Khuya uwa Naluwa
- Authors: Thomas Mulungo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169529 , vital:41760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-14
- Description: The Teso people, a Nilo-Hamitic tribe, are pastoral and like others of their way of life, used to be given to raiding cattle from their neighbours. The Gishu tribe were among those raided and in this song they urge the raided to get their own back from the raiders.Patriotic song with Litungu seven string bowl lyre, pinned and Mungiri leg bells.
- Full Text: false
- Date Issued: 1950
- Authors: Thomas Mulungo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169529 , vital:41760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-14
- Description: The Teso people, a Nilo-Hamitic tribe, are pastoral and like others of their way of life, used to be given to raiding cattle from their neighbours. The Gishu tribe were among those raided and in this song they urge the raided to get their own back from the raiders.Patriotic song with Litungu seven string bowl lyre, pinned and Mungiri leg bells.
- Full Text: false
- Date Issued: 1950
Kigara kyamsiriba
- Authors: Babyesiga , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169664 , vital:41784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-07
- Description: "There was a certain magician who declared that a lion could be killed by the bare hands alone. No one believes him." The singer yodells in typically African fashion. The tuning of this harp is as follows:- 336, 304, 252, 200, 168, (152), (126) vs, strings 7 and 8 were slightly out of tune, and should be 152 and 126. Topical song with Ekidongo eitht string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Babyesiga , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169664 , vital:41784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-07
- Description: "There was a certain magician who declared that a lion could be killed by the bare hands alone. No one believes him." The singer yodells in typically African fashion. The tuning of this harp is as follows:- 336, 304, 252, 200, 168, (152), (126) vs, strings 7 and 8 were slightly out of tune, and should be 152 and 126. Topical song with Ekidongo eitht string horizontal harp.
- Full Text: false
- Date Issued: 1950
Kikwabanga
- Abalere ba Kabaka, Hugh Tracey
- Authors: Abalere ba Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170603 , vital:41940 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-02
- Description: There was once a rich man called Sematimba Kikwabanga who had a large herd of gaots, but he never slaughtered any for meat. When he died the people made up this story about the miser to ridicule him. Topical song with 3 Ndere flutes, end blown, notched, open, 1 cylindrical drum, pinned, footed (-14.01201-), 3 conical drums, laced, 2 played with hands and 1 with sticks.
- Full Text: false
- Date Issued: 1950
- Authors: Abalere ba Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170603 , vital:41940 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-02
- Description: There was once a rich man called Sematimba Kikwabanga who had a large herd of gaots, but he never slaughtered any for meat. When he died the people made up this story about the miser to ridicule him. Topical song with 3 Ndere flutes, end blown, notched, open, 1 cylindrical drum, pinned, footed (-14.01201-), 3 conical drums, laced, 2 played with hands and 1 with sticks.
- Full Text: false
- Date Issued: 1950
Kiriyo
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Ssaza Chiguru f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171473 , vital:42064 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-11
- Description: The singer is singing about his oen clan and what has happened to its various members. A tune under the same name "Kiriyo" is played by 6 men on an ensemble of Budongo Likembe at Jinja, and was recorded at Jinja earlier in the same month. Topical song with Budongo Likembe and Nsaasi flat tin rattle (-12.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Ssaza Chiguru f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171473 , vital:42064 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-11
- Description: The singer is singing about his oen clan and what has happened to its various members. A tune under the same name "Kiriyo" is played by 6 men on an ensemble of Budongo Likembe at Jinja, and was recorded at Jinja earlier in the same month. Topical song with Budongo Likembe and Nsaasi flat tin rattle (-12.54-).
