Shokora ndinozwa mumba muno (Pound the grain, I am listening inside here)
- Manyoni Wanyamande and his wife, Hugh Tracey
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Shangara
- Manyoni Wanyamande and his wife, Hugh Tracey
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180185 , vital:43330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-07
- Description: Drinking song with Njari (Mbira)
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180185 , vital:43330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-07
- Description: Drinking song with Njari (Mbira)
- Full Text: false
- Date Issued: 1949
Ziriya yapasharo
- Manyoni Zhou and Simoni Mashoko Shawa, Hugh Tracey
- Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181444 , vital:43734 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-04
- Description: It is usual for semi-professional entertainers of this kind to keep up running patter of amusing remarks and scandal to the traditional airs played on the Njari in the background. Like many other players of this instrument Manyoni Zhou calls himself "The player of Mbira". The two musicians come from neighbouring districts, Zhou from Chilimanzi and Mashoko from Buhera, the district in which the Njari originated about 1760 A.D. Topical song with two Njari Mbira, one with 33 notes and one with 31 notes.
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181444 , vital:43734 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-04
- Description: It is usual for semi-professional entertainers of this kind to keep up running patter of amusing remarks and scandal to the traditional airs played on the Njari in the background. Like many other players of this instrument Manyoni Zhou calls himself "The player of Mbira". The two musicians come from neighbouring districts, Zhou from Chilimanzi and Mashoko from Buhera, the district in which the Njari originated about 1760 A.D. Topical song with two Njari Mbira, one with 33 notes and one with 31 notes.
- Full Text: false
- Date Issued: 1949
Mwaoana Mpezeni kufwa
- Manyoni, Peniasi, Ngoni Men and Women, Composer not specified, Tracey, Hugh
- Authors: Manyoni, Peniasi , Ngoni Men and Women , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Zulu , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196216 , vital:45739 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3W11
- Description: A song about Mapulo who wanted to become Mpezani, a paramount chief of the Ngoni.
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni, Peniasi , Ngoni Men and Women , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Zulu , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196216 , vital:45739 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3W11
- Description: A song about Mapulo who wanted to become Mpezani, a paramount chief of the Ngoni.
- Full Text: false
- Date Issued: 1949
Malilo kulilona cedali
- Maonga, Loidi, Maduya, Abisalomu, Composer not specified, Tracey, Hugh
- Authors: Maonga, Loidi , Maduya, Abisalomu , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Zomba f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/209886 , vital:47435 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT104-C122 , Research no. C5K6
- Description: Popular concert song with guitar, banjo and bass drum accompaniment.
- Full Text: false
- Date Issued: 1949
- Authors: Maonga, Loidi , Maduya, Abisalomu , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Zomba f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/209886 , vital:47435 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT104-C122 , Research no. C5K6
- Description: Popular concert song with guitar, banjo and bass drum accompaniment.
- Full Text: false
- Date Issued: 1949
Ndinoda kuyenda mbuyawe
- Authors: Mashanje Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180492 , vital:43394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-07
- Description: These three short tunes also demonstrate the sound of the friction bow as heard by the player. One end of the palm leaf strip is held across the open mouth and the whole is set in vibration by the rattle stick rubbing across serations in the bow. The mouth harmonies can be heard through the piercing noise of the rattle and the rubbing. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
- Authors: Mashanje Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180492 , vital:43394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-07
- Description: These three short tunes also demonstrate the sound of the friction bow as heard by the player. One end of the palm leaf strip is held across the open mouth and the whole is set in vibration by the rattle stick rubbing across serations in the bow. The mouth harmonies can be heard through the piercing noise of the rattle and the rubbing. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
Ka mukondo dede kamukondo mazila
- Mhlongo, Rubeni, Henga men, Composer not specified, Tracey, Hugh
- Authors: Mhlongo, Rubeni , Henga men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Not specified f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/206794 , vital:47062 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT061-C62 , Research no. C3R16
- Description: Virombo Dance song with two bass drums.
- Full Text: false
- Date Issued: 1949
- Authors: Mhlongo, Rubeni , Henga men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Not specified f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/206794 , vital:47062 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT061-C62 , Research no. C3R16
- Description: Virombo Dance song with two bass drums.
