Kpihi-Gou
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129033 , vital:36208 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-01
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129033 , vital:36208 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-01
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
L'Afrique d'avant
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, Ousmane Wade (arrangement), Lamine Faye (guitar), Samba Laobe Ndiaye (bass), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Ousmane Wade (arrangement) , Lamine Faye (guitar) , Samba Laobe Ndiaye (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129359 , vital:36266 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-03
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , Ousmane Wade (arrangement) , Lamine Faye (guitar) , Samba Laobe Ndiaye (bass) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129359 , vital:36266 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-03
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
L'an 2000
- Fatou Laobe (performer, composer), Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus), Mbeya Samb (bass guitar), Assana Aldara (guitar), Azizi Diallo (piano), Beydi Thior (pianos), Law Kouyate (kora), Amadou Athiel (xalam), Moussa Gningue (drums), Elle Mbaye, Mbaye Thiam (sabar), Jololi
- Authors: Fatou Laobe (performer, composer) , Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus) , Mbeya Samb (bass guitar) , Assana Aldara (guitar) , Azizi Diallo (piano) , Beydi Thior (pianos) , Law Kouyate (kora) , Amadou Athiel (xalam) , Moussa Gningue (drums) , Elle Mbaye, Mbaye Thiam (sabar) , Jololi
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127719 , vital:36038 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO6-05
- Description: Senegalese band featuring solo and chorus singers accampanied by kora, xalam, sabar, guitar and piano
- Full Text: false
- Date Issued: 2000
- Authors: Fatou Laobe (performer, composer) , Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus) , Mbeya Samb (bass guitar) , Assana Aldara (guitar) , Azizi Diallo (piano) , Beydi Thior (pianos) , Law Kouyate (kora) , Amadou Athiel (xalam) , Moussa Gningue (drums) , Elle Mbaye, Mbaye Thiam (sabar) , Jololi
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127719 , vital:36038 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO6-05
- Description: Senegalese band featuring solo and chorus singers accampanied by kora, xalam, sabar, guitar and piano
- Full Text: false
- Date Issued: 2000
La bal
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129145 , vital:36222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-02
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129145 , vital:36222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-02
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Laissez-nous Parler
- Tidiane Gaye (lead vocal), Assane Diop (solo guitar), Niankou Sembene (keyboards), Ousseynou Diop (drums), Moussa Sene, Mor Sourang, Thio Mbaye (percussion), Mada Ba (chorus), Galissa (kora), Mamane Thiam (tama), Studio 2000, Samassa Records
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130100 , vital:36375 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-06
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
- Authors: Tidiane Gaye (lead vocal) , Assane Diop (solo guitar) , Niankou Sembene (keyboards) , Ousseynou Diop (drums) , Moussa Sene, Mor Sourang, Thio Mbaye (percussion) , Mada Ba (chorus) , Galissa (kora) , Mamane Thiam (tama) , Studio 2000 , Samassa Records
- Date: 1994
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130100 , vital:36375 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC37-06
- Description: Popular Senegalese music incorporating pop, funk, Congolese ndombolo, cut-shifted Ivorian or Afro-dance
- Full Text: false
- Date Issued: 1994
Lendemain
- Tonton Mac, Sugar Flavor, Caporal F (lead vocals), Suzanne Khar Fofana Ass II, Bouba (chorus), El hadji Cissokho, Babouli Cissokho (kora), Laye Kane, Urbain Lambert (guitar), Jazzy M (scratch), Sama Flavor (composed by), Studio 2000
- Authors: Tonton Mac, Sugar Flavor, Caporal F (lead vocals) , Suzanne Khar Fofana Ass II, Bouba (chorus) , El hadji Cissokho, Babouli Cissokho (kora) , Laye Kane, Urbain Lambert (guitar) , Jazzy M (scratch) , Sama Flavor (composed by) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129486 , vital:36298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC28-08
- Description: Hip hop song sung in English, French and Wolof
- Full Text: false
- Date Issued: 1999
- Authors: Tonton Mac, Sugar Flavor, Caporal F (lead vocals) , Suzanne Khar Fofana Ass II, Bouba (chorus) , El hadji Cissokho, Babouli Cissokho (kora) , Laye Kane, Urbain Lambert (guitar) , Jazzy M (scratch) , Sama Flavor (composed by) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129486 , vital:36298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC28-08
- Description: Hip hop song sung in English, French and Wolof
- Full Text: false
- Date Issued: 1999
Les Vielles Cabanes Ensorcelees
- Badou Boy and Pape Armand (composers), Straun Douglas
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127268 , vital:35994 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-03
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127268 , vital:35994 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-03
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
Libre Ego
- Didier Sourou Awadi aka DJ Awadi (performer, author), Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author), Palm Tree Enter/Africa with P.B.S. Production
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131508 , vital:36588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-07
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131508 , vital:36588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-07
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
Ligeeya Woor
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130191 , vital:36385 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-02
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130191 , vital:36385 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-02
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
Liggey
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129108 , vital:36218 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-07
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129108 , vital:36218 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-07
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Ligueyante
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128846 , vital:36173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-04
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128846 , vital:36173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-04
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Lu Ko Jar