- Full Text: false
- Date Issued: 1950
Kishwaga
- Kabyoma Mashulamo, Hugh Tracey
- Authors: Kabyoma Mashulamo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172129 , vital:42164 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-02
- Description: "When he fights he does not retreat but threatens all the chiefs.". The trough zithers are like long bowls of wood with the strings stretched along over the hollow of the highest note downwards, the friction of the string caught in slits at either end of the trough is enough to retain the tuning for quite a while before returning is necessary. The structure if the phrasing of the accompaniment can be well observed in this recording. Praise song for chief with Nanga trough zither, 7 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Kabyoma Mashulamo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172129 , vital:42164 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-02
- Description: "When he fights he does not retreat but threatens all the chiefs.". The trough zithers are like long bowls of wood with the strings stretched along over the hollow of the highest note downwards, the friction of the string caught in slits at either end of the trough is enough to retain the tuning for quite a while before returning is necessary. The structure if the phrasing of the accompaniment can be well observed in this recording. Praise song for chief with Nanga trough zither, 7 notes.
- Full Text: false
- Date Issued: 1950
Kitwekize kya Winyi Part I
- Bomera and Tibuhoire, Hugh Tracey
- Authors: Bomera and Tibuhoire , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169715 , vital:41791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-12
- Description: One of the traditional methods of reciting praises in this country is for the reciter to manipulate a marionette, in this case the skin with head and legs of a small civet cat. The animal is decorated with bead necklets and a small bell which can be heard during the recitation by the two men. The leader manipulated the civet cat with his hand inside the skin as a glove puppet. Winiyi is one of the names of the Mukama, the king of Bunyoro (Now Sir Winyi). Praise song, with clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Bomera and Tibuhoire , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169715 , vital:41791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-12
- Description: One of the traditional methods of reciting praises in this country is for the reciter to manipulate a marionette, in this case the skin with head and legs of a small civet cat. The animal is decorated with bead necklets and a small bell which can be heard during the recitation by the two men. The leader manipulated the civet cat with his hand inside the skin as a glove puppet. Winiyi is one of the names of the Mukama, the king of Bunyoro (Now Sir Winyi). Praise song, with clapping.
- Full Text: false
- Date Issued: 1950
Kitwekize kya Winyi Part II
- Bomera and Tibuhoire, Hugh Tracey
- Authors: Bomera and Tibuhoire , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169724 , vital:41792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-13
- Description: One of the traditional methods of reciting praises in this country is for the reciter to manipulate a marionette, in this case the skin with head and legs of a small civet cat. The animal is decorated with bead necklets and a small bell which can be heard during the recitation by the two men. The leader manipulated the civet cat with his hand inside the skin as a glove puppet. Winiyi is one of the names of the Mukama, the king of Bunyoro (Now Sir Winyi). Praise song, with clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Bomera and Tibuhoire , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169724 , vital:41792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-13
- Description: One of the traditional methods of reciting praises in this country is for the reciter to manipulate a marionette, in this case the skin with head and legs of a small civet cat. The animal is decorated with bead necklets and a small bell which can be heard during the recitation by the two men. The leader manipulated the civet cat with his hand inside the skin as a glove puppet. Winiyi is one of the names of the Mukama, the king of Bunyoro (Now Sir Winyi). Praise song, with clapping.
- Full Text: false
- Date Issued: 1950
Kotabijuba
- Stephen Kaholya and Nyoro men, Hugh Tracey
- Authors: Stephen Kaholya and Nyoro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169742 , vital:41794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-15
- Description: The subjects of these short dance songs, such as this, they say, may be lazy people who do not weed their gardens or banana plantations or those who drink too much banana beer. The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. The Engwara horns are built up of sections of gourds bound together with plantain string and re-inforced longitudinally by lathes of bamboo. The are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches. Engwara N'orunyege dance song for men, with Engwara side blown horns, Ebinyege rattles and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Stephen Kaholya and Nyoro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169742 , vital:41794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-15
- Description: The subjects of these short dance songs, such as this, they say, may be lazy people who do not weed their gardens or banana plantations or those who drink too much banana beer. The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. The Engwara horns are built up of sections of gourds bound together with plantain string and re-inforced longitudinally by lathes of bamboo. The are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches. Engwara N'orunyege dance song for men, with Engwara side blown horns, Ebinyege rattles and clapping.
