Kasadi ugandu
- Kankolongo Alidor, Hugh Tracey
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182604 , vital:43846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-14
- Description: The Likembe was rested on a guitar which acted as a resonator and the rhythm was tapped out on the body of the guitar. As it stands the instrument appears to be pentatonic but reference to other examples shows that the scale played is in fact hexatonic one note being absent from this assembly. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182604 , vital:43846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-14
- Description: The Likembe was rested on a guitar which acted as a resonator and the rhythm was tapped out on the body of the guitar. As it stands the instrument appears to be pentatonic but reference to other examples shows that the scale played is in fact hexatonic one note being absent from this assembly. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
Kemai II
- Kankolongo Alidor, Hugh Tracey
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182615 , vital:43847 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-15
- Description: "Two people had an argument. The rest came to find out what the trouble was, whereupon one left, leaving the other talking into space, at which they all said "what's the matter with him?" Kemai appears to be a common title for a piece of music, though they are not necessarily similar to each other. Only further research could elucidate this point. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182615 , vital:43847 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-15
- Description: "Two people had an argument. The rest came to find out what the trouble was, whereupon one left, leaving the other talking into space, at which they all said "what's the matter with him?" Kemai appears to be a common title for a piece of music, though they are not necessarily similar to each other. Only further research could elucidate this point. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
Kemai III
- Kankolongo Alidor, Hugh Tracey
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182620 , vital:43848 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-16
- Description: "Two people had an argument. The rest came to find out what the trouble was, whereupon one left, leaving the other talking into space, at which they all said "what's the matter with him?" Kemai appears to be a common title for a piece of music, though they are not necessarily similar to each other. Only further research could elucidate this point. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182620 , vital:43848 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-16
- Description: "Two people had an argument. The rest came to find out what the trouble was, whereupon one left, leaving the other talking into space, at which they all said "what's the matter with him?" Kemai appears to be a common title for a piece of music, though they are not necessarily similar to each other. Only further research could elucidate this point. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
Mwali wa Ngwi
- Kanyense Muange, Hugh Tracey
- Authors: Kanyense Muange , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
- Language: Kamba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175977 , vital:42646 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-12
- Description: Mwali is the name for the traditional way of retailing or chanting a legend, and Mwathi is a song. The singer boasts that he alone is the best singer of the district and greets his clever friends who make decorations for the dancers. In his second item he describes also the rifles he carried as a soilder. Praise chant.
- Full Text: false
- Date Issued: 1950
- Authors: Kanyense Muange , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
- Language: Kamba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175977 , vital:42646 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-12
- Description: Mwali is the name for the traditional way of retailing or chanting a legend, and Mwathi is a song. The singer boasts that he alone is the best singer of the district and greets his clever friends who make decorations for the dancers. In his second item he describes also the rifles he carried as a soilder. Praise chant.
- Full Text: false
- Date Issued: 1950
Wathi wa Ngethi
- Kanyense Muange, Hugh Tracey
- Authors: Kanyense Muange , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
- Language: Kamba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175986 , vital:42650 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-13
- Description: Mwali is the name for the traditional way of retailing or chanting a legend, and Mwathi is a song. The singer boasts that he alone is the best singer of the district and greets his clever friends who make decorations for the dancers. In his second item he describes also the rifles he carried as a soilder. Praise chant.
- Full Text: false
- Date Issued: 1950
- Authors: Kanyense Muange , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
- Language: Kamba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175986 , vital:42650 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-13
- Description: Mwali is the name for the traditional way of retailing or chanting a legend, and Mwathi is a song. The singer boasts that he alone is the best singer of the district and greets his clever friends who make decorations for the dancers. In his second item he describes also the rifles he carried as a soilder. Praise chant.
- Full Text: false
- Date Issued: 1950
Nimpwere bana bange kirika mabondo tirekuramya Gavana
- Kanyogote Mdende with Zinza men and women, Hugh Tracey
- Authors: Kanyogote Mdende with Zinza men and women , Hugh Tracey
- Date: 1952
- Subjects: Haya (African people) , Nyoro (African people) , Zinza (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyabubungo f-tz
- Language: Nyoro , Haya , Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172520 , vital:42214 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-05
- Description: "Help me to greet the Governor, children." This song is usually sung to greet their own chiefs, but was adapted for the purpose by including special words in honour of the 'Gavana', the Governor of Tanganyika when he visited their district. The favourite 2 against 3 rhythm is used. Greeting song for Chiefs, with conical laced drum.
