Mwana angu ngale (My child Ngale)
- Waziya Bilaimo and Nyundo Katona, Hugh Tracey
- Authors: Waziya Bilaimo and Nyundo Katona , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Chiwambo Village, Salima District, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154702 , vital:39766 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-04
- Description: A verse used in a Mohammedon initiation ceremony at the time of circumcision, as used mostly by the Yao element. Although several Yao claim to speak a kind of Swhaili few understand it and repeat religious chants parrot-wise. When asked what the verse meant the singer replied, "You must not ask me, ask the Fundi (teacher). Mohammedon Initiation.
- Full Text: false
- Date Issued: 1958
- Authors: Waziya Bilaimo and Nyundo Katona , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Chiwambo Village, Salima District, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154702 , vital:39766 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-04
- Description: A verse used in a Mohammedon initiation ceremony at the time of circumcision, as used mostly by the Yao element. Although several Yao claim to speak a kind of Swhaili few understand it and repeat religious chants parrot-wise. When asked what the verse meant the singer replied, "You must not ask me, ask the Fundi (teacher). Mohammedon Initiation.
- Full Text: false
- Date Issued: 1958
Kolota ali kudwala (Kolota was sick)
- George Zongoloti and small girls, Hugh Tracey
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155694 , vital:39906 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-03
- Description: The voice of the singer is strongly affected by the vibrations of the drum and its mirliton. He sings partly in Sena, partly Mang'anja. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155694 , vital:39906 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-03
- Description: The voice of the singer is strongly affected by the vibrations of the drum and its mirliton. He sings partly in Sena, partly Mang'anja. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
Koepe kumowa uwepe (Cassava, sweet cassava)
- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156207 , vital:39961 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-01
- Description: The song reflects a party of boys who are camping out beside the lake, sleeping out in the open air. They sing about their cassava which they are cooking and the lake fish which they have caught and prepared and handing it around, in fact a typical boy's party. Phuinu-uwepe is cassava which has been soaked in water for a long time. Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156207 , vital:39961 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-01
- Description: The song reflects a party of boys who are camping out beside the lake, sleeping out in the open air. They sing about their cassava which they are cooking and the lake fish which they have caught and prepared and handing it around, in fact a typical boy's party. Phuinu-uwepe is cassava which has been soaked in water for a long time. Topical song.
- Full Text: false
- Date Issued: 1958
Kuku lu-lu-ku (The crowing of the cock)
- Authors: Kachama , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Dedza f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155956 , vital:39935 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-16
- Description: "The crowing of the cock, father, the cock crow. The people here, father, the cock crow. They like to deceive, father, to affect something tomorrow. At someone's village, father. Walking is like dancing, the cock crow." No doubt to the singers of this drinking song, walking home would indeed be similar to dancing after an all night party which only broke up at cock crow. Drinking song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Kachama , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Dedza f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155956 , vital:39935 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-16
- Description: "The crowing of the cock, father, the cock crow. The people here, father, the cock crow. They like to deceive, father, to affect something tomorrow. At someone's village, father. Walking is like dancing, the cock crow." No doubt to the singers of this drinking song, walking home would indeed be similar to dancing after an all night party which only broke up at cock crow. Drinking song with clapping.
- Full Text: false
- Date Issued: 1958
Kalulu na Njobvu (Rabbit and Elephant)
- Authors: Pfumo Tengani , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156099 , vital:39951 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-11
- Description: There was once a rabbit and an elephant. The rabbit promised to pull over the elephant. But the rabbit got the hippopotamus to pull him instead. Those people who deceive each other must be sent to Zomba to prison. A modern moral, based on a well known local folk story. Story (Ntana).
- Full Text: false
- Date Issued: 1958
- Authors: Pfumo Tengani , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156099 , vital:39951 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-11
- Description: There was once a rabbit and an elephant. The rabbit promised to pull over the elephant. But the rabbit got the hippopotamus to pull him instead. Those people who deceive each other must be sent to Zomba to prison. A modern moral, based on a well known local folk story. Story (Ntana).
- Full Text: false
- Date Issued: 1958
Elube (Elube the beautiful girl)
- S. R. Chitalo and De Ndirande Pitch Crooners, Hugh Tracey
- Authors: S. R. Chitalo and De Ndirande Pitch Crooners , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Blantyre f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155535 , vital:39891 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-07
- Description: "She has beautiful curved legs, she has eyes white as rice, A face shinning like the moon." The melody is believed have been copied from Johannesburg recordings. Topical song with guitar.
- Full Text: false
- Date Issued: 1958
- Authors: S. R. Chitalo and De Ndirande Pitch Crooners , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Blantyre f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155535 , vital:39891 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-07
- Description: "She has beautiful curved legs, she has eyes white as rice, A face shinning like the moon." The melody is believed have been copied from Johannesburg recordings. Topical song with guitar.