- Full Text: false
- Date Issued: 1950
Kuhiga
- Haya men and Jason the Chief's hunting dog, Hugh Tracey
- Authors: Haya men and Jason the Chief's hunting dog , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171963 , vital:42143 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-08
- Description: This was a very cheerful demonstration of a hunting party with the sound of the bells which are attached to the dogs' collars of plaited leather. The dog, Jason, which belonged to the Chief Gabriel Lugabandana, joined in the recording with a right good will, and enjoyed the hunting cries by the men as they pretended to go otter hunting in the wooded marshes in the valleys near the lake. Hunting cry and song with bells and hunting horn.
- Full Text: false
- Date Issued: 1950
- Authors: Haya men and Jason the Chief's hunting dog , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171963 , vital:42143 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-08
- Description: This was a very cheerful demonstration of a hunting party with the sound of the bells which are attached to the dogs' collars of plaited leather. The dog, Jason, which belonged to the Chief Gabriel Lugabandana, joined in the recording with a right good will, and enjoyed the hunting cries by the men as they pretended to go otter hunting in the wooded marshes in the valleys near the lake. Hunting cry and song with bells and hunting horn.
- Full Text: false
- Date Issued: 1950
Kukoikya (Riddles)
- Chief Ochaki Rwamba, Hugh Tracey
- Authors: Chief Ochaki Rwamba , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170353 , vital:41889 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-16
- Description: The telling or riddles with question and answer is a favourite pastime of many Africans and among the Toro, they said, they were frequently enjoyed after the evening meal. Riddles.
- Full Text: false
- Date Issued: 1950
- Authors: Chief Ochaki Rwamba , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170353 , vital:41889 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-16
- Description: The telling or riddles with question and answer is a favourite pastime of many Africans and among the Toro, they said, they were frequently enjoyed after the evening meal. Riddles.
- Full Text: false
- Date Issued: 1950
Kurungi Ngweyo
- Fersia Binoberwa with Ruguru girls, Hugh Tracey
- Authors: Fersia Binoberwa with Ruguru girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169991 , vital:41846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-04
- Description: Song praising the beauties of their land, the Banyaguru county, with its many crater lakes along the edge of the rift valley, its fresh and its bananas. The style of singing suggested foreign influence although the singers assured us it was indigenous. Patriotic song, used as dance song for boys and girls, with two conical drums, laced, single and a raft rattle.
- Full Text: false
- Date Issued: 1950
- Authors: Fersia Binoberwa with Ruguru girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169991 , vital:41846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-04
- Description: Song praising the beauties of their land, the Banyaguru county, with its many crater lakes along the edge of the rift valley, its fresh and its bananas. The style of singing suggested foreign influence although the singers assured us it was indigenous. Patriotic song, used as dance song for boys and girls, with two conical drums, laced, single and a raft rattle.
- Full Text: false
- Date Issued: 1950
Kyamukuku
- Sergent Joseph Musisi and Bamba men, Hugh Tracey
- Authors: Sergent Joseph Musisi and Bamba men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170452 , vital:41924 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-08
- Description: "Who has the authority in this place?" "After the white man comes the Chief and after the Chief it is the Sergent who has the authority." This song was perfomed by two convicts from the local prison let out for the occasion. They were accomapanied by the Sergent in charge of the prison who sang jovially with his arms around his wards shoulders. Humorous song with clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Sergent Joseph Musisi and Bamba men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170452 , vital:41924 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-08
- Description: "Who has the authority in this place?" "After the white man comes the Chief and after the Chief it is the Sergent who has the authority." This song was perfomed by two convicts from the local prison let out for the occasion. They were accomapanied by the Sergent in charge of the prison who sang jovially with his arms around his wards shoulders. Humorous song with clapping.
- Full Text: false
- Date Issued: 1950
Kyanda
- Kawasunga and Toro women, Hugh Tracey
- Authors: Kawasunga and Toro women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170344 , vital:41888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-15
- Description: The heroine of this song was a beautiful girl named Kyanda. She was greatly loved by a boy who could not marry her but who composed songs about her beauty. Enanga wedding song.
