform." Then as an after thought he adds, "I like a friend who likes me." Topical song with 8 string bowl lyre Endongo, one string bowl lute lute Ndingidi, one conical laced drum Ntenga.
- Full Text: false
- Date Issued: 1950
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170489 , vital:41929 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-12
- Description: "The Kabaka visits all the Ssaza country chiefs and the whole country. He looks very well and distingusished in his uniform." Then as an after thought he adds, "I like a friend who likes me." Topical song with 8 string bowl lyre Endongo, one string bowl lute lute Ndingidi, one conical laced drum Ntenga.
- Full Text: false
- Date Issued: 1950
Yaku Kasama munenu wamukake Nshimbi (At Kasama they put the handcuffs on me)
- Stephen Tsotsi Kasumali and 3 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139945 , vital:37816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "I was handcuffed at Kasama by the police, sat down and was taken to the Boma, saying; "I did nothing wrong." But it appears that when he was charged, he said he was guilty and blamed his uncle's wife. She came to give evidence on his behalf but she did not get him off. So he said: "You are the one who must get me off." Bust she did not do so." "You are my relative, you must send me home." In this outburst one can see the childlike faith in the blood relationships eben to the point of working miracles.
- Full Text: false
- Date Issued: 1957
- Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139945 , vital:37816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "I was handcuffed at Kasama by the police, sat down and was taken to the Boma, saying; "I did nothing wrong." But it appears that when he was charged, he said he was guilty and blamed his uncle's wife. She came to give evidence on his behalf but she did not get him off. So he said: "You are the one who must get me off." Bust she did not do so." "You are my relative, you must send me home." In this outburst one can see the childlike faith in the blood relationships eben to the point of working miracles.
- Full Text: false
- Date Issued: 1957
Yakonyomba
- Authors: Timoti Sadimbi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138956 , vital:37689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-02
- Description: Played with 3 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
- Full Text: false
- Date Issued: 1957
- Authors: Timoti Sadimbi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138956 , vital:37689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-02
- Description: Played with 3 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
- Full Text: false
- Date Issued: 1957
Yakhal' ingane encanane
- Group of Baca Men (Performers), Composer not specified, Hugh Tracey
- Authors: Group of Baca Men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133457 , vital:36979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR012-08
- Description: Wedding song with sticks
- Full Text: false
- Date Issued: 1957
- Authors: Group of Baca Men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133457 , vital:36979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR012-08
- Description: Wedding song with sticks
- Full Text: false
- Date Issued: 1957
Yaje bampole
- Serina Mako with Hangaza women, Hugh Tracey
- Authors: Serina Mako with Hangaza women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shanga f-tz
- Language: Rundi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172849 , vital:42288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-17
- Description: "He is coming to his people's houses." A certain chief used to go and visit his people in their own houses, a gesture which was at once unsual and appreciated, and sufficiently rare to be sung about. Topical song.
- Full Text: false
- Date Issued: 1950
- Authors: Serina Mako with Hangaza women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shanga f-tz
- Language: Rundi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172849 , vital:42288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-17
- Description: "He is coming to his people's houses." A certain chief used to go and visit his people in their own houses, a gesture which was at once unsual and appreciated, and sufficiently rare to be sung about. Topical song.
- Full Text: false
- Date Issued: 1950
Yai lero (Not today)
- Adija Nyankhomo and G. Coffee, Hugh Tracey
- Authors: Adija Nyankhomo and G. Coffee , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153913 , vital:39537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-12
- Description: There was once a husband and wife and the and the man went out to drink beer and come back late at night. He left his young child at home, sleeping in bed. Now a wife with a very young child must not ne touched. But when he came back he started to touch her until the child woke up. So in the morning the wife went and told her friends about the shocking behaviour of her husband. Then they all came over to her home, stood outside and sang this song, mocking the husband for forgetting his good manners. "Natikhorowa n'ndiwo Yai yai yai, lelo, Yai lero ai mwanileka ndikale, Mwana akadagona, tsopano wanka ndipu m kuti taleka, Yai lero Yai lero ai." "Sweet potatoe leaves! Forbidden fruit at some of the time. You left me a long time a ago when the Child was still asleep and now he is awake and you say, "let me" No, no, no, not today." Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Adija Nyankhomo and G. Coffee , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153913 , vital:39537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-12
- Description: There was once a husband and wife and the and the man went out to drink beer and come back late at night. He left his young child at home, sleeping in bed. Now a wife with a very young child must not ne touched. But when he came back he started to touch her until the child woke up. So in the morning the wife went and told her friends about the shocking behaviour of her husband. Then they all came over to her home, stood outside and sang this song, mocking the husband for forgetting his good manners. "Natikhorowa n'ndiwo Yai yai yai, lelo, Yai lero ai mwanileka ndikale, Mwana akadagona, tsopano wanka ndipu m kuti taleka, Yai lero Yai lero ai." "Sweet potatoe leaves! Forbidden fruit at some of the time. You left me a long time a ago when the Child was still asleep and now he is awake and you say, "let me" No, no, no, not today." Story song.