- Full Text: false
- Date Issued: 1952
- Authors: Kanyogote Mdende with Zinza men and women , Hugh Tracey
- Date: 1952
- Subjects: Haya (African people) , Nyoro (African people) , Zinza (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyabubungo f-tz
- Language: Nyoro , Haya , Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172520 , vital:42214 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-05
- Description: "Help me to greet the Governor, children." This song is usually sung to greet their own chiefs, but was adapted for the purpose by including special words in honour of the 'Gavana', the Governor of Tanganyika when he visited their district. The favourite 2 against 3 rhythm is used. Greeting song for Chiefs, with conical laced drum.
- Full Text: false
- Date Issued: 1952
Ebyana bigendo mungolo
- Kanyogote Mdende with Zinza men and women, Hugh Tracey
- Authors: Kanyogote Mdende with Zinza men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Lunazi f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172739 , vital:42275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-08
- Description: "Come here and I will give you more land. The Chief is pleased with the work of his headman." Four men and women were playing the one drum, each beating out his own rhythm on his quater of the membrane. Strangely enough this did not deaden the sound as one might have expected. Before the drum maker closes up his laced drum he places a small stone inside. This they call 'Moyo wengoma,' the drum's heart. It does not serve any musical purpose but is found in every drum in the region. Marunda dance song for men and women with 1 conical, laced drum.
- Full Text: false
- Date Issued: 1950
- Authors: Kanyogote Mdende with Zinza men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Lunazi f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172739 , vital:42275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-08
- Description: "Come here and I will give you more land. The Chief is pleased with the work of his headman." Four men and women were playing the one drum, each beating out his own rhythm on his quater of the membrane. Strangely enough this did not deaden the sound as one might have expected. Before the drum maker closes up his laced drum he places a small stone inside. This they call 'Moyo wengoma,' the drum's heart. It does not serve any musical purpose but is found in every drum in the region. Marunda dance song for men and women with 1 conical, laced drum.
- Full Text: false
- Date Issued: 1950
Ametela metela
- Kaphatikila Kanyingi, Hugh Tracey
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186630 , vital:44519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-19
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186630 , vital:44519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-19
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
Gone yapa
- Kaphatikila Kanyingi, Hugh Tracey
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186635 , vital:44520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-20
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186635 , vital:44520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-20
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
Wakaratha
- Kariuki Ndenderu and Kikuyu boys, Hugh Tracey
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175470 , vital:42583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-02
- Description: "Archer, let us shoot at each other, then if I kill you, we will sacrifice a ram for you. The meat will be given to the rain-makers, rain will fall, the grass will grow to feed the cattle. The cattle will be used for a wife's dowry and she will make beer for me."
- Full Text: false
- Date Issued: 1950
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175470 , vital:42583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-02
- Description: "Archer, let us shoot at each other, then if I kill you, we will sacrifice a ram for you. The meat will be given to the rain-makers, rain will fall, the grass will grow to feed the cattle. The cattle will be used for a wife's dowry and she will make beer for me."
- Full Text: false
- Date Issued: 1950
Ndirathire
- Kariuki Ndenderu and Kikuyu boys, Hugh Tracey
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175461 , vital:42582 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-01
- Description: "I went north where I found Njeri weeping because her love had left her." Story song.
- Full Text: false
- Date Issued: 1950
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175461 , vital:42582 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-01
- Description: "I went north where I found Njeri weeping because her love had left her." Story song.
- Full Text: false
- Date Issued: 1950
Nyumba ya mwari witu
- Kariuki Ndenderu and kikuyu boys, Hugh Tracey
- Authors: Kariuki Ndenderu and kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175526 , vital:42589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-08
- Description: "My daughter's hut is thatched with reeds and the bushy tails of cows." The song has ten verses, the first three repeated. The accent or stress on the ultimate syllable instead of on the penultimate might indicate mission influence in this song. Local linguists would be able to determine this point. Dance song, Njama for old men.
- Full Text: false
- Date Issued: 1950
- Authors: Kariuki Ndenderu and kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175526 , vital:42589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-08
- Description: "My daughter's hut is thatched with reeds and the bushy tails of cows." The song has ten verses, the first three repeated. The accent or stress on the ultimate syllable instead of on the penultimate might indicate mission influence in this song. Local linguists would be able to determine this point. Dance song, Njama for old men.
- Full Text: false
- Date Issued: 1950
Wainaga
- Kariuki Ndenderu and Kikuyu boys, Hugh Tracey
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175480 , vital:42584 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-03
- Description: This is an example of a song sung at the preliminary feast before circumcision. On the day before the event the people enjoy a great feast of manyu varieties of food and drink after which they sing these songs. Some of the verses are in the form of riddles and others may be both pointed and harsh. Circumcision song for boys and girls.
