Tshidudu
- Kruger, Jaco (Recorded by), Venda woman (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Venda woman (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana , Solo , Fingers
- Type: Music , Sound
- Identifier: vital:15895 , JKC04b-08 , http://hdl.handle.net/10962/d1009084 , Tape number: JKC04 , Original tape number: 4 , Track number: 08
- Description: Traditional Venda song accompanied by the tshihwana bow played with fingers , For further details refer to Jaco Kruger recording card: 69
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Venda woman (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana , Solo , Fingers
- Type: Music , Sound
- Identifier: vital:15895 , JKC04b-08 , http://hdl.handle.net/10962/d1009084 , Tape number: JKC04 , Original tape number: 4 , Track number: 08
- Description: Traditional Venda song accompanied by the tshihwana bow played with fingers , For further details refer to Jaco Kruger recording card: 69
- Full Text: false
Matondoni ndo vha ndo dzula
- Kruger, Jaco (Recorded by), Mabilu, Petros (Performer), Mabilu, Petros (Composer)
- Authors: Kruger, Jaco (Recorded by) , Mabilu, Petros (Performer) , Mabilu, Petros (Composer)
- Subjects: Phiphidi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Tshidzholo bow , Tube zither
- Type: Music , Sound
- Identifier: vital:15587 , JKC02b-01 , http://hdl.handle.net/10962/d1008776 , Tape number: JKC02 , Original tape number: 2 , Track number: 01
- Description: English translation of title: 'I had a nice stay at Matondoni' , Traditional Venda song accompanied by the tshidzholo bow , For further details refer to Jaco Kruger recording card: 41
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Mabilu, Petros (Performer) , Mabilu, Petros (Composer)
- Subjects: Phiphidi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Tshidzholo bow , Tube zither
- Type: Music , Sound
- Identifier: vital:15587 , JKC02b-01 , http://hdl.handle.net/10962/d1008776 , Tape number: JKC02 , Original tape number: 2 , Track number: 01
- Description: English translation of title: 'I had a nice stay at Matondoni' , Traditional Venda song accompanied by the tshidzholo bow , For further details refer to Jaco Kruger recording card: 41
- Full Text: false
Evaluating the influence of electoral violence on democratic consolidaton in Sub-Saharan Africa: the case of the democratic republic of congo from 2006-2018
- Authors: Poggi, Giovanni
- Date: 2020-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/55073 , vital:49035
- Description: The democratic legitimacy of African executives has been called into question substantially over the last decade. Using the Democratic Republic of Congo (DRC) as a case study, this evaluative research seeks to analyse how African executives and political elites continue to play a crucial role in inducing civil unrest and electoral violence. For African democracy to develop, there must be enforced resolutions to eradicate issues facing both procedural and substantive democracy on the continent. This research examined electoral violence and unconstitutional acts that aggravate electoral system abuse and diminish the consolidation of democracy in sub-Saharan African states, in particular the DRC. A specific focus on the leadership of Joseph Kabila in the DRC forms the case study component of this research. In 2016, elections were postponed in the DRC and the DRC’s constitutional court interpreted Article 70 and Article 73 of the constitution in a manner that allowed President Kabila to remain in office until a newly elected president was installed. The court’s ruling and interpretation of Article 70 and Article 73 was an attempt to avoid a power vacuum. The study evaluated the components that trigger the escalation of electoral violence in Sub-Saharan African states. The study reports on different contributory factors, including but not limited to, the impact of predatory and rent-seeking leadership towards electoral manipulation; and the effect of patron-client relations on democratic institutions. Even though elections are not the only indicator of democracy stability in a state, this study demonstrated how electoral violence threatens the consolidation of democracy in sub-Saharan African states, in particular the DRC. In examining electoral violence, a desktop analysis method, which was used in the study, involved the collection of data from existing resources in order to provide a more critical lens to understanding electoral violence in the DRC. The theoretical analysis used in the study is the Höglund (2009) framework on electoral institutions which outlined how political violence remains a pervasive feature in Sub-Saharan countries by linking the framework to patron-clientelism. , Thesis (MA) -- Faculty of Humanities, School of Governmental and Social Sciences, 2020
- Full Text:
- Date Issued: 2020-12
- Authors: Poggi, Giovanni
- Date: 2020-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/55073 , vital:49035
