Nanga mondithawe (Wherever you go)
- Four Tumbuka women, Hugh Tracey
- Authors: Four Tumbuka women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Zomba, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156257 , vital:39968 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-06
- Description: "Whithersoever thou goes I shall go." To Salisbury to Nairobi I shall go with you." Taken from the words of Ruth in the Bible and put into the local setting. It was sung by the wives of the local police recruits who indeed may have to follow their husband, if not to Salisbury and Nairobi at least to anywhere in Nyasaland. A sentimental song.
- Full Text: false
- Date Issued: 1958
- Authors: Four Tumbuka women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Zomba, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156257 , vital:39968 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-06
- Description: "Whithersoever thou goes I shall go." To Salisbury to Nairobi I shall go with you." Taken from the words of Ruth in the Bible and put into the local setting. It was sung by the wives of the local police recruits who indeed may have to follow their husband, if not to Salisbury and Nairobi at least to anywhere in Nyasaland. A sentimental song.
- Full Text: false
- Date Issued: 1958
Ndachinyuka, Pitoria (I will say no more, Pitoria)
- George Zongoloti and chorus of small girls, Hugh Tracey
- Authors: George Zongoloti and chorus of small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155721 , vital:39909 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-06
- Description: The two people mentioned in the song are imaginary and not actual people. "I will not say any more, Pitoria (sometimes pronounced Vitoria by the singers). For you have no teeth left. "Yes" she said, "but you Bitoni, when you come near you sound like Thomas, you make a noise like a motor car engine. When you laugh you make a noise like a maize mill." Pitoria was an old woman who was married to Bitoni. He told her she was now to old. Topical song with Nthikuri barrel drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and chorus of small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155721 , vital:39909 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-06
- Description: The two people mentioned in the song are imaginary and not actual people. "I will not say any more, Pitoria (sometimes pronounced Vitoria by the singers). For you have no teeth left. "Yes" she said, "but you Bitoni, when you come near you sound like Thomas, you make a noise like a motor car engine. When you laugh you make a noise like a maize mill." Pitoria was an old woman who was married to Bitoni. He told her she was now to old. Topical song with Nthikuri barrel drum.
- Full Text: false
- Date Issued: 1958
Ndachiona kale (I saw it long ago)
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155921 , vital:39931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-12
- Description: The singer makes only the simplest remarks in his lyric, such as "Go to Jubeki" (Johannesburg). Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155921 , vital:39931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-12
- Description: The singer makes only the simplest remarks in his lyric, such as "Go to Jubeki" (Johannesburg). Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Ndaji! Jize! (Ready! Right!)
- Mulanzi and Malunja, Hugh Tracey
- Authors: Mulanzi and Malunja , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155644 , vital:39903 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-14
- Description: Riddles are an ever popular pastime among many tribes. In the distance can be heard young boys, playing a drum over on the other side of the village. The call "Ndaji" is sometimes "Ndagi'. Riddles.
- Full Text: false
- Date Issued: 1958
- Authors: Mulanzi and Malunja , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155644 , vital:39903 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-14
- Description: Riddles are an ever popular pastime among many tribes. In the distance can be heard young boys, playing a drum over on the other side of the village. The call "Ndaji" is sometimes "Ndagi'. Riddles.
- Full Text: false
- Date Issued: 1958
Ndapanda kobidi ndini (I discovered the pain myslef)
- Kaiya Maritenzi and Ngoni men and women, Hugh Tracey
- Authors: Kaiya Maritenzi and Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Mozambique Furancungo f-mz
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154910 , vital:39792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-12
- Description: The leader works as a trumpeter at the headquaters of the administrator of Furancungo. Ngoma dance with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Kaiya Maritenzi and Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Mozambique Furancungo f-mz
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154910 , vital:39792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-12
- Description: The leader works as a trumpeter at the headquaters of the administrator of Furancungo. Ngoma dance with clapping.
- Full Text: false
- Date Issued: 1959
Ndaramba miranda kumudzi kwangu (I will have more trouble in my home)
- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156472 , vital:40006 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-06
- Description: The instrument was played inside a somewhat broken gourd. The player said his mother was a Nyungwe and his father came from Cenelimane. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156472 , vital:40006 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-06
- Description: The instrument was played inside a somewhat broken gourd. The player said his mother was a Nyungwe and his father came from Cenelimane. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
Ndarira (I cry)
- Dawusi Chirongo, Hugh Tracey
- Authors: Dawusi Chirongo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156454 , vital:40004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-04
- Description: The player was a man about 55 years. His father taught him to play the instrument as a child. Tuning of the instrument:- 440, 408, 368, 328, 276, 220. Self delectative song with Kalimiba Mbira with external resonator.
- Full Text: false
- Date Issued: 1958
- Authors: Dawusi Chirongo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156454 , vital:40004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-04
- Description: The player was a man about 55 years. His father taught him to play the instrument as a child. Tuning of the instrument:- 440, 408, 368, 328, 276, 220. Self delectative song with Kalimiba Mbira with external resonator.