- Ajah Sy ( lead vocals, author, composer, chorus), Biram Ndeck Ndiaye, El Hadji Niang (arrangement), Lamine Faye (guitar), El Hadji Niang (bass), Bakane Seck (percussion), Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus), El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards), Kaounding Cissokho (kora), Barou Sall (Khalam), Studio 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Kaounding Cissokho (kora) , Barou Sall (Khalam) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129368 , vital:36268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-04
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
- Authors: Ajah Sy ( lead vocals, author, composer, chorus) , Biram Ndeck Ndiaye , El Hadji Niang (arrangement) , Lamine Faye (guitar) , El Hadji Niang (bass) , Bakane Seck (percussion) , Marie Codou Pouye, Ajah Sy, Abdourahmane Diallo,Missala man, Aly Hachem, Mame Gor Mboup (chorus) , El Hadji Niang, Aly Hachem, Ousmane Wade (keyboards) , Kaounding Cissokho (kora) , Barou Sall (Khalam) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129368 , vital:36268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC27-04
- Description: A homage to women in general and rural women in particular, for courageously and stoically facing their arduous socetal burden
- Full Text: false
- Date Issued: 2000
Ma Cherie
- Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus), Racine Ly (solo guitar), Ousmane Wade (keyboard), Youssou Camara (drums), Moussa Traore (percussions), Sam Thiam (tama), Fama Lo (chorus), Samba Laobe Ndiaye (bass guitar, arranger, recorded by), Studio 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128099 , vital:36075 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-06
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
- Authors: Vieux Marius Seck (composer, lead singer, rhythm guitar, accoustic guitar, chorus) , Racine Ly (solo guitar) , Ousmane Wade (keyboard) , Youssou Camara (drums) , Moussa Traore (percussions) , Sam Thiam (tama) , Fama Lo (chorus) , Samba Laobe Ndiaye (bass guitar, arranger, recorded by) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128099 , vital:36075 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC09-06
- Description: Senegalese band featuring singing accompanied by keyboard, percussion, guitar and talking drum (tama)
- Full Text: false
- Date Issued: 2000
Madame Siby
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128832 , vital:36171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-02
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128832 , vital:36171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-02
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Mane mi Gnoul
- Thione Seck (lead singer), Raam Daan (band name of accompanying musicians), Syllart Production
- Authors: Thione Seck (lead singer) , Raam Daan (band name of accompanying musicians) , Syllart Production
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131361 , vital:36563 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC52-02
- Description: The spare beautiful Dakar sound is propelled by percussion,and dominated by Thione Seck's thrilling voice
- Full Text: false
- Date Issued: 1999
- Authors: Thione Seck (lead singer) , Raam Daan (band name of accompanying musicians) , Syllart Production
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131361 , vital:36563 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC52-02
- Description: The spare beautiful Dakar sound is propelled by percussion,and dominated by Thione Seck's thrilling voice
- Full Text: false
- Date Issued: 1999
Manore
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Marie Sala
- Badou Boy (lead vocal, accoustic guitar, harmonica), Assane Thiam (Tama talking drum), Tapha Faye (piano), Mbaye Dieye Feye (Sabar and Percussions), Pathe Diassy (bass guitar), Fallilou Niang (drums), Ibou Cisse (piano), Badou Boy and Pape Armand (composers), Straun Douglas
- Authors: Badou Boy (lead vocal, accoustic guitar, harmonica) , Assane Thiam (Tama talking drum) , Tapha Faye (piano) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Fallilou Niang (drums) , Ibou Cisse (piano) , Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127304 , vital:35998 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-07
- Description: Singing accompanied by guitar and electric piano
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy (lead vocal, accoustic guitar, harmonica) , Assane Thiam (Tama talking drum) , Tapha Faye (piano) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Fallilou Niang (drums) , Ibou Cisse (piano) , Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127304 , vital:35998 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-07
- Description: Singing accompanied by guitar and electric piano
- Full Text: false
- Date Issued: 2000
Mass Ndiaye
- Thione Seck (lead singer), Raam Daan (band name of accompanying musicians), Syllart Production
- Authors: Thione Seck (lead singer) , Raam Daan (band name of accompanying musicians) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131365 , vital:36564 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC52-03
- Description: The spare beautiful Dakar sound is propelled by percussion,and dominated by Thione Seck's thrilling voice
- Full Text: false
- Date Issued: 1999
- Authors: Thione Seck (lead singer) , Raam Daan (band name of accompanying musicians) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131365 , vital:36564 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC52-03
- Description: The spare beautiful Dakar sound is propelled by percussion,and dominated by Thione Seck's thrilling voice
- Full Text: false
- Date Issued: 1999
Mathiou
- Thione Seck (lead singer), Raam Daan (band name of accompanying musicians), Syllart Production
- Authors: Thione Seck (lead singer) , Raam Daan (band name of accompanying musicians) , Syllart Production
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131351 , vital:36562 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC52-01
- Description: The spare beautiful Dakar sound is propelled by percussion,and dominated by Thione Seck's thrilling voice
- Full Text: false
- Date Issued: 1999
- Authors: Thione Seck (lead singer) , Raam Daan (band name of accompanying musicians) , Syllart Production
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131351 , vital:36562 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC52-01
- Description: The spare beautiful Dakar sound is propelled by percussion,and dominated by Thione Seck's thrilling voice
- Full Text: false
- Date Issued: 1999
Mbaax Sa Fasa
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130233 , vital:36390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-06
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130233 , vital:36390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-06
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000