- Description: The democratic legitimacy of African executives has been called into question substantially over the last decade. Using the Democratic Republic of Congo (DRC) as a case study, this evaluative research seeks to analyse how African executives and political elites continue to play a crucial role in inducing civil unrest and electoral violence. For African democracy to develop, there must be enforced resolutions to eradicate issues facing both procedural and substantive democracy on the continent. This research examined electoral violence and unconstitutional acts that aggravate electoral system abuse and diminish the consolidation of democracy in sub-Saharan African states, in particular the DRC. A specific focus on the leadership of Joseph Kabila in the DRC forms the case study component of this research. In 2016, elections were postponed in the DRC and the DRC’s constitutional court interpreted Article 70 and Article 73 of the constitution in a manner that allowed President Kabila to remain in office until a newly elected president was installed. The court’s ruling and interpretation of Article 70 and Article 73 was an attempt to avoid a power vacuum. The study evaluated the components that trigger the escalation of electoral violence in Sub-Saharan African states. The study reports on different contributory factors, including but not limited to, the impact of predatory and rent-seeking leadership towards electoral manipulation; and the effect of patron-client relations on democratic institutions. Even though elections are not the only indicator of democracy stability in a state, this study demonstrated how electoral violence threatens the consolidation of democracy in sub-Saharan African states, in particular the DRC. In examining electoral violence, a desktop analysis method, which was used in the study, involved the collection of data from existing resources in order to provide a more critical lens to understanding electoral violence in the DRC. The theoretical analysis used in the study is the Höglund (2009) framework on electoral institutions which outlined how political violence remains a pervasive feature in Sub-Saharan countries by linking the framework to patron-clientelism. , Thesis (MA) -- Faculty of Humanities, School of Governmental and Social Sciences, 2020
- Full Text:
- Date Issued: 2020-12
Optimizing herbicide-use for the killing of eucalypt stumps
- Authors: Mavhungu, Tshilidzi
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/53857 , vital:46023
- Description: The South Africa (SA) forest industry relies on plantations of exotic forestry trees (Pinus, Acacia and Eucalyptus) to fulfil its timber requirements. With 52.0% of the afforested land in South Africa planted to various eucalypts and their hybrid combinations. Of the total area planted to eucalypts in SA, 75 000 ha is re-established annually by means of silvicultural regimes and operations matched to site productivity, desired end-product and method of regeneration. Unlike other commercially grown tree species, eucalypt species have the ability to coppice after felling. Coppicing is a common form of regeneration in South African forestry as it allows the plantation owner the option of a second timber rotation without replanting. However, if any factors affecting coppicing are compromised, and the site is to be replanted, then it is important to kill the stumps before replanting as rapid initial growth of the coppice shoots will require earlier control than that associated with normal weeding operations. Over time, various methods of woody plant control have been proposed and tested, with most of these making use of herbicides as opposed to the repeated manual removal of coppice regrowth. Globally, most industries subscribe to standards associated with sustainable production (economic, environmental and social) against which they are measured. Within SA, 80% of the forests are certified though either the Forest Stewardship Council (FSC) or International Standards Organisation (ISO) which recommend the identification and avoidance of ‘highly hazardous’ chemicals; the promotion of ‘non-chemical’ methods for pest management as an element of an integrated pest and vegetation management strategy; and the appropriate use of chemicals that are used. To test the current recommendations for killing eucalypt stumps to include other species, the potential of reducing herbicides used, and the influence of time after application on the survival of eucalypt stumps, two trials were initiated at Entabeni plantation (Venda, Limpopo) and one at Wilgeboom plantation (Bushbuckridge, Mpumalanga) between 2018 and 2020. Extending eucalypt cut-stump control practices: Most of the trial work on killing of eucalypts in SA has been conducted on Eucalyptus grandis, Eucalyptus camaldulensis or Eucalyptus macarthurii, with all grown on shorter pulpwood rotations. To extend current recommendation to include Eucalyptus cloeziana (grown on a longer rotation for poles), a trial was established in 2018 at Entabeni plantation (Limpopo