- Full Text: false
- Date Issued: 1958
YahlomiNdlovu (The Queen Mother)
- Large group of Swazi men, Hugh Tracey
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152430 , vital:39278 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR069-06
- Description: "The Queen Mother is ready to attack. The King complains and the regiments vanish because they will not fight against the king." (This is said to refer to an ancient quarrel between the Queen Mother of those times and the Paramount Chief. She ordered her soilders to attack the king, but they refused and ran away). Umgubo regimental song.
- Full Text: false
- Date Issued: 1958
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152430 , vital:39278 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR069-06
- Description: "The Queen Mother is ready to attack. The King complains and the regiments vanish because they will not fight against the king." (This is said to refer to an ancient quarrel between the Queen Mother of those times and the Paramount Chief. She ordered her soilders to attack the king, but they refused and ran away). Umgubo regimental song.
- Full Text: false
- Date Issued: 1958
Yachipondeka 'owe owe'
- Masaria and other Tonga women, Hugh Tracey
- Authors: Masaria and other Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138126 , vital:37596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-01
- Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
- Full Text: false
- Date Issued: 1957
- Authors: Masaria and other Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138126 , vital:37596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-01
- Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
- Full Text: false
- Date Issued: 1957
Yabulele Hiyari ngoma (This Hiyari dance is very foolish)
- Idi Selemani with Nyamwezi men and women, Hugh Tracey
- Authors: Idi Selemani with Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173083 , vital:42320 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-18
- Description: The leader disapproved of the singing of the women who persisted in putting their black bourkas over their mouths. His 'tch-tch' can be clearly heard in his second song. Hiyari ya Moyo dance song.
- Full Text: false
- Date Issued: 1950
- Authors: Idi Selemani with Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173083 , vital:42320 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-18
- Description: The leader disapproved of the singing of the women who persisted in putting their black bourkas over their mouths. His 'tch-tch' can be clearly heard in his second song. Hiyari ya Moyo dance song.
- Full Text: false
- Date Issued: 1950
Ya ya woye
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139495 , vital:37744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-10
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139495 , vital:37744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-10
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
Xhosa II (Xhosa)
- Four men and group of women, Hugh Tracey
- Authors: Four men and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165665 , vital:41269 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-05
- Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Four men and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165665 , vital:41269 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-05
- Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
- Full Text: false
- Date Issued: 1959
Xhosa I (Saturday is a lonely day)
- Four men and group of women, Hugh Tracey
- Authors: Four men and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165660 , vital:41268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-04
- Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Four men and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165660 , vital:41268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-04
- Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
- Full Text: false
- Date Issued: 1959
Wuyawuya nalila mininga
- Likhengele Makhono with Sukuma men and women, Hugh Tracey
- Authors: Likhengele Makhono with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173671 , vital:42397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-05
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am Thinking abouth the death of my love who looked after me well. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Likhengele Makhono with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173671 , vital:42397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-05
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am Thinking abouth the death of my love who looked after me well. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
Wukati lakukawa
- o Feliciano, Muntano Gomez, Gomez, F, Hugh Tracey
- Authors: o Feliciano, Muntano Gomez , Gomez, F , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132164 , vital:36806 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-03 , Field card no. H1P-14
- Description: "Now we are well off, my wife, you do not want to know my relatives any more. You want this and that, but not to meet my friends. I have a child who was ill and whom I sent to the herbalist, but although that woman took my money, she did not give my child the right medicine." The herbalist in question was his own grandmother. One of four topical songs with guitar.
- Full Text: false
- Date Issued: 1955
- Authors: o Feliciano, Muntano Gomez , Gomez, F , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132164 , vital:36806 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-03 , Field card no. H1P-14
- Description: "Now we are well off, my wife, you do not want to know my relatives any more. You want this and that, but not to meet my friends. I have a child who was ill and whom I sent to the herbalist, but although that woman took my money, she did not give my child the right medicine." The herbalist in question was his own grandmother. One of four topical songs with guitar.