- Full Text: false
- Date Issued: 1950
- Authors: Kariuki Ndenderu and Kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175480 , vital:42584 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-03
- Description: This is an example of a song sung at the preliminary feast before circumcision. On the day before the event the people enjoy a great feast of manyu varieties of food and drink after which they sing these songs. Some of the verses are in the form of riddles and others may be both pointed and harsh. Circumcision song for boys and girls.
- Full Text: false
- Date Issued: 1950
Ngochu
- Kariuki, Karurua with kikuyu boys, Hugh Tracey
- Authors: Kariuki, Karurua with kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175499 , vital:42586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-05
- Description: An interesting example of modal (probably 'modern' or 'model') singing. Party song.
- Full Text: false
- Date Issued: 1950
- Authors: Kariuki, Karurua with kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175499 , vital:42586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-05
- Description: An interesting example of modal (probably 'modern' or 'model') singing. Party song.
- Full Text: false
- Date Issued: 1950
Kabinda
- Kasadi Celestin (Performer), Composer not specified, Hugh Tracey
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Serenje f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133805 , vital:37019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-01
- Description: Processional for a chief (ceremonial), with 2 Silimba xylophones, 1 Chondo slit drum, 3 goblet drums, weighted, pinned, closed, hand-beaten with mirlitons
- Full Text: false
- Date Issued: 1957
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Serenje f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133805 , vital:37019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-01
- Description: Processional for a chief (ceremonial), with 2 Silimba xylophones, 1 Chondo slit drum, 3 goblet drums, weighted, pinned, closed, hand-beaten with mirlitons
- Full Text: false
- Date Issued: 1957
Musambo wa mazhi
- Kasadi Celestin (Performer), Bena Mbala (Performer), Hugh Tracey
- Authors: Kasadi Celestin (Performer) , Bena Mbala (Performer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Serenje f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133832 , vital:37022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-04
- Description: Ceremonial for a chief with 2 Silimba xylophones. 3 goblet drums, weighted, closed, pinned with mirlitons, and 1 Chondo slit drum
- Full Text: false
- Date Issued: 1957
- Authors: Kasadi Celestin (Performer) , Bena Mbala (Performer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Serenje f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133832 , vital:37022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-04
- Description: Ceremonial for a chief with 2 Silimba xylophones. 3 goblet drums, weighted, closed, pinned with mirlitons, and 1 Chondo slit drum
- Full Text: false
- Date Issued: 1957
Luwendo
- Kasadi Celestin (Performer), Composer not specified, Hugh Tracey
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Serenje f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133810 , vital:37020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-02
- Description: Processional for a chief (ceremonial), with 2 Silimba xylophones, 1 Chondo slit drum, 3 goblet drums, weighted, pinned, closed, hand-beaten with mirlitons
- Full Text: false
- Date Issued: 1957
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Serenje f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133810 , vital:37020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-02
- Description: Processional for a chief (ceremonial), with 2 Silimba xylophones, 1 Chondo slit drum, 3 goblet drums, weighted, pinned, closed, hand-beaten with mirlitons
- Full Text: false
- Date Issued: 1957
Mutombo-ka
- Kasadi Celestin (Performer), Composer not specified, Hugh Tracey
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Serenje f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133823 , vital:37021 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-03
- Description: Ceremonial for a chief with 2 Silimba xylophones. 3 goblet drums, weighted, closed, pinned with mirlitons, and 1 Chondo slit drum
- Full Text: false
- Date Issued: 1957
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Serenje f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133823 , vital:37021 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-03
- Description: Ceremonial for a chief with 2 Silimba xylophones. 3 goblet drums, weighted, closed, pinned with mirlitons, and 1 Chondo slit drum
- Full Text: false
- Date Issued: 1957
Calling the people and stating they have arrived
- Kasadi Celestin (Performer), Composer not specified, Hugh Tracey
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133850 , vital:37024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-06
- Description: Talking drum messages with Chondo slit drum
- Full Text: false
- Date Issued: 1957
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133850 , vital:37024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-06
- Description: Talking drum messages with Chondo slit drum
- Full Text: false
- Date Issued: 1957
Butaka
- Kasadi Celestin (Performer), Composer not specified, Hugh Tracey
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133855 , vital:37025 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-07
- Description: Talking drum messages with Chondo slit drum
- Full Text: false
- Date Issued: 1957
- Authors: Kasadi Celestin (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people) , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133855 , vital:37025 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR015-07
- Description: Talking drum messages with Chondo slit drum
- Full Text: false
- Date Issued: 1957