Province) to quantify the interaction between Application method (basal-frill; cut-surface; foliar) and Herbicide (no herbicide applied; Roundup; Garlon; Roundup + Garlon) for the killing of 12 year-old stumps following harvesting. Assessments were carried out at 1, 3 and 6 months following application and included Stump survival, Stump quarter with coppice and Coppice heath. Relative to the control plots (100% survival), all herbicides tested were equally effective, 70–90% of the stumps killed. This study confirms previous research regarding the killing of eucalypt stumps. Roundup, Garlon or a combination of two, when applied according to label recommendations to a stump as a basal-frill or cut-surface application (within 30 minutes of felling) resulted in 70-90% of the stumps killed. , Thesis (MSc) -- Faculty of Science, School of Natural Resource Management, 2021
- Full Text:
- Date Issued: 2021-12
- Authors: Mavhungu, Tshilidzi
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/53857 , vital:46023
- Description: The South Africa (SA) forest industry relies on plantations of exotic forestry trees (Pinus, Acacia and Eucalyptus) to fulfil its timber requirements. With 52.0% of the afforested land in South Africa planted to various eucalypts and their hybrid combinations. Of the total area planted to eucalypts in SA, 75 000 ha is re-established annually by means of silvicultural regimes and operations matched to site productivity, desired end-product and method of regeneration. Unlike other commercially grown tree species, eucalypt species have the ability to coppice after felling. Coppicing is a common form of regeneration in South African forestry as it allows the plantation owner the option of a second timber rotation without replanting. However, if any factors affecting coppicing are compromised, and the site is to be replanted, then it is important to kill the stumps before replanting as rapid initial growth of the coppice shoots will require earlier control than that associated with normal weeding operations. Over time, various methods of woody plant control have been proposed and tested, with most of these making use of herbicides as opposed to the repeated manual removal of coppice regrowth. Globally, most industries subscribe to standards associated with sustainable production (economic, environmental and social) against which they are measured. Within SA, 80% of the forests are certified though either the Forest Stewardship Council (FSC) or International Standards Organisation (ISO) which recommend the identification and avoidance of ‘highly hazardous’ chemicals; the promotion of ‘non-chemical’ methods for pest management as an element of an integrated pest and vegetation management strategy; and the appropriate use of chemicals that are used. To test the current recommendations for killing eucalypt stumps to include other species, the potential of reducing herbicides used, and the influence of time after application on the survival of eucalypt stumps, two trials were initiated at Entabeni plantation (Venda, Limpopo) and one at Wilgeboom plantation (Bushbuckridge, Mpumalanga) between 2018 and 2020. Extending eucalypt cut-stump control practices: Most of the trial work on killing of eucalypts in SA has been conducted on Eucalyptus grandis, Eucalyptus camaldulensis or Eucalyptus macarthurii, with all grown on shorter pulpwood rotations. To extend current recommendation to include Eucalyptus cloeziana (grown on a longer rotation for poles), a trial was established in 2018 at Entabeni plantation (Limpopo Province) to quantify the interaction between Application method (basal-frill; cut-surface; foliar) and Herbicide (no herbicide applied; Roundup; Garlon; Roundup + Garlon) for the killing of 12 year-old stumps following harvesting. Assessments were carried out at 1, 3 and 6 months following application and included Stump survival, Stump quarter with coppice and Coppice heath. Relative to the control plots (100% survival), all herbicides tested were equally effective, 70–90% of the stumps killed. This study confirms previous research regarding the killing of eucalypt stumps. Roundup, Garlon or a combination of two, when applied according to label recommendations to a stump as a basal-frill or cut-surface application (within 30 minutes of felling) resulted in 70-90% of the stumps killed. , Thesis (MSc) -- Faculty of Science, School of Natural Resource Management, 2021
- Full Text:
- Date Issued: 2021-12
Eastern Frontier Dist. plan of W.D. property at Middle Drift
- Great Britain. War Office, Jones, Walter P
- Authors: Great Britain. War Office , Jones, Walter P
- Date: 1873
- Subjects: Cape of Good Hope (South Africa) -- Maps maps , South Africa -- History -- Frontier Wars, 1811-1878 -- Maps Maps , Military maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/57204 , vital:26856 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP277 , MP277
- Description: Copied by Walter P. Jones, 21st August 1873. War Department number on map WD. VII.
