Lezondaba. Imbube ingonyama (The stories)
- Five girls of the Queen Mother's village, Hugh Tracey
- Authors: Five girls of the Queen Mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152303 , vital:39244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-15
- Description: Song for the Mhlanga ceremonies held by the young girls. This is the "reed" ceremony. The young girls go down to the rivers to cut reeds and this song is sung when they bring back the reeds to the village. "Whenever a girl fails in love, her young man is taken away to go to the war." The song was composed during the Second World War. Ceremonial Mhlanga song for reed ceremonies.
- Full Text: false
- Date Issued: 1958
- Authors: Five girls of the Queen Mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152303 , vital:39244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-15
- Description: Song for the Mhlanga ceremonies held by the young girls. This is the "reed" ceremony. The young girls go down to the rivers to cut reeds and this song is sung when they bring back the reeds to the village. "Whenever a girl fails in love, her young man is taken away to go to the war." The song was composed during the Second World War. Ceremonial Mhlanga song for reed ceremonies.
- Full Text: false
- Date Issued: 1958
Imbube ingonyama
- Five girls of the Queen Mother's village, Composer not specified, Tracey, Hugh
- Authors: Five girls of the Queen Mother's village , Composer not specified , Tracey, Hugh
- Date: 1958-03-25
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Eswatini Lobamba f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/247278 , vital:51564 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT550-M2 , Research no. M2A4
- Description: Unaccompanied wedding song sung by the bride's party, when the King's daughter is going to be married.
- Full Text: false
- Date Issued: 1958-03-25
- Authors: Five girls of the Queen Mother's village , Composer not specified , Tracey, Hugh
- Date: 1958-03-25
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Eswatini Lobamba f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/247278 , vital:51564 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT550-M2 , Research no. M2A4
- Description: Unaccompanied wedding song sung by the bride's party, when the King's daughter is going to be married.
- Full Text: false
- Date Issued: 1958-03-25
Zore I
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
Zore II
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore III
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Enkoito drum rhythms I
- Five Haya men, Composer not specified, Tracey, Hugh
- Authors: Five Haya men , Composer not specified , Tracey, Hugh
- Date: 1950-08-05
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-sa
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/222788 , vital:48913 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1707 , XYZ5220
- Description: Drum rhythm performance accompanied by 5 conical laced drums, played with sticks
- Full Text: false
- Date Issued: 1950-08-05
- Authors: Five Haya men , Composer not specified , Tracey, Hugh
- Date: 1950-08-05
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-sa
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/222788 , vital:48913 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1707 , XYZ5220
- Description: Drum rhythm performance accompanied by 5 conical laced drums, played with sticks
- Full Text: false
- Date Issued: 1950-08-05
Enkoito drum rhythms
- Five Haya men, haya men, Composer not specified, Tracey, Hugh
- Authors: Five Haya men , haya men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-tz
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/293772 , vital:57121 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1854-XYZ5248
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Five Haya men , haya men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-tz
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/293772 , vital:57121 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1854-XYZ5248
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Enkoito drum rhythms I
- Authors: Five Haya men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172501 , vital:42211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-03
- Description: A set of Enkoito drums consists of the following:- 1. Mpero, the smallest, c. 8" membrane. 2. Ntimbo. the starter, the drum on which the basic rhythm is kept. c. 10" - 12" membrane. 5. Nyaminyeko, the bass drum upon which the syncopations are played. c. 12" - 18" membrane. Five conical laced drums, played with sticks.
- Full Text: false
- Date Issued: 1952
- Authors: Five Haya men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172501 , vital:42211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-03
- Description: A set of Enkoito drums consists of the following:- 1. Mpero, the smallest, c. 8" membrane. 2. Ntimbo. the starter, the drum on which the basic rhythm is kept. c. 10" - 12" membrane. 5. Nyaminyeko, the bass drum upon which the syncopations are played. c. 12" - 18" membrane. Five conical laced drums, played with sticks.