- Full Text: false
- Date Issued: 1958
Ndaramba miranda kumudzi kwangu (I will have more trouble in my home)
- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156472 , vital:40006 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-06
- Description: The instrument was played inside a somewhat broken gourd. The player said his mother was a Nyungwe and his father came from Cenelimane. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156472 , vital:40006 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-06
- Description: The instrument was played inside a somewhat broken gourd. The player said his mother was a Nyungwe and his father came from Cenelimane. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
Nkono Liyande
- Linilesi Sadiki with Yao girls, Hugh Tracey
- Authors: Linilesi Sadiki with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Blantyre Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154784 , vital:39775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-13
- Description: Once upon a time there lived a giant which had one leg, one arm and one of everything. The giant had a son who was born and grew in one day. The sons name was Apaka. One day Apaka went to play with his friends and came back singing so that the mother would let him in and here is the song, "Mbugulire mama, kaindeindei yate eja, Ndine Apaka, kaindeindei yate eja." A hyena learnt this song so that when he sang it to Apaka's mother she would open for him. Apaka's mother did not let the hyena in. She knew the voice was different from that of Apaka although it was the same song. Nkonoliyande was the giants name. Story song.
- Full Text: false
- Date Issued: 1950
- Authors: Linilesi Sadiki with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Blantyre Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154784 , vital:39775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-13
- Description: Once upon a time there lived a giant which had one leg, one arm and one of everything. The giant had a son who was born and grew in one day. The sons name was Apaka. One day Apaka went to play with his friends and came back singing so that the mother would let him in and here is the song, "Mbugulire mama, kaindeindei yate eja, Ndine Apaka, kaindeindei yate eja." A hyena learnt this song so that when he sang it to Apaka's mother she would open for him. Apaka's mother did not let the hyena in. She knew the voice was different from that of Apaka although it was the same song. Nkonoliyande was the giants name. Story song.
- Full Text: false
- Date Issued: 1950
Unali mpepara kale wadodoma ndi mfuti
- Tweleve elderly women and two drummers, Hugh Tracey
- Authors: Tweleve elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155775 , vital:39915 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
- Description: "A long time ago there was a man with a gunwho could not shoot and always missed." The failure of this hunter to bring home the meat by continually missing his quarry has been perpetuated in this song although the name of the hunter concerned has long since been forgotten. The two drums were barrel shaped, weighted, and with mirlitons (locallly called Mvema). Chitsukulumwe dance with 2 horizontal double ended barrel drums, rattles and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Tweleve elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155775 , vital:39915 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
- Description: "A long time ago there was a man with a gunwho could not shoot and always missed." The failure of this hunter to bring home the meat by continually missing his quarry has been perpetuated in this song although the name of the hunter concerned has long since been forgotten. The two drums were barrel shaped, weighted, and with mirlitons (locallly called Mvema). Chitsukulumwe dance with 2 horizontal double ended barrel drums, rattles and clapping.
- Full Text: false
- Date Issued: 1958
Kusambare (I have no relatives)
- Authors: Zuake Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Malawi Bulolo, Chiromo District f-rh
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156427 , vital:40000 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-01
- Description: He says the instrument he plays belonged to his father who lived South of the Zambezi near Sena, but who migrated about 150 miles north up the Shire river tributary to the Zambezi into Nyasaland. The old man was so pleased with his performance that when we played back his recording he immediately began to play himself in accompaniment. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Zuake Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Malawi Bulolo, Chiromo District f-rh
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156427 , vital:40000 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-01
- Description: He says the instrument he plays belonged to his father who lived South of the Zambezi near Sena, but who migrated about 150 miles north up the Shire river tributary to the Zambezi into Nyasaland. The old man was so pleased with his performance that when we played back his recording he immediately began to play himself in accompaniment. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
Doka, wandimara chiperi (They have refused me the beans)
- Nyungwe men and women, Hugh Tracey
- Authors: Nyungwe men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Tete f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156490 , vital:40009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-08
- Description: The drums were brought in order. The small time keeper first. All were played with sticks except Tewe, the largest. Dai dance with 5 drums.
- Full Text: false
- Date Issued: 1958
- Authors: Nyungwe men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Tete f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156490 , vital:40009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-08
- Description: The drums were brought in order. The small time keeper first. All were played with sticks except Tewe, the largest. Dai dance with 5 drums.
- Full Text: false
- Date Issued: 1958
Awe simene
- Robert Golozera and 3 elderly women with the chief, Tracey, Hugh
- Authors: Robert Golozera and 3 elderly women with the chief , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154838 , vital:39784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-04
- Description: Sung in the old Ngoni style. The Chief calls one out towards the end of the song that his people are the ones who came from the Swati, down South (with the Gomani section of the Ngoni). This section migrated from Natal either just before or during the Shaka wars. "Some had brought fighting men to terrify me, but could do nothing. But here we still live and you could do nothing to us." Two fighting songs.