- Full Text: false
- Date Issued: 1873
- Authors: Great Britain. War Office , Jones, Walter P
- Date: 1873
- Subjects: Cape of Good Hope (South Africa) -- Maps maps , South Africa -- History -- Frontier Wars, 1811-1878 -- Maps Maps , Military maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/57204 , vital:26856 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP277 , MP277
- Description: Copied by Walter P. Jones, 21st August 1873. War Department number on map WD. VII.
- Full Text: false
- Date Issued: 1873
An analysis of the internship programme in the Sarah Baartman Health District of the Eastern Cape: a model for effective implementation
- Authors: Feni, Monde Ludick
- Date: 2022-03
- Subjects: Internship programs , Public service employment , South Africa
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10353/23359 , vital:57617
- Description: The study’s main purpose was to evaluate the processes for Internship Programme Implementation in the Sarah Baartman Health District of the Eastern Cape Department of Health, to determine a Model that can be postulated for improving the Internship Programme Implementation in the Sarah Baartman Health District, wide Public Service and Private Sector. An empirical Study reveals the process for the Internship Programme Implementation has been marred with a significant number of challenges. As part of the recommendations, it was highly stressed that the Sarah Baartman Health District must adopt and embrace the Internship Programme Implementation Model in Figure 6.1 to effectively implement the Internship Programme as a means to deal with the challenges. Data was collected by the investigator from four main groups within the Sarah Baartman Health District. These were Senior Managers, Corporate Services Managers, Mentors, current and past interns. All these groups were directly involved in the internships in the Sarah Baartman Health District Health Department. The investigator got accurate and verified reflections, experiences and understandings of four constructs surrounding the internship programme and they include recruitment and employment of Interns using Best Practices, Training and Development Programmes for Interns Training, Performance Management and Development System for Interns and Mentoring as a Tool to Transfer Knowledge, Skills, Competencies and Attitudes required to Perform Optimally. During interviews, the researcher requested permission from the participants to record their responses digitally. This was done to make sure that no data was lost during the writing of responses from the participants. The questionnaires that were distributed to the interns and mentors had closed-ended questions, but the validity of the questionnaire was ensured by having a space for comments under each question to allow participants to support their answers. An analysis of the questionnaire was done by employing Microsoft Excel and statistics that are descriptive and inferential. The study findings revealed that the recruitment and employment of interns using best practices had a mean score above the required mean of 3, meaning that it is applied acceptably. As much as the construct is acceptable and meets the standard, the item in the construct that pertained to security checks for interns was not done and this is a worrying factor, meaning that the recruitment and employment of interns might be at risk of bringing in interns into the programme who are risky for the organisation. , Thesis (PhD) -- Faculty of Management and Commerce, 2022
- Full Text:
- Date Issued: 2022-03
- Authors: Feni, Monde Ludick
- Date: 2022-03
- Subjects: Internship programs , Public service employment , South Africa
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10353/23359 , vital:57617
- Description: The study’s main purpose was to evaluate the processes for Internship Programme Implementation in the Sarah Baartman Health District of the Eastern Cape Department of Health, to determine a Model that can be postulated for improving the Internship Programme Implementation in the Sarah Baartman Health District, wide Public Service and Private Sector. An empirical Study reveals the process for the Internship Programme Implementation has been marred with a significant number of challenges. As part of the recommendations, it was highly stressed that the Sarah Baartman Health District must adopt and embrace the Internship Programme Implementation Model in Figure 6.1 to effectively implement the Internship Programme as a means to deal with the challenges. Data was collected by the investigator from four main groups within the Sarah Baartman Health District. These were Senior Managers, Corporate Services Managers, Mentors, current and past interns. All these groups were directly involved in the internships in the Sarah Baartman Health District Health Department. The