- Full Text: false
- Date Issued: 1952
Enkoito drum rhythms II
- Five Haya men, Composer not specified, Tracey, Hugh
- Authors: Five Haya men , Composer not specified , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-sa
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/222840 , vital:48920 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1707 , XYZ5248
- Description: Drum rhythm performance accompanied by 5 conical laced drums, played with sticks
- Full Text: false
- Date Issued: 1950-08-04
- Authors: Five Haya men , Composer not specified , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-sa
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/222840 , vital:48920 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1707 , XYZ5248
- Description: Drum rhythm performance accompanied by 5 conical laced drums, played with sticks
- Full Text: false
- Date Issued: 1950-08-04
Enkoito drum rhythms II
- Authors: Five Haya men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172511 , vital:42212 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-04
- Description: A set of Enkoito drums consists of the following:- 1. Mpero, the smallest, c. 8" membrane. 2. Ntimbo. the starter, the drum on which the basic rhythm is kept. c. 10" - 12" membrane. 5. Nyaminyeko, the bass drum upon which the syncopations are played. c. 12" - 18" membrane. Five conical laced drums, played with sticks.
- Full Text: false
- Date Issued: 1952
- Authors: Five Haya men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172511 , vital:42212 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-04
- Description: A set of Enkoito drums consists of the following:- 1. Mpero, the smallest, c. 8" membrane. 2. Ntimbo. the starter, the drum on which the basic rhythm is kept. c. 10" - 12" membrane. 5. Nyaminyeko, the bass drum upon which the syncopations are played. c. 12" - 18" membrane. Five conical laced drums, played with sticks.
- Full Text: false
- Date Issued: 1952
Enkoito drum rhythms I
- Five Haya men, Composer not specified, Tracey, Hugh
- Authors: Five Haya men , Composer not specified , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-sa
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223063 , vital:48944 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1735 , XYZ5220
- Description: Drum rhythm tune accompanied by 5 conical laced drums played with sticks
- Full Text: false
- Date Issued: 1950-08-04
- Authors: Five Haya men , Composer not specified , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-sa
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/223063 , vital:48944 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1735 , XYZ5220
- Description: Drum rhythm tune accompanied by 5 conical laced drums played with sticks
- Full Text: false
- Date Issued: 1950-08-04
Enkoito drum rhythms II
- Five Haya men, Composer not specified, Tracey, Hugh
- Authors: Five Haya men , Composer not specified , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-sa
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:48945 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1735 , XYZ5248
- Description: Drum rhythm tune accompanied by 5 conical laced drums played with sticks
- Full Text: false
- Date Issued: 1950-08-04
- Authors: Five Haya men , Composer not specified , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-sa
- Language: Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:48945 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1735 , XYZ5248
- Description: Drum rhythm tune accompanied by 5 conical laced drums played with sticks
- Full Text: false
- Date Issued: 1950-08-04
Enkoito drum rhythms
- Authors: Five Haya men , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Drum rhythms , Single laced conical drums (played with sticks) , Indigenous folk music , Kalema , Bugabo , Bukoba , Tanganyika (Tanzania)
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15150 , MOA01-06 , http://hdl.handle.net/10962/d1013479 , MOA1 , Tape number: 93 , Master number: 5220-291 , Research number: D4V9 , GALP1324-A1 , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za
- Description: Drum rhythms by five Haya men, with single laced conical drums (played with sticks) , This recording was digitised by the International Library of African Music
- Full Text: false
- Authors: Five Haya men , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Drum rhythms , Single laced conical drums (played with sticks) , Indigenous folk music , Kalema , Bugabo , Bukoba , Tanganyika (Tanzania)
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15150 , MOA01-06 , http://hdl.handle.net/10962/d1013479 , MOA1 , Tape number: 93 , Master number: 5220-291 , Research number: D4V9 , GALP1324-A1 , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za
- Description: Drum rhythms by five Haya men, with single laced conical drums (played with sticks) , This recording was digitised by the International Library of African Music
- Full Text: false
Enkoito drum rhythms I
- Five Haya men (Performer), Composer unknown
- Authors: Five Haya men (Performer) , Composer unknown
- Subjects: Drum rhythms , Drums , Sticks , Mpero , Ntimbo , Nyikirizo , Nyaminyeko , Haya men , Kalima , Bukoma district , Tanganyika (Tanzania)
- Type: Sound , Music
- Identifier: vital:15397 , MOA29-01 , http://hdl.handle.net/10962/d1017703 , MOA29
- Description: Drum rhythm tune accompanied by 5 conical laced drums played with sticks , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Five Haya men (Performer) , Composer unknown