- Full Text: false
- Date Issued: 1949
Chiriri Movement Heleweda chigubu
- Mkoma Mahiketa wa Gwelana (Leader), Tracey, Hugh
- Authors: Mkoma Mahiketa wa Gwelana (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194602 , vital:45467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-05
- Description: Note how the opening Cadenza is a brief summary of the main musical ideas to be treated in the body of the work (Chiriri movement). The woman who ululates in this piece used to take a shield and dance with the men in her young days, an unusual practice but done on rare occassions as the Ngodo is essentially an athletic dance for men only. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Mahiketa wa Gwelana (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194602 , vital:45467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-05
- Description: Note how the opening Cadenza is a brief summary of the main musical ideas to be treated in the body of the work (Chiriri movement). The woman who ululates in this piece used to take a shield and dance with the men in her young days, an unusual practice but done on rare occassions as the Ngodo is essentially an athletic dance for men only. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Msitso Msungiso wasiwaka II
- Mkoma Ramao Mtoti, Tracey, Hugh
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:45464 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-03
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. A compelling melody 'for tying on the dance leggings' or for calling dancers, and one of the best Msitso of the season. Leggings of white mohair goat skins are commonly used by Chopi dancers. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:45464 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-03
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. A compelling melody 'for tying on the dance leggings' or for calling dancers, and one of the best Msitso of the season. Leggings of white mohair goat skins are commonly used by Chopi dancers. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Msitso woKata I
- Mkoma Ramao Mtoti, Tracey, Hugh
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194555 , vital:45461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-01
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. This is a Ngilishi's orchestra. but he was ill at the time and unable to lead his musicians for this recording. The dances in this Ngodo were striking for their variations and vigour. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194555 , vital:45461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-01
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. This is a Ngilishi's orchestra. but he was ill at the time and unable to lead his musicians for this recording. The dances in this Ngodo were striking for their variations and vigour. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Msitso woMbidi II
- Mkoma Ramao Mtoti, Tracey, Hugh
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194564 , vital:45462 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-02
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. An excellent Msitso with a good descant player. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194564 , vital:45462 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-02
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. An excellent Msitso with a good descant player. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Zainyanyatoko
- Authors: Muchuru Zhou , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180520 , vital:43397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-10
- Description: The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense. Story song.
- Full Text: false
- Date Issued: 1949
- Authors: Muchuru Zhou , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180520 , vital:43397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-10
- Description: The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense. Story song.
- Full Text: false
- Date Issued: 1949
Zuwa rawira mukaiwe (The sun is setting, wake up)
- Muchuru Zhou with a man and woman, Hugh Tracey
- Authors: Muchuru Zhou with a man and woman , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180501 , vital:43395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-08
- Description: There was, once upon a time a baboon who was walking in amongst the hills and found plenty of fruit. Matamba ('Kaffir oranges', strychnos spinosa). He ate a great many and went to sleep on the path, full to the brim. Presently an old woman who was collecting firewood came along and said "My child, why are you sleeping on the path like this?" He did not reply. So she said, "Wake up, the sun is setting." He said, "I don't want to, I am full." Then he said "Come here and listen to my song". So she came near and the baboon sang his song. "The sun is setting, wake up, wake up! Ha-hey-ha, old woman! She makes me laugh. I have discovered this hill here. Which is full of fruit, so I go here and there, eating my fill and laughing." Now when he had finished singing, he woke up, got up and followed the old woman all the way to her home. Son story.
- Full Text: false
- Date Issued: 1949
- Authors: Muchuru Zhou with a man and woman , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180501 , vital:43395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-08
- Description: There was, once upon a time a baboon who was walking in amongst the hills and found plenty of fruit. Matamba ('Kaffir oranges', strychnos spinosa). He ate a great many and went to sleep on the path, full to the brim. Presently an old woman who was collecting firewood came along and said "My child, why are you sleeping on the path like this?" He did not reply. So she said, "Wake up, the sun is setting." He said, "I don't want to, I am full." Then he said "Come here and listen to my song". So she came near and the baboon sang his song. "The sun is setting, wake up, wake up! Ha-hey-ha, old woman! She makes me laugh. I have discovered this hill here. Which is full of fruit, so I go here and there, eating my fill and laughing." Now when he had finished singing, he woke up, got up and followed the old woman all the way to her home. Son story.