investigator got accurate and verified reflections, experiences and understandings of four constructs surrounding the internship programme and they include recruitment and employment of Interns using Best Practices, Training and Development Programmes for Interns Training, Performance Management and Development System for Interns and Mentoring as a Tool to Transfer Knowledge, Skills, Competencies and Attitudes required to Perform Optimally. During interviews, the researcher requested permission from the participants to record their responses digitally. This was done to make sure that no data was lost during the writing of responses from the participants. The questionnaires that were distributed to the interns and mentors had closed-ended questions, but the validity of the questionnaire was ensured by having a space for comments under each question to allow participants to support their answers. An analysis of the questionnaire was done by employing Microsoft Excel and statistics that are descriptive and inferential. The study findings revealed that the recruitment and employment of interns using best practices had a mean score above the required mean of 3, meaning that it is applied acceptably. As much as the construct is acceptable and meets the standard, the item in the construct that pertained to security checks for interns was not done and this is a worrying factor, meaning that the recruitment and employment of interns might be at risk of bringing in interns into the programme who are risky for the organisation. , Thesis (PhD) -- Faculty of Management and Commerce, 2022
- Full Text:
- Date Issued: 2022-03
Bangisi Parts I, II and III
- Kruger, Jaco (Recorded by), Shonisani, Gundula and Mashandule (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Gundula and Mashandule (Performer) , Composer unknown
- Subjects: Kubvi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Instrumental , Lamellophone
- Type: Music , Sound
- Identifier: vital:15557 , JKC15a-15 , http://hdl.handle.net/10962/d1008746 , Tape number: JKC15 , Original tape number: 15 , Track number: 15
- Description: Traditional Lemba tune accompanied by the lamellophone with only one part on the xylophone
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Gundula and Mashandule (Performer) , Composer unknown
- Subjects: Kubvi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Instrumental , Lamellophone
- Type: Music , Sound
- Identifier: vital:15557 , JKC15a-15 , http://hdl.handle.net/10962/d1008746 , Tape number: JKC15 , Original tape number: 15 , Track number: 15
- Description: Traditional Lemba tune accompanied by the lamellophone with only one part on the xylophone
- Full Text: false
Savhuya sinthaha sinemabantholi
- Kruger, Jaco (Recorded by), Phampha, Masindi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Phampha, Masindi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:15754 , JKC07a-14 , http://hdl.handle.net/10962/d1008943 , Tape number: JKC07 , Original tape number: 7 , Track number: 14
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 93
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Phampha, Masindi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:15754 , JKC07a-14 , http://hdl.handle.net/10962/d1008943 , Tape number: JKC07 , Original tape number: 7 , Track number: 14
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 93
- Full Text: false
Map marking the boundaries of Stellaland and Goshen and showing surrounding areas
- Cape of Good Hope. Ministerial Department of Crown Lands and Public Works
- Authors: Cape of Good Hope. Ministerial Department of Crown Lands and Public Works
- Date: 1883
- Subjects: Griqualand West (South Africa) -- Maps Maps , Goshen (South Africa) -- Maps Maps , Stellaland (South Africa) -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/57431 , vital:26921 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP416b , MP416b
- Description: Attached to Report of the commissioners appointed to inquire into the question of the northern boundary of Griqualand West : with minutes of evidence, minutes of proceedings, map and plans, Cape of Good Hope Ministerial Department of Crown Lands and Public Works.
- Full Text: false
- Date Issued: 1883
- Authors: Cape of Good Hope. Ministerial Department of Crown Lands and Public Works
- Date: 1883
- Subjects: Griqualand West (South Africa) -- Maps Maps , Goshen (South Africa) -- Maps Maps , Stellaland (South Africa) -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/57431 , vital:26921 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP416b , MP416b
- Description: Attached to Report of the commissioners appointed to inquire into the question of the northern boundary of Griqualand West : with minutes of evidence, minutes of proceedings, map and plans, Cape of Good Hope Ministerial Department of Crown Lands and Public Works.