- Full Text: false
- Date Issued: 1958
Ndasaya may angu (I have lost my mother)
- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156481 , vital:40007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-07
- Description: A simple repetitive tune with little to say. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156481 , vital:40007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-07
- Description: A simple repetitive tune with little to say. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
Ndayamba dale (I start, darling)
- Young girls and 5 drummers, Hugh Tracey
- Authors: Young girls and 5 drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155874 , vital:39926 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-08
- Description: A certain girl was complaining about not having her own house, so her young man then promised to start building it so that they could get married. The immense percussive sound of the nine drums completely drowns the voices of the girls only a few yards away. Likhuba dance with 9 drums.
- Full Text: false
- Date Issued: 1958
- Authors: Young girls and 5 drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155874 , vital:39926 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-08
- Description: A certain girl was complaining about not having her own house, so her young man then promised to start building it so that they could get married. The immense percussive sound of the nine drums completely drowns the voices of the girls only a few yards away. Likhuba dance with 9 drums.
- Full Text: false
- Date Issued: 1958
Ndicha Girita pano mufare mufare (I am leaving here, stay happily)
- Saini Murira, Chingaipa Madzikuminga, Zhogi Muzengedza and Saini Madera, Hugh Tracey
- Authors: Saini Murira, Chingaipa Madzikuminga, Zhogi Muzengedza and Saini Madera , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156532 , vital:40013 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-12
- Description: The drum player hits the side of the drum with his stick, the membrane with his fingers as well as playing strong notes with the stick and his hand. Party song with three Matebe.
- Full Text: false
- Date Issued: 1958
- Authors: Saini Murira, Chingaipa Madzikuminga, Zhogi Muzengedza and Saini Madera , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156532 , vital:40013 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-12
- Description: The drum player hits the side of the drum with his stick, the membrane with his fingers as well as playing strong notes with the stick and his hand. Party song with three Matebe.
- Full Text: false
- Date Issued: 1958
Ndikati ubwera ulendo waimba wisulo kunjila
- Tweleve elderly women and two drummers, Hugh Tracey
- Authors: Tweleve elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155766 , vital:39914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
- Description: "I supposed you would come back from your journey singing as you came along the path. But you have gone for good." A woman is being justifyably caustic about her husband who is going away on a journey presumably leaving her to do all the work. Pairs of singers sing alternately, the second pair repeating what the first initiated. Chitsukulumwe dance with rattles and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Tweleve elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155766 , vital:39914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-11
- Description: "I supposed you would come back from your journey singing as you came along the path. But you have gone for good." A woman is being justifyably caustic about her husband who is going away on a journey presumably leaving her to do all the work. Pairs of singers sing alternately, the second pair repeating what the first initiated. Chitsukulumwe dance with rattles and clapping.
- Full Text: false
- Date Issued: 1958
Ndimgayo Timba (The bird Timba)
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155847 , vital:39923 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-05
- Description: Timba is supposed to be either a small Tit or a Wren. The song, they say is from the Sena further down the Shire river near its confluence with the Zambezi. Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155847 , vital:39923 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-05
- Description: Timba is supposed to be either a small Tit or a Wren. The song, they say is from the Sena further down the Shire river near its confluence with the Zambezi. Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
Ndiribe m'mbale (I have no neighbour)
- Boys of Dedza Secondary School, Hugh Tracey
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154929 , vital:39794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-14
- Description: The song refers to a court case taken by the chief of the village. "I have no neighbour to rescue me at the court. Those without witnesses stay behind. Ae aia." Ngoma dance.
- Full Text: false
- Date Issued: 1959
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154929 , vital:39794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-14
- Description: The song refers to a court case taken by the chief of the village. "I have no neighbour to rescue me at the court. Those without witnesses stay behind. Ae aia." Ngoma dance.
- Full Text: false
- Date Issued: 1959
Ndoto (I am full)
- Chintuta Banda and group of Ngoni men and women, Hugh Tracey
- Authors: Chintuta Banda and group of Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Bancroft Mine, Norther Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154888 , vital:39790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-10
- Description: Drinking song with clapping
- Full Text: false
- Date Issued: 1959
- Authors: Chintuta Banda and group of Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Bancroft Mine, Norther Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154888 , vital:39790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-10
- Description: Drinking song with clapping
- Full Text: false
- Date Issued: 1959
Nga, nga, nga, nda reka (Lift and drop)
- Authors: Bauleni Zhuau , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155829 , vital:39921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-03
- Description: The drum leader was not satisfied with the pitch of the drums and stopped playing to adjust the amount of wax on two of the drums and then started again while the girls continued to sing. The wax is made of caster oil beans pounded up, it sticks onto the drum heads in spite of the continual beating of sticks and hands. The addition of wax or paste lowers the note of the drum and the removal of quite a small amount of wax raises the note. Thus the drums can be tunned with reasonable accuracy. The players brought more paste on the drum heads than they needed, no doubt because a certain amount is lost in playing and then tuned by removing a certain amount on each head with a curved piece of tin shaped like a spoon. Note the stress upon the final syllable of Reka NdaReka. Likhuba dance with 9 tuned drums.