- Full Text: false
- Date Issued: 1949
Tatwaibombe incito yafilwa masoca
- Mulenga, David, Composer not specified, Tracey, Hugh
- Authors: Mulenga, David , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196302 , vital:45749 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3X4
- Description: Drinking song.
- Full Text: false
- Date Issued: 1949
- Authors: Mulenga, David , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196302 , vital:45749 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3X4
- Description: Drinking song.
- Full Text: false
- Date Issued: 1949
Chimwanikoda
- Munthuanengwi Muhlanga, Hugh Tracey
- Authors: Munthuanengwi Muhlanga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180348 , vital:43355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-04
- Description: An unusual musical bow on account of the use of a bridge ith which to divide the string into two segements and convey the sound direct to a small drum like resonator attached to the bow near its center. This simple little bow is played with an ox-tail bow near the point of stress. A thin stick is inserted between the gourd's membrane and the wire, conveying the sound down to the resonator and also dividing the single string into two unequal segments. The player stops the shorter of the two, thus producing the fundamental note on the longer segment and two or three notes on the shorter. It is perhaps strange to think that this product could prove entertaining and satisfactory to the performer. Self delectative song, with Chimwanikoda bowed musical bow, braced.
- Full Text: false
- Date Issued: 1949
- Authors: Munthuanengwi Muhlanga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180348 , vital:43355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-04
- Description: An unusual musical bow on account of the use of a bridge ith which to divide the string into two segements and convey the sound direct to a small drum like resonator attached to the bow near its center. This simple little bow is played with an ox-tail bow near the point of stress. A thin stick is inserted between the gourd's membrane and the wire, conveying the sound down to the resonator and also dividing the single string into two unequal segments. The player stops the shorter of the two, thus producing the fundamental note on the longer segment and two or three notes on the shorter. It is perhaps strange to think that this product could prove entertaining and satisfactory to the performer. Self delectative song, with Chimwanikoda bowed musical bow, braced.
- Full Text: false
- Date Issued: 1949
Ndinosara nani (With whom shall I stay)
- Muroiwa Musobenzo, Hugh Tracey
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
Nusimba na sipeshia
- Ngoni Men and Women, Miti, Maselina, Tracey, Hugh
- Authors: Ngoni Men and Women , Miti, Maselina , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Zulu , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196202 , vital:45737 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3W10
- Description: Love song.
- Full Text: false
- Date Issued: 1949
- Authors: Ngoni Men and Women , Miti, Maselina , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Zulu , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196202 , vital:45737 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3W10
- Description: Love song.
- Full Text: false
- Date Issued: 1949
Soche yulasa amama nkalilani
- Ngoni Men and Women, Miti, Maselina, Tracey, Hugh
- Authors: Ngoni Men and Women , Miti, Maselina , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Zulu , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196233 , vital:45741 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3W9
- Description: Dance song for chitelele dance for girls and women, accompanied by clapping.
- Full Text: false
- Date Issued: 1949
- Authors: Ngoni Men and Women , Miti, Maselina , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Zulu , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196233 , vital:45741 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3W9
- Description: Dance song for chitelele dance for girls and women, accompanied by clapping.
- Full Text: false
- Date Issued: 1949
Naba
- Nkunta, Denesi, Tracey, Hugh
- Authors: Nkunta, Denesi , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Not specified f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/206743 , vital:47056 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT061-C62 , Research no. C3R12
- Description: Not specified.
- Full Text: false
- Date Issued: 1949
- Authors: Nkunta, Denesi , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Not specified f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/206743 , vital:47056 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT061-C62 , Research no. C3R12
- Description: Not specified.
- Full Text: false
- Date Issued: 1949
Mdano Madikise ukwete m'mova
- Pondekane (Leader), Tracey, Hugh
- Authors: Pondekane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194743 , vital:45487 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-07
- Description: "Madikise" was the Chopi name for the local Administrator at that time, Dr. Luiz de Vasconcelos. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Pondekane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194743 , vital:45487 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-07
- Description: "Madikise" was the Chopi name for the local Administrator at that time, Dr. Luiz de Vasconcelos. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949