- Full Text: false
- Date Issued: 1883
Ku lila Part I and II
- Kruger, Jaco (Recorded by), Azwiili thiba Netshiavha and Mashandule (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Azwiili thiba Netshiavha and Mashandule (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Instrumental , Xylophone , Duet performance
- Type: Music , Sound
- Identifier: vital:16101 , JKC11b-12 , http://hdl.handle.net/10962/d1009290 , Tape number: JKC11 , Original tape number: 11 , Track number: 12
- Description: English translation of title: 'The ground hornbills are crying' , Duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 127
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Azwiili thiba Netshiavha and Mashandule (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Instrumental , Xylophone , Duet performance
- Type: Music , Sound
- Identifier: vital:16101 , JKC11b-12 , http://hdl.handle.net/10962/d1009290 , Tape number: JKC11 , Original tape number: 11 , Track number: 12
- Description: English translation of title: 'The ground hornbills are crying' , Duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 127
- Full Text: false
Fikara tsa makoti
- Botha, Karika (Recorded by), Sesotho women (Performer), Composer unknown
- Authors: Botha, Karika (Recorded by) , Sesotho women (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Wedding song , Choral
- Type: Music , Sound
- Identifier: vital:15834 , JKC17a-09 , http://hdl.handle.net/10962/d1009023 , Tape number: JKC17 , Original tape number: 17 , Track number: 09
- Description: Unaccompanied traditional Sesotho wedding song sung by women , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
- Authors: Botha, Karika (Recorded by) , Sesotho women (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Wedding song , Choral
- Type: Music , Sound
- Identifier: vital:15834 , JKC17a-09 , http://hdl.handle.net/10962/d1009023 , Tape number: JKC17 , Original tape number: 17 , Track number: 09
- Description: Unaccompanied traditional Sesotho wedding song sung by women , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
Makandi Part I and II
- Kruger, Jaco (Recorded by), Thiba and Kruger (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Thiba and Kruger (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Instrumental , Duet performance , Xylophone , Inherent patterns
- Type: Music , Sound
- Identifier: vital:15564 , JKC11b-27 , http://hdl.handle.net/10962/d1008753 , Tape number: JKC11 , Original tape number: 11 , Track number: 27
- Description: English translation of title: 'Taking big steps' , Duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 131
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Thiba and Kruger (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Instrumental , Duet performance , Xylophone , Inherent patterns
- Type: Music , Sound
- Identifier: vital:15564 , JKC11b-27 , http://hdl.handle.net/10962/d1008753 , Tape number: JKC11 , Original tape number: 11 , Track number: 27
- Description: English translation of title: 'Taking big steps' , Duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 131
- Full Text: false
Tshikongomuti Part II
- Kruger, Jaco (Recorded by), Shonisani and Mboi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Malende dance , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15940 , JKC14b-24 , http://hdl.handle.net/10962/d1009129 , Tape number: JKC14 , Original tape number: 14 , Track number: 24
- Description: English translation of title: 'Name of a ferocious ant' , Part II of duet performance of Malende traditional Venda dance tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 156
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Malende dance , Instrumental , Duet performance
- Type: Music , Sound
- Identifier: vital:15940 , JKC14b-24 , http://hdl.handle.net/10962/d1009129 , Tape number: JKC14 , Original tape number: 14 , Track number: 24
- Description: English translation of title: 'Name of a ferocious ant' , Part II of duet performance of Malende traditional Venda dance tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 156
- Full Text: false
Colonial power and the transformation of feudal relations in Buganda 1900-1962
- Authors: Sekiswa, Peter
- Date: 2020-12
- Subjects: Uganda , Uganda (South Africa) , South Africa
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10948/55218 , vital:49670
- Description: This thesis has engaged in a debate that the establishment of colonial administration in Buganda in the 19th century more than anything else saw the transformation the Buganda state into an African feudal state. Basic explanation for this state of affairs was the need by the colonial authority to establish a dependent commodity producing economy in Buganda. The African feudal state contextually referred to is the transformation of power, labour and economic relations in this period to suit circumstances that favoured the process of commodity production in the Buganda state; a process that involved the strengthening of the political power base, by creating a landed oligarchy, thus destroying the traditional patron–client relations and creating out of such a relation a class of civil servants, yet also extracting land rent from siting tenant in an agrarian economic system. This period saw an interplay of numerous actors like the Christian missionaries and their Buganda collaborators, the Christian elite (Abasomi), the Learners. The second phase of this study examines the creation of a colonial economic