- Full Text: false
- Date Issued: 1958
- Authors: Bauleni Zhuau , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155829 , vital:39921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-03
- Description: The drum leader was not satisfied with the pitch of the drums and stopped playing to adjust the amount of wax on two of the drums and then started again while the girls continued to sing. The wax is made of caster oil beans pounded up, it sticks onto the drum heads in spite of the continual beating of sticks and hands. The addition of wax or paste lowers the note of the drum and the removal of quite a small amount of wax raises the note. Thus the drums can be tunned with reasonable accuracy. The players brought more paste on the drum heads than they needed, no doubt because a certain amount is lost in playing and then tuned by removing a certain amount on each head with a curved piece of tin shaped like a spoon. Note the stress upon the final syllable of Reka NdaReka. Likhuba dance with 9 tuned drums.
- Full Text: false
- Date Issued: 1958
Nguluwe
- Irene Mukunga with Yao girls, Hugh Tracey
- Authors: Irene Mukunga with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Chiradzuru f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154802 , vital:39777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-15
- Description: A wild pig was eating fish, this was strange, so they decided to chase the pig. The girls in turn circle round each other. The higher and lower notes of the clapping are made by clapping both along and across the hands, Likwata dance song with clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Irene Mukunga with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Chiradzuru f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154802 , vital:39777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-15
- Description: A wild pig was eating fish, this was strange, so they decided to chase the pig. The girls in turn circle round each other. The higher and lower notes of the clapping are made by clapping both along and across the hands, Likwata dance song with clapping.
- Full Text: false
- Date Issued: 1950
Ngwasi (Fish eagle)
- Authors: 3 Yao women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Zomba, Police Headquarters, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154730 , vital:39769 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-07
- Description: Interesting piece of part singing by wives of African police constables. Nsondo dance song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: 3 Yao women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Zomba, Police Headquarters, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154730 , vital:39769 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-07
- Description: Interesting piece of part singing by wives of African police constables. Nsondo dance song with clapping.
- Full Text: false
- Date Issued: 1958
Nisiri pa Wankie (I have come to Wankie, I have cone to find money to pay my lobola)
- Authors: America Kanada , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Safwa (African people)--Music , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde , Safwa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151848 , vital:39179 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-04
- Description: The singer was a strange shy little man who did not even stay to hear his own songs played to the end. His second song gained rounds of applause. The burden of it was;- "I want to to go home, I am wasting my time here, I do not want to stay, I would rather desert. Please, boss, give me my money. I want to go home. Self-delectative song with Pango board zither.
- Full Text: false
- Date Issued: 1957
- Authors: America Kanada , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Safwa (African people)--Music , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde , Safwa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151848 , vital:39179 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-04
- Description: The singer was a strange shy little man who did not even stay to hear his own songs played to the end. His second song gained rounds of applause. The burden of it was;- "I want to to go home, I am wasting my time here, I do not want to stay, I would rather desert. Please, boss, give me my money. I want to go home. Self-delectative song with Pango board zither.
- Full Text: false
- Date Issued: 1957
Njala Makono (Famine this year)
- Sergent Deza and a friend, Hugh Tracey
- Authors: Sergent Deza and a friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Zomba, Police Headquarters, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154721 , vital:39768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-06
- Description: The two friends sit on the ground close together and sing into each other's faces with great abandon, loving every moment of it. This style of intricate singing appears to be almost unique to their tribe. "There is famine this year. My wife, why do you cook too much food? Don't worry yourself I know there is a famine this year, but don't worry. Song for initiation of boys, with clapping
- Full Text: false
- Date Issued: 1958
- Authors: Sergent Deza and a friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Zomba, Police Headquarters, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154721 , vital:39768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-06
- Description: The two friends sit on the ground close together and sing into each other's faces with great abandon, loving every moment of it. This style of intricate singing appears to be almost unique to their tribe. "There is famine this year. My wife, why do you cook too much food? Don't worry yourself I know there is a famine this year, but don't worry. Song for initiation of boys, with clapping
- Full Text: false
- Date Issued: 1958
Njinga ailepele (The bicycle)
- Men and women of Pemba Village, Hugh Tracey
- Authors: Men and women of Pemba Village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Pemba. Salima District, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154685 , vital:39764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-02
- Description: The player of the second drum was blind and had been so since childhood. The hero of the song apparently went to find work outside Nyasaland in Southern Rhodesia or elsewhere, but on his first journey he failed to bring back with him the coveted bicycle. On his second journey he was successful. Bari dance with 2 Khunto cylindrical drums, pinned and weighted.
- Full Text: false
- Date Issued: 1958
- Authors: Men and women of Pemba Village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Pemba. Salima District, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154685 , vital:39764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-02
- Description: The player of the second drum was blind and had been so since childhood. The hero of the song apparently went to find work outside Nyasaland in Southern Rhodesia or elsewhere, but on his first journey he failed to bring back with him the coveted bicycle. On his second journey he was successful. Bari dance with 2 Khunto cylindrical drums, pinned and weighted.
- Full Text: false
- Date Issued: 1958