- Full Text: false
- Date Issued: 1959
- Authors: Robert Golozera and 3 elderly women with the chief , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154838 , vital:39784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-04
- Description: Sung in the old Ngoni style. The Chief calls one out towards the end of the song that his people are the ones who came from the Swati, down South (with the Gomani section of the Ngoni). This section migrated from Natal either just before or during the Shaka wars. "Some had brought fighting men to terrify me, but could do nothing. But here we still live and you could do nothing to us." Two fighting songs.
- Full Text: false
- Date Issued: 1959
Adisi adisi (The girl and the guinea fowl)
- Ali Sinoia Milazi and 4 Yao men, Hugh Tracey
- Authors: Ali Sinoia Milazi and 4 Yao men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Visanza, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154766 , vital:39773 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-11
- Description: A stroy of a girl and the protective colouring of guinea fowl spots. One of the few stories, perhaps, which makes a reference to cannibalism. There was once a girl who went to the garden to fetch mealies. Now there came some guinea fowls and she was facinated by their spots. She said "oh! can't you make me some lovely spots like yours?" They said, "No! we cannot because we are afraid of your father and mother." But the girl said, "Don't you be afraid of my parents." So they made them for her. Then she went off to an old woman who was a cannibal and was delighted to see the girl but the girl put on her spots and escaped. Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Ali Sinoia Milazi and 4 Yao men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Visanza, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154766 , vital:39773 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-11
- Description: A stroy of a girl and the protective colouring of guinea fowl spots. One of the few stories, perhaps, which makes a reference to cannibalism. There was once a girl who went to the garden to fetch mealies. Now there came some guinea fowls and she was facinated by their spots. She said "oh! can't you make me some lovely spots like yours?" They said, "No! we cannot because we are afraid of your father and mother." But the girl said, "Don't you be afraid of my parents." So they made them for her. Then she went off to an old woman who was a cannibal and was delighted to see the girl but the girl put on her spots and escaped. Story song.
- Full Text: false
- Date Issued: 1958
Chinkanda amayi (The woman's beads)
- Three young Nyanja men, Hugh Tracey
- Authors: Three young Nyanja men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155504 , vital:39888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-05
- Description: This kind of performance between three friends is the next step from Nthano story telling, towards light opera, but without a solid theme except the all too common subject of borrowed money. "Work Tsotsi, its your habit to work at night and come late for your food, when it is cold. Tsosti boys and girls eat their food cold." "One man had borrowed money from the other. He hedged when asked where it was, saying "It was given to so and so to give back to him." "This woman has a lot of beads. Never mind even if she had beads all the way from her waist to her feet, it would do me no good, because wise men's wives do not have beads around their waists. So better to have my wife without them." Sketch.
- Full Text: false
- Date Issued: 1958
- Authors: Three young Nyanja men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155504 , vital:39888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-05
- Description: This kind of performance between three friends is the next step from Nthano story telling, towards light opera, but without a solid theme except the all too common subject of borrowed money. "Work Tsotsi, its your habit to work at night and come late for your food, when it is cold. Tsosti boys and girls eat their food cold." "One man had borrowed money from the other. He hedged when asked where it was, saying "It was given to so and so to give back to him." "This woman has a lot of beads. Never mind even if she had beads all the way from her waist to her feet, it would do me no good, because wise men's wives do not have beads around their waists. So better to have my wife without them." Sketch.
- Full Text: false
- Date Issued: 1958
Wakwatira chchabe (You are cross about nothing)
- Dawusi Chirongo, Hugh Tracey
- Authors: Dawusi Chirongo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156459 , vital:40005 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-05
- Description: The player was a man about 55 years. His father taught him to play the instrument as a child. Tuning of the instrument:- 440, 408, 368, 328, 276, 220. Self delectative song with Kalimiba Mbira with external resonator.
- Full Text: false
- Date Issued: 1958
- Authors: Dawusi Chirongo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156459 , vital:40005 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-05
- Description: The player was a man about 55 years. His father taught him to play the instrument as a child. Tuning of the instrument:- 440, 408, 368, 328, 276, 220. Self delectative song with Kalimiba Mbira with external resonator.