system based on commodity production and the colonial authority creating a frame work of operation, as to how the economy-based commodity production was to operate as to either allow a settler plantation or a peasant mode of production. Coupled with the effects of the wars of nations the deteriorating economic conditions and the age of the rise of the spirit of nationalism in the 1950s, created a class of agitators against the colonial authority. Using the historical methodology, the study employed the use of oral interviews, archives, primary printed journals, and secondary sources, to trace the evolution of labour, political and economic relations in the Buganda state. This was in order to understand the process leading to the creation of the modern Buganda colonial state by 1962. The study puts it that the intercourse between the British colonial administrators and the Buganda state leaders was responsible for the resultant state of affairs. Intentionally or unintentionally, the British colonial authority created a new nation state dominated by a landed class elite. It is this elite class that led the independence struggle not for the whole nation but for one region of the country - their kingdom Buganda - the cause of conflict between the British colonial authority and the Buganda Kingdom, but also a source of economic and political competition between Buganda and other regions of Uganda. , Thesis (PhD) -- Faculty of Humanities, School of Governmental and Social Sciences, 2020
- Full Text:
- Date Issued: 2020-12
- Authors: Sekiswa, Peter
- Date: 2020-12
- Subjects: Uganda , Uganda (South Africa) , South Africa
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10948/55218 , vital:49670
- Description: This thesis has engaged in a debate that the establishment of colonial administration in Buganda in the 19th century more than anything else saw the transformation the Buganda state into an African feudal state. Basic explanation for this state of affairs was the need by the colonial authority to establish a dependent commodity producing economy in Buganda. The African feudal state contextually referred to is the transformation of power, labour and economic relations in this period to suit circumstances that favoured the process of commodity production in the Buganda state; a process that involved the strengthening of the political power base, by creating a landed oligarchy, thus destroying the traditional patron–client relations and creating out of such a relation a class of civil servants, yet also extracting land rent from siting tenant in an agrarian economic system. This period saw an interplay of numerous actors like the Christian missionaries and their Buganda collaborators, the Christian elite (Abasomi), the Learners. The second phase of this study examines the creation of a colonial economic system based on commodity production and the colonial authority creating a frame work of operation, as to how the economy-based commodity production was to operate as to either allow a settler plantation or a peasant mode of production. Coupled with the effects of the wars of nations the deteriorating economic conditions and the age of the rise of the spirit of nationalism in the 1950s, created a class of agitators against the colonial authority. Using the historical methodology, the study employed the use of oral interviews, archives, primary printed journals, and secondary sources, to trace the evolution of labour, political and economic relations in the Buganda state. This was in order to understand the process leading to the creation of the modern Buganda colonial state by 1962. The study puts it that the intercourse between the British colonial administrators and the Buganda state leaders was responsible for the resultant state of affairs. Intentionally or unintentionally, the British colonial authority created a new nation state dominated by a landed class elite. It is this elite class that led the independence struggle not for the whole nation but for one region of the country - their kingdom Buganda - the cause of conflict between the British colonial authority and the Buganda Kingdom, but also a source of economic and political competition between Buganda and other regions of Uganda. , Thesis (PhD) -- Faculty of Humanities, School of Governmental and Social Sciences, 2020
- Full Text:
- Date Issued: 2020-12
Title not specified
- Kruger, Jaco (Recorded by), Maphanzule, Jim (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Maphanzule, Jim (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Lamellophone , Mbira , Ngosha , Lemba song , Instrumental
- Type: Music , Sound
- Identifier: vital:15860 , JKC03b-08 , http://hdl.handle.net/10962/d1009049 , Tape number: JKC03 , Original tape number: 3 , Track number: 08
- Description: Instrumental Lemba song , For further details refer to Jaco Kruger recording card: 61
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Maphanzule, Jim (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Lamellophone , Mbira , Ngosha , Lemba song , Instrumental
- Type: Music , Sound
- Identifier: vital:15860 , JKC03b-08 , http://hdl.handle.net/10962/d1009049 , Tape number: JKC03 , Original tape number: 3 , Track number: 08
- Description: Instrumental Lemba song , For further details refer to Jaco Kruger recording card: 61
- Full Text: false
Rammbuda o vhuya nndwani Part II
- Kruger, Jaco (Recorded by), Shonisani and Mboi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:15727 , JKC14b-30 , http://hdl.handle.net/10962/d1008916 , Tape number: JKC14 , Original tape number: 14 , Track number: 30