- Subjects: Drum rhythms , Drums , Sticks , Mpero , Ntimbo , Nyikirizo , Nyaminyeko , Haya men , Kalima , Bukoma district , Tanganyika (Tanzania)
- Type: Sound , Music
- Identifier: vital:15397 , MOA29-01 , http://hdl.handle.net/10962/d1017703 , MOA29
- Description: Drum rhythm tune accompanied by 5 conical laced drums played with sticks , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Mulala karimukwa panga
- Five Lozi men (Performer), Composer not specified
- Authors: Five Lozi men (Performer) , Composer not specified
- Subjects: Siamboka dance song , Indigenous folk music , Silimba xylophone , Nchanga Mine compound , Chilonga , Northern Rhodesia (Zambia)
- Type: Sound , Music
- Identifier: vital:15437 , MOA31-08 , http://hdl.handle.net/10962/d1017743 , MOA31
- Description: English translation of title: 'Mulala stole money from the "panga"' , Siamboka dance song by five Lozi men, with silimba xylophone (9 notes) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Five Lozi men (Performer) , Composer not specified
- Subjects: Siamboka dance song , Indigenous folk music , Silimba xylophone , Nchanga Mine compound , Chilonga , Northern Rhodesia (Zambia)
- Type: Sound , Music
- Identifier: vital:15437 , MOA31-08 , http://hdl.handle.net/10962/d1017743 , MOA31
- Description: English translation of title: 'Mulala stole money from the "panga"' , Siamboka dance song by five Lozi men, with silimba xylophone (9 notes) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Mambala dance
- Five Luba drummers and dancers (Performer), Composer not specified
- Authors: Five Luba drummers and dancers (Performer) , Composer not specified
- Subjects: Luba drum rhythms , Drums , Double bell , Rattle , Whistle , Indigenous folk music , Cite Indigene , Jadotville (Likasi) , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15202 , MOA14-01 , http://hdl.handle.net/10962/d1017455 , MOA14
- Description: Luba drum rhythms by five Luba drummers and dancers, with 5 drums, accompanied by a double bell, a rattle and a whistle , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Five Luba drummers and dancers (Performer) , Composer not specified
- Subjects: Luba drum rhythms , Drums , Double bell , Rattle , Whistle , Indigenous folk music , Cite Indigene , Jadotville (Likasi) , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15202 , MOA14-01 , http://hdl.handle.net/10962/d1017455 , MOA14
- Description: Luba drum rhythms by five Luba drummers and dancers, with 5 drums, accompanied by a double bell, a rattle and a whistle , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Mambala
- Five Luba drummers and dancers (Performer)
- Authors: Five Luba drummers and dancers (Performer)
- Subjects: Drum rhythms , Drums , Luba men , Dance song , Bakwanga , Kabinda , Kasai , Southern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15398 , MOA29-02 , http://hdl.handle.net/10962/d1017704 , MOA29
- Description: Drum rhythm tune accompanied by five goblet shaped drums, weighted with wax, one double bell, one basket rattle and whistle , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Five Luba drummers and dancers (Performer)
- Subjects: Drum rhythms , Drums , Luba men , Dance song , Bakwanga , Kabinda , Kasai , Southern Congo , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15398 , MOA29-02 , http://hdl.handle.net/10962/d1017704 , MOA29
- Description: Drum rhythm tune accompanied by five goblet shaped drums, weighted with wax, one double bell, one basket rattle and whistle , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Kachancha
- Five Lunda men (Performer), Composer not specified
- Authors: Five Lunda men (Performer) , Composer not specified
- Subjects: Maza dance tune , Indigenous folk music , Dujimba xylophones , Drums , Dihya , Kasai Province , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15446 , MOA31-17 , http://hdl.handle.net/10962/d1017752 , MOA31
- Description: Maza dance tune on 3 dujimba xylophones by Five Lunda men , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Five Lunda men (Performer) , Composer not specified
- Subjects: Maza dance tune , Indigenous folk music , Dujimba xylophones , Drums , Dihya , Kasai Province , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15446 , MOA31-17 , http://hdl.handle.net/10962/d1017752 , MOA31
- Description: Maza dance tune on 3 dujimba xylophones by Five Lunda men , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Atshakongwe wamwe muno kuwala kwawo (The women of this country all wear the same kind of dress)
- Authors: Five Nyasa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160804 , vital:40547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-06
- Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Five Nyasa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160804 , vital:40547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-06
- Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
- Full Text: false
- Date Issued: 1957
Tyingabenga (The Giant)
- Authors: Five Nyasa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160799 , vital:40546 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-05
- Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Five Nyasa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160799 , vital:40546 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-05
- Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
- Full Text: false
- Date Issued: 1957