- Full Text: false
- Date Issued: 1950
- Authors: Kawasunga and Toro women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170344 , vital:41888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-15
- Description: The heroine of this song was a beautiful girl named Kyanda. She was greatly loved by a boy who could not marry her but who composed songs about her beauty. Enanga wedding song.
- Full Text: false
- Date Issued: 1950
Kyebambi
- Yohana Nyakayonga, and Ntimbo Royal drummers, Hugh Tracey
- Authors: Yohana Nyakayonga, and Ntimbo Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169706 , vital:41790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-11
- Description: The little drums, with membranes of iguana, water lizard, skin are most musical and respond to every finesse of fingering. The are traditionally associated with the royal songs of Bunyoro. This song refers to a previous Mukama of Bunyoro, Kyebambi, who, they say, was much loved by his people. Rukidi wa Mukama about 20 years ago, (1930) and he was followed by Kyebambi, they said. Ntimbo praise song with four Ntimbo Goblet drums, pinned, open, ling stem and small foot. For holding under the arm (not for standing).
- Full Text: false
- Date Issued: 1950
- Authors: Yohana Nyakayonga, and Ntimbo Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169706 , vital:41790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-11
- Description: The little drums, with membranes of iguana, water lizard, skin are most musical and respond to every finesse of fingering. The are traditionally associated with the royal songs of Bunyoro. This song refers to a previous Mukama of Bunyoro, Kyebambi, who, they say, was much loved by his people. Rukidi wa Mukama about 20 years ago, (1930) and he was followed by Kyebambi, they said. Ntimbo praise song with four Ntimbo Goblet drums, pinned, open, ling stem and small foot. For holding under the arm (not for standing).
- Full Text: false
- Date Issued: 1950
Kyenda ali mugenyi
- Bachumirwa Tugwenderwa, Hugh Tracey
- Authors: Bachumirwa Tugwenderwa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169675 , vital:41785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-08
- Description: This is an interesting instrument as it was bought from Aluur, who tune their instruments to a four interval scale. The first song is about the father who looked after his daughter strictly to the disamy of the lads of the willage. The second is about a vain girl who preened herself and walked along the road to attract people. Topical song with Likembe.
- Full Text: false
- Date Issued: 1950
- Authors: Bachumirwa Tugwenderwa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169675 , vital:41785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-08
- Description: This is an interesting instrument as it was bought from Aluur, who tune their instruments to a four interval scale. The first song is about the father who looked after his daughter strictly to the disamy of the lads of the willage. The second is about a vain girl who preened herself and walked along the road to attract people. Topical song with Likembe.
- Full Text: false
- Date Issued: 1950
Kyuma
- Entenga, Royal drummers, Hugh Tracey
- Authors: Entenga, Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170700 , vital:41951 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-12
- Description: At the time when cotton was first introduced into Uganda (largely by the efforts of an indsutrial missionary, Mr. K. Borup, from 1903 onwards) a friend of Mr. Borup came to stay with him from England and brought with him the idea of erecting a roundabout. It was such a novelty that this song "Kyuma" was composed about it. The set of royal Entenga drums are kept and played in a separate courtyard of the Lubili palace. In this recording the separate parts are brought out one after the other. Each drummer plays his allotted drums from the treble player down to the deep bass player while the others continue to strike the side of their drums with their beaters. The first four men play 3 drums each. The fifth plays one drum, and the sixth plays the two deepest toned bass drums. Drum tune. Set of 15 tuned conical drums, laced, closed, single.
- Full Text: false
- Date Issued: 1950
- Authors: Entenga, Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170700 , vital:41951 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-12
- Description: At the time when cotton was first introduced into Uganda (largely by the efforts of an indsutrial missionary, Mr. K. Borup, from 1903 onwards) a friend of Mr. Borup came to stay with him from England and brought with him the idea of erecting a roundabout. It was such a novelty that this song "Kyuma" was composed about it. The set of royal Entenga drums are kept and played in a separate courtyard of the Lubili palace. In this recording the separate parts are brought out one after the other. Each drummer plays his allotted drums from the treble player down to the deep bass player while the others continue to strike the side of their drums with their beaters. The first four men play 3 drums each. The fifth plays one drum, and the sixth plays the two deepest toned bass drums. Drum tune. Set of 15 tuned conical drums, laced, closed, single.