- Description: English translation of title: 'Rambuda returned from the war' , Part II of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 157
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Mboi (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Mbila , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:15727 , JKC14b-30 , http://hdl.handle.net/10962/d1008916 , Tape number: JKC14 , Original tape number: 14 , Track number: 30
- Description: English translation of title: 'Rambuda returned from the war' , Part II of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 157
- Full Text: false
Thoho mahada khana na dzi khundu magona
- Kruger, Jaco (Recorded by), and Ronald Netshifhefhe (Leader), Children of Tsianda (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , and Ronald Netshifhefhe (Leader) , Children of Tsianda (Performer) , Composer unknown
- Subjects: Tsianda , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Venda lashu , Children's song , Choral , Nyimbo dza vhana
- Type: Music , Sound
- Identifier: vital:15807 , JKC16a-17 , http://hdl.handle.net/10962/d1008996 , Tape number: JKC16 , Original tape number: 16 , Track number: 17
- Description: Unaccompanied traditional Venda children's song , For further details refer to Jaco Kruger recording card: 210
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , and Ronald Netshifhefhe (Leader) , Children of Tsianda (Performer) , Composer unknown
- Subjects: Tsianda , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Venda lashu , Children's song , Choral , Nyimbo dza vhana
- Type: Music , Sound
- Identifier: vital:15807 , JKC16a-17 , http://hdl.handle.net/10962/d1008996 , Tape number: JKC16 , Original tape number: 16 , Track number: 17
- Description: Unaccompanied traditional Venda children's song , For further details refer to Jaco Kruger recording card: 210
- Full Text: false
Ukuqala
- Zulu men from Masinga (Performer), Composer not specified
- Authors: Zulu men from Masinga (Performer) , Composer not specified
- Subjects: Indigenous folk music , Brass drum , Clapping , CMR Mine , South Africa
- Type: Sound , Music
- Identifier: vital:15192 , http://hdl.handle.net/10962/d1017313 , MOA13
- Description: A dance song by group zulu men from Masinga, in Natal, with clapping, accompanied by a bass drum , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Zulu men from Masinga (Performer) , Composer not specified
- Subjects: Indigenous folk music , Brass drum , Clapping , CMR Mine , South Africa
- Type: Sound , Music
- Identifier: vital:15192 , http://hdl.handle.net/10962/d1017313 , MOA13
- Description: A dance song by group zulu men from Masinga, in Natal, with clapping, accompanied by a bass drum , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Tshelede
- Kruger, Jaco (Recorded by), Venda people (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Venda people (Performer) , Composer unknown
- Subjects: Ngudza , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Malende dance song , Drum , Clapping , Ululation
- Type: Music , Sound
- Identifier: vital:15889 , JKC10a-09 , http://hdl.handle.net/10962/d1009078 , Tape number: JKC10 , Original tape number: 10 , Track number: 09
- Description: English translation of title: 'Money' , Traditional Malende Venda dance song with clapping, ululation and drum accompaniment
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Venda people (Performer) , Composer unknown
- Subjects: Ngudza , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Malende dance song , Drum , Clapping , Ululation
- Type: Music , Sound
- Identifier: vital:15889 , JKC10a-09 , http://hdl.handle.net/10962/d1009078 , Tape number: JKC10 , Original tape number: 10 , Track number: 09
- Description: English translation of title: 'Money' , Traditional Malende Venda dance song with clapping, ululation and drum accompaniment
- Full Text: false
Takala ri yo vhona dambi Takalani
- Kruger, Jaco (Recorded by), Venda people (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Venda people (Performer) , Composer unknown
- Subjects: Takalani's homestead , Mukula , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Ngoma , Mirumba , Rattles , Clapping , Whistles , Drums , Dance song , Tshigombela dance
- Type: Music , Sound
- Identifier: vital:15785 , JKC02a-03 , http://hdl.handle.net/10962/d1008974 , Tape number: JKC02 , Original tape number: 2 , Track number: 03
- Description: English translation of title: 'Takalani we are going to see miracles' , Traditional Venda dance song accompanied by the mirumba, ngoma, whistling, phala-phala horn, ankle rattles and handclapping , For further details refer to Jaco Kruger recording card: 25
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Venda people (Performer) , Composer unknown
- Subjects: Takalani's homestead , Mukula , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Ngoma , Mirumba , Rattles , Clapping , Whistles , Drums , Dance song , Tshigombela dance
- Type: Music , Sound
- Identifier: vital:15785 , JKC02a-03 , http://hdl.handle.net/10962/d1008974 , Tape number: JKC02 , Original tape number: 2 , Track number: 03
- Description: English translation of title: 'Takalani we are going to see miracles' , Traditional Venda dance song accompanied by the mirumba, ngoma, whistling, phala-phala horn, ankle rattles and handclapping , For further details refer to Jaco Kruger recording card: 25
- Full Text: false