- Full Text: false
- Date Issued: 1955
Wonke umhlaba nyazmmazama (The whole world is moving)
- Joke Dlamini and the Homeless 'B', Hugh Tracey
- Authors: Joke Dlamini and the Homeless 'B' , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Zulu , Zulu (African people) , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153277 , vital:39427 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-13
- Description: This item was probably copied from an unidentified record. The name of this choir was 'the homeless'. But as there was an original team this one decided to call themselves 'B' to distinguish their group from the Homeless 'A'. Topical song (Mbude style)
- Full Text: false
- Date Issued: 1958
- Authors: Joke Dlamini and the Homeless 'B' , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Zulu , Zulu (African people) , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153277 , vital:39427 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-13
- Description: This item was probably copied from an unidentified record. The name of this choir was 'the homeless'. But as there was an original team this one decided to call themselves 'B' to distinguish their group from the Homeless 'A'. Topical song (Mbude style)
- Full Text: false
- Date Issued: 1958
Wondoloza Bantu (We safeguard the Chief, "Subuza")
- Large group of Swazi men (about 80-90), Hugh Tracey
- Authors: Large group of Swazi men (about 80-90) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152519 , vital:39305 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-02
- Description: The three sections of which this group was formed performed "ukopaseka" at the end of the song. This is the equivalent of the Zulu ukugiya or solo strutting dance done by individuals out in front of the groups to sounds of encouraging cries by their friends. Each young man has his own special cries shouted by his comrades for him whenever he shows off in this manner. Umgubo regimental song.
- Full Text: false
- Date Issued: 1958
- Authors: Large group of Swazi men (about 80-90) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152519 , vital:39305 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-02
- Description: The three sections of which this group was formed performed "ukopaseka" at the end of the song. This is the equivalent of the Zulu ukugiya or solo strutting dance done by individuals out in front of the groups to sounds of encouraging cries by their friends. Each young man has his own special cries shouted by his comrades for him whenever he shows off in this manner. Umgubo regimental song.
- Full Text: false
- Date Issued: 1958
Wolala (Wolala, why! Wolala, I am leaving)
- Young Xhosa men and women, Hugh Tracey
- Authors: Young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150770 , vital:39004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-04
- Description: Wolala is a man's name. There are few if any words in the lyric. This was sung by a group of young people, the girls and boys rather younger than the first group and not so gaily dressed. The girls clap their hands and stamp one foot alternately swinging rhythmically forward and backward. Mtshotsho dance for young men and women with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150770 , vital:39004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-04
- Description: Wolala is a man's name. There are few if any words in the lyric. This was sung by a group of young people, the girls and boys rather younger than the first group and not so gaily dressed. The girls clap their hands and stamp one foot alternately swinging rhythmically forward and backward. Mtshotsho dance for young men and women with clapping.
- Full Text: false
- Date Issued: 1957
Woho naizhi
- Group of old Hlubi men, Hugh Tracey
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139687 , vital:37768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-05
- Description: The people of this "location" are Hlubi, but they all speak Thembu, having no language of their own. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Date Issued: 1957
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139687 , vital:37768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-05
- Description: The people of this "location" are Hlubi, but they all speak Thembu, having no language of their own. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Date Issued: 1957
Woho naizhi
- Group of old Hlubi men, Hugh Tracey
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139678 , vital:37767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-04
- Description: Some very spirited solo performances were put up by individuals who dashed out of a line to take up a new song, each replacing the last man. The first song indicated that the hero of the song had a case to bring. The second, that he should be caught. The third one that he should be held, and so on. Each of the many singers and dancers liked to come out into the ring, shout his individual cries and introduce his own song. The occassional interpolation of a horn was made by blowing through an pld rubber bulb type motor-cycle horn. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Date Issued: 1957
- Authors: Group of old Hlubi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139678 , vital:37767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-04
- Description: Some very spirited solo performances were put up by individuals who dashed out of a line to take up a new song, each replacing the last man. The first song indicated that the hero of the song had a case to bring. The second, that he should be caught. The third one that he should be held, and so on. Each of the many singers and dancers liked to come out into the ring, shout his individual cries and introduce his own song. The occassional interpolation of a horn was made by blowing through an pld rubber bulb type motor-cycle horn. Mgibo pre-initiation dance with sticks.
- Full Text: false
- Date Issued: 1957