- Full Text: false
- Date Issued: 1950
Losunga Bakali
- Abugu Kisukwe and Bamba men, Hugh Tracey
- Authors: Abugu Kisukwe and Bamba men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170405 , vital:41918 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-05
- Description: "A man who continually changes his women is not good. There are men who feel they must marry every pretty girl they find." The name Likembe persists for the Mbira instrument all the way across Africa from Angola in the west to the Ruwenzori. Topical song with 3 Likembe x11 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Abugu Kisukwe and Bamba men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170405 , vital:41918 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-05
- Description: "A man who continually changes his women is not good. There are men who feel they must marry every pretty girl they find." The name Likembe persists for the Mbira instrument all the way across Africa from Angola in the west to the Ruwenzori. Topical song with 3 Likembe x11 notes.
- Full Text: false
- Date Issued: 1950
Lukhano lunarula
- Wamimbi Magombe and Gishu men, Hugh Tracey
- Authors: Wamimbi Magombe and Gishu men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169511 , vital:41758 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-12
- Description: Boys who are ready for initiation are warned in this song of the pain they muct experience and exhorted to be brave. Imbalu circumcision dance with Mungiri leg bells, European whistle and side blown horn, open.
- Full Text: false
- Date Issued: 1950
- Authors: Wamimbi Magombe and Gishu men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169511 , vital:41758 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-12
- Description: Boys who are ready for initiation are warned in this song of the pain they muct experience and exhorted to be brave. Imbalu circumcision dance with Mungiri leg bells, European whistle and side blown horn, open.
- Full Text: false
- Date Issued: 1950
Lukiza (The angry man)
- Habib Bin Seliman, Hugh Tracey
- Authors: Habib Bin Seliman , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172470 , vital:42207 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-01
- Description: The story of an angry man, who, enraged by the chief's misrule, threatened to attack him and remove him by force from his postition. The tuning of this Nanga was:- 256, 232, 210, 192, 176, 152, 140 vs. Recitative Legend, with Nanga trough zither, 7 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Habib Bin Seliman , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172470 , vital:42207 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-01
- Description: The story of an angry man, who, enraged by the chief's misrule, threatened to attack him and remove him by force from his postition. The tuning of this Nanga was:- 256, 232, 210, 192, 176, 152, 140 vs. Recitative Legend, with Nanga trough zither, 7 notes.
- Full Text: false
- Date Issued: 1950
Luma
- Atokwe with Bamba men, Hugh Tracey
- Authors: Atokwe with Bamba men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170391 , vital:41916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-03
- Description: The Luma flute dances are a popular recreation in this district which lies under the foot of the Ruwenzori mountain, near its north west end. All the players of this ensemble were prisoners whom the local Ssaza chief let out of custody especially to play for this recording. The names of the seven pipes used:- from high to low pitch 1. Kyenuma, 2. Kyegira, 3. Sikuse, 4. Pee, 5. Kwigirize, 6. Kyigira Kike, 7. Chahomya. Luma flute ensemble x7 and one conical drum laced, single, played with sticks.
- Full Text: false
- Date Issued: 1950
- Authors: Atokwe with Bamba men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bundibugyo f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170391 , vital:41916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-03
- Description: The Luma flute dances are a popular recreation in this district which lies under the foot of the Ruwenzori mountain, near its north west end. All the players of this ensemble were prisoners whom the local Ssaza chief let out of custody especially to play for this recording. The names of the seven pipes used:- from high to low pitch 1. Kyenuma, 2. Kyegira, 3. Sikuse, 4. Pee, 5. Kwigirize, 6. Kyigira Kike, 7. Chahomya. Luma flute ensemble x7 and one conical drum laced, single, played with sticks.
- Full Text: false
- Date Issued: 1950