- Full Text: false
- Date Issued: 1958
Panali mwanace (The son's fortune)
- Ali Sinoia Milazi and 4 Yao men, Hugh Tracey
- Authors: Ali Sinoia Milazi and 4 Yao men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Visanza, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154775 , vital:39774 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-12
- Description: There was once a man and his son who went to the lake for fishing, they caught nothing and went home. The son bought an egg but dropped it on the path, but inside the egg were cows and goats in plenty. So he sang a song saying, "We went to the lake but got no fish, but when I bought this egg I had no idea what was in it." Now the father became jealous of his son. He took some glue and glued his son to a tree, but all the cattle and goats stayed with the son and the father still got none. So he left his son in the bush. When he was asked by is wife where his son was, he said, "Oh! he was ahead of me." The woman replied, "You walk too much with my son and now you have lost him." The listeners often call out the typical Yao response og 'Go'. Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Ali Sinoia Milazi and 4 Yao men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Visanza, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154775 , vital:39774 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-12
- Description: There was once a man and his son who went to the lake for fishing, they caught nothing and went home. The son bought an egg but dropped it on the path, but inside the egg were cows and goats in plenty. So he sang a song saying, "We went to the lake but got no fish, but when I bought this egg I had no idea what was in it." Now the father became jealous of his son. He took some glue and glued his son to a tree, but all the cattle and goats stayed with the son and the father still got none. So he left his son in the bush. When he was asked by is wife where his son was, he said, "Oh! he was ahead of me." The woman replied, "You walk too much with my son and now you have lost him." The listeners often call out the typical Yao response og 'Go'. Story song.
- Full Text: false
- Date Issued: 1958
Edele Nkosi
- Robert Golozera and 3 elderly women with the chief, Hugh Tracey
- Authors: Robert Golozera and 3 elderly women with the chief , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154843 , vital:39785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-05
- Description: The chief had already overrun so many smaller clans that there were few fields to conquer. "The chief looks for land. The chieftainships are finishing. Look up and down you men so that people will know that you are a man from the village of a famous chief." Two fighting songs.
- Full Text: false
- Date Issued: 1959
- Authors: Robert Golozera and 3 elderly women with the chief , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154843 , vital:39785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-05
- Description: The chief had already overrun so many smaller clans that there were few fields to conquer. "The chief looks for land. The chieftainships are finishing. Look up and down you men so that people will know that you are a man from the village of a famous chief." Two fighting songs.
- Full Text: false
- Date Issued: 1959
Mwana wa Namwali (Child of Namwali)
- Young Men and women, Hugh Tracey
- Authors: Young Men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156054 , vital:39946 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-06
- Description: "The child of Namwali will not sleep today. The child of an older woman, will not sleep today. Will not sleep today. I will 'wage war' at the end of the year." The words 'wage war' are a euphemism for the marriage bed. The song is a warning to a girl to 'go straight' and not to cheapen herself with men. The word 'Namwali' usually refers to a virgin. Chiponda dance with clapping and 3 drums.
- Full Text: false
- Date Issued: 1958
- Authors: Young Men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156054 , vital:39946 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-06
- Description: "The child of Namwali will not sleep today. The child of an older woman, will not sleep today. Will not sleep today. I will 'wage war' at the end of the year." The words 'wage war' are a euphemism for the marriage bed. The song is a warning to a girl to 'go straight' and not to cheapen herself with men. The word 'Namwali' usually refers to a virgin. Chiponda dance with clapping and 3 drums.
- Full Text: false
- Date Issued: 1958
Ndikati ubwera ulendo waimba wisulo kunjila
- Tweleve elderly women and two drummers, Hugh Tracey
- Authors: Tweleve elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155766 , vital:39914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
- Description: "I supposed you would come back from your journey singing as you came along the path. But you have gone for good." A woman is being justifyably caustic about her husband who is going away on a journey presumably leaving her to do all the work. Pairs of singers sing alternately, the second pair repeating what the first initiated. Chitsukulumwe dance with rattles and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Tweleve elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155766 , vital:39914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
- Description: "I supposed you would come back from your journey singing as you came along the path. But you have gone for good." A woman is being justifyably caustic about her husband who is going away on a journey presumably leaving her to do all the work. Pairs of singers sing alternately, the second pair repeating what the first initiated. Chitsukulumwe dance with rattles and clapping.
- Full Text: false
- Date Issued: 1958
Kamango (Drum tattoo for ceremonial of Chief)
- Lamon Mikolosi Tengani, Hugh Tracey
- Authors: Lamon Mikolosi Tengani , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155676 , vital:39904 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-01
- Description: The Kamango drum is the Chief's drum and is used when a new chief is declared. It is used exclusively for the chief. There is nothing to tell the uninitiated that it was a special drum as it is of the usual shape, if slightly larger than most. The drum was 4.3 inches tall and 17 inches across the head, goblet shaped. Footed Kamango Drum.
- Full Text: false
- Date Issued: 1958
- Authors: Lamon Mikolosi Tengani , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155676 , vital:39904 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-01
- Description: The Kamango drum is the Chief's drum and is used when a new chief is declared. It is used exclusively for the chief. There is nothing to tell the uninitiated that it was a special drum as it is of the usual shape, if slightly larger than most. The drum was 4.3 inches tall and 17 inches across the head, goblet shaped. Footed Kamango Drum.
- Full Text: false
- Date Issued: 1958